Brightness perception in the visual field

Summary Apparent brightness was measured at different positions in the visual field for scotopic, mesopic, and photopic adaptation levels by means of a magnitude estimation technique. Apparent brightness of targets with a given luminance remained rather constant throughout the visual field for the mesopic and photopic adaptation level; for the scotopic adaptation level targets in the foveal and perifoveal area had to be more intense in order to appear as bright as targets in the far periphery (beyond 20° eccentricity). For the photopic range, two brightness power functions with different exponents were obtained for the luminance range from 1 to 100 mL at each eccentricity. The exponent for the range from 1 to 10 mL is considerably greater than the exponent beyond 10 mL, and appears to increase with increasing eccentricity.The experiments described in this paper were partly supported by Deutsche Forschungsgemeinschaft and SFB 50-C 6.     

Expertise in pictorial perception: eye-movement patterns and visual memory in artists and laymen

In two sessions with free scanning and memory instructions, eye-movement patterns from nine artists were compared with those of nine artistically untrained participants viewing 16 pictures representing a selection of categories from ordinary scenes to abstraction: 12 pictures were made to accommodate an object-oriented viewing mode (selection of recognisable objects), and a pictorial viewing mode (selection of more structural features), and 4 were abstract. The artistically untrained participants showed preference for viewing human features and objects, while the artists spent more scanning time on structural/abstract features. A group by session interaction showed a change of viewing strategy in the artists, who viewed more objects and human features in the memory task session. A verbal test of recall memory showed no overall difference in the number of pictures remembered, but the number of correctly remembered pictorial features was significantly higher for artists than for the artistically untrained viewers, irrespective of picture type. No differences in fixation frequencies/durations were found between groups across sessions, but a significant task-dependent-group by session interaction of fixation frequency/duration showed that the artistically untrained participants demonstrated repetition effects in fewer, longer fixations with repeated viewing, while the opposite pattern obtained for the artists.     

Left-right visual field asymmetry in bistable motion perception

Twelve observers viewed two alternating frames, each consisting of three rectangular bars which were displaced laterally by one cycle in one frame with respect to the other. At long interframe intervals (IFIs) observers perceived a group of three elements moving as a whole (group movement), whereas with IFIs shorter than 40-60 ms the overlapping elements in each frame appeared stationary while the third element appeared to move from one end of the display to the other (end-to-end movement). The percentage of group movement responses in central viewing was compared to those obtained for stimulus presentation in the left and right visual fields (4 deg eccentricity), for opposite horizontal directions of motion. All ten right-handed subjects showed a left-field advantage in sensitivity to group movement. The two left-handed subjects showed a similar advantage in sensitivity with right-field presentation. The effects of monocular vision, hand used in the task, spatial frequency, and contrast on visual field asymmetry were all investigated in two right-handed subjects. None of these factors affected the left-right asymmetry.     

Implicit-shape constancy as a factor in pictorial perception.

Schoolboys from the Ivory Coast and from Kenya were tested on a simple task intended to detect the effect of implicit-shape constancy. The presence of such an effect was confirmed. Comparison of two Ivorean subsamples differing in their responses to a request to build a model of a depicted structure showed that those subjects who build flat (2D) models were less influenced by the implicit-shape constancy than those subjects who built three-dimensional structures. This confirms a postulated link between the implicit constancy and perception of pictorial depth.     

On the relationship between visual imagery and visual perception: Evidence from priming studies

Two priming experiments using a perceptual identification task were conducted to explore the functional and representational overlap between visual imagery and visual perception. The first experiment included a study phase in which primes were either perceived or imaged objects and a perceptual identification test task in which targets were parts of studied and non-studied objects. Imagery primed identification when subjects were instructed to count the parts of the imaged objects in the study phase but not when they were instructed to focus on the global shape of the imaged objects. This result suggests that imagery involves perceptual representations identical to those involved in perception. It also suggests that the representational overlap between imagery and perception depends on the type of images generated, as some images may consist in global shapes only, whereas others may consist in detailed, multi-part shapes. In the second experiment, we used whole objects as target stimuli which provided subjects with more information to identify masked targets and thereby reduced top-down processing. Priming from imagery fell beneath significance, suggesting that this sort of priming is elicited in a large part by a transfer of top-down processes from study to test.     

Two visual systems and two theories of perception: An attempt to reconcile the constructivist and ecological approaches

The two contrasting theoretical approaches to visual perception, the constructivist and the ecological, are briefly presented and illustrated through their analyses of space and size perception. Earlier calls for their reconciliation and unification are reviewed. Neurophysiological, neuropsychological, and psychophysical evidence for the existence of two quite distinct visual systems, the ventral and the dorsal, is presented. These two perceptual systems differ in their functions; the ventral system's central function is that of identification, while the dorsal system is mainly engaged in the visual control of motor behavior. The strong parallels between the ecological approach and the functioning of the dorsal system, and between the constructivist approach and the functioning of the ventral system are noted. It is also shown that the experimental paradigms used by the proponents of these two approaches match the functions of the respective visual systems. A dual-process approach to visual perception emerges from this analysis, with the ecological-dorsal process transpiring mainly without conscious awareness, while the constructivist-ventral process is normally conscious. Some implications of this dual-process approach to visual-perceptual phenomena are presented, with emphasis on space perception.     

Validation of a pictorial recall test in three visual formats.

This study describes the validation of a visual recall test which was constructed using three different levels of visual complexity, line drawing, monochrome photographic, and color photographic. For a sample of 111 college students, the test was significantly correlated (.42 and .92) with two recognized tests of visual memory.     

On the limits of Fourier decompostitions in visual texture perception.

Recent discoveries of nonlinear perceptual analyzers in effortless texture discrimination cast serious doubt on the usefulness of Fourier image decompositions to describe suprathreshold visual-texture perception. We now explain the meaning of these results.