Who are the Best‐Known National and Foreign Creators — a Comparative Study Among Undergraduates in China and Germany

Separate studies of Chinese and Western individuals have suggested that there are cultural differences in perceptions of creativity, particularly in an emphasis on meritorious salience versus aesthetic salience as bases for creativity, but cross‐cultural studies are needed to substantiate that difference. In this study, undergraduates from Giessen in Germany and Hong Kong and Nanjing in China provided data on the recognition of famous creative persons. Chinese undergraduates in Hong Kong and Nanjing mostly nominated politicians, scientists or inventors, but rarely nominated artists, musicians. German undergraduates mostly nominated philosophers, artists, and writers but rarely nominated politicians. This supports our assumption that the Chinese evaluation of creators emphasizes the meritorious salience of creativity whereas the German evaluation of creators emphasizes the aesthetic salience of creativity. Implications and limitations of this study are discussed at the end of the paper.     

Which Chinese Creators are Famous and why: Views from Hong Kong and Mainland Chinese Students

The list of recognized creators is constantly changing with the passage of time. An up-to-date list of recognized Chinese creators emerges from a survey of a large sample of Chinese students in various places in China. To understand the sustain-ability of the creators' fame, this study examines how the creators' personal characteristics affect their fame, creativity, social contribution, and esteem, based on the students' viewpoints. Results show that scientists, compared with other professionals, consistently maintained higher fame, creativity, and social contribution. This finding is consistent with the emphasis on science, rationality, and objectivity in modern education as well as the meritorious evaluation bias in perceiving the utility of creativity in Chinese society. The creator's creativity showed an inverted-U shaped relationship to fame. Hence, a moderate level of creativity was associated with the highest fame in the creator. There were some differences between Hong Kong and Mainland Chinese students' perceptions of the sustainability of fame, which is largely attributable to the influence of commercialism in Hong Kong.     

Perception of the most creative Chinese by undergraduates in Beijing,Guangzhou, Hong Kong,and Taipei

This study surveys 489 undergraduates in Beijing, Guangzhou, Hong Kong and Taipei about their nomination of most creative Chinese people in history and in modern times. Politicians were nominated by all four samples as being the most creative individuals in the past and at present. Scientists and inventors ranked second in position. Taken together, they occupy over 90 percent of the total number of nominations. Artists, musicians and businessmen are rarely nominated. More than half of the reasons given for nominating these people are not directly related to creativity. This finding is attributed to a strong utilitarian view of creativity that lies in Chinese young people's perception of creativity. They are much more concerned with a creator's social influence or contribution in society than with his or her innovativeness in thinking. The paper concludes by addressing some methodological implications for further studies on the issue.     

Are allies who we think they are?: A comparative analysis

Although dominant group allies have been increasingly studied by social psychologists interested in positive intergroup relations and the promotion of social justice, most of the existing research focuses on self‐identified allies or dominant group individuals who are engaging in social justice activities. Little comparative work has examined white allies who were specifically identified as such by people of color. Two studies assessed qualities associated with affirming attitudes (low prejudice, high internal motivation to respond without prejudice, allophilia, and awareness of privilege) and informed action (activism) expected to be distinctively characteristic of allies. Nominated white allies in Study 1 had lower prejudice and higher levels of internal motivation to respond without prejudice than nonnominated white participants; this was replicated in Study 2, which compared nominated “allies” and “friends.” In Study 2, nominated white allies rated themselves as lower on prejudice than nominated white friends. They also scored higher on internal motivation to respond without prejudice, understanding of white privilege, and activism than nominated white friends. There were no differences on self‐reported allophilia between the two groups. Allies were rated by the people of color who nominated them as higher on qualities of outgroup affirmation and informed action than were nominated friends. Limitations of and implications for these findings are discussed.     

两岸四地大学生对创造力特征及创造力 人才的认知调查

该研究表明,北京、广州、香港和台北的大学生在对创造力和创造力人才的内隐认知甚为一致。其中北京和广州大学生的内隐认知更为接近,而香港和台湾大学生的内隐认知更为接近。在对高创造力特征的内隐认知上,四地大学生一致看重的条目有：有创造力、有创见、创新、有观察力、有思考力、愿做尝试、灵活性、有自信、有想象力、有好奇心、有个性和有独立性等。而在对低创造力表现的内隐认知上,四地大学生的一致认同的条目有：呆钝、保守、跟随传统和愿做让步。在对创造力人才的认知上,四地的大学皆首推政治名人,次推科技界名人。四地大学生最不看重的创造力人才是艺术界和音乐界名人。这说明,两岸三地的中国人虽然分离长久,但其对创造力的认知上仍相当一致,都甚看重政治与科技人物的影响。     

Emotional valence and the functions

Differences between positive and negative autobiographical memories are often explained with reference to hypothesized evolutionary functions. Generally, it has been proposed that autobiographical memory serves directive, self-, and social functions. However, the relationship between emotional valence and the three functions has never been studied. In Study 1, participants generated memories that mapped onto each of the three functions. Directive memories were dominated by negative emotion, whereas self- and social memories were dominated by positive emotion. In Study 2, participants generated their most positive and most negative memories, as well as their most frequent involuntary and most vivid flashbulb memories, and the three functions were measured through rating-scale questions. The directive function had the lowest ratings across all memory classes, but, consistent with the results of Study 1, positive memories were rated higher on the self- and social functions, whereas negative memories were rated higher on the directive function.     

Creativity,Gender and The Family: A Study of Creative Writers

Based on interviews with 20 creative writers, this study explores the relationship between creativity and the family. Although most research in this area addresses the effect of parental influences on young creators, this study examines the effect of being a parent and a spouse once adult creators establish families of their own. The family affects writers in terms of (a) gender expectations, (b) material and symbolic constraints of parenthood, and (c) social support provided by spouses. These social forces affect men and women differently, and may help explain why there have been so few female creators. Locating creativity within the context of family relationships will further expand the study of creativity from a psychological phenomenon to a social process.     

Synesthesia and creativity in fine arts students: An Empirical Look

Abstract:

A survey of 358 fine arts students at three large universities indicated that 23% (84) experienced synesthesia in a spontaneous and consistent manner, and 49% (175) reported no such experience. From this subject pool, 61 synesthetes and 61 controls, equated on gender, major, year in school, and verbal intelligence, received a battery of four creativity measures. The synesthetes scored significantly higher than controls on all four creativity measures; and their self‐rated frequency and vividness of synesthesia though significantly intercorrelated, correlated marginally with the measures of creativity. The results are consistent with anecdotal reports that synesthetes are often involved in musical and artistic fields, and possessive of a high degree of creativity.     

预期交流与创造力的关系:解释水平的调节作用

该研究探讨了预期交流对创造力的影响, 以及解释水平在其中的调节作用。实验1采用结构性想象任务探讨预期交流是否影响创造力。结果表明, 相较于没有预期交流, 预期交流条件下的个体表现出更高的创造力。实验2采取了创意产生任务, 并探讨了解释水平在其中的调节作用。结果表明, 当完成抽象的、高解释水平任务时, 相较于无预期交流, 预期交流条件下个体在新奇性和变通性两个维度上表现出了更高的创造力; 当完成具体的、低解释水平任务时, 预期交流的效应不复存在。也就是说, 只有当创造力任务要求高解释水平的抽象思维时, 预期交流才能促进创造力的发挥。总结而言, 本研究在过往对于交流与创造力以及解释水平与创造力的研究基础上进一步发现, 对于抽象创造力任务, 虽然真正的信息交流尚未发生, 但仅仅对于交流的预期就会提高创造力水平。     

The Potential Role of the Physical Environment in Fostering Creativity

ABSTRACT: Two studies investigated the role of specific interior design elements on creativity. In Study 1, a photographic structured Q sort was used to determine where participants would feel most creative and least creative. Content analysis of the photographs by independent raters scaled each setting according to size, shape, light, internal organization of objects, and characteristics of bounding surfaces. Analyses identified 5 environmental characteristics that independently predicted greater perceived creativity: (a) complexity of visual detail, (b) view of natural environment, (c) use of natural materials, (d) with fewer cool colors used, and (e) less use of manufactured or composite surface materials. In Study 2, tests of actual creative performance were administered in 2 different settings. One setting had been rated relatively high in creativity potential, and the other setting was rated relatively low in creativity potential by the original participants in Study 1. Creative performance of an independent sample was greater in the setting that had been rated higher in creativity potential by participants in Study 1.     

The Effects of Extrinsic Motivation on Scientific and Artistic Creativity among Middle School Students

The present study tested the effects of extrinsic motivation on scientific and artistic creativity among Chinese middle school students. In Study 1, a between-groups design was applied to examine the effects of expected rewards on scientific and artistic creativity among 123 students, and in Study 2 the same design was applied to examine the effects of expected evaluation from different raters on scientific and artistic creativity among 120 students. We also considered the effects of grade and gender in both studies. The results of Study 1 indicated that expected material reward had significant negative effects on scientific creativity for 7th graders, while expected social reward had significant positive effects on scientific creativity for 8th graders, and both expected material and social rewards had significant positive effects on artistic creativity. The results of Study 2 indicated that expected evaluation from teachers and classmates had significant negative effects on scientific creativity and significant positive effects on artistic creativity. These results suggest that there is no one-size-fits-all answer to the effects of extrinsic motivation and creativity, Factors such as culture, type of extrinsic motivation, grade, and domains of creativity must be fully considered when cultivating adolescents’ creativity.     

Movement synchrony and perceived entitativity

Movement synchrony has been theoretically linked to the emergence of a social unit. To empirically investigate whether similar movement rhythms are an antecedent of perceived entitativity, movement rhythms were experimentally manipulated in four studies. Using this novel approach, stick figures waving in synchrony were found to be rated higher on entitativity than stick figures waving in different rhythms (Study 1), and this effect was extended to interactional synchrony, where different movements are performed in the same rhythm (Study 2). Objective differences in movement rhythms are linearly related to ratings of perceived entitativity, and this relationship is partially mediated by the subjectively perceived similarity of movement rhythms (Study 3). These results also held for entitativity judgments for videotaped individuals waving rhythmically (Study 4). These results support the hypothesis that movement rhythms are an important source of information which observers use to infer the extent to which individuals are a social unit.     

Varieties of groups and the perception of group entitativity

Three studies examined perceptions of the entitativity of groups. In Study 1 (U.S.) and Study 2 (Poland), participants rated a sample of 40 groups on 8 properties of groups (e.g., size, duration, group member similarity) and perceived entitativity. Participants also completed a sorting task in which they sorted the groups according to their subjective perceptions of group similarity. Correlational and regression analyses were used to determine the group properties most strongly related to entitativity. Clustering and multidimensional scaling analyses in both studies identified 4 general types of groups (intimacy groups, task groups, social categories, and loose associations). In Study 3, participants rated the properties of groups to which they personally belonged. Study 3 replicated the results of Studies 1 and 2 and demonstrated that participants most strongly valued membership in groups that were perceived as high in entitativity.     

Chinese children's evaluations of white lies: weighing the consequences for recipients

This research examined how Chinese children make moral judgments about lie telling and truth telling when facing a “white lie” or “politeness” dilemma in which telling a blunt truth is likely to hurt the feelings of another. We examined the possibility that the judgments of participants (7-11 years of age, N = 240) would differ as a function of the social context in which communication takes place. The expected social consequences were manipulated systematically in two studies. In Study 1, participants rated truth telling more negatively and rated lie telling more positively in a public situation where telling a blunt truth is especially likely to have negative social consequences. In Study 2, participants rated truth telling more positively and rated lie telling more negatively in a situation where accurate information is likely to be helpful for the recipient to achieve future success. Both studies showed that with increased age, children’s evaluations became significantly influenced by the social context, with the strongest effects being seen among the 11-year-olds. These results suggest that Chinese children learn to take anticipated social consequences into account when making moral judgments about the appropriateness of telling a blunt truth versus lying to protect the feelings of another.     

Mood Swings and Creativity

ABSTRACT:

This article evaluates recent evidence for an association between creativity and bipolar mood disorders. Eminent creativity and everyday creativity are distinguished, with high rates of major mood disorders‐particularly bipolar disorders— appearing among eminent creators in the arts. However, among everyday persons, including the 4–5% of the population that may develop a bipolar “spectrum”; disorder and their relatives, it is those with relatively milder mood disorders and normalcy who may show the greatest creative advantage. These seemingly conflicting results are reconciled through comparison of research designs and the creativity and diagnostic variables studied. Evidence regarding mood states that enhance creativity is also considered, both for eminent and everyday creators, and some preliminary results from a study of patients are presented. Here, milder mood elevations were tied most closely to the experience of creativity, although other patterns can exist. Three patterns are examined in terms of 23 mood, cognitive, and behavioral features that Jamison (1989) studied in eminent creators.     

In the World or in the Head: External and Internal Implicit Theories of Creativity

This research is an initial step to bringing existing research on cultural differences in attribution and holism to the study of implicit theories of creativity. Two studies examined the tendency to consider creativity to be prototypically expressed internally via reflection and internal states versus expressed externally via interaction and products. Study 1 had Caucasian American, Asian American, and Japanese undergraduates list activities and traits they associated with creative groups and individuals. In Study 2, Japanese, Chinese, Caucasian Americans, and Asian Americans chose specific professions as more creative using a paired forced-choice method. In both studies, East Asians had a greater propensity to choose external traits, activities, and professions as creative, whereas Caucasian Americans and to a lesser degree, Asian Americans showed a preference for internal items. The implications of cross-cultural differences in implicit theories of creativity are discussed.     

Adults' memories of childhood: Affect,knowing, and remembering

Adult questionnaire respondents reported, for each of a number of events, if they had experienced that event during childhood and, if so, if they remembered the experience or merely knew it had happened. Respondents also rated the emotion of each event and judged whether they would remember more about each reportedly experienced event if they spent more time trying to do so. Study 1 respondents were 96 undergraduates, whereas Study 2 tested 93 community members ranging widely in age. Respondents often reported no recollections of reportedly experienced events. Reportedly experienced events rated as emotional were more often recollected than those rated as neutral, and those rated as positive were more often recollected than those rated as negative. Predicted ability to remember more was related to current memory. Claims of remembering reportedly experienced events increased with age, but predicted ability to remember more about them declined with age.     

Adults' memories of childhood: affect, knowing, and remembering

Adult questionnaire respondents reported, for each of a number of events, if they had experienced that event during childhood and, if so, if they remembered the experience or merely knew it had happened. Respondents also rated the emotion of each event and judged whether they would remember more about each reportedly experienced event if they spent more time trying to do so. Study 1 respondents were 96 undergraduates, whereas Study 2 tested 93 community members ranging widely in age. Respondents often reported no recollections of reportedly experienced events. Reportedly experienced events rated as emotional were more often recollected than those rated as neutral, and those rated as positive were more often recollected than those rated as negative. Predicted ability to remember more was related to current memory. Claims of remembering reportedly experienced events increased with age, but predicted ability to remember more about them declined with age.     

Rural-urban differences in generation of Chinese and Western exemplary persons: The case of China

Chinese adolescents in urban cities (Beijing, Chengdu) and rural towns (Wei Shan Zhuang, Zheng Xing) generated Chinese and Western exemplary persons and rated the values these exemplary persons represent. The results showed that the tendency to differentiate Chinese culture from Western culture was greater among urban ( vs rural) Chinese. Specifically, only urban Chinese consistently attributed Chinese moral values (more than other types of values) to self-generated Chinese exemplary persons and Western moral values (more than other types of values) to self-generated Western exemplary persons. Because urban Chinese have more frequent exposure to foreign cultures, our results suggest that frequent exposure to foreign cultures can lead to enhanced perceptions of cultural differences.