Dancing Contact Improvisation with Luce Irigaray: Intra‐Action and Elemental Passions

This article takes as its point of departure Luce Irigaray's Elemental Passions, in which a woman‐speaker tries to make her lover and the discipline of philosophy understand that she is not how they have imagined her to be; that she is not at all but that she keeps becoming through perpetual movement. The article investigates Irigaray's investment in a form of materialist difference feminism that offers conceptual links to the posthumanist work of Karen Barad's agential realism, especially her theorization of intra‐action. The link between Irigaray and Barad is established via a diffractive reading that incorporates the dance/movement research practice of Contact Improvisation. Although expressed through written language, Elemental Passions creates the impression of the woman‐speaker dancing, of encountering herself, her environment, and her lover through moved and moving contact, searching for a practice of moving‐together, feeling‐with, and feeling‐between that can be experienced in an improvised dance duet. Exploring how touch and the sharing of weight in Contact Improvisation challenges boundaries and establishes ever‐changing configurations and entanglements between dancers, the article proposes that Irigaray's woman‐speaker envisions herself as a posthuman/ist woman and that improvised dancing offers a practice of intra‐action through which she can encounter the world in her becoming.     

Thick Ethical Concepts in the Philosophy and Literature of Iris Murdoch

Although thick ethical concepts have been neglected in Murdochian scholarship, this article argues that they were central to the thought of Iris Murdoch. In the first section, the article provides a sustained account of thick ethical concepts in Murdoch's philosophy, demonstrating how these concepts align with and illuminate familiar aspects of her philosophical essays. The first section also explores the ways in which Murdoch's alternative account of moral concepts was at the heart of her overall attack on the noncognitivism of her day. In the second section, the article provides a reading of The Black Prince and considers the ways that thick ethical concepts offer new insight into Murdoch's literary activity. It concludes by suggesting that studying Murdoch's philosophy and literature in light of thick ethical concepts reveals a deep unity between her two intellectual projects.     

The Diremption of Love: Gillian Rose on Agency,Mortality, and Hegelian Feminism

Gillian Rose (1947–1995) was an influential though idiosyncratic British philosopher whose work helped introduce the Frankfurt School's critical theory and renew interest in Hegel, Kierkegaard, and Jewish thought in Anglo‐American philosophy. After years of relative oblivion, her life and thought have recently received new attention in philosophy, sociology, and theology. However, her work's critical Hegelian contribution to feminist philosophy still remains unexplored. This article seeks to reassess the place and the meaning of feminism and gender identity in Rose's work by addressing both her philosophical writings and her personal memoir, written in the months preceding her untimely death. It argues that although Rose's overall work was not developed in a feminist context, her philosophy, and in particular her ethical‐political notion of diremption, is valuable for developing a critical feminist philosophy that overcomes the binaries of law and morality, inclusion and exclusion, power and powerlessness—and focuses on the meaning of love as negotiating, rather than mediating, these oppositions.     

KNOWLEDGE AND IMAGINATION IN FICTION AND AUTOBIOGRAPHY

Abstract: Autobiographies are particularly interesting in the context of moral philosophy because they offer us rare and extended examples of how other people think, feel and reflect, which is of crucial importance in the development of phronesis (practical wisdom). In this article, Martha Nussbaum's use of fictional literature is shown to be of limited interest, and her arguments in Poetic Justice against the use of personal narratives in moral philosophy are shown to be unfounded. An analysis of Aristotle's concept of mimesis shows that Nussbaum's claims for fictional literature also apply to personal narratives. A case is then made for the importance of personal narratives in developing practical wisdom, and three sub‐genres of autobiography are discussed: (1) the confession, (2) the apology and (3) the testimonial. These sub‐genres exemplify some of the unique features of personal narratives.     

Reflection,Nature, and Moral Law: The Extent of Catharine Cockburn's Lockeanism in her Defence of Mr. Locke's Essay

This essay examines Catharine Cockburn's moral philosophy as it is developed in her Defence of Mr. Locke's Essay on Human Understanding. In this work, Cockburn argues that Locke's epistemological principles provide a foundation for the knowledge of natural law. Sheridan suggests that Cockburn's objective in defending Locke's moral epistemology was conditioned by her own prior commitment to a significantly un‐Lockean theory of morality. In exploring Cockburn's views on morality in terms of their divergence from Locke's, the author hopes to underscore the extent of Cockburn's intellectual independence and her philosophical creativity.     

Beauvoir,Hegel, War

The importance of Hegel to the philosophy of Simone de Beauvoir, both to her early philosophical texts and to The Second Sex, is usually discussed in terms of the master‐slave dialectic and a Koj$eGve‐influenced reading, which some see her as sharing with Sartre, others persuasively describe as divergent from and corrective to Sartre's. Altman shows that Hegel's influence on Beauvoir's work is also wider, both in terms of what she takes on board and what she works through and rejects, and that her reading of Hegel is crucially inflected by two additional circumstances that Sartre did not entirely share: the experience of her first serious study of Hegel as a noncombatant in Paris during the German occupation and her earlier direct exposure to an eccentric, idealist reading of Hegel as developed by the group Philosophies in connection with surrealism and the artistic avant‐garde. Altman also explores the afterlife of Hegel's influence on Beauvoir on second‐wave feminism in the United States and Europe, and suggests continuing relevance to feminist theory today.     

Feminist Phenomenology and the Film World of Agnès Varda

Through a discussion of Agnès Varda's career from 1954 to 2008 that focuses particularly on La Pointe Courte (1954), L'Opéra‐Mouffe (1958), The Gleaners and I (2000), and The Beaches of Agnes (2008), this article considers the connections between Varda's filmmaking and her femaleness. It proposes that two aspects of Varda's cinema—her particularly perceptive portrayal of a set of geographical locations, and her visual and verbal emphasis on female embodiment—make a feminist existential‐phenomenological approach to her films particularly fruitful. Drawing both directly on the work of Maurice Merleau‐Ponty and on some recent film‐ and feminist‐theoretical texts that have employed his insights, it explores haptic imagery and feminist strategy in The Gleaners and I, the materialization of space characterizing Varda's blurring of fiction and documentary, and the dialectical relationship of people with their environment often observed in her cinema. It concludes that both Varda's female protagonists and the director herself may be said to perform feminist phenomenology in her films, in their actions, movement, and relationship to space, and in the carnality of voice and vision with which Varda's own subjectivity is registered within her film‐texts.     

Thought as Revolt in The Old Man and the Wolves

This article explores how Julia Kristeva's construction of a fictional narrative space enables her to examine the conditions that can produce a culture of revolt. Focusing on one of her novels, The Old Man and the Wolves, the article brings together Hannah Arendt's political philosophy (which provides a framework for Kristeva's depiction of totalitarianism) with Duns Scotus's principle of individuation and Giorgio Agamben's notion of quodlibet (“whatever singularity”) to argue that the future of a culture of revolt is closely connected to the role of women. By aligning feminine thought to political revolt, I demonstrate that Kristeva's revalorization of feminine experiences in the novel constitutes the basis of an ethics that includes the recognition of “whatever” forms of life that have been historically neglected.     

The Three Princesses

This article introduces three princesses: Princess Elizabeth of Bohemia (1618–1680); her sister, Princess Sophie who became the Electress of Hanover (1630–1714); and Sophie's daughter, Sophie Charlotte, who became the first Queen of Prussia (1668–1705). After summarizing their common family background, the article presents, for each in turn, her biography and a discussion of her relation to philosophy. In each case their philosophical involvement stems from their friendships with the leading philosophers of their day; Princess Elizabeth was a friend of Descartes while the Electress Sophie and Sophie Charlotte were friends of Leibniz. The article concludes that anyone who has made the acquaintance of the three princesses and has studied their interaction with their philosopher-friends will always see them as part of the history of modem philosophy.     

‘The Extremely Difficult Realization That Something Other Than Oneself Is Real’: Iris Murdoch on Love and Moral Agency

Abstract: In the last few years, there has been a revival of interest in the philosophy of Iris Murdoch. Despite this revival, however, certain aspects of Murdoch's views remain poorly understood, including her account of a concept that she famously described as ‘central’ to moral philosophy—i.e., love. In this paper, I argue that the concept of love is essential to any adequate understanding of Murdoch's work but that recent attempts by Kieran Setiya and David Velleman to assimilate Murdoch's account of love to neo‐Aristotelian or neo‐Kantian theories of moral agency are misconceived. We will not understand what Murdoch is trying to do unless we understand her position as a radical alternative to such theories. Here, I present a reading of Murdoch's account of love as a form of Platonic eros directed toward two objects: the Good and the particular individual. It is in navigating the tension between these two objects that we find ourselves facing what Murdoch famously described as ‘the extremely difficult realization that something other than oneself is real’. When properly understood, Murdoch's account of love opens up conceptual space for an alternative approach to some of the central questions in contemporary moral theory.     

Responsibility Ethics,Shared Understandings,and Moral Communities

Margaret Walker's Moral Understandings offers an “expressive‐collaborative,” culturally situated, practice—based picture of morality, critical of a “theoretical‐juridical” picture in most prefeminist moral philosophy since Henry Sidgwick. This essay compares her approach to ethics with that of John Rawls, another exemplar of the “theoretical‐juridical” model, and asks how Walker's approach would apply to several ethical issues, including interaction with (other) animals, social reform and revolution, and basic human rights.     

Logic as a Universal Medium or Logic as a Calculus? Husserl and the Presuppositions of “the Ultimate Presupposition of Twentieth Century Philosophy”

This paper discusses Jean van Heijenoort's (1967) and Jaakko and Merrill B. Hintikka's (1986, 1997) distinction between logic as a universal language and logic as a calculus, and its applicability to Edmund Husserl's phenomenology. Although it is argued that Husserl's phenomenology shares characteristics with both sides, his view of logic is closer to the model‐theoretical, logic‐as‐calculus view. However, Husserl's philosophy as transcendental philosophy is closer to the universalist view. This paper suggests that Husserl's position shows that holding a model‐theoretical view of logic does not necessarily imply a calculus view about the relations between language and the world. The situation calls for reflection about the distinction: It will be suggested that the applicability of the van Heijenoort and the Hintikkas distinction either has to be restricted to a particular philosopher's views about logic, in which case no implications about his or her more general philosophical views should be inferred from it; or the distinction turns into a question of whether our human predicament is inescapable or whether it is possible, presumably by means of model theory, to obtain neutral answers to philosophical questions. Thus the distinction ultimately turns into a question about the correct method for doing philosophy.     

The Archimedean point and eccentricity: Hannah Arendt's philosophy of Science and technology

In this contribution I discuss Hannah Arendt's philosophy of culture in three rounds. First I give an account of my view on Hannah Arendt's main work The Human Condition. In this frame of reference I distance myself from the importance attached to Hannah Arendt as a political philosopher and hold a warm plea for her as a philosopher of culture (I and II). Second I pay attention to her view on science and technology in their cultural meaning, expressed in the last chapter of The Human Condition. This part consists in a summary of her thoughts as I read them (III, IV, and V). After these two rounds I make some critical remarks on Hannah Arendt's interpretation of science and technology. The viewpoint of ‘eccentricity’ will be discussed as a frame of reference for her philosophy of culture (VI).     

The Sexual Division of Labor and the Split Paycheck

This essay takes up an apparently minor idea of Susan Moller Okin's Justice, Gender, and the Family—that employers should split the paycheck of wage‐earning husbands between employees and their stay‐at‐home spouses—and suggests that it actually threatens to undermine Okin's entire argument by perpetuating the most central cause of women's inequality by Okin's own account: the sexual division of labor. Recognizing the vital contributions that Okin's seminal work made and the impact that it had on the field of feminist philosophy and political theory, the essay explores the ethical, political, and philosophical problems with this solution to the dire problems of gender inequality and injustice that Okin correctly identifies. The essay suggests that her commitment to liberalism may have resulted in a commitment to an inadequate vision of how to solve the problems of gender inequality, and offers other possibilities that Okin could have pursued instead that sustain her strong commitment to liberalism.     

Particularity and Perspective Taking: On Feminism and Habermas's Discourse Theory of Morality

Seyla Benhabib's critique of Jürgen Habermas's moral theory claims that his approach is not adequate for the needs of a feminist moral theory. I argue that her analysis is mistaken. I also show that Habermas's moral theory, properly understood, satisfies many of the conditions identified by feminist moral philosophers as necessary for an adequate moral theory. A discussion of the compatibility between the model of reciprocal perspective taking found in Habermas's moral theory and that found in Maria Lugones's essay “Playfulness,‘World’‐Travelling, and Loving Perception” reinforces the claim that his moral theory holds as yet unrecognized promise for feminist moral philosophy.     

Intellectual intuition and Kant's epistemology

In order to construct culture‐inclusive theories of psychology to establish an autonomous academic tradition of Confucian humanism, this article provides a commentary on Zongshan Mou's philosophy of intellectual intuition (智的直覺) as well as his systematic bias in translating Kant's epistemology of transcendental idealism (先驗理念論) into Chinese as ‘transcendent idealism’ (超越觀念論). I will demonstrate that his systematic bias in translating Kant's epistemology into Chinese may hinder his followers in developing a comprehensive understanding of the dialectical relationships among various paradigms of the Western philosophy of science, while his philosophy of intellectual intuition not only deviates from the original philosophical stance of pre‐Qin Confucians towards Heaven (天) and Dao (道), but also leads to his misunderstanding of Zhu Xi's philosophy and exploration of human nature (性), which may help us to understand the necessity of a psychodynamic model of cultural psychology with its emphasis on collective unconsciousness instead of the metaphor of Height Psychology.     

Gloria Anzaldúa's Affective Logic of Volverse Una

Although Gloria Anzaldúa's critical categories have steadily entered discussions in the field of philosophy, a lingering skepticism remains about her works’ ability to transcend the particularity of her lived experience. In an effort to respond to this attitude, I make Anzaldúa's corpus the center of philosophical analysis and posit that immanent to this work is a logic that lends it the unity of a critical philosophy that accounts for its concrete, multilayered character and shifting, creative force. I call this an “affective logic of volverse una.” Starting with the understanding of a situated modality of all subjectivity, Anzaldúa's work exhibits a logic of three moments distinguished by states of awareness. Each state of awareness is characterized by the generative degree of the subject's responses to its conditions: critical, individuating, and expansive. Led by her late concepts of conocimiento and nepantlera, I return to her earlier works and trace Anzaldúa's innovative exploration of undoing the oppressive condition of marginal subjectivities from “La Prieta” through Borderlands/La Frontera to her final published essay “now let us shift.” I find a liberatory schema of volverse una/becoming whole that is grounded in an active receptivity of sensibility and facilitated by affective technologies for transformation.     

A European Initiative: Irigaray,Marx, and Citizenship

This article presents Irigaray as a philosopher committed to sociopolitical change by discussing her political thought and her engagement with the European Parliament. It traces her recent work with the ex‐Communist Party in Italy back to her early critique of Marx and her subsequent attraction to Hegel's civil definition of the person. The failure of her European Parliament initiative suggests that her thinking is in advance of its possible realization.     

Why ‘Swampman’ Would Not Even Get as Far as Thinking it Was Davidson: On the Spatio‐temporal Basis of Davidson's Conjuring Trick

In this article, we analyse one of the most famous recent thought‐experiments in philosophy, namely Donald Davidson's Swampman. Engaging recent commentators on Davidson's Swampman as well as analysing the spatio‐temporal conditions of the thought‐experiment, we will show how the ‘experiment’ inevitably fails. For it doesn't take seriously some of its own defining characteristics: crucially, Swampman's creation of a sudden in a place distinct from Davidson's. Instead of denigrating philosophical thought‐experiments per se, our analysis points towards considering thought‐experiments in a different sense: imaginary scenarios helpfully self‐deconstructing rather than constituting substantive philosophical resources.     

Growth in agreement II: Reports and agreed statements of ecumenical conversations on a world level 1982–98∗

The French thinkers who influenced the American social activist Dorothy Day through Peter Maurin are representative of French progressive thought connected with the 1891 encyclical Rerum Novarum and its 1931 successor, Quadragesimo Anno. This article discusses the influence of Kropotkin, de Foucauld, Maritain and Mounier on Day. In France itself, this thought was often frustrated but Day provides an example of the implementation of Roman Catholic Personalism in the American setting. Day was both a popularising journalist and a tireless practitioner of the threefold platform deriving from Maurin's philosophy of Roundtable Discussion, Farming Communes and Houses of Hospitality. By the early 1950s, the tangential nature of Day's interest in the worker priest movement, when the question of its suppression had global prominence, shows that Maurin had been successful not in interesting her in his French influences for their own sake but in bequeathing to her a workable synthesis as a framework for her own efforts.