Two cheers for Tanhā

The central character in Sartre's 1938 novel La Nausée, Antoine Roquentin, has lost his sense of things, and now the world appears to him as utterly unstable. Roquentin suffers from what he calls ‘nausea,’ a condition caused by an ontological intuition that the self, as well as the world through which that ‘self’ moves, lacks a substantial nature. The novel portrays Sartre's own philosophical account of the self in La transcendence de l'égo. Here Sartre argues that Husserl's account of consciousness is not radical enough; the ‘I’ or ego is a pseudo-source of activity (and Sartre thus draws very close to a particularly Buddhist account of personal identity). My essay questions Roquentin's response to his ontological insight: why is this the occasion for ‘nausea’? Why doesn't Roquentin (as King Milinda famously does) celebrate and embrace his ‘non-self’? I argue that Sartre's depiction of Roquentin's ailment, and the unsatisfactory solution he provides, misunderstands both the aggregate nature of things as well as authentically rendered consciousness-only (vijñaptimātra).     

From Buddha's speech to Buddha's essence: philosophical discussions of Buddha‐vacana in India and China1

This is a comparative study of the discourses on the nature of sacred language found in Indian Abhidharma texts and those written by 7th century Chinese Buddhist scholars who, unlike the Indian Buddhists, questioned ‘the essence of the Buddha’s teaching'. This issue labeled fo‐chiao t'i lun, the theory of ‘the essence of the Buddha’s teaching', was one of the topics on which Chinese Yogācāra scholars have shown a keen interest and served as the inspiration for extensive intellectual dialogues in their texts. It is in Hsüan‐tsang's massive and organized translation works, begun in 648, that various previous translations of the term buddhavacana from Indian Abhidharma texts were given the unified translation of fo‐chiao. (Fo‐chiao literally means “the Buddha's teachings,” and is the term used in the modern period for “Buddhism.”) By combining fo‐chiao with the term t'i, meaning ‘essence’ or ‘substance’ throughout his translations, Hsüan‐tsang attempted to define ‘the essence of the Buddha’s teaching'. In Indian Abhidharma texts, the nature of the Buddha's word was either ‘sound’ (?abdha), the oral component of speech, or ‘name’ (nāma), the component of language that conveys meaning, or some combination of the two. From the time of Hsüan‐tsang's translation, however, discourse on the nature of sacred language was no longer relegated to the category of language or of epistemological investigation, but became grounded in the Chinese discussion investigating the ‘essence’ or ‘substance’ of the Buddha's teaching, and even of ‘Buddhism’ itself. As such, it sought to transcend the distinction between language and meaning. This gradual but explicit process of inquiry into the nature of ‘the Buddha’s word' was a necessary antecedent to the transition to a ‘Chinese’ Buddhism.     

Problems with paccekabuddhas—decoding early Buddhism

Steven Collins's review (Religion 2:3 (July 1992), pp. 271–8) of my publication Ascetic Figures before and in Early Buddhism: the Emergence of Gautama as the Buddha, Berlin, New York, Mouton de Gruyter 1990) warrants an extended response for a variety of reasons. In a circumstance where a four‐thousand word review has not one positive thing to say about a book, then the principle of natural justice particularly cries out for the author's right of reply. If Collins's review should have the effect of putting off prospective readers of my book then my reply is designed to recuperate their interest. Notwithstanding, it does not take an adept in the art of hermeneutic suspicion to realize the review actually tells us much more about the reviewer than the book. I cannot think that frenzied expressions like ‘academic hooligan’, ‘hearer‐bashing’, ‘fantasy’, ‘biting the hand that feeds you, with a vengeance’ could so easily have poured forth from the pen of normally so gracious a reviewer, had this particular book not hit an emotive nerve—if nothing else!—and sent Collins into an unparalleled fit of moral panic. Indeed, I shall be so bold as to suggest that Collins's reaction to the book has less to do with questions of its scholarly credibility (though his academic posturing would have us believe otherwise): ‘the thesis is presented as historical scholarship, and so it must be judged on academic grounds’ (p. 274) than with Collins's own narrow, pedantic conception, or preconception, of Buddhist Studies. This means my rejoinder to Collins's review inevitably draws me into a discussion of broader methodological questions of general interest to the wider academic community as well as particular issues pertaining to Buddhist scholarship.     

THE HOLY & WHOLLY OTHER: KIERKEGAARD ON THE ALTERITY OF GOD

In response to prevailing perceptions, I contend that Søren Kierkegaard (1813–55) conceives of the wholly otherness of God via his dialectical category of the ‘infinite qualitative difference’ between the human and the divine, initially through the self's consciousness of sin and ultimately through the self's acceptance of the gift of forgiveness. Therefore, I claim that while the common designation of Kierkegaard's God as ‘Wholly Other’ may initially evoke the alterity of sin; it is not ultimately sufficient to describe the divine alterity which Kierkegaard regards as more faithfully manifest in the ‘impossible possibility’ of forgiveness. Through this reading, I finally suggest that the ‘Wholly Other’ is not ultimately representative of God in Kierkegaard's writings and might be more faithfully supplemented by the appellation of the Holy Other.     

Western ‘sincerity’ and Confucian ‘Cheng’

In philology, both ‘sincerity’ and ‘cheng’ primarily mean, ‘to be true to oneself’. As a philosophical term, ‘sincerity’ roots in Aristotle's ‘aletheutikos’. In medieval Europe, it is regarded as a neutral value that may either serve or disserve for ‘truth.’ As for Romantics, it is a positive value, and an individualistic concept whose two elements ‘true’ and ‘self’ refer to a person's ‘true feeling’ and ‘individuality’. In contrast, both ‘self’ and ‘true’ in Confucianism are universalistic concepts, meaning ‘good nature’ common to all humans, and ‘true feeling’ distinguishing them from beasts. Cheng itself means to face one's universal self with universal true feeling.     

Creativity and the artwork: the perspectives of a painter and a philosopher

Creativity in Robert Henri's view is a gratuitous act, shot through with mystery; what is left after such an act is the artwork itself as concrete evidence that such a heightened state of consciousness has been achieved. This paper will examine Henri's understanding of the nature of creativity from his perspective as a twentieth century New York painter, in conjunction with Eliot Deutsch's theoretical insights as a philosopher deeply interested in the nature of the experience of an artwork. In his Essays on the nature of art, Deutsch presents the view that the experience of an artwork involves the assimilation of the work's aesthetic force, the recognition of its meaning, the discernment of its formal dimensions, and ‘calls for a special appropriation that yields an integrated wholeness’. This paper presents commonalities between Henri's and Deutsch individual perspectives and discusses some value‐centred educational implications that could be drawn from these commonalities.     

Second Nature,Critical Theory and Hegel’s Phenomenology

ABSTRACT

While Hegel’s concept of second nature has now received substantial attention from commentators, relatively little has been said about the place of this concept in the Phenomenology of Spirit. This neglect is understandable, since Hegel does not explicitly use the phrase ‘second nature’ in this text. Nonetheless, several closely related phrases reveal the centrality of this concept to the Phenomenology’s structure. In this paper, I develop new interpretations of the figures ‘natural consciousness’, ‘natural notion’, and ‘inorganic nature’, in order to elucidate the distinctive concept of second nature at work in the Phenomenology. I will argue that this concept of second nature supplements the ‘official’ version, developed in the Encyclopedia, with an ‘unofficial’ version that prefigures its use in critical theory. At the same time, this reconstruction will allow us to see how the Phenomenology essentially documents spirit’s acquisition of a ‘second nature’.     

Hylemorphism,remnant persons and personhood

Animalism is the doctrine that we human beings are – are identical with – animals. Hylemorphism is a form of animalism. In this paper, I defend hylemorphism by showing that while other forms of animalism fall prey to the problem of ‘Remnant Persons,’ hylemorphism does not. But hylemorphism's account of personhood seems to have some very implausible implications. I address one of those implications, and argue that it isn't nearly as objectionable as it might at first appear.     

Early Sartre on Freedom and Ethics

This paper offers a revisionary interpretation of Sartre's early views on human freedom. Sartre articulates a subtle account of a fundamental sense of human freedom as autonomy, in terms of human consciousness being both reasons‐responsive and in a distinctive sense self‐determining. The aspects of Sartre's theory of human freedom that underpin his early ethics are shown to be based on his phenomenological analysis of consciousness as, in its fundamental mode of self‐presence, not an object in the world (Section 1). Sartre has a multi‐level theory of the reasons‐sensitivity of consciousness. At one level, consciousness's being alive to reasons is a matter of the affective perception of values and disvalues as features of phenomenal objects (Section 2). This part of his theory, a development of Scheler's, is, however, situated within a broader phenomenological analysis resulting in the claim that the ultimate reasons acknowledged by consciousness neither are nor justifiably could be values adequately presentable as intentional objects. Consciousness's ultimate reasons are, in this sense, not given by the world but by itself (Section 3). Section 4 reconstructs and assesses Sartre's argument that consciousness cannot rationally have an ultimate end other than self‐transparent (‘authentic’) freedom itself.     

Fichte,Hegel, and the Life and Death Struggle

Several commentators have argued that Hegel's account of ‘self-consciousness’ in Chapter IV of the Phenomenology of Spirit can be read as an ‘immanent critique’ of Fichte's idealism. If this is correct, it raises the question of whether Hegel's account of ‘recognition’ in Chapter IV can be interpreted as a critique of Fichte's conception of recognition as expounded in the Foundations of Natural Right. A satisfactory answer to this question will have to provide a plausible interpretation of the ‘life and death struggle’ as an immanent critique of Fichte's account of recognition. This paper aims to provide such an interpretation. The first part of the paper provides a discussion of Fichte's account of recognition that emphasizes its ‘epistemic’ concerns. The second part argues that Hegel's account of the ‘life and death struggle’ can be read plausibly as an immanent critique of Fichte's account of recognition.     

Tyrannized Souls: Plato's Depiction of the ‘Tyrannical Man’

In book 9 of Plato's Republic, Socrates describes the nature and origins of the ‘tyrannical man’, whose soul is said to be ‘like’ a tyrannical city. In this paper, I examine the nature of the ‘government’ that exists within the tyrannical man's soul. I begin by demonstrating the inadequacy of three potentially attractive views sometimes found in the literature on Plato: the view that the tyrannical man's soul is ruled by his ‘lawless’ unnecessary appetites, the view that it is ruled by sexual desire, and the view that it is ruled by a lust for power. I then present my own account. On the view I defend, the tyrannical man's soul is to be understood as ruled by a single, persistent, powerful desire for bodily pleasure: as much as he can get, and however he can get it. Finally, I show how understanding the tyrannical man's soul in the way I recommend helps resolve some commonly expressed concerns about this part of the Republic. I suggest, on this basis, that Plato's procedure in constructing his catalogue of corrupt cities and souls in Republic 8 and 9 was more carefully thought out and systematic than has sometimes been supposed.     

Perception and the Categories: A Conceptualist Reading of Kant's Critique of Pure Reason

Abstract: Philosophers interested in Kant's relevance to contemporary debates over the nature of mental content—notably Robert Hanna and Lucy Allais—have argued that Kant ought to be credited with being the original proponent of the existence of ‘nonconceptual content’. However, I think the ‘nonconceptualist’ interpretations that Hanna and Allais give do not show that Kant allowed for nonconceptual content as they construe it. I argue, on the basis of an analysis of certain sections of the A and B editions of the Transcendental Deduction, for a ‘conceptualist’ reading of Kant's Critique of Pure Reason. My contention is that since Kant's notion of empirical intuition makes essential reference to the categories, it must be true for him that no empirical intuition can be given in sensibility independently of the understanding and its categories.     

Intuition and Nature in Kant and Goethe

Abstract: This essay addresses three specific moments in the history of the role played by intuition in Kant's system. Part one develops Kant's attitude toward intuition in order to understand how ‘sensible intuition’ becomes the first step in his development of transcendental idealism and how this in turn requires him to reject the possibility of an ‘intellectual intuition’ for human cognition. Part two considers the role of Jacobi when it came to interpreting both Kant's epistemic achievement and what were taken to be the outstanding problems of freedom's relation to nature; problems interpreted to be resolvable only via an appeal to ‘intellectual intuition’. Part three begins with Kant's subsequent return to the question of freedom and nature in his Critique of Judgment. With Goethe's contemporaneous Metamorphoses of Plants as a contrast case, it becomes clear that whereas Goethe can embrace the role of an intuitive understanding in his account of nature and within the logic of polarity in particular, Kant could never allow an intuition of nature that in his system would spell the very impossibility of freedom itself.     

Power and the origins of unhappiness: Working with individuals

Evidence that the ‘ultimate repressed’ in our understanding of emotional distress is power can be gleaned even from Freud's writing. This is a form of repression which community psychology is well placed to lift. Impossible though it is to stand outside the ‘apparatus of power’ (and, therefore to give a complete analysis of it), we cannot achieve an accurate account of the causes of human unhappiness without taking its operations into account as fully as possible. The psychological therapies do have an implicit notion of will power, but this serves only to distract our attention from the external, material nature of power. We have to be careful, moreover, not to ‘psychologize’ power by trying to turn it into an internal attribute to be ‘switched on’ by an essentially mysterious process of ‘empowerment’. We need to specify empirically the types of power that contribute to ‘clinical’ distress and give an account of ‘therapy’ in terms of the powers to which it has access (recognizing also that these are limited).     

Mottainai: a Japanese sense of anima mundi

The Japanese expression ‘Mottainai!’ can be translated as ‘What a waste!’ or ‘Don't be wasteful!’ However, mottainai means much more than that. It expresses a sense of concern or regret for whatever is wasted because its intrinsic value is not properly utilized. Buddhism and Japan's indigenous religion, Shinto, are integral to the Japanese psyche, accordingly the other‐than‐human world is also experienced and lived in daily life. In the Japanese worldview everything in nature is endowed with spirit, every individual existence is dependent on others and all are connected in an ever‐changing world. Mottainai offers a glimpse of the anima mundi inherent in this worldview. This contrasts with our anthropocentric Zeitgeist, which manifests outwardly as environmental crisis and inwardly as fixation upon social interactions, especially through communication technologies, to the exclusion of all else. Jung's statement, ‘The decisive question for man is: Is he related to something infinite or not? That is the telling question of his life’, has never been more pertinent. Encounters beyond the human world could be understood as touching this ‘something infinite’, and the apparent benefits of such experiences in the analytical process are illustrated with clinical vignettes from the author's practice.     

Kantian Reflections on the Givenness of Zahavi’s Minimal Experiential Self

Abstract

At the core of Kant’s Critique of Pure Reason was a decisive break with certain fundamental Cartesian assumptions or claims about consciousness and self-consciousness, claims that have nonetheless remained perennially tempting, from a phenomenological perspective, independently of any further questions concerning the metaphysics of mind and its place in nature. The core of this philosophical problem has recently been helpfully exposed and insightfully probed in Dan Zahavi’s book, Self and Other: Exploring Subjectivity, Empathy, and Shame (OUP, 2014). In these remarks I suggest that Zahavi’s view of what he calls ‘The Experiential Self’ defends precisely the sorts of claims to which a Kantian account of consciousness is fundamentally opposed, and while assessing the overall merits of the two contrasting outlooks is no easy matter, I side with the Kantian view.     

Objectless activity: Marx's ‘theses on feuerbach’

According to Friedrich Engels (Ludwig Feuerbach and the end of classical German philosophy) the so‐called ‘Thesen über Feuerbach’ are ‘the brilliant germ of the new world conception’. For Karl Korsch ('Review of Vernon Venable’, Journal of Philosophy 42 [1945], no. 26) there are ‘magnificently summed up’ in them the ‘texts of Marx and Engels's first (Hegelian and post‐Hegelian) period’. Even given the important distinction between the ‘young’ and the ‘mature’ Marx these two opinions are not incompatible. The present paper's concern, however, is with the relationship of the ‘Thesen’ to the materialist conception of history. Once the ‘Thesen’ are read as a consistent whole it is clear that they are incompatible with any non‐social (non‐human) nature; hence with the ontological independence of nature from man; hence with any materialism, historical or otherwise. Furthermore, taken as a whole the ‘Thesen’ form an attempted solution to the problem of the justification of ideals, a solution both activist and dogmatist. Since the attitude expressed in the ‘Thesen’ underlies both Marx's ‘theory of alienation’ and his ‘critique of political economy’ neither of these can lay claim to the status of knowledge.     

Disrupted narrative and narrative symbol

In this article a specific type of narrative, which often appears in analytic sessions, is discussed. It is characterized by a seemingly ordinary, everyday topic and by a peculiar disruption of the narrative flow. The threefold structure of this type of narrative is described, along with its main characteristics. One element of this type of narrative is very similar to symbolic content or complex symbolic structures, e.g. dreams, the sort of material that can be used for the purpose of interpretation. The similarities as well as the differences are elaborated in the article. Thanks to the observed general structure and ‘symbolic’ nature of some parts of the narrative, it is easy to notice some of the unconscious elements, which are not familiar to the patient's ego, and to make an interpretation. Because these elements are close to the threshold of consciousness, the patient willingly accepts an interpretation based on them. This is especially true for patients whose dominant function is thinking. A temporary, working name for this type of narrative is proposed in the article: ‘disrupted narrative’ ? and for its disruptive part ‘narrative symbol’.