A fallacy of aristotle''s about ends

A distinction between activities and processes plays an important role in Aristotle's argument to establish that the good life is a life of activities, among which metaphysical contemplation is foremost. But, as a result of having failed to distinguish internal from external ends of action, Aristotle makes fallacious inferences from every activity's having an internal end in itself to its possessing features which may be legitimately inferred only from external ends, and from every process's having an internal end that is its terminal point to its having the attainment of that terminal point as an external end. The resulting confusion explains a number of problematic elements in Aristotle's ethical theory.     

Mel Gibson’s <Emphasis Type="Italic">Passion</Emphasis> and the Many Uses of Christ’s Suffering

Many Christians resonated with Mel Gibsons film, The Passion of the Christ. The films sympathetic portrayal of Pontius Pilate reinforces the sense of victimization Americans have experienced since 9/11, however, and obscures the real meaning of Christs suffering.Marian Ronan is Assistant Professor of Contemporary Theology and Religion at the American Baptist Seminary of the West, a member seminary of the Graduate Theological Union in Berkeley, CA.     

Mel Gibson’s Big Gamble: <Emphasis Type="Italic">The Passion of Christ</Emphasis>

Mel Gibsons film is a creative reworking of opportunities provided by migrating to Australia as a boy and a life-long desire to be reconciled to his father, Hutton Gibson. If the film is read as a study in psychology and biography, then biblical and theological critiques, along with contemporary politically correct stances towards what Gibson did, can be set temporarily aside in search of a larger trajectory of meaning implicit in the film. The embodied nature of the film, along with other violent films in which Gibson starred in the past three decades, points to wellsprings of power in the blood. Violence becomes an idiom of reconciliation with authority. Gibsons relationship to his father plays a major role in such a reading of the film. A continuous reconciliation with his father is evident not only in thematic continuities over the course of Mel Gibsons professional acting career and starring roles. It also structures the directors construction of Christs Passion. A desire not to be forsaken gives rise to this idiosyncratic and controversial film, itself a cinematic statement about Gibsons own personal spiritual torment.Richard A. Hutch is Director of Studies of the Faculty of Arts and Reader in Religion and Psychological Studies in the School of History, Philosophy, Religion, and Classics at the University of Queensland in Brisbane, Australia 4072.     

AFRICANA PHILOSOPHY

“Africana Philosophy” is a gathering notion used to cover collectively particular articulations, and traditions of particular articulations, of persons African and African-descended that are to be regarded as instances of philosophizing. (The notion is meant to cover, as well, the philosophizing efforts of persons not African or African-descended, efforts that are, nonetheless, contributions to the philosophizing endeavors that constitute Africana philosophy.) A central concern of the essay is the question whether there are characteristics of the philosophizing practices of persons identified as members of social groups thought to comprise a geographically and historically dispersed and ethnically diverse race that do, or should, distinguish the practices by virtue of being those of persons African and/or African-descended. Is there, can there be, should there be a properly determined field of philosophy that is constituted, first and foremost, by the efforts of persons of a particular race and its ethnic groups?     

Having a voice and getting a hearing: An educational perspective on free speech in a plural society

This paper examines Ronald Dworkin's claim that the right to free speech does not include a right to circumstances that encourage citizens to speak nor a right to competent and sympathetic understanding on the part of listeners. Drawing on familiar arguments for the existence of other human rights, the paper challenges Dworkin's claim. Even if, however, the challenge fails and it is not possible to show that there is such a right, that is not the end of the story. It is argued that democratic societies should try to foster conditions in which citizens are encouraged to speak and are listened to sympathetically in the interests of the well-being and flourishing of the polity. The important role education has to play in this is explored.     

A Post-9/11 <Emphasis Type="Italic">Passion</Emphasis>: Review of Mel Gibson’s <Emphasis Type="Italic">The Passion of the Christ</Emphasis>

Gibsons film extends a long tradition of Euro-American passion plays and martyr dramas, related also to the ritual sacrifice of god-actors in other cultures. Yet, the extreme violence of this popular religious movie involves the devotional dangers of cinematic sadomasochism and melodramatic paranoia, with Jews, Romans, and devils as villainous stereotypes–as well as the potential value of tragic catharsis–on a vast scale for todays mass-media audience, especially in the post-9/11 context.Mark Pizzato is Associate Professor of Theatre at the University of North Carolina at Charlotte. His publications include Edges of Loss: From Modern Drama to Postmodern Theory (Michigan, 1998) and Theatres of Human Sacrifice: From Ancient Ritual to Screen Violence (SUNY, 2004).     

Lordship, Bondage, and the Formation of Homo Religiosus

After a brief exploration of Hegel's writing on the formation of self-consciousness, including the place of religiosity in this formation, the article examines Kojeve's response to a Hegelian homo religiosus, followed by a counter-response to Kojeve's atheism through a peculiar, Jaspersian reading of Erich Fromm's discussion of the x experience. Finally, it will be argued that the desire for mutual recognition, and humanity's yearning for transcendence, are essential experiences in the formation of self-consciousness.     

Reflections on <Emphasis Type="Italic">The Passion of the Christ</Emphasis>

The purpose of this article is to offer pastoral reflections on the movie by Mel Gibson entitled The Passion of the Christ.     

Anti-Judaism in the Gospels According to Matthew,Mark, Luke,John, and Mel

Mel Gibsons film, The Passion of the Christ, has elicited great response, both positive and negative. The purpose of this article is to explore one controversial aspect of the movie, anti-Judaism. After addressing problems inherent in the term, anti-Judaism, the article highlights elements of the New Testament gospels that have been interpreted as anti-Jewish, offers an analysis of Gibsons interpretation of the role of the Jews in the death of Jesus, and closes with a discussion of the implications of Gibsons presentation of the Jews on contemporary Jewish/Christian relations.     

Der “dritte Weg” der “neo-eurasischen” Zeitschrift “Elementy” -- zurück ins Dritte Reich?

Studies in East European Thought - Articulated in the twenties, the doctrines of the exiled Russian ‘Evrazijstvo’ movement are undergoing a renaissance in Russia today. As the...     

Corporal Punishment

This paper examines the reasons why corporal punishment in the judicial sphere has fallen into moral disfavour in recent decades. Standard objections to the practice, both practical and ethical, are considered and found to be inconclusive. It is argued that corporal punishment is not inevitably more cruel or demeaning than conventionally preferred punitive methods and that consideration should be given to its limited experimental reintroduction.     

Unconsciously Poisoning the Roots: Psychological Dynamics of the Bible in Jewish/Christian Conflict

The persistence of antisemitism in Christian cultures despite the irrationality and destructiveness of its myths and attitudes has led more than one writer to consider that it may be deeply rooted in psychological dynamics, both individual and social. Likewise, much has been written about how the New Testament writings, especially certain passages in the Gospels, reflect a bitter split between the emerging Christian community and other Jewish groups. Seldom, however, are these two avenues of exploration brought together, asking how psychological mechanisms of defense and the formation of the biblical texts interact. In a recent book, The Jew and Deicide: The Origin of an Archetype (Davis, 2003), psychologist Frederick B. Davis attempted to do just that. Unfortunately, his presentation is deeply flawed by his lack of familiarity with basic New Testament studies and methods. His fundamental premise is sound—that the interplay of the texts, the communities that created them, and their subsequent interpreters evidence psychological dynamics that fuel an ongoing conflict. In this paper, I will suggest how those dynamics were active within the first century Christian community and were expressed in New Testament writings, and how those same dynamics are stimulated in later readers.Paper originally presented March 22, 2004. In D. MacDonald (Chair), New Testament Texts and Traditions. Session conducted at the Western regional meeting of the Society of Biblical Literature, Whittier, CA     

The Suspended Aesthetic: Slavoj Žižek on Eastern European Film

Slavoj iek's writings on Krzysztof Kies´lowski and Andrej Tarkovskij represent direct challenges to the Central and Eastern European tradition of spiritual art and to dominant aesthetic concepts as such. He refuses to separate the solemn films of Kies´lowski and Tarkovskij from popular culture and stresses their import as ethical statements by their directors. Despite this ethical emphasis, iek makes an important contribution to philosophical aesthetics. He implicitly defines art as a suspension of reality which reveals time in its fragility and potentiality. Defining iek's aesthetics in terms of suspension helps to explain his partiality for Kies´lowski and Tarkovskij and bears comparison to the Russian tradition of philosophical aesthetics, in particular Aleksej Losev and Alexander Bakshy.     

A Work in Progress

After expressing gratitude to each contributor, and briefly commenting on each, I probe several main themes of my work, addressing the question of the apparent difference between my earlier philosophical and later clinical writings. Central to both is the reflexivity of the human agent, and that each exhibits a form of practice regardless of the specific aims embedded in each. I then address the theme of narrative writing as my work has developed over the past several decades – at the heart of which are questions of self and integrity.     

Some Thoughts about the Origins of ``Greek Ethics'

In this paper, I argue that several of the main issues that became a focus for classical Greek philosophy were initially framed by Homer. In particular, Homer identifies a tension between justice and individual excellence, and problematizes the connection between the heroic conception of excellence and ``eudaimonia' (happiness). The later philosophers address the problems raised in Homer by profoundly transforming the way each of these terms was to be conceived.     

Where is the History in Mel Gibson’s <Emphasis Type="Italic">The Passion of the Christ</Emphasis>?

Mel Gibson’s repeated claim for the accuracy of his powerful and popular film, The Passion of the Christ, inevitably raises the question: Where’s the history here? A close analysis leads to these conclusions: Gibson provides no context for understanding the brutality suffered by Jesus in this film, why anyone hated him or followed him. Gibson relies on medieval speculations and 19th century visions for most of the plot and many of the scenes. He whitewashes the Roman prefect Pontius Pilate and presents Pilate’s wife as a crypto-follower of Jesus. He demonizes most of the Jewish leaders, especially the high priest Caiaphas, makes Mary, Jesus’ mother, the unhistorical focus of very many scenes, and ignores the historical Jesus’ critical actions, prophetic social critique, and profound concern for the poor and marginal.     

On Alternative Geometries,Arithmetics, and Logics; a Tribute to Łukasiewicz

The paper discusses the similarity between geometry, arithmetic, and logic, specifically with respect to the question of whether applied theories of each may be revised. It argues that they can - even when the revised logic is a paraconsistent one, or the revised arithmetic is an inconsistent one. Indeed, in the case of logic, it argues that logic is not only revisable, but, during its history, it has been revised. The paper also discusses Quine's well known argument against the possibility of logical deviancy.