共查询到20条相似文献,搜索用时 15 毫秒
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F. Modenato 《Axiomathes》1994,5(2-3):361-384
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Francesco Coniglione 《Axiomathes》1997,8(1-3):191-250
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Augusto Mazzoni 《Axiomathes》1995,6(2):227-249
This paper explores the relationships between American phenomenology of music and conventional studies of musical analysis. The temporality of experience is a central topic in the phenomenology of music: recent research in USA has focused on musical time-consciousness (Schutz and Smith) or on analytical applications (Clifton, Lochhead, Ferrara). Many methods of musical analysis, like phenomenological methods, are concerned to study subjective temporal structures: Schenkerian and post-Schenkerian scholars (Salzer, Meyer, Narmour, Lewin) have elaborated specific systems for the explanation of musical form on a experiential basis. Apart from any comparison with the different approaches, phenomenological analysis appears to be fundamental for the analytical interpretation of music. 相似文献
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《Journal of the history of the behavioral sciences》1979,15(3):292-293