Delving into psychoanalytic texts: the notion of the reading third

In this article I introduce the notion of the reading third, which evolves during the reading process. The idea came to my mind while studying Wolfgang Iser’s theory of the reading process, and already knowing about Thomas Ogden’s concept of the analytic third: What is experienced, shaped and understood while reading a text? The notion of the reading third is based on psychoanalytic theory and method like just Ogden’s concept, and on the aesthetic response theory of Iser. Elaborating the reading third, I combine two modes of reading: one understanding and interpreting, and one floating and experiencing mode. To these modes I add two different understandings of truth. The first mode is connected to a traditional, objective and visible truth. The latter mode relies on Wilfred Bion’s concept of O, a special kind of evasive, ephemeral truth. The reading third takes and loses form as one reads, accentuating reading as a highly creative activity, where each reading elicits different understandings, experiences and truths. I give examples of such a way of reading psychoanalytic texts like those of Bion and a work of fiction, Henry James’ short novel The Turn of the Screw.     

CONFESSIONS OF A PRACTICING NATURALISTIC THEIST: A RESPONSE TO HARDWICK,PEDERSON, AND PETERSON

Abstract. In my response to the comments of Charley Hardwick, Ann Pederson, and Greg Peterson, I continue the narrative, confessional mode of my writing in Dancing with the Sacred. First, I sketch some methodological decisions underlying my naturalistic, evolutionary, practical theology. I then respond to the encouraging suggestions of my commentators by further developing my ideas about naturalism, mystery, creativity as God, the place of ecological responsibility in my thinking, sin, and eschatology. I offer suggestions as to how I might widen the practical applications of my theology beyond environmental and medical ethics to other areas of moral responsibility in relation to the creative process. I do all this with much appreciation for the care and careful critical reflection that my commentators have devoted to my thinking.     

Creative Writing as Resistance and Discovery in an Analysis

This paper was originally written as a graduation paper for the completion of adult analytic training. In this paper I trace and explore multiple uses of creative writing in my personal analysis, illuminating the development of analytic phases and process. The creative writing used in this paper is primarily from the first three and a half years of my analysis, well before entering analytic training. It is an eventual interpretation on the part of my analyst, as well as the rest of my analysis and analytic training, that allow me to realize that while my writing felt like self-discovery, it also served as resistance, defense against the entirety of my affective world and internal conflicts. A poem written much later in the analysis is included, as it reveals the integration of struggled with concepts, as well as the pain of the inevitable separation of termination.     

Philosophy,writing, and liberation

In responding to the three creative interpretive discussions in the symposium on my book Philosophy and the Art of Writing, this paper explores the different styles of philosophical discourse and their role in the practice of philosophy as a way of life that extends beyond the discursive and that combines self-cultivation with care for others in the ethical-aesthetic pursuit of living beauty. In advocating this aesthetic model of philosophical life over a purely therapeutic model, I suggest how the former can incorporate the latter's concerns for spiritual health and liberation. In developing my response to the symposiasts while elaborating on the themes of my book, I consider issues of ineffability, creative performance, embodiment, truth, heroism, vulnerability, possession, art, spirituality, love, and liberation.     

Being undone by research: an ethical obligation to togethering

I interviewed 24 women who participated in self-defense and handgun training classes who revealed lives that had been intentionally hidden, sharing the unspeakable experiences of incest, rape, child abuse, and domestic violence through stories of survival and resistance. In a poem to my participants, I reflect on my role as researcher and my desire to fulfill a commitment to my participants.

Hearing women’s stories of sexual and other violent assault, I not only experienced secondary trauma, but I have been charged with a mission of developing research products that will change policy. I wrote this poem as a way to communicate the complicated ethical issues that arise when conducting research with participants who reveal traumatic stories.     

Imposing Order to See the Disorder: Student Depression and T.S. Eliot’s <Emphasis Type="Italic">The Waste Land:</Emphasis> A (Mis)reading/Diagnosis

Sometime ago, I found myself using the diagnosis of a student’s depression as a critical tool of interpretation, searching for signs of mental illness in her essay that explored order and disorder in T. S. Eliot’s The Waste Land. I realised that my reading had become a creative act, combining poem, poet, student essay and author to create, in a sense, one (un)readable text. The present paper is a reflection upon the processes of order and disorder located in a diagnosis of “madness” and the readings of writer and text this diagnosis initiated. I look to deconstruct acts of reading and diagnosis.     

The Analyst's Uses of Theory and the Theory the Analyst Uses: Reply to Commentary

Where Slochower focuses her discussion on the analyst's multiform uses of theory, I focus my response on how the theory we each use informs a quite different way of understanding what is at issue for my patient in the apparent disengagement that marks her quest for help. More broadly, I consider how the theoretical perspective Slochower brings to her rendering of my clinical understanding and position makes for a reading that diverges significantly from my own view of what transpired in the treatment process I present.     

Trees and Us: Poetic Metaphors and Pastoral Images

This article elaborates on my earlier contention that poetry and pastoral care have a great deal in common (Capps, The Poet’s Gift, 1993) by focusing on Joyce Kilmer’s well-known poem “Trees.” I use this poem to support the metaphorical association of trees and human beings and to advocate for the pastoral image of the upholder. A brief sketch of Kilmer’s life is presented, and parodies of the poem are used to address the question whether pens are mightier than swords (a question that Kilmer’s own life as a poet and soldier also evokes). The article concludes with Denise Levertov’s poem “From Below” which, together with Kilmer’s “Trees,” illumines the image of the pastor as ordained to be the upholder of the community and of the individuals who comprise it.     

DANCING WITH THE SACRED: EXCERPTS

Abstract. In excerpts from my Dancing with the Sacred (2002), I use ideas from modern science, our world's religions, and my own experience to highlight three themes of the book. First, working within the framework of a scientific worldview, I develop a concept of the sacred (or God) as the creative activity of nature, human history, and individual life. Second, I offer a relational understanding of human nature that I call our social‐ecological selves and suggest some general considerations about what it means to live meaningfully and morally in an evolutionary world. Third, I explore how we might be at home in a universe that is constantly changing and in which suffering and death are interwoven with life and new creation.     

Creativity,Spontaneity, Impasse,and Leaps of Faith: Reply to Commentaries

In my reply to the commentaries, I address several points of convergence with and divergence from Drs. Danielle Knafo and Philip A. Ringstrom. I clarify my view that while shame can drive the creative process, the thrust of my paper is about ways in which shame can close down access to one's creative potential, as well as creating obstacles to vitality and intimacy in relationships. I expand on how it was indeed a visceral, embodied sense of my own shame which served as an “informant,” as Ringstrom suggests, of Julia's chronic experience of shame, opening a door to our exploration of the repetitive enactments between us. Grounding my understanding of therapeutic action and enactments in a relational perspective, I describe how I view enactments as inevitable and co-created, and reflecting on them collaboratively as a potentially useful opportunity in analytic work. I resonate with Ringstrom and Knafo's belief in the creativity inherent in the psychoanalytic process, and the importance of spontaneity and risk taking, particularly in negotiating impasses in treatment. Finally, I describe Julia's poetic reflections upon reading the paper.     

Reply to Reviews of Awakening the Dreamer: Clinical Journeys by Philip M. Bromberg

I reply here to reviews by three inspiring thinkers, Ethel Person, Susan Sands, and Allan Schore who, though uniquely different from one another in their conceptual frames of reference, share a sensibility as clinicians and creative scholars that has led them to engage and appreciate my work in depth while enriching it with their individual perspectives. Ethel Person's review is meaningful to me for many reasons, not the least of which is the fact that we think very much alike about “how we are” with patients despite the diversity in our families of origin. Her thinking, which extends the boundaries established by any one school of thought, transcends doctrine, especially that of “technique.” I am equally grateful to Susan Sands, whose review stimulated a dialogue between us about the similarities and differences in our views of the analyst's personal role in enactments with severe trauma survivors and whether there is reason to distinguish between life-threatening and developmental trauma. My reply to Allan Schore's review satisfies a long-standing wish to engage with him in dialogue about what he refers to in his review as “a remarkable overlap between Bromberg's work in clinical psychoanalysis and my work in developmental neuropsychoanalysis, a deep resonance between his treatment model and my regulation theory” (this issue, p. 755). In my reply I comment from my own vantage point on how our shared commitment to an interpersonal and intersubjective perspective—my interpersonal/relational treatment model and his “Interpersonal Neurobiology” led us to arrive at overlapping views on developmental trauma, attachment, the dyadic regulation of states of consciousness, and dissociation.     

Staring at the Sun: Tragedy,trauma, and ecological harmony

Recently it has become increasingly evident that current theories of civilization are unsustainable. Within this essay I critique three alternative theories: bioregionalism, sustainable development, and The Universe Story. I argue that although these theories address ecological devastation, they fail to grapple with the legacy of white supremacy. Evoking Richard Wright's poem Between the World and Me, I argue that for minorities the landscape is often inscribed with trauma. Consequently, any theory of ecological harmony must take this into account. I refer to the task of contending with the legacy of slavery, colonization, and genocide as Staring at the Sun.     

Aqua vitae,aqua permanens: dreaming,drowning, swimming and surfing in analysis

In response to the question ‘Who is My Jung?’, this paper describes the profound personal impact of Jung's creative / artistic approach to the unconscious, beginning with my discovery of The Red Book at the age of twelve. Echoing the flow of my own dream‐life, I trace the course of two analyses through the alchemical process of solutio, which began with numinous dreams of tidal waves and plunged us into inter‐ and intra‐psychic analytic relationships that evoked vestigial memories of our first aquatic world in utero.     

Does She Do or Does She Don't?: Reply to Commentary

This reply clarifies the ideas originally presented in “Beyond Milk and the Good Breast: Reconfiguring Psychoanalytic Dyads” (PD 9/5, 1999) in response to Steven Reisner's commentary. It faults Dr. Reisner's reading of Lacan and Kristeva, as well as his use of male-gendered metaphors to transform my clinical material into a different analytic treatment. I conclude that, by arriving at such differing conclusions regarding theory and clinical treatment, he inadvertently proves, and enacts, the basis of my argument: that the gender of the analyst is an important variable that affects psychoanalytic formulations, treatment, and outcome.     

Acceptability of a brief computerized intervention targeting anxiety sensitivity

Despite the well-documented efficacy of cognitive behavioral treatments for anxiety disorders, the acceptability of these treatments remains an under-researched area. A better understanding of acceptability could help to improve the initiation of, and engagement in, these effective interventions. Recent research has suggested computerized interventions of anxiety-related risk factors may be one way to improve acceptability and overcome several common barriers to treatment. Considering this, the current study tested the acceptability of a computerized, anxiety sensitivity (AS)-focused treatment among a sample of treatment-seeking community participants and military veterans (N = 58). Results indicated that the majority of participants rated the intervention as acceptable, and that drop-out rate was low (ie 5%). Moreover, higher acceptability scores were associated with older age, veteran status, lower income levels, African-American race, and being separated/divorced. Findings suggest that a computerized AS-focused treatment may be an acceptable treatment method, and may have advantages in acceptability for hard to reach populations.     

The self in Kierkegaard's pseudonyms

Conclusion This is essentially what I take to be Kierkegaard's ontological foundation of human existence. It is the structure which both makes possible and unifies the different modes of existing which he so fully describes in his pseudonyms. The further task is one of demonstrating concretely the relation of these modes (stages) of existing to his ontology.This essay will appear in my book, Being and Existence in Kierkegaard's Pseudonyms, to be published by Princeton University Press in 1975. I would like to thank the Princeton University Pres for permission to publish a portion of the book in this journal. I would also like to acknowledge my colleagues' helpful criticisms of the original draft of this paper which I read in a departmental seminar at Iowa State University last fall. Some of their suggestions were incorporated in the final draft.     

Encounters with raven

I have been visited by Eurydice. She first came to me, unbidden, unexpected, in the way things usually first come to me–in a poem. But there was something different about how this poem happened. On one of my Fridays devoted to writing, I was suddenly hijacked by Eurydice's point of view, her voice, her demand that I speak for her. She was shrill. She was insistent. She gave me no choice but to work on the poem till I had gotten it how she wanted it. She feels she has been much neglected and misunderstood, and she let me know a poem was not enough. It was just the beginning. She wants prose. She wants essays. She wants public presentations. She wants me to tell her version of the story.     

Response to Mara Sidoli

My paper is a response to the clinical material in Mara Sidoli's paper about two patients who in the course of their treatment create an important symbol – a roaring symbol. In my response I construct a Freudian lion from the material of the first patient, and a Jungian lion from the second one. In both instances the vicissitudes of aggression as discussed are extracted from the therapeutic process.     

Moving towards Soul – an alchemical journey. Rehabilitation of women suffering from ‘chronic pain’ in a clinical and Jungian context

The aim of this paper is to explore the connection between symptom and symbol in the body of women suffering from chronic pain, diagnosed as fibromyalgia. The working hypothesis has been that the symbol that emerges from the symptom in the body can bridge the gap to a deeper meaning of pain and suffering, thereby becoming the agent of change for healing of the bodymind and the experience of pain in the physical body. To explore this subject I will introduce some recent research from the field of fibromyalgia, and the concepts of agency and affect systems in the body, which are important cornerstones in my work. I will briefly present my clinical concept of ‘Form and Freedom’. From this theoretical base I give some clinical examples of what I see as an alchemical journey towards soul, presented through vignettes, images and the words of three women – Maria, Riba and Ishtar. I conclude with how I see analytical psychology taking its rightful place alongside, informing or in conjunction with, as in my case, other psychotherapeutic modalities, working in creative ways that enhance healing in patients who suffer from chronic pain.     

In the Valley of the Shadow of Death: A Personal Encounter with Cancer

This article describes my personal encounter with cancer (multiple myeloma) and a stem cell transplant. I discuss the tension between the ego (and its fear) and the Self (and its centering, calming nature) that went through the whole experience, including the decision to give talks about my experience. After giving the basic facts about the disease and my treatment and recovery, I discuss my experience, reactions, the ways I worked with myself, and what gave me meaning during this time. I discuss my use of meditation, visualization, and active imagination as tools to access inner resources and the support and meaning I derived from the Jewish prayer, the Sh’ma, and Psalms 23 and 30.