On the time course of perceptual information that results from a brief visual presentation.

A briefly presented visual stimulus engenders an available-information function that lags behind the physical stimulus. We report two experiments that focus on the iconic-decay portion of this function, which falls to 0 over a 200-300 ms period following stimulus offset. In each experiment, to-be-reported digit strings were shown for varying durations followed by a noise mask at varying poststimulus intervals. We found the shape of the performance curve relating digit-report probability to stimulus exposure duration to be independent of stimulus-mask interstimulus interval. This finding is consistent with the proposition that the iconic-decay function's shape is independent of stimulus duration and allows us to identify this shape. We rejected exponential iconic decay for 6 of 8 observers; however, all observers' decay functions could be adequately fit by gamma decay, a generalization of exponential decay.     

Temporal course of perceived auditory duration

A series of experiments explored the temporal course of the perceived duration of an auditory stimulus. A backward recognition masking paradigm was utilized, in which the subject was to determine which of two target durations was presented on a given trial. The target tone was followed, after a variable silent intertone interval, by a masking tone which could assume one of three possible durations. Identification of the long target was found to improve consistently with increases in the intertone interval. In contrast, identification of the short target was as accurate at the short as at the long intertone intervals. Blocking the intertone interval across experimental sessions eliminated these differences between the two target tones. Performance on both the long and the short target tones improved monotonically with increases in the intertone interval. When masking tone duration was randomized within an experimental session, identification of the long (short) target was most accurate with the longer (shorter) masking tone. Blocking the duration of the masking tone across experimental sessions eliminated the effect of the duration of the mask, but did not alter any of the other results. A model, proposed to account for the results, assumes that the percept of target duration grows over time, and can be terminated by the onset of the masking tone. The masking tone also acts to lengthen the perceived duration of the target tone, and this lengthening is a direct function of the duration of the masking tone.     

Recognition of concrete and abstract pictures as a function of poststimulus interval

This study examined picture recognition of concrete common objects and abstract random shapes under two presentation conditions: The durations of the unfilled intervals (off-time duration) that followed the presentation of the pictures were varied either randomly or in blocks. The major findings were: recognition of the concrete pictures was better than recognition of random shapes, the off-time duration did not influence recognition of either type of picture under the random presentation condition, and under the block presentation condition, recognition of the concrete pictures increased as a function of off-time duration, whereas the effect of off-time duration was not found for the abstract shapes. The results were interpreted as suggesting that a longer off-time duration is necessary for abstract shapes so that stimulus differentiation, verbal encoding, visual analogizing, and rehearsing may be utilized in processing.     

Recognition of Concrete and abstract Pictures as a Function of Poststimulus Interval

This study examined picture recognition of concrete common objects and abstract random shapes under two presentation conditions: The durations of the unfilled intervals (off-time duration) that followed the presentation of the pictures were varied either randomly or in blocks. The major findings were: (a) recognition of the concrete pictures was better than recognition of random shapes, (b) the off-time duration did not influence recognition of either type of picture under the random presentation condition, and (c) under the block presentation condition, recognition of the concrete pictures increased as a function of off-time duration, whereas the effect of off-time duration was not found for the abstract shapes. The results were interpreted as suggesting that a longer off-time duration is necessary for abstract shapes so that stimulus differentiation, verbal encoding, visual analogizing, and rehearsing may be utilized in processing.     

Effects of repetition priming on recognition memory: testing a perceptual fluency-disfluency model

Five experiments explored the effects of immediate repetition priming on episodic recognition (the "Jacoby-Whitehouse effect") as measured with forced-choice testing. These experiments confirmed key predictions of a model adapted from D. E. Huber and R. C. O'Reilly's (2003) dynamic neural network of perception. In this model, short prime durations pre-activate primed items, enhancing perceptual fluency and familiarity, whereas long prime durations result in habituation, causing perceptual disfluency and less familiarity. Short duration primes produced a recognition preference for primed words (Experiments 1, 2, and 5), whereas long duration primes produced a preference against primed words (Experiments 3, 4, and 5). Experiment 2 found prime duration effects even when participants accurately identified short duration primes. A cued-recall task included in Experiments 3, 4, and 5 found priming effects only for recognition trials that were followed by cued-recall failure. These results suggest that priming can enhance as well as lower familiarity, without affecting recollection. Experiment 4 provided a manipulation check on this procedure through a delay manipulation that preferentially affected recognition followed by cued-recall success.     

Duration perception in crossmodally-defined intervals

How humans perform duration judgments with multisensory stimuli is an ongoing debate. Here, we investigated how sub-second duration judgments are achieved by asking participants to compare the duration of a continuous sound to the duration of an empty interval in which onset and offset were marked by signals of different modalities using all combinations of visual, auditory and tactile stimuli. The pattern of perceived durations across five stimulus durations (ranging from 100 ms to 900 ms) follows the Vierordt Law. Furthermore, intervals with a sound as onset (audio-visual, audio-tactile) are perceived longer than intervals with a sound as offset. No modality ordering effect is found for visualtactile intervals. To infer whether a single modality-independent or multiple modality-dependent time-keeping mechanisms exist we tested whether perceived duration follows a summative or a multiplicative distortion pattern by fitting a model to all modality combinations and durations. The results confirm that perceived duration depends on sensory latency (summative distortion). Instead, we did not find evidence for multiplicative distortions. The results of the model and the behavioural data support the concept of a single time-keeping mechanism that allows for judgments of durations marked by multisensory stimuli.     

Effects of signaled versus unsignaled delay of reinforcement on choice

Pigeons chose between 5-s and 15-s delay-of-reinforcement alternatives. The first key peck to satisfy the choice schedule began a delay timer, and food was delivered at the end of the interval. Key pecks during the delay interval were measured, but had no scheduled effect. In Experiment 1, signal conditions and choice schedules were varied across conditions. During unsignaled conditions, no stimulus change signaled the beginning of a delay interval. During differential and nondifferential signal conditions, offset of the choice stimuli and onset of a delay stimulus signaled the beginning of a delay interval. During differential signal conditions, different stimuli were correlated with the 5-s and 15-s delays, whereas the same stimulus appeared during both delay durations during nondifferential signal conditions. Pigeons showed similar, extreme levels of preference for the 5-s delay alternative during unsignaled and differentially signaled conditions. Preference levels were reliably lower with nondifferential signals. Experiment 2 assessed preference with two pairs of unsignaled delays in which the ratio of delays was held constant but the absolute duration was increased fourfold. No effect of absolute duration was found. The results highlight the importance of delayed primary reinforcement effects and challenge models of choice that focus solely on conditioned reinforcement.     

Rats' lever-press durations as psychophysical judgments of time

Hungry rats received food following lever-press durations exceeding a minimum value, which ranged from 0 to 6.4 sec. When no intertrial intervals separated successive presses, modal press durations remained at very short values as the minimum value required for food was increased. This was particularly true immediately after a food presentation. When an 8-sec intertrial interval followed each lever release, modal press durations were always at or beyond the minimum value required for food, and outcome of the preceding press had no effect on press duration. Possible reasons for the effects of intertrial intervals included punishment of short presses, increased delay of reinforcement of short presses, and reduced density of reinforcement. In addition, functions relating discrete-trials lever-press duration to minimum duration required for food were found to be qualitatively and quantitatively similar to the power functions recently proposed by Catania (1970) for interresponse time and response latency. This similarity was taken as support for a general psychophysical law of temporal judgments.     

Two types of short-term visual storage

Seven-letter words were flashed repetitively at various durations above and below the recognition threshold for single flashes. One form of a short-term storage effect was studied by measuring the interstimulus interval between flashes at which S reported that the stimulus became phenomenally discontinuous in time. Storage times reached a maximum of about 300 msec in this task. A second form of storage effect was measured by decreasing the interstimulus interval until S could correctly recognize a repeated stimulus whose duration was below the single-flash recognition threshold; this effect extended to 900 msec in some cases. Each of these effects was reliably obtained for both rare and frequent words. Both forms of storage were increased by providing a dark rather than a lighted adapting field between presentations of the test stimulus. Implications for Information processing of brief displays are discussed.     

客体工作记忆的保持对时距知觉的影响

初步探讨毫秒范围内,客体信息保持对时间知觉的影响。实验一发现,知觉到的时间不受记忆负荷的影响,但当保持时间短时,低负荷的反应时低于高负荷的反应时;实验二仅要求被试完成时间知觉任务,发现知觉负荷异于记忆负荷对时间知觉的影响。结果说明,客体工作记忆保持对时间知觉的影响受到工作记忆资源的调节。     

Locus of semantic priming effects in speeded naming

The locus of semantic priming effects was examined by measuring onset and rime durations as well as response latencies of words with consistent and inconsistent pronunciations, using the postvocalic naming task. We found that the effect of a semantic prime on naming duration was localized rather than spread across the entire word; onset durations were shorter in the related condition than in the unrelated condition, but rime durations were equal in the two prime conditions. Moreover, the priming effect on onset durations was larger for words with inconsistent than for those with consistent pronunciations. These duration results cannot be accounted for by previous proposals, but they can be accounted for by models in which phonemes are activated in parallel rather than serially from left to right and in which motor programs are based on phonemes rather than syllables. Contrary to previous reports of an interaction of prime and regularity (a factor closely related to consistency) on naming latency, we found no interaction of prime and consistency on response latency. We argue that this conflict is only apparent and arises because naming latency conflates response latency and initial phoneme duration for some targets.     

Effects of sound-marker durations on rhythm perception

Our aim in this study was to examine the influence of sound-marker durations on the perception of simple rhythm patterns. These comprised three successive sounds marking two neighbouring time intervals, T1 and T2, with their onsets. We varied the durations of each of the three sound markers to make them either 20 or 60 ms. Durations of T1 and T2 were also varied, but the total duration of T1 and T2 was fixed at either 240 or 480 ms. In experiment 1, participants compared the durations of T1 and T2. In experiment 2, the subjective duration of each interval was measured separately. We found that lengthening the duration of the sound marker which terminated an interval increased the subjective duration of that interval: lengthening the duration of the second marker increased the subjective duration of T1, and lengthening the duration of the third marker increased the subjective duration of T2. Lengthening the duration of the first marker increased the subjective duration of T1 when T1 + T2 = 240 ms, especially when T1 > T2. This effect of first-marker duration, which could not be observed with single intervals used in the control conditions, seemed to enhance the contrast between T1 and T2. The effects of marker durations are associated with previous time-perception studies, in which single time intervals were used. They are discussed in the context of rhythm-perception studies, in which more complex sound patterns have been used.     

Pictorial rehearsal effects in younger and older adults

Abstract

In three studies, we examined pictorial rehearsal effects in younger and older adults. Concrete and abstract line drawings that varied in the amount of pictorial detail were presented for study under different presentation conditions. In the pictorial rehearsal condition, each picture was followed by a blank rehearsal interval where the picture was no longer presented. In all three experiments, the poststimulus interval enhanced picture recognition for both age groups, relative to a control condition where no rehearsal interval occurred. These findings suggest that older adults, like younger adults, form and maintain visual images across a blank rehearsal interval. Implications of these findings for current views on imaginal processes in older adults are discussed.     

Critical importance of exposure duration for affective discrimination of stimuli that are not recognized

Previous research has found that repeated exposure to briefly presented visual stimuli can increase the positive affect for the stimuli without enhancing their recognition. Subjects could discriminate target and distractor shapes by affective preference in the absence of recognition memory. This study examined this phenomenon as a function of stimulus exposure duration. Over exposure durations of 0, 2, 8, 12, 24, and 48 ms, the functions for affect and recognition judgments exhibited different temporal dynamics. Target selection by affect was possible at very brief exposures and was influenced little by increasing durations; target selection by recognition required longer stimulus exposures and improved with increasing durations. Affective discrimination of stimuli that are not recognized is a reliable phenomenon, but it occurs only within a narrow band of time. This parametric study has specified the relationship between exposure duration and affect and recognition judgments and has located that temporal window.     

Short-term memory for auditory and visual durations: evidence for selective interference effects

The present study sought to determine the format in which visual, auditory and auditory-visual durations ranging from 400 to 600 ms are encoded and maintained in short-term memory, using suppression conditions. Participants compared two stimulus durations separated by an interval of 8 s. During this time, they performed either an articulatory suppression task, a visuospatial tracking task or no specific task at all (control condition). The results showed that the articulatory suppression task decreased recognition performance for auditory durations but not for visual or bimodal ones, whereas the visuospatial task decreased recognition performance for visual durations but not for auditory or bimodal ones. These findings support the modality-specific account of short-term memory for durations.     

Temporal control by signals of interval duration within variable-interval schedules

Rats' lever pressing produced sucrose reinforcers on a variable-interval schedule where, in different conditions, the duration of a stimulus presented immediately after reinforcement was either correlated or uncorrelated with the duration of the current interreinforcement interval. Under the baseline schedule, in which no stimulus was presented, the minimum interreinforcement interval was 8 s and the mean postreinforcement pause of each subject approximated this value. Response rates increased slowly over the first 10 to 15 s and then remained roughly constant throughout the remainder of the interval. In both the correlated and uncorrelated conditions, the added stimulus resulted in the postreinforcement pauses lengthening to values in excess of the duration of the preceding stimulus. This resulted in a poststimulus pause which was, in most cases, roughly constant irrespective of the duration of the preceding stimulus, or of the reinforcement contingencies prevailing immediately after stimulus offset. Local response-rate patterns in the uncorrelated conditions were similar to those obtained under the baseline schedule in which no stimulus was presented. However, in the correlated condition local response rates increased across the remainder of the interreinforcer interval. Further, the rate of acceleration was inversely related to the duration of the preceding stimulus. These results show that a correlation between stimulus duration and the ensuing time to reinforcement can control behavior—a type of temporal control not previously reported.     

Effects of temporal shapes of sound markers on the perception of interonset time intervals

This study investigated how the temporal characteristics, particularly durations, of sounds affect the perceived duration of very short interonset time intervals (120-360?ms), which is important for rhythm perception in speech and music. In four experiments, the subjective duration of single time intervals marked by two sounds was measured utilizing the method of adjustment, while the markers' durations, amplitude difference (which accompanied the duration change), and sound energy distribution in time were varied. Lengthening the duration of the second marker in the range of 20-100?ms increased the subjective duration of the time interval in a stable manner. Lengthening the first marker tended to increase the subjective duration, but unstably; an opposite effect sometimes appeared for the shortest time interval of 120?ms. The effects of varying the amplitude and the sound energy distribution in time of either marker were very small in the present experimental conditions, thus proving the effects of marker durations per se.     

Aptitude-related differences in auditory information processing: effects of selective attention and tone duration

College students selected for high or low aptitude performed an auditory backward recognition masking task in which tones differed in pitch (770 or 870 Hz) and duration (10, 13 or 20 msec). Ss were required to attend selectively to the pitch but not to the duration of the targets. As predicted, higher aptitude was associated with lower recognition thresholds at all tone durations. Although increased attentional demands impaired recognition thresholds, this had no apparent differential effect on aptitude-related differences in auditory information processing.     

Modes of vibrotactile pattern generation

Two modes of generating vibrotactile patterns, static and scanned, were examined. In the static mode, all elements making up the pattern were turned on and off simultaneously. In the scanned mode, the pattern to be identified was moved across the tactile array. The patterns were letters of the alphabet presented to the fingertips by means of the Optacon, a reading aid for the blind. The results of the first experiment showed that the performance on a letter recognition task decreased as pattern duration decreased and that at all durations below 200-msec performance in the static mode was better than in the scanned mode. Good letter recognition was possible at durations of 4 msec in the static mode. The results of the second experiment showed that letter recognition in the static mode was highly dependent on the perceived intensity of the letters presented, whereas intensity changes in the scanned mode had little effect on letter recognition. The results of the third experiment showed that both modes of pattern presentation produced similar results in the presence of masking stimuli. The implications of the results for cutaneous pattern perception and information transmission and visual letter recognition are discussed.     

Spacing effects in picture memory

Three experiments were conducted to capitalize on the conclusion of Shaffer and Shiffrin (1972) that complex visual scenes are not rehearsed in testing the hypothesis that the effect of spacing on memory is due to rehearsal. In Experiment I, a list of vacation slides was presented in which both the number of repetitions and the spacing of repetitions were varied. Subsequent frequency judgments showed an effect of spacing much like that found using verbal materials. In Experiments II and III, effects of filled and unfilled spacing intervals were compared, and it was concluded that the spacing effect is primarily a function of the duration of the spacing interval. No evidence was found to support the notion that pictures are rehearsed. Rehearsal apparently cannot play the key role in an adequate, completely general explanation of the spacing effect.