Valence,arousal, and imagery ratings for 835 French attributes by young,middle-aged,and older adults: The French Emotional Evaluation List (FEEL)

Introduction and objectiveAttributes are used by young, middle-aged, and older adults to describe persons in everyday life. The current study asks whether attributes are perceived similarly by different age groups: for example, some attributes could be perceived as more positive or more negative in old age than in young adulthood.MethodTo address this question, we investigated age-related differences in emotional evaluations of French adjectives. Young, middle-aged, and older adults judged 835 French adjectives on valence, arousal, and imagery.ResultsAge groups agreed highly on the relative rank order but showed mean differences for a substantial number of attributes, especially for arousal and imagery ratings. Associations between dimensions differed as well between age groups: valence and arousal were negatively correlated and this correlation was stronger in older than in younger age groups.ConclusionThe present study provided new evidence that the perception of emotionally toned material is affected by age. Several explanations to these age-related differences are discussed.     

Phenomenological characteristics of emotional memories in younger and older adults

Older adults sometimes show a “positivity effect” in memory, remembering proportionally more positive information than younger adults. Using a modified Memory Characteristics Questionnaire, this study examined whether emotional valence impacts the phenomenological qualities of young and older adults’ memories. Ageing did not impact the effect of valence on the qualities of high-arousal memories. However, ageing sometimes impacted subjective memory for details of low-arousal memories: In Experiment 2, older adults reported remembering more thoughts, feelings, and temporal order details about positive low-arousal stimuli, while young adults’ ratings for those dimensions were higher for negative low-arousal stimuli. These findings suggest that valence most readily affects the qualities of young and older adults’ emotional memories when those memories are low in arousal.     

Perceiving arousal and valence in facial expressions: Differences between children and adults

Arousal and valence have long been studied as the two primary dimensions for the perception of emotional stimuli such as facial expressions. Prior correlational studies that tested emotion perception along these dimensions found broad similarities between adults and children. However, few studies looked for direct differences between children and adults in these dimensions beyond correlation. We tested 9-year-old children and adults on rating positive and negative facial stimuli based on emotional arousal and valence. Despite high significant correlations between children’s and adults’ ratings, our findings also showed significant differences between children and adults in terms of rating values: Children rated all expressions as significantly more positive than adults in valence. Children also rated positive emotions as more arousing than adults. Our results show that although perception of facial emotions along arousal and valence follows similar patterns in children and adults, some differences in ratings persist, and vary by emotion type.     

Age-related differences in valence and arousal ratings of pictures from the International Affective Picture System (IAPS): Do ratings become more extreme with age?

The International Affective Picture System (IAPS) has been widely used in aging-oriented research on emotion. However, no ratings for older adults are available. The aim of the present study was to close this gap by providing ratings of valence and arousal for 504 IAPS pictures by 53 young and 53 older adults. Both age groups rated positive pictures as less arousing, resulting in a stronger linear association between valence and arousal, than has been found in previous studies. This association was even stronger in older than in young adults. Older adults perceived negative pictures as more negative and more arousing and positive pictures as more positive and less arousing than young adults did. This might indicate a dedifferentiation of emotional processing in old age. On the basis of a picture recognition task, we also report memorability scores for individual pictures and how they relate to valence and arousal ratings. Data for all the pictures are archived at www.psychonomic.org/archive/.     

More than a feeling: Emotional cues impact the access and experience of autobiographical memories

Remembering is impacted by several factors of retrieval, including the emotional content of a memory cue. Here we tested how musical retrieval cues that differed on two dimensions of emotion—valence (positive and negative) and arousal (high and low)—impacted the following aspects of autobiographical memory recall: the response time to access a past personal event, the experience of remembering (ratings of memory vividness), the emotional content of a cued memory (ratings of event arousal and valence), and the type of event recalled (ratings of event energy, socialness, and uniqueness). We further explored how cue presentation affected autobiographical memory retrieval by administering cues of similar arousal and valence levels in a blocked fashion to one half of the tested participants, and randomly to the other half. We report three main findings. First, memories were accessed most quickly in response to musical cues that were highly arousing and positive in emotion. Second, we observed a relation between a cue and the elicited memory’s emotional valence but not arousal; however, both the cue valence and arousal related to the nature of the recalled event. Specifically, high cue arousal led to lower memory vividness and uniqueness ratings, but cues with both high arousal and positive valence were associated with memories rated as more social and energetic. Finally, cue presentation impacted both how quickly and specifically memories were accessed and how cue valence affected the memory vividness ratings. The implications of these findings for views of how emotion directs the access to memories and the experience of remembering are discussed.     

Affective valence and P300 when stimulus arousal level is controlled

Visual stimuli from the International Affective Picture System (IAPS) were employed in a modified oddball paradigm to elicit the P300 event-related brain potential (ERP) in young adult females (N=12). The pictures varied on valence (negative, neutral, positive) ratings but had the same medium arousal level ratings. The images were presented as targets with a standard stimulus composed of red/white triangles designed to mimic the spatial frequency of the pictures. P300 amplitude from negative relative to neutral stimuli was smaller over frontal areas, whereas amplitude from positive relative to neutral stimuli did not differ. P300 amplitude differences among valence categories were consistent across the midline electrodes, and did not change over the parietal area where arousal effects are typically observed. The findings suggest that valence affects P300 frontal amplitude, and arousal level should be controlled when using emotional stimuli to elicit ERPs. Theoretical implications are discussed.     

Alteration of expected hemispheric asymmetries: valence and arousal effects in neuropsychological models of emotion

The relative advantage of the left (LH) over the right hemisphere (RH) in processing of verbal material for most individuals is well established. Nevertheless, several studies have reported the ability of positively and negatively valenced stimuli to enhance and reverse, respectively, the usual LH>RH asymmetry. These studies, however, have used baseline stimuli that differed from emotional stimuli on two dimensions (i.e., valence and verbal/nonverbal nature), creating interpretive difficulties as to whether differences across these conditions are due to differences in valence or the verbal/nonverbal nature of the primes used in the baseline condition. In addition, these studies, along with many others in the literature, have failed to control for potential confounding effects of arousal. Emotional stimuli vary on dimensions of valence as well as arousal and arousal may be asymmetrically presented in the brain therefore contributing to observed asymmetries. Taken together, these considerations underscore the importance of controlling for both valence as well as arousal in any investigation of the effects of emotional stimuli. The objectives of the present study were twofold: (1) to employ an appropriate baseline condition to render emotional stimuli vs. baseline stimuli comparisons meaningful and (2) to examine the extent to which emotional verbal stimuli, equated for arousal level, alter the expected LH>RH asymmetry in a consonant trigram task. Results demonstrated that when LH lateralized consonant trigram presentations were preceded by a positive prime, an enhancement of the expected LH>RH asymmetry was observed. In contrast, when trigram presentations lateralized to the RH were preceded by a negative prime, a complete reversal of the typical asymmetry was found with RH>LH performance. These results are analogous to the pattern of relative hemispheric activations observed for various mood states. Controlling for arousal in studies investigating asymmetries associated with emotional processing may allow more clear interpretation of data intended to test predictions of neuropsychological models of emotion. Moreover, equating stimuli on the dimension of arousal as well as valence may shed more light on conflicting findings with regard to perception vs. expression of emotion.     

Differences in adult and adolescent listeners’ ratings of valence and arousal in emotional prosody

ABSTRACT

Judgments of emotional stimuli’s valence and arousal can differ based on the perceiver’s age. With most of the existing literature on age-related changes in such ratings based on perceptions of visually-presented pictures or words, less is known about how youth and adults perceive and rate the affective information contained in auditory emotional stimuli. The current study examined age-related differences in adolescent (n?=?31; 45% female; aged 12–17, M?=?14.35, SD?=?1.68) and adult listeners’ (n?=?30; 53% female; aged 21–30, M?=?26.20 years, SD?=?2.98) ratings of the valence and arousal of spoken words conveying happiness, anger, and a neutral expression. We also fitted closed curves to the average ratings for each emotional expression to determine their relative position on the valence-arousal plane of an affective circumplex. Compared to adults, adolescents’ ratings of emotional prosody were generally higher in valence, but more constricted in range for both valence and arousal. This pattern of ratings is suggestive of lesser differentiation amongst emotional categories’ holistic properties, which may have implications for the successful recognition and appropriate response to vocal emotional cues in adolescents’ social environments.     

情绪效价和唤醒对熟悉性和回想的不同影响

本研究检验了情绪的效价和唤醒对记忆提取阶段熟悉性过程和回想过程的影响及其心理机制。结果发现,编码阶段无分心任务时,积极图片的高、低自信再认准确率均高于消极图片,而唤醒对于高自信再认准确率的影响只限于消极图片;在编码阶段设置分心任务时,发现积极和消极的高唤醒图片的高自信再认准确率显著高于低唤醒图片。这些结果说明情绪的效价影响了熟悉性和回想两类记忆过程,而唤醒只影响回想过程,效价效应是编码阶段被试调用认知资源对积极图片进行精细加工的结果,而唤醒对回想过程的影响是自动编码高唤醒刺激细节的结果。     

The effect of content and physical properties of affective pictures on emotional responses

The aim of this research was to study the influence of both the emotional content and the physical characteristics of affective stimuli on the psychophysiological, behavioral and cognitive indexes of the emotional response. We selected 54 pictures from the IAPS, depicting unpleasant, neutral, and pleasant contents, and used two picture sizes as experimental conditions (120 x 90 cm and 52 x 42 cm). Sixty-one subjects were randomly assigned to each experimental condition. We recorded the startle blink reflex, skin conductance response, heart rate, free viewing time, and picture valence and arousal ratings. In line with previous research (e.g., Bradley, Codispoti, Cuthbert, and Lang, 2001), our data showed an effect of the affective content on all the measurements recorded. Importantly, effects of the size of the affective pictures on emotional responses were not found, indicating that the emotional content is more important than the formal properties of the stimuli in evoking the emotional response.     

Differential effects of arousal in positive and negative autobiographical memories

Autobiographical memories are characterised by a range of emotions and emotional reactions. Recent research has demonstrated that differences in emotional valence (positive vs. negative emotion) and arousal (the degree of emotional intensity) differentially influence the retrieved memory narrative. Although the mnemonic effects of valence and arousal have both been heavily studied, it is currently unclear whether the effects of emotional arousal are equivalent for positive and negative autobiographical events. In the current study, multilevel models were used to examine differential effects of emotional valence and arousal on the richness of autobiographical memory retrieval both between and within subjects. Thirty-four young adults were asked to retrieve personal autobiographical memories associated with popular musical cues and to rate the valence, arousal and richness of these events. The multilevel analyses identified independent influences of valence and intensity upon retrieval characteristics at the within- and between-subject levels. In addition, the within-subject interactions between valence and arousal highlighted differential effects of arousal for positive and negative memories. These findings have important implications for future studies of emotion and memory, highlighting the importance of considering both valence and arousal when examining the role emotion plays in the richness of memory representation.     

Emotional scenes elicit more pronounced self-reported emotional experience and greater EPN and LPP modulation when compared to emotional faces

Emotional faces and scenes carry a wealth of overlapping and distinct perceptual information. Despite widespread use in the investigation of emotional perception, expressive face and evocative scene stimuli are rarely assessed in the same experiment. Here, we evaluated self-reports of arousal and pleasantness, as well as early and late event-related potentials (e.g., N170, early posterior negativity [EPN], late positive potential [LPP]) as subjects viewed neutral and emotional faces and scenes, including contents representing anger, fear, and joy. Results demonstrate that emotional scenes were rated as more evocative than emotional faces, as only scenes produced elevated self-reports of arousal. In addition, viewing scenes resulted in more extreme ratings of pleasantness (and unpleasantness) than did faces. EEG results indicate that both expressive faces and emotional scenes evoke enhanced negativity in the N170 component, while the EPN and LPP components show significantly enhanced modulation only by scene, relative to face stimuli. These data suggest that viewing emotional scenes results in a more pronounced emotional experience that is associated with reliable modulation of visual event-related potentials that are implicated in emotional circuits in the brain.     

Arousal (but not valence) amplifies the impact of salience

Previous findings indicate that negative arousal enhances bottom-up attention biases favouring perceptual salient stimuli over less salient stimuli. The current study tests whether those effects were driven by emotional arousal or by negative valence by comparing how well participants could identify visually presented letters after hearing either a negative arousing, positive arousing or neutral sound. On each trial, some letters were presented in a high contrast font and some in a low contrast font, creating a set of targets that differed in perceptual salience. Sounds rated as more emotionally arousing led to more identification of highly salient letters but not of less salient letters, whereas sounds’ valence ratings did not impact salience biases. Thus, arousal, rather than valence, is a key factor enhancing visual processing of perceptually salient targets.     

Films for eliciting emotional states in children

Standardized sets of films have been shown to be effective for eliciting emotional states in adults, but no comparable validated stimuli are available for children. We therefore examined the effects of three pre-selected film clips each of 3-min duration in eliciting a pleasant, neutral and unpleasant emotional state in 297 children aged between 6 and 12 years. After the films were presented on a video projector, affective ratings were obtained with the Self-Assessment-Manikin on the emotional dimensions of valence and arousal. Increasing pleasure ratings were observed from the unpleasant to the neutral to the pleasant film. Associated arousal ratings were stronger for the unpleasant and pleasant films compared to the neutral film. Overall, results showed successful elicitation of targeted emotional states only marginally influenced by age, gender or prior experience with the films. The use of these films is therefore suggested for future studies on emotions in children.     

The influence of affective factors on time perception

Several studies have suggested that both affective valence and arousal affect the perception of time. However, in previous experiments, the two affective dimensions have not been systematically controlled. In this study, standardized photographic slides rated for emotional valence and arousal were projected to two groups of subjects for 2, 4, and 6 sec. One group of subjects estimated the projection duration on an analog scale, whereas the second group of subjects reproduced the intervals by pushing a button. Heart rate and skin conductance responses were also recorded during stimulus presentation as indices of attention and arousal. Time estimation results showed neither a main effect of valence nor a main effect of arousal. A highly significant valence × arousal interaction affected duration judgments. For low-arousal stimuli, the duration of negative slides was judged relatively shorter than the duration of positive slides. For high-arousal stimuli, the duration of negative slides was judged longer than the duration of positive slides. The same interaction pattern was observed across judgment modalities. These results are interpreted in terms of a model of action tendency, in which the level of arousal controls two different motivational mechanisms, one emotional and the other attentional.     

Modelling audiovisual integration of affect from videos and music

Two experiments examined how affective values from visual and auditory modalities are integrated. Experiment 1 paired music and videos drawn from three levels of valence while holding arousal constant. Experiment 2 included a parallel combination of three levels of arousal while holding valence constant. In each experiment, participants rated their affective states after unimodal and multimodal presentations. Experiment 1 revealed a congruency effect in which stimulus combinations of the same extreme valence resulted in more extreme state ratings than component stimuli presented in isolation. An interaction between music and video valence reflected the greater influence of negative affect. Video valence was found to have a significantly greater effect on combined ratings than music valence. The pattern of data was explained by a five parameter differential weight averaging model that attributed greater weight to the visual modality and increased weight with decreasing values of valence. Experiment 2 revealed a congruency effect only for high arousal combinations and no interaction effects. This pattern was explained by a three parameter constant weight averaging model with greater weight for the auditory modality and a very low arousal value for the initial state. These results demonstrate key differences in audiovisual integration between valence and arousal.     

Crossmodal transfer of arousal, but not pleasantness, from the musical to the visual domain

Arousal and valence (pleasantness) are considered primary dimensions of emotion. However, the degree to which these dimensions interact in emotional processing across sensory modalities is poorly understood. We addressed this issue by applying a crossmodal priming paradigm in which auditory primes (Romantic piano solo music) varying in arousal and/or pleasantness were sequentially paired with visual targets (IAPS pictures). In Experiment 1, the emotion spaces of 120 primes and 120 targets were explored separately in addition to the effects of musical training and gender. Thirty-two participants rated their felt pleasantness and arousal in response to primes and targets on equivalent rating scales as well as their familiarity with the stimuli. Musical training was associated with elevated familiarity ratings for high-arousing music and a trend for elevated arousal ratings, especially in response to unpleasant musical stimuli. Males reported higher arousal than females for pleasant visual stimuli. In Experiment 2, 40 nonmusicians rated their felt arousal and pleasantness in response to 20 visual targets after listening to 80 musical primes. Arousal associated with the musical primes modulated felt arousal in response to visual targets, yet no such transfer of pleasantness was observed between the two modalities. Experiment 3 sought to rule out the possibility of any order effect of the subjective ratings, and responses of 14 nonmusicians replicated results of Experiment 2. This study demonstrates the effectiveness of the crossmodal priming paradigm in basic research on musical emotions.     

Attachment insecurity and strategies for regulation: when emotion triggers attention

Attachment-related strategies are thought to be critical for regulation and processing of emotional information. This study examined biases in selective attention to emotional stimuli as a function of insecure attachment. Participants searched for a single target image preceded by to-be-ignored distracters depicting emotional images varying in valence and arousal. Results revealed that, in general, negative distracters affected accuracy levels, and that the anxious attached participants showed a clear interference of the emotional distracters. In contrast, the avoidant group evinced a higher control on such interference. In addition, arousal ratings to distracter images indicated superior emotional activation only for anxious attached participants. Consistent with the evolutionary-based attachment theory threat-related stimuli prompted priority attentional responses. Present findings are in line with evidence showing the deployment of distinct strategies in insecurely attached individuals for the regulation of attention to emotional information.     

PiSCES: Pictures with social context and emotional scenes with norms for emotional valence,intensity, and social engagement

Picture databases are commonly used in experimental work on various aspects of emotion processing. However, existing standardized facial databases, typically used to explore emotion recognition, can be augmented with more contextual information for studying emotion and social perception. Moreover, the perception of social engagement, i.e., the degree of interaction or engagement inferred between the people in target pictures, has not been measured. In this paper, we describe the development of a database comprising 203 black-and-white line drawings depicting people within various situational contexts, and normed on perceived emotional valence, intensity, and social engagement, a new construct. Analyses of ratings collected from 62 young adults (30 females, 32 males; mean age 22 years) revealed the typical quadratic relationship between valence and intensity, i.e., stimuli that are more emotionally charged, whether positively or negatively valenced, are more intense than emotionally-neutral stimuli. Moreover, the results showed significant linear and quadratic relationships between valence and social engagement ratings, indicating that emotionally-charged social scenes were perceived as more engaging than emotionally-neutral social scenes. This new database will facilitate investigations of how people perceive and interpret social and emotional information in everyday interactions, and is offered as a resource to experimenters involved in social and/or emotional processing research.     

Vivid: How valence and arousal influence word processing under different task demands

In this study, we used event-related potentials to examine how different dimensions of emotion—valence and arousal—influence different stages of word processing under different task demands. In two experiments, two groups of participants viewed the same single emotional and neutral words while carrying out different tasks. In both experiments, valence (pleasant, unpleasant, and neutral) was fully crossed with arousal (high and low). We found that the task made a substantial contribution to how valence and arousal modulated the late positive complex (LPC), which is thought to reflect sustained evaluative processing (particularly of emotional stimuli). When participants performed a semantic categorization task in which emotion was not directly relevant to task performance, the LPC showed a larger amplitude for high-arousal than for low-arousal words, but no effect of valence. In contrast, when participants performed an overt valence categorization task, the LPC showed a large effect of valence (with unpleasant words eliciting the largest positivity), but no effect of arousal. These data show not only that valence and arousal act independently to influence word processing, but that their relative contributions to prolonged evaluative neural processes are strongly influenced by the situational demands (and by individual differences, as revealed in a subsequent analysis of subjective judgments).