Pigeons see correspondence between objects and their pictures

The extent to which nonhumans recognize the correspondence between static pictures and the objects they represent remains an interesting and controversial issue. Pictures displayed on computers are used extensively for research on behavioral and neural mechanisms of cognition in birds, yet attempts to show that birds recognize the objects seen in pictures have produced mixed and inconclusive results. We trained pigeons to discriminate between two identically colored but differently shaped three-dimensional objects seen directly or as pictures, and we found clear bidirectional transfer of the learned object discrimination. Transfer from objects to pictures occurred even when pigeons were trained with 12 views and only novel views of the objects were presented in transfer. This study provides the strongest evidence yet that pigeons can recognize the correspondence between objects and pictures.     

On how adults identify the orientation of a shape

It is generally assumed that the orientation of a shape is judged only by identifying the location of a particular feature. In contrast, it is argued here that the basis of orientation judgments depends on the task; this proposal is examined for judgments of upside down and sideways. Pictures of mono-oriented objects were presentedone at a time, and adults identified the orientations of each in a RT paradigm. One condition presented successively upright and upside-down pictures or upright and sideways pictures. Another condition presented successively upside-down and sideways pictures. As predicted, the time to identify orientation was longer for the condition presenting two nonuprights, because specific identifications of upside down and sideways were required, whereas the other condition required only that uprightness be distinguished from nonuprightness. The notion that the nature of a judgment of shape orientation depends on the contrasts provided by the task has implications for theory and experimental design that are discussed for both realistic and geometric shapes.     

The role of illustrations in children’s inferential comprehension

Illustrations are a salient source of information in children’s books, yet their effect on children’s reading comprehension has been studied only through literal factual recall. The purpose of the current study was to determine the effect of illustrations on bridging inferences, an important aspect of meaning making in comprehension models. Identical short stories were presented under different illustration conditions with pictures that represented different parts of the story. Participants were 73 7- to 11-year-olds. Illustrations both facilitated and interfered with inferencing depending on the type of information depicted; however, this effect was reduced as grade increased. Additional findings were that the overall ability to make inferences increased with age and working memory was a significant predictor of this skill. Results are discussed in relation to cognitive and developmental models of comprehension.     

Partial pictures as imagery-retrieval cues in young children's prose recall.

Two experiments, involving first-grade children, were conducted to test a retrieval-inefficiency explanation for the failure of visual imagery to facilitate young children's prose recall. Consistent with this explanation, children who were given stimuli presumed to elicit visual imagery (“partial pictures”) both during the presentation of a story and at the time questions were asked about the story recalled more story content than children given the partial pictures only during story presentation. An alternative account of these findings—namely that they may be attributed to a general cueing effect—was ruled out in the second experiment. Cognitive-developmental aspects of visual imagery strategies in prosememory situations are discussed.     

Gaze Patterns When Looking at Emotional Pictures: Motivationally Biased Attention

Pictures of either emotionally neutral, pleasant (affectionate), or unpleasant (threat and injury) scenes were paired with nonemotional control pictures and presented for 3 s, while eye fixations were monitored. Preferential attention to the emotional picture of eah pair occurred at an early processing stage: The probability of placement of the first fixation and the proportion of viewing time during the first 500 ms were higher for both pleasant and unpleasant pictures than for neutral pictures, whereas later fixation location and time were not differentially affected. This suggests that, when emotional and nonemotional stimuli are presented simultaneously, emotional meaning captures initial overt orienting and engages attention early, as measured by gaze direction and duration. The possibility that this effect could be accounted for by perceptual differences—such as luminance and complexity—between emotional and neutral pictures was ruled out.     

Tell Me a Story: How Children's Developing Domain Knowledge Affects Their Story Construction

Young children distinguish between the physical and biological domains of knowledge. The current study examines how this distinction is expressed in a story construction task. Three- and 4-year-olds were shown pairs of pictures, one that depicted a normal event and one that depicted an event that violated either physical or biological causal structure. Children were asked to choose which picture to include in a story. Three-year-olds generally showed no systematic patterns of responses when constructing their stories. Four-year-olds, in contrast, made more normal than violation choices overall, and their stories were relatively consistent with regard to the fictional world's internal coherence. When 4-year-olds did include violation events in their stories, those violations tended to be of physical rather than biological causality. These data suggest that a general understanding of impossible events is underpinned by causal domain knowledge.     

The susceptibility of young preschoolers to source similarity effects: Confusing story or video events with reality

This study examined children’s tendency to confuse events that varied in source similarity, which was manipulated using different media of event presentation. In Experiment 1, children in two age groups (3- and 4-year-olds and 5- and 6-year-olds) experienced a live presentation of an event, and another event was either heard from a story (low similarity group) or seen on a video (high similarity group). Immediately afterward, the children were asked to monitor the source of the events. The children in the low similarity group produced higher source discrimination scores than did the children in the high similarity group. Overall, the older children were better at source monitoring than were the younger children. In Experiment 2, the procedure was replicated except that the children’s source monitoring was tested after a 4-day delay. When attributing the source of the story or video events, both 3- and 4-year-olds and 5- and 6-year-olds in the low similarity group produced more accurate story or video attributions than did their age mates in the high similarity group. However, when attributing the source of the live events, only the 3- and 4-year-olds evidenced this effect of source similarity. The 5- and 6-year-olds in both the low and high similarity groups performed at ceiling levels for live discriminations.     

Common and specific features in pictorial analogies

Pictures belonging to different domains (cups and persons), as well as pictures belonging to the same domains (cups or persons only), were used to construct analogies of various paradigms. Pictures from different domains shared three common features, while pictures within each domain had two features specific to that domain. When no specific feature change was introduced, an asymmetry of the paradigms IA cup is to B cup as R person is to S person and P person is to Q person as C cup is to D cup) was obtained as an extension of the theory of metaphoricity (Ortony, 1979) predicted. When specific feature changes were introduced, however, the obtained results were not as the extended theory would predict. An alternative model that emphasizes the function of a set of reference feature changes in extraction and comparison of the feature changes that may exist in the first and second terms was proposed to account for the experimental findings.     

Using stop signals to inhibit chronic dieters' responses toward palatable foods

Palatable foods in the environment can unintentionally trigger reactions to obtain them, which may interfere with dieting attempts. We tested a strategy to facilitate dieting behavior that makes use of behavioral stop signals that should instantly inhibit chronic dieters’ responses toward palatable foods. Participants performed a go/no-go task in which go cues and no-go cues (i.e., the behavioral stop signals) were presented with pictures of palatable foods and control objects. In Study 1, we tested the immediate behavioral effect of presenting stop signals near palatable foods in a reaction time paradigm. In Study 2 we assessed consumption of palatable food that had either consistently been associated with no-go cues, or not. Results show that no-go cues instantly inhibited responses toward palatable foods especially among chronic dieters. Moreover, across a one day period chronic dieters consumed less of a food that had consistently been associated with no-go cues. Stop signals thus appear a promising tool for chronic dieters to control behavior to palatable foods, and we discuss the merits and potential applications of this tool for facilitating dieting behavior.     

乐商:一个比智商和情商更能决定命运的因素

乐商(或乐观智力)是指人乐观的能力,它既包括一个人乐观水平的高低,也包括个体从所经历的消极事件中获取积极成分的能力,以及影响或感染他人的能力.“杜乡微笑”是高乐商的一种主要外在表现形式.心理学过去的有关研究证实,高乐商不仅有利于个体的社会性发展、获得稳定的幸福婚姻、提高人的生理健康水平、提高学业成绩和减少坏事情的发生,而且高乐商还有利于促使个体寻求社会支持和社会交往.这些研究结果表明,乐商可能是一个比智商和情商更能决定人未来发展命运的因素.     

Unattended musical beats enhance visual processing

The present study investigated whether and how a musical rhythm entrains a listener's visual attention. To this end, participants were presented with pictures of faces and houses and indicated whether picture orientation was upright or inverted. Participants performed this task in silence or with a musical rhythm playing in the background. In the latter condition, pictures could occur off-beat or on a rhythmically implied, silent beat. Pictures presented without the musical rhythm and off-beat were responded to more slowly than pictures presented on-beat. This effect was comparable for faces and houses. Together these results indicate that musical rhythm both synchronizes and facilitates concurrent stimulus processing.