THE HOLY & WHOLLY OTHER: KIERKEGAARD ON THE ALTERITY OF GOD

In response to prevailing perceptions, I contend that Søren Kierkegaard (1813–55) conceives of the wholly otherness of God via his dialectical category of the ‘infinite qualitative difference’ between the human and the divine, initially through the self's consciousness of sin and ultimately through the self's acceptance of the gift of forgiveness. Therefore, I claim that while the common designation of Kierkegaard's God as ‘Wholly Other’ may initially evoke the alterity of sin; it is not ultimately sufficient to describe the divine alterity which Kierkegaard regards as more faithfully manifest in the ‘impossible possibility’ of forgiveness. Through this reading, I finally suggest that the ‘Wholly Other’ is not ultimately representative of God in Kierkegaard's writings and might be more faithfully supplemented by the appellation of the Holy Other.     

Immediacy ‐ subjectivity ‐ revelation

Kierkegaard's fundamental view of life was negative and Gnostic. It was through his interpretation of life that his vision of the nothingness of existence became positive. What formed the material of Kierkegaard's interpretation was the common experience of existence, what ‘all’ men know. His concept of existence has a threefold content : immediacy, subjectivity, and the Christian Revelation. Immediate reality that is not made content of subjectivity becomes empty changeableness, and subjectivity that does not appropriate immediacy deprives itself of the concrete (as with the mystic). Immediacy's ‘text’ first acquires a qualitative transcendent content through the ‘repetition’ of subjective choice. Kierkegaard takes this appropriation of the immediate to be also the self‐development of subjectivity. Consciousness of guilt is an expression of a God‐relationship. Implicated with this consciousness is the consciousness of the nothingness of everything — echoed in man as dread. Yet even when subjectivity is conscious of guilt the truth remains immanent in subjectivity. In the Christian Revelation truth is outside man: subjectivity is untruth (sin).     

Works of Love in a World of Violence: Kierkegaard,Feminism, and the Limits of Self‐Sacrifice

Feminist scholars adopt wide‐ranging views of self‐sacrifice: their critiques claim that women are inordinately affected by Christianity's valorization of self‐sacrifice and that this traditional Christian value is inherently misogynistic and necrophilic. Although Søren Kierkegaard's Works of Love deems Christian love essentially sacrificial, love, in his view, sets significant limits on the role of self‐sacrifice in human life. Through his proposed response to one who requests forgiveness, “Do you now truly love me?” Kierkegaard offers a model of forgiveness that subverts traditional ideals of the self‐sacrificing and submissive woman while keeping love central. The question asserts self‐love, involves redoubling and double danger, and expresses a refusal to imitate Christ's suffering. I propose a reading in keeping with Grace Jantzen's vision for a feminist philosophy of religion, which reads against the grain and “seeks to break through to new ways of thinking that may open up divine horizons.” My reading is further supported by Kierkegaard's contention that everything essentially Christian bears a double meaning. In light of the subversive potential found in the discrepancy between apparent love and actual love, as well as the duty to name the sin of one who has behaved in an unloving manner, I argue that Kierkegaard's philosophy of love resists simplistic understandings of self‐sacrificing love.     

The Life of Spirit: The Self and Sanctification in Søren Kierkegaard's The Sickness unto Death

Danish theologian and philosopher Søren Kierkegaard is often overlooked as an author in the Christian spiritual tradition. This paper answers Christopher Barnett's call to investigate themes of Christian spirituality in Kierkegaard's writing. In this paper, I argue that we can construct of vision of sanctification from Kierkegaard's The Sickness unto Death. While Kierkegaard does not directly deal with themes of sanctification in The Sickness unto Death, Kierkegaard's pseudonym Anti-Climacus does demonstrate the ‘spiritless’ life of despair. The ‘spiritless’ life, as Anti-Climacus defines it, is a life that is not truly a ‘self’. Anti-Climacus systematically demonstrates four categories of despair, and all people not living in faith, whether they realise it or not, fit into one of these categories of ‘spiritless’ existence. I argue that by constructing the opposites of Kierkegaard's categories of despair I demonstrate that a ‘spirit-filled’ life exemplifies a vibrant Christian life of sanctification.     

THE EMOTIONS IN THE SEVENTEENTH CENTURY

In this paper I argue that Kierkegaard's theory of change is motivated by a robust notion of contingency. His view of contingency is sharply juxtaposed with a strong notion of absolute necessity. I show that how he understands these notions explains certain ambiguous claims he makes about causation. I attempt to provide a coherent interpretation of his view of causality that is consistent with both human choice and the causal sequence of change. I end by suggesting a compatibilist interpretation of Kierkegaard's philosophy.     

KIERKEGAARD'S ANTHROPOLOGY OF THE SELF: ETHICO‐RELIGIOUS AND SOCIAL DIMENSIONS OF SELFHOOD

It is sometimes argued that the concept of the self is the unifying thread that ties together the rich diversity of philosophical and theological themes in Kierkegaard's works. 1 In his conception of the self he provides us with a coherent and unified view of human existence. For Kierkegaard the self is not a static entity but a dynamic and unfolding reality, something I must strive to become. One is not a self but becomes a self as an ethico‐religious task to be actualized. The purpose of this paper is to outline Kierkegaard's anthropology of the self with particular emphasis on the ethical and religious dimensions of selfhood. I will first elucidate the structure and dynamic character of the self, and then will examine the dialectical development of the self in the ethical and religious stages of existence. Finally I will address the widespread criticism of Kierkegaard's conception of the self as being radically individualistic and asocial.     

Kierkegaard on the Problems of Pure Irony

Søren Kierkegaard's thesis, The Concept of Irony, contains an interesting critique of pure irony. Kierkegaard's critique turns on two main claims: (a) pure irony is an incoherent and thus, unrealizable stance; (b) the pursuit of pure irony is morally enervating, psychologically destructive, and culminates in bondage to moods. In this essay, first I attempt to clarify Kierkegaard's understanding of pure irony as “infinite absolute negativity.” Then I set forth his multilayered critique of pure irony. Finally, I consider briefly a distinctly theological component in Kierkegaard's critique. I argue that this feature of Kierkegaard's account can and should be distinguished from the broadly ethical critique of pure irony that I sketch in the second section, even if these components of Kierkegaard's position are found together as a unified whole in The Concept of Irony. My overall goal in this essay is to reveal the subtlety and plausibility of Kierkegaard's critique of pure irony. I also attempt to disclose the richness of the Hegelian account of ethical life to which Kierkegaard recurs in his thesis.     

Suffering the Promise of God: Engaging Oswald Bayer

This article examines Oswald Bayer's wide‐ranging constructive appropriation and application of Luther's theology of the Word. Bayer grounds theology in the divine word of promise, understanding theology and the Christian life as a vita receptiva in which human action is, from first to last, responsive. He pits Luther against modern theological evasions of the Word in his insistence on the distinctively Christian pathos of existence, and his ethic of categorical gift reflects this. I conclude with a commendation of Bayer's theology of the Word, a question about the relation between God's revelation and hiddenness and a concern that he may at times compromise the definitive self‐revelation of God in Christ.     

Kierkegaard’s Notion of a Divine Name and the Feasibility of Universal Love

Kierkegaard's well‐known analysis of the self, in the first part of his work The Sickness unto Death (1849), presents, even if only in passing, the somewhat enigmatic notion of “divine name.” In this article I offer an interpretation of Kierkegaard's analysis and suggest that the notion of a divine name be understood as expressing the conception of human beings as possessing (what I call) “individual essence.” I further demonstrate that it is this quality that makes a human being a self, namely, the individual that he or she is. In addition to defending the exegetical and substantial plausibility of this conception, I show how it opens the way to affirming the feasibility of universal love.     

Are Christian politics possible? A Kierkegaardian perspective

This paper provides a rereading of Søren Kierkegaard's attack upon Christendom in light of his theory of spheres of existence to examine whether Christian politics are possible after Kierkegaard. Talking of Christian politics makes sense only in the esthetic and the religious spheres of existence. However, Kierkegaard argues that politics worthy of the title Christian are impossible. Either such politics are simply Christendom far removed from New Testament Christianity, or Christian politics are faced with the paradox of existing before God and cannot proceed.     

Kierkegaard's Phenomenology of Spirit

Kierkegaard's preoccupation with a separation between the ‘inner’ and the ‘outer’ runs through his work and is widely thought to belong to his rejection of Hegel's idealist monism. Focusing on The Concept of Irony and Either/Or, I argue that although Kierkegaard believes in various metaphysical distinctions between inside and outside (the inwardness of faith and the outwardness of ethics and language; the inwardness of emotion and the outwardness of behavior), he nonetheless understands the task of the philosopher as that of making outside and inside converge in a representation. Drawing on Hegel's philosophy of art, I show that Kierkegaard's project in both of these books is the aesthetic project of revealing the inner essence of something in its outward appearance. Kierkegaard's portrait of Socrates in The Concept of Irony is a phenomenology of the spirit of irony. My interpretation adds a new dimension to our understanding of Kierkegaard's aesthetics and his relation to Hegel; it presents him as a follower of Plato, whom he is usually thought to have dismissed; and it uncovers a deep connection between Kierkegaard's first two books, which are never read in conjunction.     

Kierkegaard's Critique of Eudaimonism: A Reassessment

Interpreters are less univocal than one might think in assessing Søren Kierkegaard's attitude toward eudaimonism. Through an analysis of several key texts from across Kierkegaard's authorship, I argue that existing interpretations do not convincingly address the relationship between Kierkegaard's critique of eudaimonism and his mid‐nineteenth‐century context, which was dominated by post‐Kantian idealists. While I am sympathetic to aspects of deontological and aretaic interpretations, a contextual reading shows that his critique centers on what he diagnoses as the enclosure of the modern self. This puts his critique of eudaimonism in the purview of his moral psychology and in continuity with his critique of romanticism.     

Redeeming the penultimate: discipleship and Church in the thought of Søren Kierkegaard and Dietrich Bonhoeffer

There are striking parallels between the theologies of discipleship advanced by the Danish thinker Søren Kierkegaard and the German theologian Dietrich Bonhoeffer. Bonhoeffer's notion of ‘costly grace’ closely resembles Kierkegaard's critique of the misuse of the Pauline-Lutheran doctrine of justification by grace through faith alone. After the publication of Cost of Discipleship, however, Bonhoeffer's view of discipleship moves in a different direction from that of Kierkegaard. Whereas Kierkegaard takes discipleship to mean that the Christian must be in irrevocable conflict with the world, Bonhoeffer sees discipleship as living in the world and cultivating a ‘worldly holiness’. This article tracks the reasons why their initially similar theologies of discipleship result in Kierkegaard and Bonhoeffer developing different understandings of Christian discipleship and church. The discussion is organised around the distinction Bonhoeffer makes in his Ethics between the ‘ultimate’ and the ‘penultimate’. Kierkegaard emphasises the ultimate to such an extent that the penultimate is virtually eliminated and the Christian disciple is called upon to live in a state of constant eschatological opposition to the world. For Bonhoeffer on the other hand the penultimate is not to be condemned but to be transformed in the light of the ultimate. The article argues that the differing notions of discipleship advanced by Kierkegaard and Bonhoeffer arise from the different political contexts in which they were living and writing. Whereas Kierkegaard's historical situation prompted him to affirm the ultimate by confronting his contemporaries with New Testament Christianity's radical opposition to the world, Bonhoeffer's resistance to the Nazi régime prompted him to reflect on how the ultimate can be integrated into the penultimate and how the Christian disciple can engage with the world without being of the world.     

FALLIBILISM,FAITH AND THEOLOGY: PUTTING NICHOLAS RESCHER TO THEOLOGICAL WORK1

This essay explores the possible theological relevance of Nicholas Rescher's pragmatic‐idealist account of human reason. An initial case is made for the prospective hospitality of Christian theology to Rescher's thought, contrary to his early misgivings. The intrinsic relationship between Christian faith and a fallibilist self‐regard is then explored. Next Rescher's more recent constructive reflections are considered and their limitations identified. Finally the lineaments of a thoroughgoing Trinitarian appropriation of Rescher's thought are traced together with its implications for the character of Christian theology and ecclesial reality.     

RETHINKING THE CHRISTOLOGICAL FOUNDATIONS OF REINHOLD NIEBUHR'S CHRISTIAN REALISM

While Reinhold Niebuhr's realist political philosophy continues to find advocates in many quarters on account of its explanatory power, his Christian ideals have had difficulty gaining purchase in the material world. The tension between particular political interests and universal moral ideals threatens not only to undermine Niebuhr's efforts to preserve the ethical quality of politics but also his grounds for hope. The source of this problem can be traced to a weakness in the Christological foundations of Niebuhr's Christian realism—specifically to his intentional severing of classical Christology from politics in his appropriation of Augustine's realism. After examining the reasons for this rejection of classical reflections about Jesus, this article explains how the Christology of Niebuhr's favorite early Christian realist, Augustine, makes possible a theological reasoning that expands the social imagination, and promotes a deeply principled and hopeful material transformation, while not forfeiting its critical and explanatory capacity.     

THINKING THROUGH KIERKEGAARD'S ANTI-CLIMACUS: ART, IMAGINATION, AND IMITATION

What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti‐Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti‐Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then consider what role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti‐Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean‐Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self‐Portrait (1500).     

RHETORIC OF FAITH AND PATTERNS OF PERSUASION IN BERKELEY'S ALCIPHRON

In this article I consider George Berkeley's Alciphron (1732) from the standpoint of the literary techniques and rhetorical procedures employed, as evidence for placing this composition within the tradition of Christian apologetic rhetoric. The argument develops around three main issues: 1) Berkeley's employment of the traditional rhetorical tool of attacking his opponents using their own weapons; 2) Berkeley's resort to a perennial tradition of pre‐Christian or non‐Christian wisdom, in order to validate his Christian‐theistic claims; and 3) Berkeley's ‘argument from utility’ (considering the beneficial effects that accepting Christianity has had over the centuries on people's lives, making them better, wiser, happier, and more virtuous, as well as the social peace and harmony that living by Christian standards brings about – it is preferable to adopt the Christian faith than not). These three theses are discussed in light of the history of Christian apologetic rhetoric, with references to the works of St. Augustine, St. Justin Martyr, Origen, St. Thomas Aquinas and other Christian authors.