Figure-ground organization in real and subjective contours: a new ambiguous figure, some novel measures of ambiguity, and apparent distance across regions of figure and ground

This study was designed to assess the effects of organization, luminance contrast, sector angle, and orientation on a new, highly ambiguous Cs-keyhole figure. Organization and contrast were the most important factors, and sector angle also influenced figure-ground relationships. There was no significant effect of orientation, nor was there any significant interaction between any of the factors. Several new measures of figure-ground organization were developed, such as ambiguity ratios based on reaction times and on ratings of the strength of perceived organizations, providing new quantitative measures of figure-ground relationships. Distances measured across figural regions appeared smaller than equal distances across the ground in the new reversible figure, and also in Rubin's classic vase-face figure presented in real and subjective contours. Inducing a perceptual set to see a particular organization in a reversible figure influenced the apparent distance across that organization. Several possible explanations of the observed effects are considered: (1) an instance of Emmert's law, based on the difference in apparent depth of figure and ground; (2) an aspect of the Müller-Lyer illusion; (3) a feature-detector model of contour attraction; (4) a natural set or predisposition to see a figure as smaller; and (5) framing effects. The first two explanations appear the most promising.     

The effect of touch on a visually ambiguous three-dimensional figure

The effect of haptic (i.e. tactile-kinaesthetic) information on the perception of an ambiguous visual figure was investigated. The figure used was a self-luminous, threedimensional wire cube viewed in darkness. It was found that visual reversals still took place when the cube was explored with the hands, but the reversal rate was reduced and the time increased during which the cube looked as it “really” was.     

The first glimpse determines the perception of an ambiguous figure

The ambiguous rat-man figure was tachistoscopically presented to 36 subjects in successive segments to test the hypothesis that the starting segment would determine the perception of the figure. Starting segments were selected which were expected to produce the perception of a rat, a man, or either a rat or man. The remaining segments came from figures evaluated in a preliminary study. The selected figures differed in drawn bias and tended to be seen as a rat, a man, or either a rat or a man. The three starting segments were combined factorially with the three levels of drawn bias of the remaining segments. The effect of the starting segment was significant; the effect of drawn bias was not. A further experiment showed that presentation of the rat vs. man starting segments by themselves did not produce a reliable difference. The results support a constructive model of form perception in which the stimulus material first presented establishes a hypothesis which is used to interpret the remaining material.     

Coherent EEG indicators of cognitive binding during ambiguous figure tasks

We tested the hypothesis that perception of an alternative image in ambiguous figures would be manifest as high-frequency (gamma) components that become synchronized over multiple scalp sites as a "cognitive binding" process occurs. For 171 combinations of data from 19 electrodes, obtained from 17 subjects and 10 replicate stimuli, we calculated the difference in correlation between the response to first seeing an ambiguous figure and when the alternative percept for that figure became consciously realized (cognitively bound). Numerous statistically significant correlation differences occurred in all frequency bands tested with ambiguous-figure stimulation, but not in two kinds of control data (a reaction-time test to sound stimuli and a no-task, mind-wandering test). Statistically significant correlation changes were widespread, involving frontal, parietal, central, and occipital regions of both hemispheres. Correlation changes were evident at each of five frequency bands, ranging up to 62.5 Hz. Most of the statistically significant correlation changes were not between adjacent sites but between sites relatively distant, both ipsilateral and contralateral. Typically, these correlation changes occurred in more than one frequency band. These results suggest that cognitive binding is a distinct mental state that is reliably induced by ambiguous-figure perception tasks. Coherent oscillations at multiple frequencies may reflect the mechanism by which such binding occurs. Moreover, different coherent frequencies may mediate different components of the total cognitive-binding process.     

The apparent length of a line as a function of its inclination

In the first of two experiments reported here, subjects adjusted the length of a variable line until it appeared to be as long as a standard line. There were two sizes of standard line, 3 and 6 inches, and each was shown vertically for some trials and horizontally for others. The variable line was presented in each of the 10° positions from 0° (horizontal), through 90° (vertical), to 170°. The principal results of the first experiment are:

(1) Vertical lines look longer than horizontal lines of the same length, but lines tilted 20°-30° to the left of vertical look longer than lines in any other orientation. The results are asymmetrical, because lines tilted to the right of vertical do not look as long as those tilted to the left of vertical.

(2) The variability of the settings increases as the angle increases between the standard and variable lines.

(3) When they are expressed in percentage terms, the data obtained with the 3-and 6-inch standards are virtually identical, i.e. the data for the 3-inch standard can be made to match those for the 6-inch standard simply by doubling the former.

(4) There are enormous differences among subjects in the patterns of settings made at the various angles. A few subjects apparently experienced no illusory effects since they adjusted the variable line to about the same physical length irrespective of its orientation. Other subjects showed exaggerated overestimations of the variable line for vertical and near-vertical positions.

In the first experiment, the variable line was always to the left of the standard, and it was natural to assume that this position effect had somehow produced the asymmetry noted in paragraph 1 above. This hypothesis was tested in the second experiment which alternatively showed the variable line above, below, to the right of, and to the left of the standard line. The results of this experiment generally confirm the data of the first experiment in showing that lines tilted 20°-30° to the left of vertical look longer than lines tilted to any other position. In addition, the second experiment shows that this asymmetry in the results is not a function of the relative positions of the variable and standard lines. In general, however, overestimations of length are smaller when the two lines are one above the other, greater when the two lines are side by side.     

Stimulus frequency influences spontaneous perceptual reversals in ambiguous apparent motion

The temporal integration of continuous sensory information into a temporally extended percept becomes evident in spontaneous reversals of ambiguous apparent motion. To study the temporal relation of spontaneous percept reversals and temporal stimulus properties, we systematically varied presentation frequency in an ambiguous-apparent-motion paradigm. Moreover, we triggered percept reversals in a manner that was not consciously perceived by manipulating the duration of single frames. We found that the reversal rate depended on the stimulus frequency (with higher frequencies resulting in faster percept reversals) and that we could externally trigger perceptual reversals. Our findings support the idea that spontaneous reversals of ambiguous apparent motion are influenced by bottom-up effects at early processing levels. The paradigm allows for specific contrasts of spontaneous and externally triggered (but otherwise identical) perceptual reversals and, by this means, for further study of the underlying mechanisms.     

Structural alterations of an ambiguous musical figure: The scale illusion revisited

The scale illusion (Deutsch, 1975) shows the importance of frequency range in the perceptual organization of a sequence of notes. This paper includes three experiments on the scale illusion. Experiments 1 and 2 demonstrated that if the structure of the pattern of notes used in the original scale illusion study is altered slightly, by adding or subtracting a pair of notes from the ends of the sequence, there is a significant decrease in the rate of frequency-based responses, suggesting a weaker illusion. Experiment 3 investigated two features of the note patterns that may have led to this change. Specifically, it asked whether the decrease in the strength of the illusion is due to (1) the nature of the notes at the extremes of the frequency range and/or (2) the nature of the notes at the crossing point of the two scales. While both sources were found to affect the strength of the scale illusion, the former had a greater influence.     

BRIEF REPORT Interpretation of death‐relevant ambiguous stimuli as a function of death threat

According to G.A. Kelly's (1955) Personal Construct Theory, people are threatened by personal death to the extent that their conceptions of death are inconsistent with their conceptions of their present selves. As an individual difference factor, death threat predicts how people respond to death‐relevant situations and stimuli. To test the hypothesis that high death‐threat (relative to low death‐threat) persons will engage in greater denial when assigning meaning to ambiguous stimuli, college students viewed inkblots and chose between a nondeath‐relevant interpretation and a death‐relevant interpretation. As hypothesised, high death‐threat participants endorsed fewer death‐relevant interpretations than did low death‐threat participants. Self‐reported conscious fear of death did not predict this avoidance. Results are discussed in the light of historical and current work on psychological responses to death.