The perceptual fate of letters in two kinds of apparent movement displays

Two experiments investigated the importance of figurai relationships among stimulus elements in the determination of the kind of motion perceived in bistable apparentovement displays. Stimulus frames containing the words MITE and ITEM were constructed in such a way that the letters I, T, and E appeared in corresponding locations while the M was in disparate locations between frames. When the frames were alternated with a 20-msec ISI, observers maintained local figurai identity in their percepts of apparent movement. However, when the frames were alternated with an 80-msec ISI, observers reported apparent movement of the entire groups of letters and thereby ignored figurai relationships in their percepts of apparent movement. In a second experiment, it was found that figurai nonidentity between elements of successive frames always resulted in apparent movement of a perceptual group or “blob” regardless of ISI. It is suggested that short-range apparent-movement percepts rely strongly upon figurai identity among corresponding stimulus elements, whereas long-range apparent-movement percepts do not.     

Temporal landmarks: proximity prevails

Subjects in conditioning experiments time their conditioned responses relative to the onsets of the conditioned stimuli (CSs). These onsets are temporal landmarks, by reference to which subjects may estimate the location of the unconditioned stimulus (US) in time. In a serial compound conditioning paradigm, a long duration CS comes on first, followed later by a second shorter CS, creating both a long-range and a short-range predictor of the US. We ask whether displacing the short-range predictor relative to the long-range predictor causes subjects to strike a compromise between the different temporal locations predicted by the two CSs. In three experiments with pigeons, we varied the training conditions so as to favor or militate against this outcome. However, in all conditions, there was no compromise; after the onset of the displaced short-range CS, the timing of conditioned responding was governed by it alone. This result contrasts with the compromises that are seen when the feeding time predicted by a CS is put in conflict with the time predicted by the circadian clock, and with the similar compromises sometimes seen when a nearby spatial landmark is displaced relative to a larger spatial context. Electronic Publication     

Global cooperativity of the short-range process in apparent movement: evidence obtained with contour-containing stimuli

Previous research has demonstrated that the short-range process in apparent movement, as studied with random-dot cinematograms, exhibits global cooperativity; that is, computations performed by local elements interact nonlinearly and are pooled. Other research using displays containing extended contours has implicated the short-range process, but has never demonstrated global cooperativity. In the first of four experiments, it was shown that under certain conditions of presentation, a short-range motion percept exhibiting apparent global cooperativity can be obtained when collections of randomly located contours are rotated about the center of a display, despite the fact that the displacement of peripheral contours falls outside the normal limit of the short-range process. Experiments 2-4 were conducted to provide further evidence that the observed motion is short-range (i.e., it can be disrupted by illuminating the interstimulus interval or with dichoptic viewing) and that the percept is globally cooperative (i.e., masking the center of the display, where separations between corresponding elements across frames are smallest, results in a decline in the frequency of reports of the short-range percept). Control observations suggest that the effect produced with masks was not due to a decrease in the number of elements in the display. The argument that the display exhibits a short-range process with global cooperativity is further developed.     

Dissociation of short- and long-range apparent motion in visual search

The visual search paradigm was used in four experiments to investigate apparent motion perception. The addition of distractor items led to a linear increase in reaction time under long-range (LR) conditions (greater than 35 min of arc displacement), whereas reaction time was independent of displays size under short-range (SR) conditions (less than 18 min of arc). Although clear performance differences were obtained, Ss had difficulty in distinguishing between the two types of apparent motion displays when asked to make such judgments (Experiment 2). Experiments 3 and 4 explored some variables that may constrain the search process. Search times under LR conditions were reduced when some of the distractors were stationary or the motion of the distractors was homogeneous. Form and motion were found to be separable, whereas color and motion were not. Varying the color (and brightness) interfered with the processing of motion information.     

The hidden face of Kanizsa's triangle: apparent movement of subjective figures in three-dimensional space

Several demonstrations on the apparent movement in depth of subjective figures are presented. They include: (a) apparent rotational movement as a result of shape invariance or rigidity; (b) apparent rotational movement with three-dimensional subjective figures not accompanied by a brightness gradient; and (c) apparent rotational movement by kinetic occlusion.     

Image statistics and the perception of apparent motion

The short- and long-range apparent motion processes are discussed in terms of the statistical properties of images. It is argued that the short-range process, exemplified by the random-dot kinematogram, is primarily sensitive to the dipole statistics, whereas the long-range process, exemplified by illusory occlusion, is treated by the visual system primarily in terms of the tripole and higher statistical correlation functions. The studies incorporate the balanced dot, which is a unique stimulus element that permits high pass filtering while preserving detailed positional information. Low spatial frequencies are shown to be critical for texture segregation in random-dot kinematograms, independent of the grain size or number density of texture elements. Illusory path perception in the long-range process is shown not to require low spatial frequencies, but is sensitive rather to global temporal phase coherency. These results are interpreted in terms of the respective roles of the power and phase spectra in perceptual organization. The construction of balanced dots is discussed in detail.     

Fractal properties and short-term correlations in motor control in cycling: influence of a cognitive challenge

Fluctuations in cyclic tasks periods is a known characteristic of human motor control. Specifically, long-range fractal fluctuations have been evidenced in the temporal structure of these variations in human locomotion and thought to be the outcome of a multicomponent physiologic system in which control is distributed across intricate cortical, spinal and neuromuscular regulation loops.Combined with long-range correlation analyses, short-range autocorrelations have proven their use to describe control distribution across central and motor components.We used relevant tools to characterize long- and short-range correlations in revolution time series during cycling on an ergometer in 19 healthy young adults. We evaluated the impact of introducing a cognitive task (PASAT) to assess the role of central structures in control organization.Autocorrelation function and detrending fluctuation analysis (DFA) demonstrated the presence of fractal scaling. PSD in the short range revealed a singular behavior which cannot be explained by the usual models of even-based and emergent timing.The main outcomes are that (1) timing in cycling is a fractal process, (2) this long-range fractal behavior increases in persistence with dual-task condition, which has not been previously observed, (3) short-range behavior is highly persistent and unaffected by dual-task.Relying on the inertia of the oscillator may be a way to distribute more control to the periphery, thereby allocating less resources to central process and better managing additional cognitive demands. This original behavior in cycling may explain the high short-range persistence unaffected by dual-task, and the increase in long-range persistence with dual-task.     

A moving display which opposes short-range and long-range signals

A novel display is described which stimulates both the long-range and the short-range motion detecting processes simultaneously, but with opposing directions of movement. The direction in which the stimulus appears to move depends on retinal eccentricity and element size, but adaptation to the display always produces a motion aftereffect (MAE) direction opposite to the direction of the short-range component. The display may offer insights into the properties of the two-process motion detecting system.     

Kinetic subjective contours

Continuous changes in spatially separated figures can evoke perception of subjective contours and figures in physically homogeneous space between them. This occurs when all of the interruptions in the objectively present patterns (inducing elements) can be seen as caused by a unitary figure partly occluding them. Two experiments demonstrated and explored this phenomenon. In both, displays were presented to subjects under three conditions. In one condition, stationary inducing elements were shown as they would be interrupted by a figure rotating in front of them. In another condition, the background and inducing elements rotated, with interruptions occurring as if a stationary figure were in front. In a third condition, observers were shown 10 static views taken from the figure-rotation sequence for each display. Subjects consistently perceived unitary central figures with well-defined forms and clear edges from pattern changes given by figure movement and background movement. As with static subjective figures, kinetic subjective figures appear in front of, partly occluding, the inducing elements. These percepts form rapidly, and they depend upon temporal relations rather than upon information present in momentary views. Subjects occasionally reported subjective edges or a central figure in the stationary displays in Experiment 1, but not at all in Experiment 2, in which guessing tendencies were reduced by more specific instructions. The existence of kinetic subjective contours suggests that the visual system readily utilizes relationships among occlusion events separated in space and time. The minimum conditions for contour perception require neither information all along an edge nor simultaneous specification of the edge at two or more places.     

Perceptual organization and apparent brightness in subjective contour figures

According to a number of theories subjective contours arise from brightness contrast and/or assimilation. The apparent brightness gradients generated by these effects are assumed to give rise to the perception of contours delineating the gradients. A study is reported in which naive observers were shown a subjective contour display and asked to report what they saw. They were then asked to judge whether the center or the surround of the display appeared brighter. Subjects whose reports indicated that they had seen the subjective contour figure showed an overwhelming preference for the center of the display being brighter than the surround. However, subjects who did not see the subjective contour figure did not differ significantly in their selection of the center over the surround. This finding presents difficulties for any theory which derives subjective contours from the apparent brightness difference.     

The effects of illumination level and retinal size on the depth stratification of subjective contour figures

The apparent stratification in depth of subjective contour figures over their backgrounds was investigated as a function of illumination level, figure size, and viewing distance. Magnitude estimation, with a real contour figure serving as the modulus, was used to measure the stratification in depth of a subjective contour figure over its background. Illumination level and retinal size both had significant effects on the depth stratification of the subjective contour figures. The greatest apparent depth differences were obtained for figures of small retinal size under low levels of illumination. These results paralleled previous findings for judgments of subjective contour strength. Consequently, both contour clarity and depth stratification of subjective contour figures are affected in similar ways by illumination level, figure size, and viewing distance. The implications of this response coupling are discussed in terms of current theories of subjective contours.     

A motion aftereffect for long-range troboscopic apparent motion

The existence of a directional motion aftereffect (MAE) for long-range (LR) stroboscopic apparent motion (SAM) was examined with the use of a directionally ambiguous test stimulus. The spatial and temporal parameters were such that the LR, rather than the short-range, mechanism was likely to be implicated. MAEs were found for SAM, which were in the same direction, but somewhat weaker than those for a comparable stimulus in real motion. The MAEs for SAM were present only when good apparent motion was perceived, and could be shown also when only the unstimulated area between the two stroboscopic flashes was tested. The LR mechanism was further implicated, since the MAEs were also obtained under dichoptic adaptation conditions. It is concluded that the LR-motion mechanism does show a usual MAE under proper testing conditions.     

Directional information and apparent movement

The number of alternative directions that a point of light can take in the apparent movement produced by the successive exposure of two points of light may be considered its directional information. The present experiment is concerned with the relationship between such directional information and the threshold between apparent movement and apparent successiveness, the original hypothesis being that the greater the directional information, the higher the threshold of movement. In fact, contrary results were obtained. Thresholds were obtained under conditions where movement could occur in either eight directions or only in two directions, better and more persistent movement being found under the former conditions. But this result is obtained only when one measures thresholds by an ascending method: increasing the time separation between light points from optimal movement to successiveness. An hypothesis is proposed to explain the findings stated in terms of “attentional disarticulation”.     

Figure-ground formation by movement: influences and effects

A twelve-letter array was segmented into figure and ground by moving some of its letters. Moved letters were shifted one letter-width left of right, independently of each other, in apparent movement. Since the figure of a display attracts attention, identification of letters of the figure segment should show an advantage over letters of the background segment. Three results are of interest. First, moved letters were identified more accurately and faster than stationary letters when only one or two letters moved. Stationary letters showed the advantage when eight of the twelve letters moved. This result suggests that the segment seen as figure is determined by both rapidly encodable letter movement and by the number of moved letters within the display. Second, segmentation of the visual display acids identification of moved letters in less than 90 ms, or well before the eye can move to the selected letter position. Third, letters in the figure segment which are closer to fixation are more likely to be identified than more eccentric letters.     

Correspondence matching in long-range apparent motion precedes featural analysis

It has been suggested that correspondence matching in long-range motion is mediated by a perceptually high-level, 'intelligent' system. This suggestion is based on findings that long-range motion can be perceived between stimuli that could not be detected by lower-level motion mechanisms acting on Fourier motion energy, and that correspondence matching is affected by featural similarities between motion tokens that would be invisible to low-level (Fourier) motion detectors. Here, the effects of spatial-frequency content, color, and binocular disparity on correspondence matching are investigated. It is shown that the effects of featural matches between motion tokens develop only over time and lag behind the effects of the relative proximity between motion tokens in the retinal projection. This suggests that correspondence matching in long-range apparent motion is mediated by a mechanism which acts initially on the retinal coordinates of the motion tokens only, but may be biased to favor matching tokens that are featurally similar through a slower top-down influence by higher-level processes.     

Predicting the biological variability of environmental rhythms: Weak or strong anticipation for sensorimotor synchronization?

The internal processes involved in synchronizing our movements with environmental stimuli have traditionally been addressed using regular metronomic sequences. Regarding real-life environments, however, biological rhythms are known to have intrinsic variability, ubiquitously characterized as fractal long-range correlations. In our research we thus investigate to what extent the synchronization processes drawn from regular metronome paradigms can be generalized to other (biologically) variable rhythms. Participants performed synchronized finger tapping under five conditions of long-range and/or short-range correlated, randomly variable, and regular auditory sequences. Combining experimental data analysis and numerical simulation, we found that synchronizing with biologically variable rhythms involves the same internal processes as with other variable rhythms (whether totally random or comprising lawful regularities), but different from those involved with a regular metronome. This challenges both the generalizability of conclusions drawn from regular-metronome paradigms, and recent research assuming that biologically variable rhythms may trigger specific strong anticipatory processes to achieve synchronization.     

Peak velocity as a cue in audiovisual synchrony perception of rhythmic stimuli

This study investigated audiovisual synchrony perception in a rhythmic context, where the sound was not consequent upon the observed movement. Participants judged synchrony between a bouncing point-light figure and an auditory rhythm in two experiments. Two questions were of interest: (1) whether the reference in the visual movement, with which the auditory beat should coincide, relies on a position or a velocity cue; (2) whether the figure form and motion profile affect synchrony perception. Experiment 1 required synchrony judgment with regard to the same (lowest) position of the movement in four visual conditions: two figure forms (human or non-human) combined with two motion profiles (human or ball trajectory). Whereas figure form did not affect synchrony perception, the point of subjective simultaneity differed between the two motions, suggesting that participants adopted the peak velocity in each downward trajectory as their visual reference. Experiment 2 further demonstrated that, when judgment was required with regard to the highest position, the maximal synchrony response was considerably low for ball motion, which lacked a peak velocity in the upward trajectory. The finding of peak velocity as a cue parallels results of visuomotor synchronization tasks employing biological stimuli, suggesting that synchrony judgment with rhythmic motions relies on the perceived visual beat.     

Neural dynamics of 3-D surface perception: figure-ground separation and lightness perception

This article develops the FACADE theory of three-dimensional (3-D) vision to simulate data concerning how two-dimensional pictures give rise to 3-D percepts of occluded and occluding surfaces. The theory suggests how geometrical and contrastive properties of an image can either cooperate or compete when forming the boundary and surface representations that subserve conscious visual percepts. Spatially long-range cooperation and short-range competition work together to separate boundaries of occluding figures from their occluded neighbors, thereby providing sensitivity to T-junctions without the need to assume that T-junction "detectors" exist. Both boundary and surface representations of occluded objects may be amodally completed, whereas the surface representations of unoccluded objects become visible through modal processes. Computer simulations include Bregman-Kanizsa figure-ground separation, Kanizsa stratification, and various lightness percepts, including the Münker-White, Benary cross, and checkerboard percepts.     

Predicting the biological variability of environmental rhythms: Weak or strong anticipation for sensorimotor synchronization?

The internal processes involved in synchronizing our movements with environmental stimuli have traditionally been addressed using regular metronomic sequences. Regarding real-life environments, however, biological rhythms are known to have intrinsic variability, ubiquitously characterized as fractal long-range correlations. In our research we thus investigate to what extent the synchronization processes drawn from regular metronome paradigms can be generalized to other (biologically) variable rhythms. Participants performed synchronized finger tapping under five conditions of long-range and/or short-range correlated, randomly variable, and regular auditory sequences. Combining experimental data analysis and numerical simulation, we found that synchronizing with biologically variable rhythms involves the same internal processes as with other variable rhythms (whether totally random or comprising lawful regularities), but different from those involved with a regular metronome. This challenges both the generalizability of conclusions drawn from regular-metronome paradigms, and recent research assuming that biologically variable rhythms may trigger specific strong anticipatory processes to achieve synchronization.     

Cortical dynamics of visual motion perception: short-range and long-range apparent motion.

This article describes further evidence for a new neural network theory of biological motion perception. The theory clarifies why parallel streams V1----V2, V1----MT, and V1----V2----MT exist for static form and motion form processing among the areas V1, V2, and MT of visual cortex. The theory suggests that the static form system (Static BCS) generates emergent boundary segmentations whose outputs are insensitive to direction-of-contrast and to direction-of-motion, whereas the motion form system (Motion BCS) generates emergent boundary segmentations whose outputs are insensitive to direction-of-contrast but sensitive to direction-of-motion. The theory is used to explain classical and recent data about short-range and long-range apparent motion percepts that have not yet been explained by alternative models. These data include beta motion, split motion, gamma motion and reverse-contrast gamma motion, delta motion, and visual inertia. Also included are the transition from group motion to element motion in response to a Ternus display as the interstimulus interval (ISI) decreases; group motion in response to a reverse-contrast Ternus display even at short ISIs; speed-up of motion velocity as interflash distance increases or flash duration decreases; dependence of the transition from element motion to group motion on stimulus duration and size, various classical dependencies between flash duration, spatial separation, ISI, and motion threshold known as Korte's laws; dependence of motion strength on stimulus orientation and spatial frequency; short-range and long-range form-color interactions; and binocular interactions of flashes to different eyes.