声调范畴感知和声调复杂度对音乐音高感知的跨领域影响

采用音高识别与区分任务, 以汉语母语者、越南语母语者和俄语母语者为研究对象, 考察了两个语言加工层面的因素, 即声调范畴感知模式以及不同语言声调系统的复杂度差异对跨领域音乐音高感知的影响。结果发现: (1)汉语和越南语两组声调语言母语者听辨结果符合范畴感知模式, 而俄语母语者是连续感知。在语言和音乐两种刺激条件下, 声调语言母语者在范畴边界宽度、范畴内区分率、范畴间区分率以及区分峰度等指标上不存在显著差异。(2)汉语和越南语两组声调语言母语者的音乐音高区分任务结果差异不显著。实验结果表明: 在行为层面, 母语声调范畴感知模式可以迁移到音乐音高感知中, 但复杂声调系统并不能促进跨领域的音乐音高精细感知。实验结果从语言对音乐音高加工影响的角度支持了“共享论”。     

2~4岁普通话儿童前注意阶段的声调感知机制

以MMN、p-MMR作为汉语词汇声调感知的神经关联物,探究2~4岁汉语普通话儿童前注意阶段对声调刺激的失匹配响应,关注范畴信息和偏差大小两个因素对儿童感知水平的影响。结果显示:在范畴间大偏差条件下(T1/T3),诱发明显的MMN;在范畴内或小偏差条件下(T3a/T3、T3b/T3、T2/T3),都未诱发显著的MMR。表明:2~4岁普通话儿童正处于声调感知能力的发展过程中,音位信息和声学信息共同影响其声调感知。     

汉语普通话声调T2-T4范畴化感知的老化效应

本研究考察了50~80岁说普通话的中老年人对普通话声调T2—T4的范畴化感知表现,探究影响声调范畴化感知老化的因素。采用经典范畴感知范式。结果显示,(1)中老年组所有年龄段(50~60岁、60~70岁、70~80岁)的范畴边界宽度都显著大于年轻组,但中老年组间差异不显著。(2)中老年人范畴边界宽度与记忆广度测试得分呈显著负相关,而与年龄的相关性不显著。(3)和年轻组相比,中老年组范畴内识别函数的斜率差异显著,而范畴间差异不显著。结果表明,中老年人声调感知范畴化程度下降,音系层面的加工能力发生衰退,记忆广度的衰退与声调范畴化感知老年化之间存在关联。此外,50到80岁间,年龄不会直接影响声调感知范畴化程度。     

调型和调阶对阳平和上声知觉的作用

使用心理-物理的方法研究了汉语普通话母语者对阳平和上声的感知。实验结果表明：普通话母语者对阳平和上声的分辨呈现出一定的范畴化倾向, 但普通话母语者区分这两个声调的范畴化程度不及他们区分阴平和阳平的范畴化程度; 普通话母语者不倾向于把孤立的低平升调和低平调辨认为上声; 在调阶不高的条件下, 音高曲线终点的“高”对于阳平的感知并不重要。这些结果暗示着, “低降”是和“升”分别是普通话上声和阳平的音系特征, 普通话可能也像吴方言一样存在阴、阳调域的差别, 阳平和上声同属于低调域。     

团体音乐辅导提高地震灾区初中生心理弹性的研究

目的：考查团体音乐辅导对提高地震灾区初中生心理弹性的效果。方法：选取心理弹性较低的地震灾区初中生22名,随机分入干预组和控制组,对干预组进行团体音乐辅导。结果：后测结果表明,与控制组相比,干预组被试的心理弹性及其相关因素指标均有显著改善;两个月后的回访结果显示,干预组被试得分与后测无显著差异,仍显著优于前测。结论：团体音乐辅导能够有效地提高地震灾区初中生的心理弹性水平,并具有一定的长效性。     

汉语元音对声调感知边界的影响

本项研究基于现代汉语普通话声调感知具有范畴性这一结论(Wang, 1976), 以普通话中6个单元音(/a//?//F//i//u//y/, 即拼音a、o、e、i、u、ü)阴平(T1)到阳平(T2)调的连续统(continuum)为实验语料, 用专业语音学软件Praat合成连续统语音样本, 对20名平均年龄为22.90岁的普通话母语者进行声调感知实验, 即让被试对所听刺激进行T1或T2的二选一鉴别测试(identification test), 从而探究单元音的内在音高(intrinsic pitch)与声调感知边界(boundary)的关系。本文借鉴Wang (1976)和Peng等(2010)对元音/i/声调连续统的合成方法, 使声调感知研究拓展到普通话中除/i/之外的其他5个单元音, 对以上两项研究起到一定的对照作用。研究发现, 元音会对T1到T2的声调范畴感知边界位置产生影响, 低元音/a/的内在音高较低, 其边界位置亦始终低于其他元音, 且具有显著性差异, 实验结果证明, 内在音高会对感知边界产生影响, 从而支持了Ohala和Eukel (1976)的“舌位拉伸”假说。     

融于教学的游戏训练对农村大班幼儿执行功能的促进

本研究采用实验组对照组前测后测设计,对实验组（即干预组）幼儿进行为期3个月的多种形式融于教学的游戏训练（自控力养成、专注力练习、记忆棋游戏）。结果发现：(1) 两组幼儿在执行功能的三个维度（工作记忆、抑制控制和认知灵活性）上的前测成绩均无显著差异,但训练后干预组幼儿的工作记忆和认知灵活性上的增量显著高于对照组;(2) 将干预组幼儿依据执行功能水平进行高、低分组划分,发现低执行功能组幼儿在三个维度都得到了显著提升,而高执行功能组幼儿只在工作记忆上有显著提升。研究证明,短期游戏训练一定程度上可以促进农村幼儿执行功能的进步,尤其对执行功能偏低的幼儿效果更加明显,显示出补偿发展的特征。     

注意偏向训练对广泛性焦虑障碍负性情绪注意偏向的影响

采用改良的点探测任务,探讨了注意偏向训练能否改变GAD患者的负性情绪注意偏向并缓解其焦虑状态,及注意偏向训练的作用机制。结果发现,与控制组相比,训练组被试的负性注意偏向分数显著降低,具体表现为训练后训练组的负性注意解除能力显著高于控制组,两组被试的负性注意警觉在前后测均未有显著变化;注意偏向训练引起了GAD患者积极情绪的变化,缓解了状态焦虑。这证明了注意偏向训练对改变GAD患者负性情绪注意偏向及缓解其焦虑状态的有效性,并揭示这种改变主要是通过提升其对负性刺激的注意解除能力来实现的。     

正念训练提升3~4岁幼儿注意力和执行功能

正念训练是指个体将注意力集中于当下体验的一种心理干预方法。先前研究表明正念训练可以促进其注意力、执行功能、情绪调节等的发展, 而正念训练对幼儿心理发展的作用机制并不清楚。因此, 为了考察正念训练对3~4岁幼儿注意力和执行功能的影响。采用前后测设计, 对正念组进行每周2次, 每次20~30分钟, 共12次的正念训练; 对照组不进行任何训练。结果发现：(1) 在注意力方面, 正念组与对照组前测差异不显著, 训练后正念组幼儿持续性注意力得分显著高于对照组。(2) 在执行功能方面, 正念组和实验组在抑制控制、认知灵活性以及工作记忆上前测得分差异不显著, 训练后正念组幼儿抑制控制和认知灵活性得分显著优于对照组, 而两组幼儿工作记忆差异不显著。研究表明, 正念训练促进了3~4岁幼儿注意力和执行功能的发展, 且在执行功能方面主要表现为对抑制控制和认知灵活性的提升。     

工作记忆训练提升幼儿流体智力表现

目前已有许多研究证据表明, 工作记忆训练能提高成人、儿童的流体智力成绩, 然而这种训练是否能够提高幼儿的流体智力表现, 更为重要的是, 如果训练确有成效, 那么这种训练效果能否长期保持？为此, 本研究选择了幼儿园4~5岁幼儿进行工作记忆训练任务, 考察工作记忆训练对流体智力的提升及保持效应。实验中设立3个组：实验组、控制1组和控制2组。实验组采用单个空间n-back的工作记忆游戏程序进行训练, 控制1组采用“水果忍者”的游戏程序进行训练, 两组进行游戏训练的时间均为14天, 每天15 min; 控制2组不进行任何训练。结果发现, 训练后实验组幼儿被试的流体智力成绩明显优于两个控制组, 在6个月后再进行测试, 这种优势仍然保持。本研究结果表明, n-back工作记忆训练可以提高幼儿的流体智力成绩, 并且这种训练效果具有持续的稳定性。     

Impaired categorical perception of lexical tones in Mandarin-speaking congenital amusics

The degree to which cognitive resources are shared in the processing of musical pitch and lexical tones remains uncertain. Testing Mandarin amusics on their categorical perception of Mandarin lexical tones may provide insight into this issue. In the present study, a group of 15 amusic Mandarin speakers identified and discriminated Mandarin tones presented as continua in separate blocks. The tonal continua employed were from a high-level tone to a mid-rising tone and from a high-level tone to a high-falling tone. The two tonal continua were made in the contexts of natural speech and of nonlinguistic analogues. In contrast to the controls, the participants with amusia showed no improvement for discrimination pairs that crossed the classification boundary for either speech or nonlinguistic analogues, indicating a lack of categorical perception. The lack of categorical perception of Mandarin tones in the amusic group shows that the pitch deficits in amusics may be domain-general, and this suggests that the processing of musical pitch and lexical tones may share certain cognitive resources and/or processes (Patel 2003, 2008, 2012).     

Tone perception in Cantonese and Mandarin: A cross-linguistic comparison

This study investigated the effects of linguistic experience on tone perception. Both Cantonese (in Experiment 1) and Mandarin (in Experiment 2) tones, including both lexical and nonlexical tones, were presented to three groups of subjects: Cantonese, Mandarin, and English native speakers. Subjects were asked to determine whether two auditorily presented tones were the same or different. The interval between the presentation of the two tones, and the level of interference during this interval, were manipulated. Native speakers did better at discriminating tones from their own languages than the other two groups of subjects, for both lexical and nonlexical tones. Subjects did worst when they were required to count backward during the interstimulus interval. Cantonese speakers were better than both Mandarin and English speakers at discriminating Cantonese tones, and there was no difference between Mandarin and English speakers, except in one condition. Mandarin speakers did better than both Cantonese and English speakers, and Cantonese speakers did better than English speakers, at discriminating Mandarin tones. Results are discussed in terms of the effects of language background, differences between Cantonese and Mandarin tones, and the nature of encoding in short-term memory.We thank Chung, Hon Yan, for writing programs for the experiment, and Yang, MuJang, for her assistance in testing the Mandarin subjects. This research was supported by a Summer Research Grant from the Chinese University of Hong Kong.     

Speaking a tone language enhances musical pitch perception in 3–5‐year‐olds

Young children learn multiple cognitive skills concurrently (e.g., language and music). Evidence is limited as to whether and how learning in one domain affects that in another during early development. Here we assessed whether exposure to a tone language benefits musical pitch processing among 3–5‐year‐old children. More specifically, we compared the pitch perception of Chinese children who spoke a tone language (i.e., Mandarin) with English‐speaking American children. We found that Mandarin‐speaking children were more advanced at pitch processing than English‐speaking children but both groups performed similarly on a control music task (timbre discrimination). The findings support the Pitch Generalization Hypothesis that tone languages drive attention to pitch in nonlinguistic contexts, and suggest that language learning benefits aspects of music perception in early development. A video abstract of this article can be viewed at: https://youtu.be/UY0kpGpPNA0     

绝对音高者对音乐的加工及其神经机制

绝对音高感是一种特殊的音高命名能力。通过论述绝对音高能力与音乐加工的关系,发现绝对音高者具有对音高、音程和旋律的加工优势,但他们对相对音高的加工存在劣势。同时,与非绝对音高者相比,绝对音高者大脑结构和功能都表现出特殊性。未来研究应进一步厘清音乐训练对绝对音高者音乐加工的影响。     

汉语普通话声调感知的老年化效应：来自ERP的证据

研究考察汉语普通话老年人前注意阶段声调感知状况, 探究是否存在领域特殊的老年化。运用事件相关电位技术, 采用被动oddball范式诱发MMN回应, 控制领域一般性因素的影响。结果显示涉及范畴变化的声调和非语音音调诱发MMN强度衰减, 不涉及范畴变化的声调诱发MMN强度未衰退。研究结果表明在前注意阶段, 在特定汉语普通话声调范畴知识加工能力上存在领域特殊的衰退, 而不涉及母语音位知识的声调的感知存在领域特殊的一定程度的保留, 这一保留与时间维度上补偿机制的调用有关。受补偿机制调节, 语言加工呈现出衰退或保留等不同的老年化进程。     

Infant music perception: domain-general or domain-specific mechanisms?

We review the literature on infants' perception of pitch and temporal patterns, relating it to comparable research with human adult and non-human listeners. Although there are parallels in relative pitch processing across age and species, there are notable differences. Infants accomplish such tasks with ease, but non-human listeners require extensive training to achieve very modest levels of performance. In general, human listeners process auditory sequences in a holistic manner, and non-human listeners focus on absolute aspects of individual tones. Temporal grouping processes and categorization on the basis of rhythm are evident in non-human listeners and in human infants and adults. Although synchronization to sound patterns is thought to be uniquely human, tapping to music, synchronous firefly flashing, and other cyclic behaviors can be described by similar mathematical principles. We conclude that infants' music perception skills are a product of general perceptual mechanisms that are neither music- nor species-specific. Along with general-purpose mechanisms for the perceptual foundations of music, we suggest unique motivational mechanisms that can account for the perpetuation of musical behavior in all human societies.     

为什么和声能诱发音乐情感?——音乐协和性的作用及其认知机制

音乐是高级意识活动产生的声音艺术, 对人类的情感表达和交流具有重要意义。作为连接音乐与情绪的核心要素, 协和性的形成原理至今仍然未有定论。人类如何加工多个音符构成的和声?为什么一些和声听起来协和(愉悦), 一些和声听起来不协和(不愉悦)?协和感究竟是自下而上的声学感知还是自上而下的审美体验?从古希腊时代至今, 这些问题就一直吸引着学者的目光。物理学家从协和与不协和的声学区别中寻找答案, 生理学家从听觉生理机制方面分析协和感的产生, 心理学家研究协和音程偏好是与生俱来的还是后天形成的。目前, 音乐协和性的理论内容主要以西方音乐为主, 中国传统民族音乐迫切需要开展相关的实证研究。