Men’s personality and women’s perception of their dance quality

Recent research shows that women judge men who show variability in their body movements as good dancers. Here we report data on women’s perception of dance quality in 48 men, aged 18-42 years, and relate them to men’s self-reported personality traits. Male participants completed a standardised personality inventory (the NEO-FFI) and then danced to a basic rhythm while their body movements were tracked with optical 3D motion-capture technology. Dance movements were applied to a featureless virtual humanoid character and judged on their dance quality by 53 women, aged 17-57 years, who viewed 15 s of the rendered video clips of each male dancer. Conscientiousness and social agreeableness was correlated positively and significantly with women’s perception of men’s dance quality. Extraversion showed a positive correlation and neuroticism and openness were associated negatively with women’s perception of men’s dance quality, though these correlations failed to reach significance. We suggest that male dance movements may convey aspects of their personality, though possible consequences in terms of female mate preferences and selection remain to be explored.     

Seeing movement: Dancing bodies and the sensuality of place

This paper investigates how the study of dance and the visibility of the moving body can be used to rethink the conceptualisation of place. Examining the dancing body reveals an unspoken corporeal knowledge that subsists in our engagement with the everyday world, and exceeds our ways of talking or writing about dance as an art form. The body inscribes the space it moves across, leaving trajectories and choreographic lines and, due to its tangibility, also comes to corporeally fill or occupy a place. It is about understanding the movement of bodies in terms of the physical expression of the performer but also from the perspective of an audience, which serves as a third person perspective on corporeal expression. When watching a body move, the observer becomes attentive to the gestures, rhythm, intentionality, and the crowd of virtual movements that accompany it. Through the work of dance theorists such as Rudolf Laban, we examine how the dancing body oscillates between the intentional and the observed in the constitution of the sensual dimensions of space. Most importantly we explore how dance shifts the point of focus away from place as a locale to place as a site of corporeal witnessing.     

A technique for continuous measurement of body movement from video

The movements that we make with our body vary continuously along multiple dimensions. However, many of the tools and techniques presently used for coding and analyzing hand gestures and other body movements yield categorical outcome variables. Focusing on categorical variables as the primary quantitative outcomes may mislead researchers or distort conclusions. Moreover, categorical systems may fail to capture the richness present in movement. Variations in body movement may be informative in multiple dimensions. For example, a single hand gesture has a unique size, height of production, trajectory, speed, and handshape. Slight variations in any of these features may alter how both the speaker and the listener are affected by gesture. In this paper, we describe a new method for measuring and visualizing the physical trajectory of movement using video. This method is generally accessible, requiring only video data and freely available computer software. This method allows researchers to examine features of hand gestures, body movement, and other motion, including size, height, curvature, and speed. We offer a detailed account of how to implement this approach, and we also offer some guidelines for situations where this approach may be fruitful in revealing how the body expresses information. Finally, we provide data from a small study on how speakers alter their hand gestures in response to different characteristics of a stimulus to demonstrate the utility of analyzing continuous dimensions of motion. By creating shared methods, we hope to facilitate communication between researchers from varying methodological traditions.     

Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance

Throughout history, dance has maintained a critical presence across all human cultures, defying barriers of class, race, and status. How dance has synergistically co-evolved with humans has fueled a rich debate on the function of art and the essence of aesthetic experience, engaging numerous artists, historians, philosophers, and scientists. While dance shares many features with other art forms, one attribute unique to dance is that it is most commonly expressed with the human body. Because of this, social scientists and neuroscientists are turning to dance and dancers to help answer questions of how the brain coordinates the body to perform complex, precise, and beautiful movements. In the present paper, we discuss how recent advances in neuroscientific methods provide the tools to advance our understanding of not only the cerebral phenomena associated with dance learning and observation but also the neural underpinnings of aesthetic appreciation associated with watching dance. We suggest that future work within the fields of dance neuroscience and neuroaesthetics have the potential to provide mutual benefits to both the scientific and artistic communities.     

Women’s perception of men’s sensation seeking propensity from their dance movements

Risk-taking behaviour in men, an expression of the more general personality trait sensation seeking, has been hypothesized to be an evolved aspect of male psychology that arose through sexual selection. Sensation seeking could be seen as a costly behavioural trait that signals a man’s health and vigour and is preferred by women. This study extends knowledge about risk-taking as a cue in human mate choice by examining whether women can perceive men’s sensation seeking propensity (assessed with the Sensation Seeking Scale Form V; SSS-V) by viewing their dance movements. We videotaped 50 men’s dancing and had 60 women judge each dancer on perceived attractiveness and risk-taking. A positive and significant correlation was found between women’s attractiveness judgements and male’s SSS-V total score, thrill and adventure seeking, disinhibition and boredom susceptibility. Further, women’s risk-taking judgements were related to men’s boredom susceptibility. We conclude that (i) male sensation seeking propensity is signalled via their dance movements, and (ii) women are sensitive to these cues as they consider men who score high on sensation seeking as attractive. We discuss our results with reference to the evolutionary psychology concept of sexual selection and mate preferences.     

Social context influences infants’ ability to extract statistical information from a sequence of gestures

Infants’ social environment is rich of complex sequences of events and actions. This study investigates whether 12-month-old infants are able to learn statistical regularities from a sequence of human gestures and whether this ability is affected by a social vs non-social context. Using a visual familiarization task, infants were familiarized to a continuous sequence of eight videos in which two women imitated each other performing arm gestures. The sequence of videos in which the two women performed imitative gestures was organized into 4 different gesture units. Videos within a gesture unit had a highly predictable transitional probability, while such transition was less predictable between gesture units. The social context was manipulated varying the mutual gaze of the actors and their body orientation. At test, infants were able to discriminate between the high- and low-predictable gesture units in the social, but not in the non-social condition. Results demonstrate that infants are capable to detect statistical regularities from a sequence of human gestures performed by two different individuals. Moreover, our findings indicate that salient social cues can modulate infants’ ability to extract statistical information from a sequence of gestures.     

Why the spontaneous images created by the hands during talk can help make TV advertisements more effective

The design of effective communications depends upon an adequate model of the communication process. The traditional model is that speech conveys semantic information and bodily movement conveys information about emotion and interpersonal attitudes. But McNeill (2000) argues that this model is fundamentally wrong and that some bodily movements, namely spontaneous hand movements generated during talk (iconic gestures), are integral to semantic communication. But can we increase the effectiveness of communication using this new theory? Focusing on advertising we found that advertisements in which the message was split between speech and iconic gesture (possible on TV) were significantly more effective than advertisements in which meaning resided purely in speech or language (radio/ newspaper). We also found that the significant differences in communicative effectiveness were maintained across five consecutive trials. We compared the communicative power of professionally made TV advertisements in which a spoken message was accompanied either by iconic gestures or by pictorial images, and found the iconic gestures to be more effective. We hypothesized that iconic gestures are so effective because they illustrate and isolate just the core semantic properties of a product. This research suggests that TV advertisements can be made more effective by incorporating iconic gestures with exactly the right temporal and semantic properties.     

指示性手势：来自动物交流系统的证据

指示性手势通常被定义为指明空间中某个物体或处所的手部动作, 但其是否为人类交流系统所独有, 心理学界做了大量研究。通过回顾这一领域的主要理论以及相关争论, 结果发现：动物既可能具有使用指示性手势的能力, 也可以解读手势背后的社会认知意图。未来研究在克服样本数量不一致、实验任务笼统以及研究方法单一等不足的基础上, 还应当注意心理学、语言学以及生物学等多学科的交汇融合。     

Mechanisms for Affect Communication from Dance: A Mixed Methods Study

Dance is a multifaceted creative act that has been used to communicate emotions throughout human evolution. Despite this history, there has been no empirical exploration of components of dance that allow it to communicate emotion. We address this with a mixed methods study in which a quantitative study with dance viewers builds upon qualitative findings with dance artists. Qualitative analysis revealed proposed components of dance responsible for emotion communication are narrative content, social interaction, emotion portrayal intent, and textural quality of movement. These elements were then manipulated using dance video stimuli to quantitatively test viewers' emotion perception accuracy. Results revealed emotion portrayal intent (i.e., expression intent in dance creation) is an important factor for viewers to accurately perceive emotion, regardless of narrative content. While prior studies have focused on the perceiver's role in emotion perception from dance, this is the first study to demonstrate emotions are perceived from dance based on intent during dance creation. Findings highlight the nuanced structure of emotion communication in dance, for which we pose a theoretical framework. Together, dance holds possibilities for studying distinct mechanisms for creative communication that may be important for the study of generalized affect communication outside of creative arts contexts.     

身高的心理效应及其内在机制

身高对心理因素的影响被称为身高的心理效应。日常生活中,人们普遍认为身高较高者有更多机遇、更受重视。本文对探究身高心理效应的文献进行了梳理,发现身高影响人们的社会知觉、人格、择偶行为和心理健康水平。身高的这些效应在一定程度上可以从进化心理学、社会规范、视知觉及自证预言等视角加以解释。未来的研究应进一步理清变量之间的关系,拓展身高的测量方式和研究方法,进一步探究其内在机制,并挖掘身高心理效应在中国情境下的独特性。     

Men's perception of women's dance movements depends on mating context,but not men's sociosexual orientation

We investigated the influence of mating context and sociosexual orientation (interest in sex without emotional involvement) on men's perceptions of women's dance movements. One hundred men aged 18 to 33 (M = 23.5, SD = 3.5) years viewed brief videos of five “high attractive” and five “low attractive” female dancers (aged 18 to 22 years; M = 19.8, SD = 1.2) from a sample of 84 motion-captured dancers, and judged them on promiscuity and movement harmony. Additionally, half the participants judged the dancers on attractiveness as a long-term mate and the other half on attractiveness as a short-term mate. Men were more attracted to high attractive dancers than to low attractive dancers and judged them higher on attractiveness when choosing as a potential short-term mate. In addition, high attractive dancers were rated higher than low attractive dancers on promiscuity and movement harmony. Specifically, promiscuity judgments predicted men's short-term attractiveness ratings, whereas movement harmony judgments predicted long-term attractiveness ratings. Men's sociosexual orientation did not influence perceptions of female dance movements. Results are discussed with reference to trade-offs in time and energy expenditure on child rearing in men's mate preferences, corroborating the hypothesis that women's body movements inform on these qualities.     

Gesturing more diminishes recall of abstract words when gesture is allowed and concrete words when it is taboo

Gesture during speech can promote or diminish recall for conversation content. We explored effects of cognitive load on this relationship, manipulating it at two scales: individual-word abstractness and social constraints to prohibit gestures. Prohibited gestures can diminish recall but more so for abstract-word recall. Insofar as movement planning adds to cognitive load, movement amplitude may moderate gesture effects on memory, with greater permitted- and prohibited-gesture movements reducing abstract-word recall and concrete-word recall, respectively. We tested these effects in a dyadic game in which 39 adult participants described words to confederates without naming the word or five related words. Results supported our expectations and indicated that memory effects of gesturing depend on social, cognitive, and motoric aspects of discourse.     

基于人类注意机制的微表情检测方法

微表情是一种持续时间极短、不易被察觉的面部动作, 揭示了个体的真实情绪, 可以被广泛地应用于谎言识别等领域。而微表情检测的研究受到小样本问题的限制。针对该问题, 本文结合计算机视觉技术与认知心理学实验方法进行探索。首先, 结合眼动技术和呈现-判断范式与阈下情绪启动效应的行为实验范式, 考察微表情识别中选择注意分配的认知机制, 细化人类识别微表情时的特征兴趣区域。其次, 结合人类注意机制, 提出基于自监督学习的多模态微表情检测方法。通过理论和关键技术的突破, 为真实场景下微表情检测的应用奠定基础。     

Neuropsychological functions of hand movements and gestures change in the presence or absence of speech

In order to address previous controversies whether hand movements and gestures are linked to mental concepts or solely to the process of speaking, in the present study we investigate the neuropsychological functions of the entire spectrum of unimanual and bimanual hand movements and gestures when they either accompany speaking or when they act as the only means to communicate in the absence of speech. The results showed that the hand movement activity regarding all types of hand movements and gestures stayed constant with and without speaking. The analysis of the Structure of hand movements showed that executions shifted from in space hand movements with a phase structure during the condition without speech to more irregular on body hand movements without a phase structure during the co-speech condition. The gestural analysis revealed that pantomime gestures increase under conditions without speech whereas emotional motions and subject-oriented actions primarily occur when speaking. The present results provide evidence that the overall hand movement activity does not differ between co-speech conditions and conditions without speech, but that the hands adopt different neuropsychological functions. We conclude that the hands primarily externalise mental concepts in conditions without speaking but that their use shifts to more self-regulation and to endorsing verbal output with emotional connotations when they accompany speech.     

Whole-body angular momentum in a complex dance sequence: Differences across skill levels

Due to the redundant degrees of freedom (DOF) and nonlinearity of reactional kinetic elements within the human motor apparatus, controlling the complex dynamics of the human musculoskeletal system presents considerable difficulties. Based on this challenge, Bernstein (1967) viewed skill development as the process whereby the central nervous system (CNS) gains mastery of kinematic DOF and kinetic reactional elements (passive forces, moments etc.), with the highest level of skill characterised by optimal exploitation of reactional elements in the achievement of movement goals. A previous kinematic investigation into coordination differences in a complex multidirectional dance sequence demonstrated that general unfreezing of kinematic DOF occurred as dance skill progressed (Chang et al., submitted for publication). To gain insight into the role of angular reactional elements in skill, the present kinetic study investigated angular momentum and associated variables across three skill levels (beginners, intermediates, experts) within this same complex dance sequence. The results showed that the angular momenta of segments and accompanying angular reactional elements generally increased with skill level. More specifically, the findings suggested that while improvements in movement economy from cancellation of angular momentum between body segments occur early in skill progression, later in skill progression, experts utilise increased whole-body angular momentum. Although this is energetically expensive, it may enhance the aesthetic value of dance movements, and/or have mechanical advantages. Overall, the findings here provide support for Bernstein’s (1967) model of skill development. Future research should quantify the relations between energy expenditure, key biomechanical variables that reflect skill and dance aesthetics as perceived by audiences.     

Clark’s nutcrackers (<Emphasis Type="Italic">Nucifraga columbiana</Emphasis>) use gestures to identify the location of hidden food

Heterospecific cues, such as gaze direction and body position, may be an important source of information that an animal can use to infer the location of resources like food. The use of heterospecific cues has been largely investigated using primates, dogs, and other mammals; less is known about whether birds can also use heterospecific gestures. We tested six Clark’s nutcrackers in a two-way object-choice task using touch, point, and gaze cues to investigate whether these birds can use human gestures to find food. Most of the birds were able to use a touch gesture during the first trial of testing and were able to learn to use point and gaze (eyes and head alternation) cues after a limited number of trials. This study is the first to test a non-social corvid on the object-choice task. The performance of non-social nutcrackers is similar to that of more social and related corvids, suggesting that species with different evolutionary histories can utilize gestural information.     

Comparative cognitive development

This paper aims to compare cognitive development in humans and chimpanzees to illuminate the evolutionary origins of human cognition. Comparison of morphological data and life history strongly highlights the common features of all primate species, including humans. The human mother-infant relationship is characterized by the physical separation of mother and infant, and the stable supine posture of infants, that enables vocal exchange, face-to-face communication, and manual gestures. The cognitive development of chimpanzees was studied using the participation observation method. It revealed that humans and chimpanzees show similar development until 3 months of age. However, chimpanzees have a unique type of social learning that lacks the social reference observed in human children. Moreover, chimpanzees have unique immediate short-term memory capabilities. Taken together, this paper presents a plausible evolutionary scenario for the uniquely human characteristics of cognition.     

Infant perception of causal motion produced by humans and inanimate objects

Both the movements of people and inanimate objects are intimately bound up with physical causality. Furthermore, in contrast to object movements, causal relationships between limb movements controlled by humans and their body displacements uniquely reflect agency and goal-directed actions in support of social causality. To investigate the development of sensitivity to causal movements, we examined the looking behavior of infants between 9 and 18 months of age when viewing movements of humans and objects. We also investigated whether individual differences in gender and gross motor functions may impact the development of the visual preferences for causal movements. In Experiment 1, infants were presented with walking stimuli showing either normal body translation or a “moonwalk” that reversed the horizontal motion of body translations. In Experiment 2, infants were presented with unperformable actions beyond infants’ gross motor functions (i.e., long jump) either with or without ecologically valid body displacement. In Experiment 3, infants were presented with rolling movements of inanimate objects that either complied with or violated physical causality. We found that female infants showed longer looking times to normal walking stimuli than to moonwalk stimuli, but did not differ in their looking time to movements of inanimate objects and unperformable actions. In contrast, male infants did not show sensitivity to causal movement for either category. Additionally, female infants looked longer at social stimuli of human actions than male infants. Under the tested circumstances, our findings indicate that female infants have developed a sensitivity to causal consistency between limb movements and body translations of biological motion, only for actions with previous visual and motor exposures, and demonstrate a preference toward social information.     

Cross-species referential signalling events in domestic dogs (<Emphasis Type="Italic">Canis familiaris</Emphasis>)

Referential gestures are used by a signaller to draw a recipient’s attention to a specific object, individual or event in the environment. These gestures have received much research attention in relation to human and non-human primates with great apes being shown to possess impressive gestural repertoires. Domestic dogs (Canis familiaris) meanwhile provide an ideal non-primate candidate for investigating referential signalling due to their unique relationship with humans that centres on non-verbal communication with frequent interaction. Here we observed 37 pet dogs in their own homes. Owners recorded 242 videos containing 47 potential referential gesture events. We analysed those recordings to reveal evidence of 19 referential gestures performed by domestic dogs during everyday communicative bouts with humans, showing that the gestures conform to the five features of referential signalling. Our study exposes impressive gesturing abilities in a non-primate mammal; especially when viewed in the context of the cross-species rather than intraspecific communication.