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Spatial ventriloquism refers to the phenomenon that a visual stimulus such as a flash can attract the perceived location of a spatially discordant but temporally synchronous sound. An analogous example of mutual attraction between audition and vision has been found in the temporal domain, where temporal aspects of a visual event, such as its onset, frequency, or duration, can be biased by a slightly asynchronous sound. In this review, we examine various manifestations of spatial and temporal attraction between the senses (both direct effects and aftereffects), and we discuss important constraints on the occurrence of these effects. Factors that potentially modulate ventriloquism—such as attention, synesthetic correspondence, and other cognitive factors—are described. We trace theories and models of spatial and temporal ventriloquism, from the traditional unity assumption and modality appropriateness hypothesis to more recent Bayesian and neural network approaches. Finally, we summarize recent evidence probing the underlying neural mechanisms of spatial and temporal ventriloquism.  相似文献   

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《Sikh Formations》2013,9(2):253-255
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The special issue on 'Counselling and Health' is introduced, and the context in which counsellors are concerned with both well-being and ill-health is explored.  相似文献   

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A previous experiment had shown spatial location to be judged in terms of the framework provided by the modality in which stimuli were presented. In the present study, digits were either auditorally or visually presented, and in either form the three digits appeared successivly to the left, in the center, and to the right of the S. The digit which occurred temporally in the middle of the sequence was never central from the spatial viewpoint. The S was asked to indicate which digit was the middle one. Ss were blind, deaf, or normal. The deaf and two control groups saw visual displays, and the blind and their controls heard auditory displays. The former groups predominantly chose the spatially middle digit and the latter groups the temporally middle. It was concluded that modality of presentation was the trigger which switched in the coding dimension of time or space.  相似文献   

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The editors of this special issue would like to express their appreciation to William C. Nichols, editor ofContemporary Family Therapy, for his support and encouragement in putting together this issue. We would also like to acknowledge and thank H. Allan Dye, Joan Jurich, Kevin R. Kelly, Richard M. Loughead, Nancy Shook, and Paul H. Wright for their patience, assistance, and editorial reviews.  相似文献   

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