The automaticity of vantage point shifts within a synaesthetes' spatial calendar

Time-space synaesthetes report that time units (e.g., months, days, hours) occupy idiosyncratic spatial locations. For the synaesthete (L), the months of the year are projected out in external space in the shape of a 'scoreboard 7', where January to July extend across the top from left to right and August to December make up the vertical segment from top to bottom. Interestingly, L can change the mental vantage point (MVP) from where she views her month-space depending on whether she sees or hears the month name. We used a spatial cueing task to demonstrate that L's attention could be directed to locations within her time-space and change vantage points automatically - from trial to trial. We also sought to eliminate any influence of strategy on L's performance by shortening the interval between the cue and target onset to only 150 ms, and have the targets fall in synaesthetically cued locations on only 15% of trials. If L's performance was attributable to intentionally using the cue to predict target location, these manipulations should eliminate any cueing effects. In two separate experiments, we found that L still showed an attentional bias consistent with her synaesthesia. Thus, we attribute L's rapid and resilient cueing effects to the automaticity of her spatial forms.     

Handedness and calendar orientations in time-space synaesthesia

In one common variant of time-space synaesthesia, individuals report the consistent experience of months bound to a spatial arrangement, commonly described as a circle extending outside of the body. Whereas the layout of these calendars has previously been thought to be relatively random and to differ greatly between synaesthetes, Study 1 provides the first evidence suggesting one critical aspect of these calendars is mediated by handedness: clockwise versus counter-clockwise orientation. A study of 34 time-space synaesthetes revealed a strong association between handedness and the orientation of circular calendars. That is, left-handed time-space synaesthetes tended to report counter-clockwise arrangements and right-handed synaesthetes clockwise. Study 2 tested whether a similar bias was present in non-synaesthetes whose task was to memorize and recall the spatial configuration of a clockwise and counter-clockwise calendar. Non-synaesthetes' relative performance on these two sorts of calendars was significantly correlated with their handedness scores in a pattern similar to synaesthetes. Specifically, left-handed controls performed better on counter-clockwise calendars compared to clockwise, and right-handed controls on clockwise over counter-clockwise. We suggest that the implicit biases seen in controls are mediated by similar mechanisms as in synaesthesia, highlighting the graded nature of synaesthetic associations.     

Do sequence-space synaesthetes have better spatial imagery skills? Maybe not

Sequence-space synaesthesia is a type of visuo-spatial imagery in which numbers or calendar units are experienced to occupy locations in space. Previous studies have claimed that these synaesthetes (1) have stronger self-reported visual (but not spatial) imagery and (2) perform unusually well on mental rotation tasks that are usually taken to reflect spatial (but not visual) imagery. To further investigate whether this form of synaesthesia is related to spatial imagery, we compared synaesthetes to controls on the Object Spatial Imagery Questionnaire, a paper folding test and a mental rotation task. The synaesthetes did not differ from controls in self-reported spatial imagery, but showed a strong trend to report better visual imagery, replicating previously reported data patterns. Consistent with this, their paper folding and mental rotation performance was no better than controls. We also confirmed that, in our pooled sample, performance on both these tasks was positively correlated with self-reported spatial imagery. We suggest our data are more consistent with the view that sequence-space synaesthesia is related to visual than to spatial imagery, and we suggest reasons why previous studies may have found superior mental rotation performance.     

Synaesthesia,creativity and art: What is the link?

It has been suggested that individuals with synaesthesia may show heightened creativity as a result of being able to form meaningful associations between disparate stimuli (e.g. colour, sound). In this study, a large sample (N=82) of people with various kinds of synaesthesia were given two psychometric tests of creativity (Remote Associates Test, Alternate Uses Test) and were also asked about the amount of time engaged in creative arts (visual art, music). There was a significant tendency for synaesthetes to spend more time engaged in creative arts and this was, at least in part, dependent upon the type of synaesthesia experienced. For example, synaesthetes experiencing vision from music were far more likely to play an instrument than their other synaesthetic counterparts. There was no relationship between this tendency and the psychometric measures of creativity, but synaesthetes did outperform controls on one of the two psychometric measures (Remote Associates). We conclude that the tendency for synaesthetes to be more engaged in art is likely to have a different mechanism to psychometric measures of creativity, and that there is no direct link between them. Although synaesthetes may well perform better on some measures of creativity, we suggest that synaesthetes have better bottom‐up access to certain associations, but are not necessarily better able to use them flexibly (in divergent thinking).     

Creativity and involvement in art in different types of synaesthesia

The aim of the present study was to test the relationship between different types of synaesthesia and their involvement in art, creative, and visual abilities. We tested 20 grapheme‐colour, 18 sound‐colour, 19 grapheme‐colour‐and‐sound‐colour, 20 sequence‐space synaesthetes, and the same number of controls matched by age, gender, and education. We assessed the number of artistic professions, involvement in art, and the performance in psychometric tests of divergent and convergent creativity, as well as visual and visuo‐spatial abilities. Results show a higher prevalence of artists among synaesthetes, especially sound‐colour synaesthetes. Sound‐colour synaesthetes also showed a higher involvement in artistic activities overall while sequence‐space synaesthetes showed higher involvement in visual art. Only grapheme‐colour‐and‐sound‐colour synaesthetes showed significantly higher divergent creativity compared to matched controls. Additionally, overall, synaesthetes scored higher in visuo‐spatial abilities (i.e., mental rotation). For synaesthetes and controls, visuo‐spatial abilities correlated with divergent creativity. We discuss that synaesthetes’ higher involvement in art is not necessarily reflected in their basic creative abilities.     

Time–space synaesthesia – A cognitive advantage?

Is synaesthesia cognitively useful? Individuals with time–space synaesthesia experience time units (such as months of the year) as idiosyncratic spatial forms, and report that these forms aid them in mentally organising their time. In the present study, we hypothesised that time–space synaesthesia would facilitate performance on a time-related cognitive task. Synaesthetes were not specifically recruited for participation; instead, likelihood of time–space synaesthesia was assessed on a continuous scale based on participants’ responses during a semi-structured interview. Participants performed a month-manipulation task, which involved naming every second month or every third month in reverse-chronological order, beginning and ending with a target month. Using hierarchical multiple regression, we found that time–space synaesthesia corresponded with faster performance on both versions of the task. We propose that time–space synaesthesia may expedite the cognitive manipulation of time-based information. Our results also indicate that synaesthesia is far less unusual than widely believed.     

Spatial cueing in time–space synesthetes: An event-related brain potential study

Some people report that they consistently and involuntarily associate time events, such as months of the year, with specific spatial locations; a condition referred to as time–space synesthesia. The present study investigated the manner in which such synesthetic time–space associations affect visuo-spatial attention via an endogenous cuing paradigm. Reaction times and ERPs were recorded as 12 time–space synesthetes and 12 control participants did a peripheral target detection task, cued by three different types of centrally presented cues: arrows pointing left or right, direction words “left” or “right”, and month names associated with either the left or the right side of the synesthete’s mental calendar (e.g., “October” or “May”). Cues were followed by probes on the left or right side of the screen, and participants responded to the probes with button presses. Behavioral and ERP data suggested that for synesthetes, month words functioned more effectively as cues to direct attention in space. In synesthetes but not controls, a comparison of ERPs to probes cued by months revealed effects of cue validity on the P3b component peaking 370 ms post-onset and on the subsequent positive slow wave (pSW) observed 600–900 ms post-onset (both larger for invalid probes). No effects of cue validity were observed on early visual potentials (N1) for probes cued by months. The findings suggest that in these time–space synesthetes cue validity influenced post-perceptual processes, such as stimulus evaluation and categorization, with no evidence for enhanced visual processing.     

Cross-modal personality attributions in synaesthetes and non-synaesthetes

Those variants of synaesthesia that trigger colour are well studied, although comparatively less is known about variants that involve cognitive constructs such as personality types. Here we investigate sequence-personality synaesthesia (also known as ordinal linguistic personification, OLP) in which sequenced units (e.g., letters) become associated to personalities or genders. We present the first group study of this variant, showing similarities and differences between synaesthetes and non-synaesthetes. In Experiment 1, we show that synaesthetes differ from the general population in the phenomenology of their reports, the depth of their personality associations, and the consistency of those associations over time. In Experiment 2, we show that synaesthetes are similar to the general population in the underlying rules that link their personalities to letters. Specifically, we show that these mappings are not random, but are based on a shared rule system linking linguistic qualities of letters with quantitative dimensions of personality (based on Goldberg's Big Five personality traits; Goldberg, 1990, 1992). Synaesthetes tend to associate high-frequency letters with high agreeable and low neurotic personalities, and non-synaesthetes share these tendencies at an implicit level. Together, these data show that synaesthetes differ from the general population in phenomenological ways, but that their underlying mechanisms may be common to all people.     

Comparing implicit and synaesthetic number–space associations: Visuospatial and verbal spatial–numerical associations of response codes

In the theory of the mental number line, number, and space are implicitly associated, giving rise to the spatial–numerical association of response codes (SNARC) effect, in which smaller numbers are more readily associated with the left side of space and larger numbers with the right, during a parity judgement task. Others, however, have argued that the SNARC effect is flexible and better explained by verbal rather than spatial associations. A few single-case studies on the SNARC effect have tested number–space synaesthetes, who make explicit associations between number and space. Here, we present data from experiments conducted on groups of synaesthetes and nonsynaesthetes on the classic SNARC parity judgement task with lateralized response keys and a modified version in which they responded to labels appearing on screen. Synaesthetes' behaviour was expected to differ from nonsynaesthetes' behaviour due to the explicit, fixed nature of their number–space associations, but both experiments show the two groups behaving in the same way, indicating that parity judgement tasks may not be tapping the same representation of number that gives rise to synaesthetic number–space experiences.     

Enhanced mental rotation ability in time-space synesthesia

Time-space synesthesia is a variant of sequence–space synesthesia and involves the involuntary association of months of the year with 2D and 3D spatial forms, such as arcs, circles, and ellipses. Previous studies have revealed conflicting results regarding the association between time-space synesthesia and enhanced spatial processing ability. Here, we tested 15 time-space synesthetes, and 15 non-synesthetic controls matched for age, education, and gender on standard tests of mental rotation ability, spatial working memory, and verbal working memory. Synesthetes performed better than controls on our test of mental rotation, but similarly to controls on tests of spatial and verbal working memory. Results support a dissociation between visuo-spatial imagery and spatial working memory capacity, and suggest time-space synesthesia is associated only with enhanced visuo-spatial imagery. These data are consistent with the time-space connectivity thesis that time-space synesthesia results from enhanced connectivity in the parietal lobe between regions supporting the representation of temporal sequences and those underlying visuo-spatial imagery.     

9 is always on top: assessing the automaticity of synaesthetic number-forms

For number-form synaesthetes, digits occupy idiosyncratic spatial locations. Atypical to the mental number line that extends horizontally, the synaesthete (L) experiences the numbers 1-10 vertically. We used a spatial cueing task to demonstrate that L’s attention could be automatically directed to locations within her number-space - being faster to detect targets appearing in synaesthetically cued locations. We sought to eliminate any influence of strategy on L’s performance by: (a) shortening the cue-target onset to 150 ms, (b) making the cues counterpredictive, and (c) instructing L to use an opposing strategy. If L’s performance was attributable to intentionally using the cue to predict target location, these manipulations should eliminate any cuing effects consistent with her synaesthesia. However, L showed an attentional bias compatible with her number-form, except when explicitly instructed of the opposing strategy and given enough time (800 ms). Therefore, we attribute L’s resilient cueing effects to the automaticity of her number-form.     

A systematic, large-scale study of synaesthesia: implications for the role of early experience in lexical-colour associations

For individuals with synaesthesia, stimuli in one sensory modality elicit anomalous experiences in another modality. For example, the sound of a particular piano note may be 'seen' as a unique colour, or the taste of a familiar food may be 'felt' as a distinct bodily sensation. We report a study of 192 adult synaesthetes, in which we administered a structured questionnaire to determine the relative frequency and characteristics of different types of synaesthetic experience. Our data suggest the prevalence of synaesthesia in the adult population is approximately 1 in 1150 females and 1 in 7150 males. The incidence of left-handedness in our sample was within the normal range, contrary to previous claims. We did, however, find that synaesthetes are more likely to be involved in artistic pursuits, consistent with anecdotal reports. We also examined responses from a subset of 150 synaesthetes for whom letters, digits and words induce colour experiences ('lexical-colour' synaesthesia). There was a striking consistency in the colours induced by certain letters and digits in these individuals. For example, 'R' elicited red for 36% of the sample, 'Y' elicited yellow for 45%, and 'D' elicited brown for 47%. Similar trends were apparent for a group of non-synaesthetic controls who were asked to associate colours with letters and digits. Based on these findings, we suggest that the development of lexical-colour synaesthesia in many cases incorporates early learning experiences common to all individuals. Moreover, many of our synaesthetes experienced colours only for days of the week, letters or digits, suggesting that inducers that are part of a conventional sequence (e.g. Monday, Tuesday, Wednesday...; A, B, C...; 1, 2, 3...) may be particularly important in the development of synaesthetic inducer-colour pairs. We speculate that the learning of such sequences during an early critical period determines the particular pattern of lexical-colour links, and that this pattern then generalises to other words.     

Varieties of grapheme-colour synaesthesia: a new theory of phenomenological and behavioural differences

Recent research has suggested that not all grapheme-colour synaesthetes are alike. One suggestion is that they can be divided, phenomenologically, in terms of whether the colours are experienced in external or internal space (projector–associator distinction). Another suggestion is that they can be divided according to whether it is the perceptual or conceptual attributes of a stimulus that is critical (higher–lower distinction). This study compares the behavioural performance of 7 projector and 7 associator synaesthetes. We demonstrate that this distinction does not map on to behavioural traits expected from the higher–lower distinction. We replicate previous research showing that projectors are faster at naming their synaesthetic colours than veridical colours, and that associators show the reverse profile. Synaesthetes who project colours into external space but not on to the surface of the grapheme behave like associators on this task. In a second task, graphemes presented briefly in the periphery are more likely to elicit reports of colour in projectors than associators, but the colours only tend to be accurate when the grapheme itself is also accurately identified. We propose an alternative model of individual differences in grapheme-colour synaesthesia that emphasises the role of different spatial reference frames in synaesthetic perception. In doing so, we attempt to bring the synaesthesia literature closer to current models of non-synaesthetic perception, attention and binding.     

Temporal sequences,synesthetic mappings,and cultural biases: The geography of time

Time–space synesthetes report that they experience the months of the year as having a spatial layout. In Study 1, we characterize the phenomenology of calendar sequences produced by synesthetes and non-synesthetes, and show a conservative estimate of time–space synesthesia at 2.2% of the population. We demonstrate that synesthetes most commonly experience the months in a circular path, while non-synesthetes default to linear rows or rectangles. Study 2 compared synesthetes’ and non-synesthetes’ ability to memorize a novel spatial calendar, and revealed better performance in synesthetes. The capacity to learn mappings between arbitrary spatial forms and temporal sequences is present in all individuals, and time–space synesthetes’ enhanced visuo-spatial memory abilities may underlie their creation of idiosyncratic spatial calendar forms.     

Is it for real? Evaluating authenticity of musical pitch-space synesthesia

In spatial-sequence synesthesia, ordinal sequences are visualized in explicit spatial locations. We examined a recently documented subtype in which musical notes are represented in spatial configurations, to verify consistency and automaticity of musical pitch-space (M-S) synesthesia. An M-S synesthete performed a mapping pre-task (Exp. 1) used to indicate the locations of 7 auditory or visually presented notes, in 2 sessions a month apart. Results revealed strong correlations between sessions, suggesting the synesthete's musical forms were consistent over time. Experiment 2 assessed automaticity of M-S synesthesia. The same synesthete and matched controls preformed a spatial Stroop-like task. Participants were presented with an auditory or visual musical note and then had to reach for an asterisk (target) with a mouse cursor. The target appeared in a compatible or incompatible location (according to the synesthete's spatial representation). A compatibility effect was found for the synesthete but not for controls. The synesthete was significantly faster when the target appeared in compatible locations than in incompatible ones. Our findings show that for synesthetes, auditory and visually presented notes automatically trigger attention to specific spatial locations according to their specific M-S associations.     

Type-based associations in grapheme-color synaesthesia revealed by response time distribution analyses

Determining the nature of binding in grapheme-color synaesthesia has consequences for understanding the neural basis of synaesthesia and visual awareness in general. We evaluated type- and token-based letter-color binding using a synaesthetic version of the object-reviewing paradigm. Although mean response times failed to reveal any significant differences between synaesthetes and control participants, RT analyses with ex-Gaussian distributions revealed that the response facilitation in the synaesthesia group reflected type representations exclusively, while response facilitation in the control group, who learned letter-color associations, was dominated by token representations. Thus, letter-color associations in associator synaesthetes are type-based, and do not involve binding to object tokens, consistent with their subjective reports. Contrary to recent studies that failed to find differences between synaesthetes and non-synaesthetes with behavioral measures, response time distribution analyses indicate that color sensations in synaesthetes are not simply the extreme form of normal letter-color associations, and cannot be attributed to demand characteristics.     

Visuo-spatial representations of the alphabet in synaesthetes and non-synaesthetes

Visuo-spatial representations of the alphabet (so-called 'alphabet forms') may be as common as other types of sequence-space synaesthesia, but little is known about them or the way they relate to implicit spatial associations in the general population. In the first study, we describe the characteristics of a large sample of alphabet forms visualized by synaesthetes. They most often run from left to right and have salient features (e.g., bends, breaks) at particular points in the sequence that correspond to chunks in the 'Alphabet Song' and at the alphabet mid-point. The Alphabet Song chunking suggests that the visuo-spatial characteristics are derived, at least in part, from those of the verbal sequence learned earlier in life. However, these synaesthetes are no faster at locating points in the sequence (e.g., what comes before/after letter X?) than controls. They tend to be more spatially consistent (measured by eye tracking) and letters can act as attentional cues to left/right space in synaesthetes with alphabet forms (measured by saccades), but not in non-synaesthetes. This attentional cueing suggests dissociation between numbers (which reliably act as attentional cues in synaesthetes and non-synaesthetes) and letters (which act as attentional cues in synaesthetes only).     

Synaesthetic perception of colour and visual space in a blind subject: an fMRI case study

In spatial sequence synaesthesia (SSS) ordinal stimuli are perceived as arranged in peripersonal space. Using fMRI, we examined the neural bases of SSS and colour synaesthesia for spoken words in a late-blind synaesthete, JF. He reported days of the week and months of the year as both coloured and spatially ordered in peripersonal space; parts of the days and festivities of the year were spatially ordered but uncoloured. Words that denote time-units and triggered no concurrents were used in a control condition. Both conditions inducing SSS activated the occipito-parietal, infero-frontal and insular cortex. The colour area hOC4v was engaged when the synaesthetic experience included colour. These results confirm the continued recruitment of visual colour cortex in this late-blind synaesthetes. Synaesthesia also involved activation in inferior frontal cortex, which may be related to spatial memory and detection, and in the insula, which might contribute to audiovisual integration related to the processing of inducers and concurrents.     

Synaesthesia in a logographic language: the colouring of Chinese characters and Pinyin/Bopomo spellings

Studies of linguistic synaesthesias in English have shown a range of fine-grained language mechanisms governing the associations between colours on the one hand, and graphemes, phonemes and words on the other. However, virtually nothing is known about how synaesthetic colouring might operate in non-alphabetic systems. The current study shows how synaesthetic speakers of Mandarin Chinese come to colour the logographic units of their language. Both native and non-native Chinese speakers experienced synaesthetic colours for characters, and for words spelled in the Chinese spelling systems of Pinyin and Bopomo. We assessed the influences of lexical tone and Pinyin/Bopomo spelling and showed that synaesthetic colours are assigned to Chinese words in a non-random fashion. Our data show that Chinese-speaking synaesthetes with very different native languages can exhibit both differences and similarities in the ways in which they come to colour their Chinese words.     

P-SPACE: A program for simulating spatial behavior in small groups

P-SPACE is a computer program that simulates spatial behavior in a small group of individuals. The program describes how interpersonal distances change through time as a result of changes in microlevel features, such as the minimization of local dissatisfaction. Agents are located in a two-dimensional lattice and can move some discrete space units at each discrete time unit within their neighborhood. A nonsymmetrical matrix of ideal distances between agents must be specified. Agents move in order to minimize their dissatisfaction, defined as a function of the discrepancy between possible future distances and ideal distances between agents. At each iteration, agents will move to those cells in their neighborhoods for which the function is minimized. Depending on the specific values in the ideal-distance matrix, different kinds of social dynamics can be simulated.