Arousal and mood factors in the "Mozart effect"

Some investigators of the "Mozart effect" have not controlled for the influence of differences in arousal or mood induced by treatment conditions. Studies by Rideout and colleagues reported differences in spatial reasoning after listening to a Mozart sonata compared against a relaxation instruction tape. The conditions may have affected subjects' arousal differentially, with the sonata increasing arousal and the relaxation instructions decreasing arousal, which could have affected spatial reasoning performance. Evidence is cited in support of this suggestion and indicates the importance of analyzing the influence of arousal differences in Mozart effect research.     

The subliminal mere exposure effect does not generalize to structurally related stimuli.

R.F. Bornstein (1994) questioned whether subliminal mere exposure effects might generalize to structurally related stimuli, thereby providing evidence for the existence of implicit learning. Two experiments examined this claim using letter string stimuli constructed according to the rules of an artificial grammar. Experiment 1 demonstrated that brief, masked exposure to grammatical strings impaired recognition but failed to produce a mere exposure effect on novel structurally related strings seen at test. Experiment 2 replicated this result but also demonstrated that a reliable mere exposure effect could be obtained, provided the same grammatical strings were presented at test. The results suggest that the structural relationship between training and test items prevents the mere exposure effect when participants are unaware of the exposure status of stimuli, and therefore provide no evidence for the existence of implicit learning.     

To generalize or not to generalize: spatial categories are influenced by physical attributes and language

The current work explored the conditions under which infants generalize spatial relationships from one event to another. English‐learning 5‐month‐olds habituated to a tight‐ or loose‐fit covering event dishabituated to a change in fit during a containment test event, but infants habituated to a visually similar occlusion event did not. Thus, infants’ responses appeared to be driven by the physical nature of the fit rather than visual similarity. This response pattern was replicated with Korean‐speaking adults, but English‐speaking adults showed no sensitivity to change in fit for either event. These findings suggest that language development links linguistic forms to universal, pre‐existing representations of meaning, and that linguistic experience can shape sensitivity to distinctions that are marked in one's native language.     

Graphology and personality: Another failure to validate graphological analysis

A group of 64 adults completed the EPQ and copied out a set text in their own handwriting. Independent coders (reliability 0.89) rated each sample of handwriting on 13 specific features which were correlated with the EPQ. Results showed few significant differences, once again questioning the validity of handwriting analysis.     

Mozart Among the Theologians

The essay compares and contrasts the philosophical, theological, and aesthetic approaches to Mozart in the writings of Søren Kierkegaard's aesthete A (Either/Or, I), Karl Barth (primarily Wolfgang Amadeus Mozart), and Hans Küng (Mozart: Traces of Transcendence). Whereas Kierkegaard's A outlines a non‐religious ‘daemonic Mozart’, Barth and Küng depict two contrasting theological understandings of Mozart's music. Barth's Mozart reflects a Reformed aesthetic, with Mozart as a ‘parable’ of gospel, whereas Küng's Mozart reflects a Roman Catholic ‘sacramental’ vision of music and religious faith. The essay explores how these different visions of Mozart are shaped by both their theological and aesthetic commitments.     

Renewal and resurgence phenomena generalize to Amazon's Mechanical Turk

Amazon's Mechanical Turk (MTurk) is a crowdsourcing platform that provides researchers with the potential for obtaining behavioral data for very little cost. However, the extent to which the results of common behavioral phenomena found in basic, translational, and applied laboratories may be reproduced (as a first step towards prospective research) via MTurk remains relatively unexplored. We evaluated renewal and resurgence arrangements using MTurk as the subject recruitment platform as a first step to determining the generality of the obtained data. Results suggested that MTurk participants produced renewal and resurgence data similar to those reported in basic, translational, and applied studies.     

Recognition memory of spatial location information: Another failure to support automaticity

Hasher and Zacks (1979) claimed that spatial location information is automatically encoded. Evaluation of the empirical basis for this claim, however, casts doubt on some of the evidence for the automaticity position. This evaluation led to four experiments in which five criteria for testing the automaticity of cognitive processes were examined using a recognition task. Results of these experiments clearly show thatrecognition memory for spatial location information is influenced by intention, age of subjects, competing task loads, practice, and individual differences. The reported results, which extend those reported by Naveh-Benjamin (1987) for spatial locationrecall memory, are at odds with the claim that memory for spatial location information is exclusively mediated by automatic encoding processes. The concept of automaticity and the appropriateness of the criteria suggested for testing the automaticity of cognitive processes are discussed in light of the current results and recent findings on other features of the environment (e.g., frequency of occurrence) previously claimed to be automatically encoded.     

The Mystery of the Mozart Effect: Failure to Replicate

The Mozart effect is the purported increase in spatial-reasoning performance immediately after exposure to a Mozart piano sonata. Several laboratories have been unable to confirm the existence of the effect despite two positive reports from the original laboratory. The authors of the original studies have provided a list of key procedural components to produce the effect. This experiment attempted to produce a Mozart effect by following those procedural instructions and replicating the procedure of one of the original positive reports. The experiment failed to produce either a statistically significant Mozart effect or an effect size suggesting practical significance. This general lack of effect is consistent with previous work by other investigators. We conclude that there is little evidence to support basing intellectual intervention programs on the existence of the Mozart effect.     

Inverted-U effects generalize to the judgment of subjective properties of faces

Researchers studying absolute identification have long known that it takes more time to identify a stimulus in the middle of a range than one at the extremes. That is, there is an inverted-U relation between mean response time and response position. In this task, an inverted-U relation also exists between response uncertainty and response position. Similarly, an inverted-U relation between mean response time and response position has been found for psychometric measures involving questions about the self. However, psychophysicists explain these inverted-U effects differently than do self-schema researchers. We propose an integrative framework in which task constraints explain these effects. To verify the generality of these inverted-U effects, we hypothesized that they would exist in three tasks having similar constraints--in this case, tasks involving the judgment of subjective properties of faces on a Likert-type scale. Our results are consistent with this hypothesis. We discuss the relevance of the results for other applications of Likert-type scales.     

Learning in small connectionist networks does not generalize to large networks

Summary A number of recent models of human information processing have been based on connectionist architectures. Such models are designed to illustrate specific psychological principles and are usually implemented in small networks. The assumption implicit in the work is that principles illustrated in small networks can be applied easily to brain-size networks by scaling up as required. To consider the scaling question, we used a back-propagation algorithm to compare learning in both large and small networks and found that learning depended on the size of the network. In small networks, increasing (the rate-of-learning parameter) beyond 1 increased the rate of learning; in large networks, the same manipulation reduced the rate of learning. The example illustrates the difficulty of generalizing across network size and calls into question the assumption that principles illustrated in small networks can be applied to the brain by expansion of the network.Formerly at Queen's University at Kingston     

An investigation into the temporal dimension of the Mozart effect: evidence from the attentional blink task

In the present study, we examined whether the 'Mozart effect' would influence participants' temporal attention using a visual attentional blink (AB) task that provides a reliable measure of the temporal dynamics of visual attention. The 'Mozart effect' refers to the specific claim that listening to Mozart's Sonata for Two Pianos in D Major, K.448 can improve the performance in spatio-temporal tasks. Participants had to try and identify two target digits (in their correct order of presentation) presented amongst a stream of distractor letters in three different conditions (presented in separate blocks of trials): while listening to the Mozart sonata played normally, while listening to the same Mozart sonata played in reverse, and while in silence. The results showed that the participants were able to detect the second target (T2) significantly more accurately (given the correct detection of the first target, T1) in the AB stream when the Mozart sonata was played normally than in either of the other two conditions. Possible explanations for the differential effects of Mozart's music being played normally and in reverse and potential confounds in previous studies reporting a facilitatory 'Mozart effect' are discussed. Our results therefore provide the first empirical demonstration supporting the existence of a purely temporal component to the 'Mozart effect' using a non-spatial visual AB task.     

The Mozart effect: questions about the seminal findings of Rauscher, Shaw, and colleagues

Seminal evidence for the Mozart effect was presented by Rauscher, Shaw, and colleagues in 1993 and 1994. A critical evaluation of their methodologies and interpretation of findings raises questions that must be answered before this evidence can be regarded as valid. We discuss issues such as their scoring of the Stanford-Binet Intelligence Scale, the experimental design used in their 1993 study, the validity of their 1993 IQ measure, the duration of the Mozart effect, their choice of experimental tasks in relation to predictions of the trion model of neural functioning, and the statistical analyses and interpretation of results in the 1993 and 1994 studies.     

Arousal, Mood, and the Mozart Effect

The "Mozart effect" refers to claims that people perform better on tests of spatial abilities after listening to music composed by Mozart. We examined whether the Mozart effect is a consequence of between-condition differences in arousal and mood. Participants completed a test of spatial abilities after listening to music or sitting in silence. The music was a Mozart sonata (a pleasant and energetic piece) for some participants and an Albinoni adagio (a slow, sad piece) for others. We also measured enjoyment, arousal, and mood. Performance on the spatial task was better following the music than the silence condition, but only for participants who heard Mozart. The two music selections also induced differential responding on the enjoyment, arousal, and mood measures. Moreover, when such differences were held constant by statistical means, the Mozart effect disappeared. These findings provide compelling evidence that the Mozart effect is an artifact of arousal and mood.     

Undermining the Zeigarnik effect: Another hidden cost of reward

Forty college students participated in a study ostensibly designed to obtain measures of the hemispheric activity while they worked on a spatial reasoning task. In fact, our true interest was in determining whether subjects would return to the spatial reasoning task once the hemispheric recordings were completed. Subjects would normally be expected to return to the task by virtue of the Zeigarnik effect because no subject completed the task during the “hemispheric recording” phase. The manipulation involved telling one group of subjects that they would be paid $1.50 for participating in the study (expected reward group). The remainder of the subjects were not led to expect the reward (unexpected reward group). The result was that 86% of the unexpected reward subjects but only 58% of the expected reward subjects (p < .05) manifested the Zeigarnik effect. This differential tendency to return to the task was further reflected in time differences. The average unexpected reward subject spent 3 min 48 sec of a five-minute free-choice period at the task, whereas the average expected reward subject spent only 2 min 20 sec (p < .05). Reward expectancy, therefore, led to an undermining of the Zeigarnik effect. This observation supports Condry's prediction that rewarding performance at a task can lead to premature task disengagement.