THE THREAD OF DEPRESSION THROUGHOUT THE LIFE AND WORKS OF LEO TOLSTOY

Tolstoy, the author of two masterpieces, War and Peace and Anna Karenina , remains a writer of genius. Yet, after writing War and Peace , his existence had been torn apart by a serious depression. This depression, which was melancholic in character, almost destroyed him and, once he had finished Anna Karenina , led him to want to renounce not only sexuality but also literary creation and material possessions. Through examining Tolstoy's life and work, the author tries to uncover the underground paths of this depression, which emerged brutally in the middle of his life, and to understand why his creative genius dried up. Like Leonardo da Vinci, Tolstoy turned away from his artistic work, declaring that 'art is not only useless but even harmful', and thereafter devoted himself to philosophical, political and religious writings. These new sublimations would help him to recover his health.     

SUICIDE: A PATIENT’S WISH TO KILL OFF “BAD” INTROJECTS AND THUS ACHIEVE REBIRTH*

Benedict came for treatment because he experienced severe self-deprecating feelings that tortured him. He felt commanded—by what he characterized as internal demons—to kill himself. When he did not do so, he felt humiliated for having been a coward. Simultaneously, he reckoned that if he died his demons would be killed off, but that he would arise brand new. Because Benedict had already “killed off” several earlier therapists, he needed someone who could feel his pain, but would neither die from his emotional storms, nor give up on him. With considerable mutual work, he began to identify with my dogged determination to both survive his fierce attacks and to locate the source of the introjected demons that viciously attacked him (and others). When his emotionally-driven storms finally ebbed, he combined forces with me and began the ordeal of overcoming his fears and relinquishing his delusional system.     

Freud, Dora, and the maid: a study of countertransference

Early advances in psychoanalytic knowledge, profound though they were, were incomplete structures to be built upon, modified, and partially discarded. In addition to errors due to insufficient knowledge, Freud's difficulties with Dora stemmed from countertransference. Dora's transference included an identification with a governess/maid. Important oedipal role played by a nursemaid in Freud's life made him vulnerable to being left by Dora. The maid, Monika, "the prime originator" of Freud's neurosis, seduced him, chastised him, and taught him of hell. In his self-analysis she was associated with Freud's mother who left him when she gave birth to his sister. When he was two and a half years old, Monika was discharged and jailed for stealing. I suggest that Freud's attraction to Dora revealed itself in his libidinal imagery of the treatment and his premature sexual interpretations, the effects of which he misjudged. Defending against his attraction, he pushed her away from him, did not act to keep her in analysis or allow her to reenter analysis later. In addition, since Dora had left him as he must have felt his childhood nursemaid had, he reacted as if she were that maid. Hurt, saddened, and angered, he used reversal and deserted her, thus damping his feelings.     

Todd R. Risley: A Man Who Didn't like Counting Angels

He dwelt no place, and gathered to himself neither wealth nor followers. Warm and eager was his spirit opposing the fire that devours and wastes with the fire that kindles and succors; but only those that knew him well glimpsed the flame that was within. Merry he could be, and kindly to the young and simple; and yet quick at times to sharp speech and the rebuking of folly; and thus far and wide he was beloved among all those that were not themselves proud. Mostly, he would at times work wonders among them, loving especially the beauty of the fire; and yet such marvels he wrought mostly for mirth and delight, and desired not that any should hold him in awe or take his counsels out of fear. (A very liberal adaptation describing Gandalf in J. R. R. Tolkien's Lord of the Rings)     

Freud's ego ideals: a study of admired modern historical and political personages

It is appropriate to conclude this study with a statement that characterizes Freud and his search for particular models, and this is: "A genius chooses his family from among heroes." His historical heroes were Cromwell, Napoleon, Masséna, Garibaldi, Bismarck, Adler, Lasalle, Lasker, and Wilson. Of course, toward many of these figures, Freud was also ambivalent. Yet these leaders have certain common denominators. In various degrees, they may be characterized as progressive, secular, and anti-Catholic. Moreover, they all had spectacular careers, stood up against great odds, and in many instances had serious conflicts with their fathers or men in authority. These leaders had a special significance for Freud, and their selection is representative not only of his own personal dynamics, but also of his historical milieu. His ego ideals demonstrate that Freud was ambitious and had partisan political feelings and concerns. In some cases the choice of the ego ideals stemmed from his ambivalent feelings toward his father and his particular resolution of the oedipal situation. Also very significant is the fact of Freud's Jewish heritage and the anti-Semitism he experienced as a citizen of the Hapsburg Empire. Moreover, Freud was always sensitive about the power and the influence of the Catholic church. Still another reason for his selection of widely scattered figures with whom to identify is the broadening influence of his classical education. In addition, being gifted linguistically, he was able to transcend a parochial environment. In general then, Freud's ego ideals reveal that he was informed politically and historically and that he regarded these men as promoting policies that were liberating.     

Is there a special psychoanalytic love?

Although the analyst's role mandates a degree of detachment, analysts have often said that they offer patients a special kind of love. They have tended to equate that love with understanding, thus neutralizing the paradox but also diluting the love. When something more resembling a loving affect is sought, the suggestions include the love a scholar feels for his subject, the love that accompanies immersion in great literature, and love that is self-generated by deliberate efforts to move toward the patient or to generate empathy in oneself. But a form of love may also arise from the analyst's unique and relatively pure acquaintance with a person's "appeal," by which is meant the patient's effort to elicit responses from the analyst. Although the awareness of transference most obviously tends to immunize him, it also gives him a poignant "insider's" feel of the patient's appeal, since he is the target of that appeal while being unencumbered by the myriad considerations that would color his perception were he to regard himself as a proper object.     

Freud's Leonardo: psychobiography and autobiography of genius.

In his creation of a psychobiography of one genius and the hidden autobiographic analysis of another, Freud exemplifies what he described in the study: "Kindly nature has given the artist the ability to express his most secret mental impulses, which are hidden even from himself, by means of the works that he creates" (p. 107).     

Oscillations and analogies. Thomas Young, MD, FRS, genius

Thomas Young is arguably one of the greatest geniuses who ever lived, but most people have never heard of him, though he was renowned in his own era. He did important work in a large variety of scientific disciplines, but that was his downfall. Given the specialization of the present era, physicists do not appreciate how important his work in linguistics was, linguists do not appreciate the importance of his work in psychology, and so on. Despite his obscurity today, Young nicely exemplifies the traits that one finds in a genius of the first order: tendency toward analogical thinking, high intelligence, an amazing capacity for hard work, extremely wide interests, distaste for traditional dogmas, and very high self-esteem.     

How Can That Be Me? Developmental Disruption in a Young Adult

A young adult who experiences a psychotic break is at high risk of feeling that his or her life and sense of Self before the de-compensation were fraudulent. This article describes a young man who suffered such a trauma and deeply felt this sense of fraudulence and covers how his treatment developed. We established a dual narrative: one that explicated the precursors to his break and one that showed how the life that he had previously held to be his personal story were both authentic. The capacity to integrate the two created a sense of wholeness that permitted him to re-establish himself in his everyday life.     

Shame,Publicity, and Self‐Esteem

Shame is a puzzling emotion. On the one hand, to feel ashamed is to feel badly about oneself; but on the other hand, it also seems to be a response to the way the subject is perceived by other people. So whose standards is the subject worried about falling short of, his own or those of an audience? I begin by arguing that it is the audience's standards that matter, and then present a theory of shame according to which shame is a response to the subject's perception that he is not thought of in the way he intrinsically values himself for being thought of by someone else. Then I go on to suggest some refinements to this basic view. First, the subject of shame is primarily concerned about his audience's attitudes toward him, not what they believe about him. And second, there may be one particular attitude which he values himself for inspiring. There is no very perspicuous term for this attitude, so I call it ‘proto‐respect’ – the attitude a social animal directs toward those it regards as valuable allies or bad enemies.     

An emperor without clothes: The Church's views about treatment of domestic violence

Once upon a time there was an emperor who was very vain about his elegant clothing. Two swindlers convinced him that they could make him the finest clothes he ever had, and set to work on an empty loom. Rumors of their fame began to spread, and even the emperor's high officials were convinced that the invisible garments were the finest they had ever seen. One minister even decided, “I know I'm not stupid, so it must be my fine position I'm not fit for. Some people might think that rather funny, but I must take good care they don't get to hear of it.” And then he praised the material which he couldn't see and assured them of his delight in its charming shades and its beautiful design. The emperor finally went on parade with his new garments. Crowds gathered, and they all said how magnificently clad he was. No one dared admit they couldn't see the clothes, and many concluded there was simply something wrong with them that he appeared naked. Finally a little child said, “But he hasn't got anything on!” “Goodness gracious, do you hear what the little innocent says?” one whispered to another, until finally everyone shouted at last, “He hasn't got anything on!” The emperor was embarrassed, but he drew himself up and went on with the procession still more proudly, while his chamberlains walked after him carrying the train that wasn't there.     

The Dark Side of Desire: Nietzsche,Transhumanism, and Personal Immortality

Nietzsche has become embroiled in two interesting twenty‐first century debates about advancing technology and its impact on human life, especially its meaning/value. The first focuses on Nietzsche himself and is concerned with the extent to which his views align with those of transhumanism. The second involves the not so blatantly Nietzsche‐centric question of whether or not immortality, or radical life‐extension, is desirable. Given that the desire for immortality, or at least some more feasible (but not so permanent) approximation of it, is strongly associated with transhumanism, it seems that these two debates have some fairly significant overlap. Establishing what Nietzsche ultimately believes about such a core transhumanist issue will go a long way toward determining how sympathetic he would be to the transhumanist cause in general. I argue that while his views do not commit him to an all‐encompassing disdain for immortality, his intolerance for immortality‐seekers means that he might only be open to some of the more fringe understandings of transhumanism.     

The major's therapy: Ernest Hemingway's “In Another Country”

“In Another Country” draws upon Hemingway's experiences during World War I. Narrated by a wounded young American, this story is a parable of early machine-rehabilitation therapy, one in which the strong optimism of a physician employing new machines is contrasted with the skepticism of an Italian major (“the greatest fencer in Italy”) who, disbelieving in the machines, nevertheless comes regularly for therapy to his hand. That daily attendance is interrupted only when the major's young wife dies suddenly. The major, who had instructed the American never to put himself “in a position to lose,” has himself just “lost” the wife he had married when he felt sure that his own wounding had effectively taken him out of danger of being killed at the front. His continued stoicism offers the young soldier an example of ethical and moral behavior, for after her funeral he resumes his daily routine of machine-therapy. Seen against the ineffectiveness of the machines, the major's behavior seems to offer an example of the only “therapy” possible in this world of wounds and machines.     

Freud's Jewish identity,circumcision, and the theory of castration anxiety: problem or pride?

In this work the author reflects on the Jewish identity of Sigmund Freud. It is acknowledged that Freud, even though he seemed ambivalent towards Jewishness and even though anti-Semitism was omnipresent, not necessarily perceived his Jewish identity as problematic. Rather, it seems as if Freud had a positive Jewish identity, which was connected to profound knowledge in Jewish religion and tradition, even though he declared himself as a Godless Jew. Both his Jewish identity and his knowledge in Judaism seemed to have contributed to some of his insights into the human psyche. The impact of the traditional Jewish circumcision and the insights connected to the theory of castration anxiety are specifically discussed. The author suggests that Freud's positive Jewish identity, and the significance of circumcision, contributed to his insights into the prerequisites of human development and how we as individuals are shaped both by our interpersonal relationships and by the cultural context.     

Emotional crises of those facing the draft

Summary While emotional responses will vary among young men, for many of them the draft constitutes some kind of crisis. Although it may be very difficult, most young men will be able to cope with the complicating factors of the draft and will take it in stride along with other disturbing events in the normal course of life. A young man may be able to cope with his feelings resulting from the draft in ways akin to his coping with similar situations. However, if the threat is too intense, and if there is not sufficient time to mobilize his usual coping mechanisms, the young man will be thrown into a state of crisis. In view of the nature of the developmental process, a young man between the ages of 18 and 22 has rarely developed an adequate sense of identity. Hence, he may be especially vulnerable to the emotional threat of the draft because of the very nature of the process of personality development.In such a crisis he will need someone to help him cope with the new situation. There are some guidelines which should help the counselee to mobilize his own emotional resources to cope constructively with the crisis. A pastoral counselor may help such a person to honestly face his fears and conflicts, and to face them gradually. Increasing his knowledge about the available possibilities in a particular situation will help him to increase his power to cope with the crisis. Being enabled to face his negative feelings with a sense of responsibility, he will be enabled to accept himself in terms of the situation in which he finds himself. Discovering significant other persons as supportive may give him the necessary time and support to enable him to develop a means of coping with the situation which he faces.     

Benjamin Franklin and shock-induced amnesia

Shock-induced amnesia received considerable attention after Cerletti popularized electroconvulsive shock therapy in the late 1930s. Yet, often overlooked is the fact that Benjamin Franklin recognized that passing electricity through the head could affect memory for the traumatic event. Franklin described his findings on himself and others in several letters from the mid-1700s, 2 of which were published in his lifetime. What he observed was confirmed in 1783 by physician Jan Ingenhousz, who was one of his correspondents. Although Ingenhousz had lost his memory for his electrical accident and was confused immediately afterward, he felt strangely elated and unusually sharp the next morning. Hence, he called for clinical trials with patients with melancholia who were not responding to more conventional therapies. After Franklin received Ingenhousz's letter, he also called for clinical trials. Neither man, however, tied the possible new cure for melancholia to the memory loss--nor did the operators that began to treat some patients with melancholia successfully with cranial shocks. Only much later would the amnesia be thought to be associated with the cure.     

Joyce's Argument with Himself/Or, Reading Joyce's Inside Narrative

James Joyce's argument with himself about where he should practice his art and with what literary tradition he should identify—Irish, British, or European—is represented by several of the characters and episodes in his short story The Dead.In the main character, Gabriel Conroy, Joyce represented the conflicts that he himself experienced. But in many of the minor characters Joyce also reflected parts of his own wishes and fears.In this story, Joyce rejects the possibilities of artistic identification with Ireland and England, and, in the dynamics of the tale, arrives at the understanding that to fulfill his artistic aspirations, he must make an identification with the great European tradition, and also live in Europe; if he stays in Ireland or attempts to be an English author, he will be, as he portrays Gabriel to be, paralyzed, imitative, and a failure as an artist. Joyce himself took the decisive path that Gabriel could not choose.     

A child of a Lesser God

This paper describes work with a man who was severely disabled physically. It taught me the profound emotional effects of such disability; but the effects of his feeling that he had not been loved because of his disability seemed even more important and farreaching. Everything was much worse because of the development stage at which it had all occurred. It is important to make known the use which he made of analytical psychotherapy, for others like him could be helped.

I refer to some of the psychoanalytical literature which proved relevant to my work with this patient, give a report of his case, and describe the incidence of his sessions. After describing the beginning stage, I write selectively of work around the two main themes which can be identified: one, when he seemed locked in the closed system which constituted his inner world (Fairbairn 1958) from which he could gain relief only by sabotaging himself and the therapy; the other, when little by little the system began to open and gradually some investment in life began to emerge. There is then a brief account of the ending planned to a known date. The paper ends with some reflections on the work.     

Advaita Vedanta and the Repositioning of Subjectivity in the Life-writing of Christopher Isherwood, "Homosexualist"

Abstract

For British critics, Christopher Isherwood went off the literary radar when he declared himself a pacifist and de-camped to California on the eve of WWII. Nothing he wrote after the Berlin Stories (1939), when his life was barely half over, until Christopher and his Kind, in 1976, when he emerged as a kind of gay literary icon, was accorded much serious attention from Britain's literary establishment. Furthermore, what he published during his long relationship with a guru in the Ramakrishna Vedanta tradition—which culminated in the classic My Guru and his Disciple (1980)—has scarcely been taken seriously, and only a few of the more astute literary critics have detected the influence of Vedanta philosophy in his later work (e.g. Nagarajan, 1972). Yet there have been calls for Isherwood to be re-evaluated as a serious religious writer (Wade, 2001).

If such calls are to be taken seriously there are several issues that need to be addressed, not the least of which would be the dominant cultural expectations surrounding the (im)possibility of a spirituality not predicated on the denial of sexuality. "My personal approach to Vedanta was, among other things, the approach of a homosexual looking for a religion which will accept him," he wrote in 1970 (Bucknell, 2000: ix).

There is also the problem of an unreconstructed colonialist prejudice towards religious practices associated with a subject people. Here, I review important aspects of the non-dualist philosophy of his Advaita training that allowed Isherwood to integrate his sexuality and his writing with his religious practice.

Isherwood was inclined less to approach ideas as abstract principles and more as they were embodied in particular people. With this particular Swami, an exponent of the Ramakrishna Vedanta tradition, Isherwood found his lifelong guide, and the narrative of his spiritual journey is the history of a relationship that deepened over 40 years. That relationship is the other focus of this article.     

Conscious inhibitions: Freud,anti-Semitism,and Hobbesian imagination

This work aims to portray the effects of Freud’s anxiety about anti-Semitic violence on his political theory and metapsychology. Taking as its entry point Freud’s reorientation of anti-Semitism as aggressive action, I argue that Freud’s fear of the violent mob can be located in three interconnected dimensions of his work, all deeply informed by Hobbesian imagination. First, Freud accepted a Hobbesian vision of social antagonism into his political theory; second, he formulated a deeper, more efficient defence mechanism against mob violence with his notion of psychical guilt; third, Freud’s fears penetrated his metapsychology. Suffering from anti-Semitism, Freud was not only quick to accept a Hobbesian perspective – he also reconstructed it to a degree that radically changed its meaning. Freud’s third and most pervasive manoeuvre destabilized one of Hobbes’s fundamental theoretical tenets by suggesting that the Hobbesian State of Nature is inherently a non-human reality.