On listening to “The Scarlet Tide” (by T Bone Burnett and Elvis Costello) from Cold Mountain: a movie song and its afterlife

This article examines how the emerging concept of affective space can be applied to movie soundtracks, with particular reference to “The Scarlet Tide” written by T Bone Burnett and Elvis Costello for the film Cold Mountain (dir. Anthony Minghella 2003) and the implications this has for the place of religion in film culture. The article explores how affective space works with the experience of individual listeners and the wider social context. Both affective expressions can shape how this track is received and integrated into a process of meaning making. The article concludes with an assessment of some implications that this discussion has for understanding the social nature of music, religion, and spirituality.     

Effects of background music on the remembering of filmed events

The use of background music within films provides a naturalistic setting in which to investigate certain issues of schematic processing. Here, the relative placement of music was manipulated such that music either accompanied a scene's outcome, and thereby accentuated its affective meaning, or foreshadowed the same scene, and thereby created expectancies about the future course of events. In addition, background music was either congruent or incongruent with the affect of an episode's outcome. When subjects were later asked to recall the series of filmed episodes, results showed that expectancy violations arising from mood-incongruent relations led to better memory in the foreshadowing condition, while mood-congruent relations led to better performance in the accompanying condition. Results from a recognition task further revealed that scenes unavailable for recall could be recognized when cued by background music. These overall findings are discussed in terms of selective-attending processes that are differentially directed as a function of background music.     

情绪音乐影像库的初步编制与评定

音乐表演影像材料的情绪诱发功能有音乐和影像的共同优势,但目前缺乏以音乐表演为内容的情绪音乐影像库。试图建立可供相关研究使用的情绪音乐影像系统。根据前期研究使用过的材料、相关研究结果及音乐专业人士的建议,收集分别表达愤怒、恐惧、悲伤和开心的音乐,包括歌剧、交响乐、民乐等,剪辑为30秒左右的片段,非音乐专业被试对材料的情绪类型和强度进行评定,最终筛选出能有效诱发目标情绪的64条音乐影像材料。未来可在测量指标的客观性和审美性及被试和音乐材料的样本量两方面改进。     

Processing idioms with multiple meanings

Three experiments are presented that examine understanding of idioms with one or more meaning. The results of Experiment 1 showed that subjects took longer to read and make paraphrase judgments for idioms when both their idiomatic and literal meanings are intended than it did to comprehend idioms meant only literally or idiomatically. In Experiments 2 and 3, subjects were faster at making phrase classification judgments for idioms with several different nonliteral interpretations than they were to make the same judgments for idioms with only one idiomatic interpretation. These findings suggest that idioms with more entries in the mental lexicon are accessed faster because it is more likely that one of their meanings will be encountered in a short time. The data overall support the idea that idioms are represented differently depending on their number of associated meanings.This research was supported by a Faculty Research Grant from the University of California, Santa Cruz. We wish to thank Dennis Johnston for his assistance in running subjects.     

Differentiation of affective and denotative meaning systems and their influence in personality ratings.

The present study presents an empirical example of the dichotomy of affective and denotative meaning systems and their influence on individual differences in personality ratings. The three-mode factor analytic technique with a newly developed transformation methodology for the scale mode was applied to data collected by Hogenraad from 50 French-speaking Belgians, rating 40 personality concepts against 40 semantic differential scales. Results indicated that three affective dimensions (evaluation, potency, and activity) proved to be dominant in the indigenous factor structure of personality impressions and that three dimensions in the "other" space, orthogonal to affect, are clearly interpretable denotative semantic features of personalities. Three idealized individual differences on interactions of these two meaning systems with four concept factors were highlighted by the final rotated inner core matrix. The present methodology along with the semantic differential technique and three-mode factor analysis can be applied to various types of subjects and/or concept domains for better understanding of intra- and intercultural differences.     

The role of imagery,analogy, and instantiation in proverb comprehension

The role of imagery, analogy, and instantiation in understanding proverbs was examined in the light of the Conceptual Base Theory (CBT). The CBT proposes that proverb comprehension involves four phases and that (a) after Problem Recognition, imagery is often used during the Literal Transformation Phase with the intention of constructing a figurative meaning but that imagery does not enter into this meaning; (b) figurative meaning is the solution to a four-part, a:b::c:d, analogy, which occurs during the Figurative Phase; (c) the Instantiation Phase can be entered only if a figurative meaning is constructed, but once instantiation occurs it serves to refine this meaning. A transfer paradigm was used to test these hypotheses. During acquisition, the subjects were presented proverbs and given rating tasks in connection with one of the following: pictures that illustrated the literal proverb information (picture groups), instructions to image the literal proverb information (imagery groups), or analogies involving literala andb terms drawn from the proverb andc andd terms that constituted an interpretation of the proverb (analogy group), concrete verbal instances that illustrated the proverbs' figurative meanings (instance group), or an analogy and an instance (analogy-instance group). During transfer, all subjects attempted to distinguish between novel sentences that were either positive or negative instances of the figurative meaning of the acquisition proverbs. The picture and imagery groups, which were assumed to have used imagery without the intention of constructing a figurative meaning, performed at chance. The analogy group performed above chance and on a par with the instance group subjects, who theoretically had constructed and solved an implicit analogy. The analogy-instance group showed superior performance. Discussion centered on the pattern of the results in relation to the CBT and on the role of imagery and analogy in understanding proverbs as opposed to metaphors.The authors wish to thank Suzanne Leake for help in designing the experiment, preparing materials, and running subjects.     

Emotional experience in music fosters 18‐month‐olds' emotion–action understanding: a training study

We examine whether emotional experiences induced via music‐making promote infants' use of emotional cues to predict others' action. Fifteen‐month‐olds were randomly assigned to participate in interactive emotion training either with or without musical engagement for three months. Both groups were then re‐tested with two violation‐of‐expectation paradigms respectively assessing their sensitivity to some expressive features in music and understanding of the link between emotion and behaviour in simple action sequences. The infants who had participated in music, but not those who had not, were surprised by music–face inconsistent displays and were able to interpret an agent's action as guided by her expressed emotion. The findings suggest a privileged role of musical experience in prompting infants to form emotional representations, which support their understanding of the association between affective states and action.     

不同意识水平下的情绪启动

实验研究了不同意识水平下情绪启动的机制。我们采用带有褒贬意义的中文语句作为情绪刺激,要求被试在情绪刺激播放响度正常或极低的情境下对不熟悉的法语语句进行评价。结果显示无意识情绪启动显著;有意识情绪启动却未出现。我们认为无意识情绪启动是个体对刺激自动加工的结果;而个体在意识层面的认知加工可能会抑制已唤醒的情绪。另外,情绪刺激的不同排列方式对被试评价的倾向性可能有潜在的影响。     

You and me as she and he: The meaning of gender-related concepts in other- and self-perception

This study compares and contrasts the use of gender-related concepts in other-and self-perception. The schematic use and stereotypic and affective meanings of feminine and masculine were derived from hierarchical classes analysis (HICLAS) of participants' (N = 72; 50 females, 22 males, 54% white) ratings of self and significant others. The study reveals that people use these concepts differently in their perception of others than in their perception of self. In addition, the meaning of masculine and feminine constructed by these participants differs significantly from their traditional definitions. Finally, being feminine is evaluated more positively than being masculine in the perception of others, while the ego protective function of gender leads participants to evaluate their own gender's features most positively in self-perception.This article was presented at the 1993 Eastern Psychological Association, Washington, DC, April 1993. The collection of the data reported in this paper was supported by National Institute of Mental Health Grant MH40871-03/04. We thank the Institute for its support. We also thank the participants in this study for sharing their lives with us. Finally we would like to thank Richard Ashmore, Rae Carlson, and Basil Englis for comments on earlier drafts of this paper.     

音乐传达哲理性概念的认知神经机制

哲理性概念是音乐表现的对象之一。由于音乐不具有类似语言的语义性, 对哲理性概念的理解常常成为音乐欣赏者的困扰。基于此, 本项目聚焦于听者对哲理性概念的理解。通过选取音乐训练经历不同的人群为被试, 系统考察哲理性概念加工的认知神经机制。本项目成果将揭示音乐诱发哲理性概念加工的神经机制, 厘清音乐训练对音乐外在意义加工的作用, 从而在一定程度上回答人类对音乐意义理解的普遍性问题。     

Sadness and happiness are amplified in solitary listening to music

Previous studies have shown that music is a powerful means to convey affective states, but it remains unclear whether and how social context shape the intensity and quality of emotions perceived in music. Using a within-subject design, we studied this question in two experimental settings, i.e. when subjects were alone versus in company of others without direct social interaction or feedback. Non-vocal musical excerpts of the emotional qualities happiness or sadness were rated on arousal and valence dimensions. We found evidence for an amplification of perceived emotion in the solitary listening condition, i.e. happy music was rated as happier and more arousing when nobody else was around and, in an analogous manner, sad music was perceived as sadder. This difference might be explained by a shift of attention in the presence of others. The observed interaction of perceived emotion and social context did not differ for stimuli of different cultural origin.     

Empathic understanding: a review of the concept and some theoretical considerations

A review of the psychoanalytic literature shows that empathy has always played an important part in the practice of psychoanalysis, but that as a concept it has not been well understood. This confusion and a certain mistrust of empathy that it engenders were traced to an incomplete understanding of the meaning of the term, and to the lack of an affect theory that could explain the communication involved in the empathic process. These problems were examined and suggestions for their resolution were made. A line of affective development that culminated in empathic understanding was proposed. An operational approach to empathy was described and the role of empathy as the basis for and the prelude to psychoanalytic interpretation was discussed.     

Affective dimension in cognitive maps of Barcelona and São Paulo

This paper analyses the relationship between city and affection as revealed through an investigation into the feelings and emotions of a sample of inhabitants of Barcelona and São Paulo towards their cities. A study of affection in the context of a city has its origin in the assumption that it is possible to develop an ethical‐affective rationality in the creation of spaces of both public and private interest, a dimension that can serve to optimize the action of the inhabitants of a city. The theoretical/methodological approach adopted was essentially interdisciplinary, with a basis in social psychology, as can be seen in the data‐gathering instrument. In order to assess the city's affective dimension, individual interviews were carried out and a questionnaire was applied to individuals in groups. In the latter subjects were asked to make a drawing representing their city and to answer some questions regarding this pictorial representation. The sample consisted of 200 subjects, half of whom were from Barcelona and half from São Paulo. Most were in the age range 18–35, undergraduate or graduate students, with females and residents of the metropolitan areas of the two cities studied being in the majority. The qualitative data were classified according to their meaning and content, using the categories that had been established in the pilot study, namely contrasts, insecurity, pleasantness, and belonging. A statistical analysis was then performed on the resulting categories. After being categorized, catalogued, and qualified by metaphors, the responses gave the following images: city of contrast, city of attraction, city of destruction, city of surprises, city of movement, and pleasant city. These images show feelings and emotions about Barcelona and São Paulo that act as representations. This presents the need to revise the affective dimension in the meaning structure of cognitive maps as proposed by Lynch. As a result, the new category of affective maps is therefore proposed, as being the category that expresses affective meanings and serves as an indication of the level of esteem for the city, two aspects that act as reference points for the involvement and participation of a city's inhabitants.     

Sources of meaning in the acquisition of complex syntax: the sample case of causality

The study reported here is concerned with how children acquire complex sentences for expressing their beliefs about causally related events, in the transition in language development from simple to complex syntax. Subjects were three girls and four boys, observed longitudinally from 26 to 38 months of age in their homes. Data analysis began with those observations in which each child began to produce causally related propositions without syntactic connectives, and continued until the children were about 3 years old. Two broad categories of causal meaning were expressed in the children's causal statements. Objective meaning concerned means-end and consequence relations that were evidential and fixed in the physical world. Subjective meaning expressed causal connections concerned with personal, affective, or sociocultural beliefs. While most of the children's statements expressed subjective meaning overall, the acquisition of syntactic connectives was associated with objective meaning. These results are discussed in terms of the development of these children's understanding of causality and the acquisition of increasingly complex language.     

Mood and Emotions in Small Groups and Work Teams

Affective influences abound in groups. In this article we propose an organizing model for understanding these affective influences and their effects on group life. We begin with individual-level affective characteristics that members bring to their groups: moods, emotions, sentiments, and emotional intelligence. These affective characteristics then combine to form a group's affective composition. We discuss explicit and implicit processes through which this affective combination occurs by examining the research on emotional contagion, entrainment, modeling, and the manipulation of affect. We also explore how elements of the affective context, such as organizationwide emotion norms and the group's particular emotional history, may serve to constrain or amplify group members' emotions. The outcome, group emotion, results from the combination of the group's affective composition and the affective context in which the group is behaving. Last, we focus on the important interaction between nonaffective factors and affective factors in group life and suggest a possible agenda for future research.     

The effect of a contraceptive theme on response to erotica

Undergraduate students (60 males, 60 females) viewed a sexually explicit movie in which a couple engaged in intercourse. Different themes were introduced by prefacing the film with information varying the filmed couple's apparent marital status (single, married) and contraceptive practices (no information, no contraception, contraception via the pill). After viewing the movie, subjects filled out a questionnaire assessing their own affective reactions plus their perceptions and evaluations of the couple. Male subjects reported the greatest positive affect when the film couple was described as single and using contraception, but they also perceived the stimulus couple as caring the least for one another when they were using contraceptives. In contrast, females perceived contraceptive use as positive evidence of mutual caring. These sex differences in reacting to contraceptive use were discussed in terms of the relatively greater tendency of males to separate love and sex than is true for females.Work on this experiment was supported by a research grant (SOC 74-15254) from the National Science Foundation. The authors wish to thank Elizabeth Rice Allgeier, William A. Fisher, and Richard Knox for their comments and suggestions.     

The influence of status and sex-typing on assessments of occupational outcome

In order to investigate the relative strengths of status and sex-typing of occupations on evaluations of job outcomes, this study varied sex of subject, sex of stimulus person, status of occupation, sex-typing of occupation, and job outcome in a three-between, two-within factorial design. Contrary to previous research, subjects' beliefs about stimulus persons' affective reactions to job outcomes were not consistent with rigid sex-typing of jobs. Instead, the data suggest that crossing the sex-typing barrier in occupations is receiving growing acceptance, and that subjects are aware of sex segregation and discrimination in the labor force. Other data suggest that subjects' beliefs about job outcomes are influenced by belief in a just world.The authors wish to thank Walter G. Stephan for commenting on an earlier version of this article.     

The Epistemic Value of Affective Disruptability

In order to explore how emotions contribute positively or negatively to understanding the meaning of complex socio-culturally specific phenomena, I argue that we must take into account the habitual dimension of emotions – i.e., the emotion repertoire that a feeling person acquires in the course of their affective biography. This brings to light a certain form of alignment in relation to affective intentionality that is key to comprehending why humans understand situations in the way they do and why it so often is especially hard to understand things differently. A crucial epistemic problem is that subjects often do not even enter a process of understanding, i.e., they do not even start to consider a specific object, theory, circumstance, other being, etc. in different ways than the familiar one. The epistemic problem at issue thus lies in an unquestioned faith in things being right the way they are taken to be. By acknowledging the habitual dimension of affective intentionality, I analyze reasons for this inability and suggest that being affectively disruptable and cultivating a pluralistic emotion repertoire are crucial abilities to overcome this epistemic problem.

     

音乐意义传递的神经证据——基于启动范式的发现与思考

使用语义启动(semantic priming)、概念启动(conceptual priming)、情感启动(affective priming)以及和声启动(harmonic priming)四种启动范式及其变式,认知神经科学的研究证实:音乐能够传递不同的意义,其主要的神经证据是两大脑电指标:对应于外在音乐意义(extra-musical meaning)的N400与对应于内在音乐意义(intra-musical meaning)的N5。对4种启动范式的分析发现:1)音乐以"语义"与"非语义"两种形式为媒介传递意义;2)启动范式的核心特征即是对基于"音乐知觉与图式"的"期望匹配与不匹配效应"的操作。与此同时,近期的研究表明N400与N5间的关系并非完全的"彼此独立",而是倾向于共存与共变,甚至是一个成分的两种表达。未来研究在进一步厘清音乐内、外在意义深层关联的同时,有必要将音乐意义传递的神经科学研究纳入到更为宏阔的时代、地域与社会性背景之中。