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1.
Phenomenologist Merleau-Ponty, early on, neglected music's theoretical value in favor of painting's. Later, however, he found that it is the transience of music that speaks to the phenomenological experience of Being. This transition from painting to music presents the possibility of an ontological understanding of music for psychoanalysis. For Freud, music and morality were both from a “beyond” that was an effect of neurosis. Drawing on psychoanalyst Bion's idea of container–contained, and his disciple Meltzer's application of this to art, as well as Bion's later innovation of the unknowable O, I apply Merleau-Ponty's distinction between painting and music to the therapeutic nature of art in order to see what sort of psychoanalytically significant revelation is obtained through music.  相似文献   

2.
Don Baker 《Dao》2013,12(1):41-55
Dasan Jeong Yagyong (1762–1836) is regarded in South Korea today as one of pre-modern Korea’s best philosophers. This article examines one of the reasons he is so respected. He modified traditional Korean Confucian moral philosophy to include notions of human nature as desires rather than innate virtue, the importance of free will rather than mere determination, and the existence of a Lord Above as a necessary incentive to proper behavior. Though he supported these changes to traditional Korean Confucian philosophy with references to the Classics and his own personal moral experience, observers have noticed the possibility of Western influence on his thinking. He is thus hailed by Koreans as a cross-cultural philosopher, an example of how Koreans can borrow from the West while nonetheless remaining authentically Korean.  相似文献   

3.
The companion piece to this article, “Situating Moral Justification,” challenges the idea that moral epistemology's mission is to establish a single, all‐purpose reasoning strategy for moral justification because no reasoning practice can be expected to deliver authoritative moral conclusions in all social contexts. The present article argues that rethinking the mission of moral epistemology requires rethinking its method as well. Philosophers cannot learn which reasoning practices are suitable to use in particular contexts exclusively by exploring logical relations among concepts. Instead, in order to understand which reasoning practices are capable of justifying moral claims in different types of contexts, we need to study empirically the relationships between reasoning practices and the contexts in which they are used. The article proposes that philosophers investigate case studies of real‐world moral disputes in which people lack shared cultural assumptions and/or are unequal in social power. It motivates and explains the proposed case study method and illustrates the philosophical value of this method through a case study.  相似文献   

4.
Alice Crary claims that “the standard view of the bearing of Wittgenstein's philosophy on ethics” is dominated by “inviolability interpretations”, which often underlie conservative readings of Wittgenstein. Crary says that such interpretations are “especially marked in connection with On Certainty”, where Wittgenstein is represented as holding that “our linguistic practices are immune to rational criticism, or inviolable”. Crary's own conception of the bearing of Wittgenstein's philosophy on ethics, which I call the “intrinsically‐ethical reading”, derives from the influential New Wittgenstein school of exegesis, and is also espoused by James Edwards, Cora Diamond, and Stephen Mulhall. To my eyes, intrinsically‐ethical readings present a peculiar picture of ethics, which I endeavour to expose in Part I of the paper. In Part II I present a reading of On Certainty that Crary would call an “inviolability interpretation”, defend it against New Wittgensteinian critiques, and show that this kind of reading has nothing to do with ethical or political conservatism. I go on to show how Wittgenstein's observations on the manner in which we can neither question nor affirm certain states of affairs that are fundamental to our epistemic practices can be fruitfully extended to ethics. Doing so sheds light on the phenomenon that I call “basic moral certainty”, which constitutes the foundation of our ethical practices, and the scaffolding or framework of moral perception, inquiry, and judgement. The nature and significance of basic moral certainty will be illustrated through consideration of the strangeness of philosophers' attempts at explaining the wrongness of killing.  相似文献   

5.
Despite an early interest, Freud explicitly rejected philosophy, because of its “speculative” character. He struggled with balancing the intellectual appeal of philosophy with the certainty he hoped to find in positivist science. Putting aside the scientific status of Freud's work, the author re-examines Freud's attitude towards philosophy. Failing to recognize the assumptions of his investigations, Freud segregated psychoanalysis from philosophy on the charge that philosophers equated mind with consciousness, putatively propounded unfounded speculations, and assumed false conclusions about comprehensiveness. However, Freud never completely abandoned his initial philosophical proclivities. His own contributions to cultural history, social philosophy, notions of personal identity, and the humanistic thrust of psychoanalysis, demonstrate that he continued to address his earliest interests in philosophical questions. The author elucidates the philosophical complexity of psychoanalysis and concludes that a reconsideration of Freud's self-appraisal of his intellectual commitments is warranted.  相似文献   

6.
直下心源、直契本心是由孔子确立的儒家道德情感论的核心特质,孔子后学由此出发,基于天人合一的视域建构了诚学,将诚提升为了贯通天人、真实无妄的道德情感。儒家从质直、至诚之本心情感出发,涵养与推扩道德情感的内在理路可以概括为以下三个维度:第一,以反观内省的道德理性时时提撕和体认本心情感; 第二,以本心情感为体,以礼乐文化为用,以文质彬彬为旨归; 第三,以“亲亲而仁民,仁民而爱物”为路径,以四端之心为内在心理情感根据,在由近及远、由厚及薄、由亲及疏的无限推扩中实现对道德情感的涵养、提升与超越。  相似文献   

7.
《Theology & Sexuality》2013,19(15):45-65
Abstract

In this article Heidi Epstein offers a feminist theology of music arguing that music's theological significance lies not in its ability to create an illusion of stability and harmony but in its discordancy, its ability to disrupt and destabilize identity. In this regard music may become a powerful metaphor for sexual relationships. Epstein goes on to analyse the extraordinary work of Diamanda Galas whose theo-musical constructions of the AIDS crisis radically subvert the concept of stable identity.  相似文献   

8.
The social identity of another person, in addition to the social identity of self, can be an important factor affecting the types of attribution judgments and emotions that individuals indicate for the other person. In April 2007, the perpetrator of the shooting incident on the Virginia Tech University campus was identified as a person who emigrated to the USA from Korea at a young age. The current study compared non‐Korean Americans, Korean Americans, Koreans in the USA, and Koreans in Korea in terms of their attributions and emotions concerning the perpetrator and the shooting incident. Participants were asked to indicate (1) the extent to which they attributed the cause of the incident to either American society or the perpetrator, (2) their emotions (e.g., upset), and (3) the extent to which they categorized the perpetrator as an American, a Korean American, or a Korean. The results indicated that non‐Korean Americans were most likely to attribute the cause of the incident to the perpetrator as opposed to American society. Non‐Korean Americans, Korean Americans, and Koreans in the United States had more negative emotions (e.g., unhappy, sad, and upset) about the incident than Koreans in Korea did. The results also indicated that individuals differed in their attributions and emotions depending on how they categorized the perpetrator. For example, categorizing the perpetrator as being a Korean was positively related to Americans’ tendency to hold the perpetrator responsible, while categorizing the perpetrator as being an American was negatively related to the tendency to hold the perpetrator responsible among Koreans in Korea. The findings may imply that social identity theory, intergroup emotion theory, and cultural orientations (e.g., individualism and collectivism) can provide insights into people's reactions to a tragic incident.  相似文献   

9.
One surprising and yet relatively unknown aspect of contemporary Korean Buddhism is the significant influence of American and European Buddhism. Between 1989 and 2009, South Koreans witnessed well-educated “blue-eyed” monastic residents via the Korean media, and the emergence of new bestsellers by authors like Thich Nhat Hahn and Jack Kornfield, written initially for Western audiences but since translated into Korean. The new teachings from the West have inspired a sudden growth of interest in vipassanā meditation as an “alternative” to Kanhwa S?n practice, and the emergence of a new academic field: Buddhist psychotherapy. This new wave of transnational influence from the West has changed not only the way Koreans practice Buddhism but also how they perceive Buddhist history and their own identities. In addition, the perceived “prestige” of Buddhism in the West has provided a new rhetorical strategy to defend Buddhism against other religions, particularly Korean evangelical Christianity.  相似文献   

10.
11.
Recent literature portrays caring as a psychological, social, and ethical orientation associated with female gender identity. This essay focuses on Giliigan's influential view that “care” is a broad theme of moral development which is under-represented in dominant theories of human development such as Kohlberg's theory. An alternative hypothesis is proposed portraying care development as a set of circumscribed coping strategies tailored to dealingwith sexism. While these strategies are practically effective and partially “liberated,” from the moral point of view, they also reflect the debilitating influences of sexist socialization even at the highest level. Gilligan and her colleagues seem to misidentify these inadequacies of mature care. This alternative hypothesis is briefly related to the critical and feminist tradition. Then it is supported with Gilligan's own research and interpretive text.  相似文献   

12.
This article argues that Christine Korsgaard gives two accounts of maxims, the identity‐priority account and the form‐priority account. There is a tension between the accounts because (1) Korsgaard's form‐priority maxims account cannot function apart from the identity of a well‐formed agent that precedes and tests maxims to determine if they should count as reasons or laws, and (2) Korsgaard's identity‐priority maxims account needs the form of the maxim to precede, bind, and constitute the well‐formed agent. This tension mirrors the two sides of what Korsgaard has called the “paradox of self‐constitution.” The article concludes that Korsgaard's paradox of self‐constitution leads to an arbitrariness that undermines the formation of moral laws.  相似文献   

13.
Recently, philosophers have turned their attention to the question, not when a given agent is blameworthy for what she does, but when a further agent has the moral standing to blame her for what she does. Philosophers have proposed at least four conditions on having “moral standing”: 1. One's blame would not be “hypocritical”. 2. One is not oneself “involved in” the target agent's wrongdoing. 3. One is warranted in believing that the target is indeed blameworthy for the wrongdoing. 4. The target's wrongdoing is some of “one's business”. These conditions are often proposed as both conditions on one and the same thing, and as marking fundamentally different ways of “losing standing”. Here I call these claims into question. First, I claim that conditions (3) and (4) are simply conditions on different things than are conditions (1) and (2). Second, I argue that condition (2) reduces to condition (1): when “involvement” removes someone's standing to blame, it does so only by indicating something further about that agent, viz., that he or she lacks commitment to the values that condemn the wrongdoer's action. The result: after we clarify the nature of the non‐hypocrisy condition, we will have a unified account of moral standing to blame. Issues also discussed: whether standing can ever be regained, the relationship between standing and our “moral fragility”, the difference between mere inconsistency and hypocrisy, and whether a condition of standing might be derived from deeper facts about the “equality of persons”.  相似文献   

14.
Seyla Benhabib's critique of Jürgen Habermas's moral theory claims that his approach is not adequate for the needs of a feminist moral theory. I argue that her analysis is mistaken. I also show that Habermas's moral theory, properly understood, satisfies many of the conditions identified by feminist moral philosophers as necessary for an adequate moral theory. A discussion of the compatibility between the model of reciprocal perspective taking found in Habermas's moral theory and that found in Maria Lugones's essay “Playfulness,‘World’‐Travelling, and Loving Perception” reinforces the claim that his moral theory holds as yet unrecognized promise for feminist moral philosophy.  相似文献   

15.
Since the late 1990s, the Korean pop-culture wave has had a huge impact, achieving immense popularity and sustaining a global community of consumers and fans. In Singapore, a significant K-pop fan culture has emerged among youths. In this article, we study the emergence of the sasaeng fan—a stigmatized fan identity that refers to individuals who are unhealthily interested in the personal lives of K-pop idols. Drawing on data from mass and social media, participant-observation, and interviews, we map the significance of the sasaeng fan identity for Singapore K-pop music fans and focus specific attention on how fans negotiate an understanding of their own “authentic” identities vis-à-vis the mediated identity of the sasaeng fan.  相似文献   

16.
Ever since Kant, moral philosophers have been more or less animated by the mission of discovering inescapable law‐like rules that would provide a binding justification for morality. Recently, however, many have started to question (a) whether this is possible and (b) what, after all, this project could achieve. An alternative vision of the task of moral philosophy starts from the pragmatist idea that philosophizing begins and ends in human experiencing. It leads to a view where morality is seen as a “social technology” that aims to make living together possible, and strengthens people's capability to live a good life within a society. The role of moral philosophy is, accordingly, to develop our moral tools further. Moral philosophers become ethical engineers who use their expertise in ethical topics to criticize existing “moral technology” and construct new concepts, tools, and theories that better answer the current challenges for living a good life.  相似文献   

17.
Chinese avant-garde art exploded onto the art world in 1989, a few months before the student protest and the brutal crack down at Tian An Men Square. After decades of cultural repression, deep national humiliations by the West, and the catastrophic destruction of lives, property, and culture from Mao's Cultural Revolution, the Chinese avant-garde was a movement that was searching for a new cultural identity. I call this continuing movement, where artists whose art challenged authorities and shook up the collective malaise, the third phase of the Cultural Revolution. I chose to write about two artists with very different artistic visions, yet both succeeded in expressing the tension and struggle of the opposites between tradition and modernity, body and spirit. Xu Bing created a monumental work named Book from the Sky. Xu carved thousands of woodblocks of “pseudo” Chinese characters that are unreadable and meaningless. They were then printed and exhibited elegantly in printed scrolls. In his attacking and making the Chinese written word meaningless, Xu was questioning the traditional definition of “Chineseness.” The second artist, Zhang Huan, used body, often his own body, as the artistic medium. From his early performance art to photographic images and then self sculpture, Zhang moved from body, to culture, to spirit, from personal to transpersonal.  相似文献   

18.
In reply to Michael Campbell, I reformulate my questions of Raimond Gaita, avoiding the expression “form of life”. I examine what might remove the need for my questions, before taking up Campbell's line of thought about what he calls the “inwardness” of moral concepts. Campbell helps to clarify the picture of moral concepts advanced by Wittgensteinian moral philosophers. But at a general level, the picture remains unclear where a grammar meets its scaffolding of facts. Some may find this unproblematic, and indeed unavoidable. But I remain unsure of this, and hope to provide at least a useful caution.  相似文献   

19.
This essay argues that Claudia Card numbers among important contributors to nonideal ethical theory (NET), and it advocates for the worth of NET. Following philosophers including Lisa Tessman and Charles Mills, the essay contends that it is important for ethical theory, and for feminist purposes, to carry forward the interrelationship that Mills identifies between nonideal theory and feminist ethics. Card's ethical theorizing assists in understanding that interrelationship. Card's philosophical work includes basic elements of NET indicated by Tessman, Mills, and others, and further offers two important and neglected elements to other nonideal ethical theorists: (i) her rejection of the “administrative point of view,” and (ii) her focus on “intolerable harms” as forms of “extreme moral stress” and obstacles to excellent ethical lives. The essay concludes that Card's insights are helpful to philosophers in developing nonideal ethical theory as a distinctive contribution to, and as a subset of, nonideal theory.  相似文献   

20.
To Jim,from Fiji     
A braided epistolary essay, “To Jim, from Fiji,” explores three kinds of relationships: how musicians share music; the relationship of an artist to art itself; and human interaction with the divine via music. The article begins as a personal letter to the writer's Jungian therapist, then tells the story of a trip to Fiji, where music became the entryway to a deep and connective experience. The sections weave together to develop an inquiry into how humans use music to relate with each other and with a numinous reality, where the artist can become “vassal and vessel both.”  相似文献   

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