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A test that presents conflicting monocular and vergence cues to depth shows that approximately two-thirds of the population can use convergence as a cue to depth. The remaining one-third apparently cannot use this cue. These differences in the role of convergence in depth perception reflect individual differences in the neural mechanisms underlying depth perception. 相似文献
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The three experiments reported show that judgments of elapsed time between events depend on perceived causal relations between the events. Participants judged pairs of causally related events to occur closer together in time than pairs of causally unrelated events that were separated by the same actual time interval. The causality-time relationship was first demonstrated for time judgments about historical events. Causally related events were judged to be significantly closer together in time than causally unrelated events. In two subsequent experiments, perceived causality was manipulated by providing expert information and by asking the participants themselves to imagine causal relationships between the to-be-judged events. Again, substantial and reliable effects of perceived causality were obtained. Our results suggest that people use strength of perceived causality as a cue to infer temporal distance. 相似文献
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Changes in the spectral content of wide-band auditory stimuli have been repeatedly implicated as a possible cue to the distance of a sound source. Few of the previous studies of this factor, however, have considered whether the cue provided by spectral content serves as an absolute or a relative cue. That is, can differences in spectral content indicate systematic differences in distance even on their first presentation to a listener, or must the listener be able to compare sounds with one another in order to perceive some change in their distances? An attempt to answer this question and simultaneously to evaluate the possibly confounding influence of changes in the sound level and/or the loudness of the stimuli are described in this paper. The results indicate that a decrease in high-frequency content (as might physically be produced by passage through a greater amount of air) can lead to increases in perceived auditory distance, but only when compared with similar sounds having a somewhat different high-frequency content, ie spectral information can serve as a relative cue for auditory distance, independent of changes in overall sound level. 相似文献
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We examined the hypothesis (Ono & Wade, 1985) that occlusion of far stimuli by a near one on the same visual line can operate as a depth cue in stereograms containing different numbers of targets in the two eyes. By controlling eye positions, we created conditions in which the visual system could interpret the retinal images as originating from stimuli on the visual axis of one eye and also created other conditions in which the origin of the retinal images was ambiguous. In Experiment 1, we presented two lines to one eye and a single line to the other eye. When the image of the line on the temporal side of the line pair on one retina fused with the image of the single line on the other retina, the nonfused line appeared farther away more often than it did when the image on the nasal side fused. In Experiment 2, we used two differently shaped stimuli. In the condition in which the nonfused stimulus represented an object being occluded, it appeared farther away more often than in the four conditions in which it did not. In Experiment 3, we extended the idea to three different objects. When the middle of the three images fused with the single image, the nonfused stimulus appeared farther when it could be interpreted as being occluded than when it could not. In the condition in which the most temporal image fused with the single image, the nonfused stimuli appeared farther than in the condition in which the most nasal one fused. The results supported the hypothesis that occlusion plays a role in depth perception in the Wheatstone-Panum limiting case. 相似文献
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We examined the hypothesis (Ono & Wade, 1985) that occlusion of far stimuli by a near one on the same visual line can operate as a depth cue in stereograms containing different numbers of targets in the two eyes. By controlling eye positions, we created conditions in which the visual system could interpret the retinal images as originating from stimuli on the visual axis of one eye and also created other conditions in which the origin of the retinal images was ambiguous. In Experiment 1, we presented two lines to one eye and a single line to the other eye. When the image of the line on the temporal side of the line pair on one retina fused with the image of the single line on the other retina, the nonfused line appeared farther away more often than it did when the image on the nasal side fused. In Experiment 2, we used two differently shaped stimuli. In the condition in which the nonfused stimulus represented an object being occluded, it appeared farther away more often than in the four conditions in which it did not. In Experiment 3, we extended the idea to three different objects. When the middle of the three images fused with the single image, the nonfused stimulus appeared farther when it could be interpreted as being occluded than when it could not. In the condition in which the most temporal image fused with the single image, the nonfused stimuli appeared farther than in the condition in which the most nasal one fused. The results supported the hypothesis that occlusion plays a role in depth perception in the Wheatstone-Panum limiting case. 相似文献
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Participants viewed a list of black-and-white line drawings and were then presented with a picture fragment identification task in which half of the fragments corresponded to studied pictures and half corresponded to unstudied pictures. In addition to trying to identify each picture fragment, participants gave a rating to indicate the likelihood that the fragment came from a studied picture. When participants could not identify the picture fragments, they were still able to discriminate between fragments that came from studied pictures and fragments that came from unstudied pictures (as shown by their recognition ratings), but only when the fragments contained information about the geometric components (geons) that underlay the original pictures. No recognition without identification was found when the fragments contained only line segment information. 相似文献
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Extremal edges (EEs) are projections of viewpoint-specific horizons of self-occlusion on smooth convex surfaces. An ecological analysis of viewpoint constraints suggests that an EE surface is likely to be closer to the observer than the non-EE surface on the other side of the edge. In two experiments, one using shading gradients and the other using texture gradients, we demonstrated that EEs operate as strong cues to relative depth perception and figure-ground organization. Image regions with an EE along the shared border were overwhelmingly perceived as closer than either flat or equally convex surfaces without an EE along that border. A further demonstration suggests that EEs are more powerful than classical figure-ground cues, including even the joint effects of small size, convexity, and surroundedness. 相似文献
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When head-movement parallax functioned as the sole veridical distance cue during exposure to spectacles that altered the eyes’ oculomotor adjustments, sizable adaptation was obtained. This result showed that a discrimination of the distances of 60 and 30 cm can be based on head-movement parallax. Using adaptation in demonstrating that head-movement parallax can serve as a distance cue circumvents the problem that the presence of accommodation normally presents when such a demonstration is attempted. The usual contamination of head-movement parallax with accommodation is avoided, because accommodation is altered by the spectacles and does pot function as a veridical cue along with head-movement parallax. 相似文献
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Forkman B 《Perception》1998,27(7):861-867
Hens (Gallus gallus domesticus) were taught to peck at a touch screen. On the screen was a grid on which a square and a circle were depicted. The square and the circle were given different positions at random for each trial, but were never overlapping. The hens were rewarded for pecking at the symbol that was higher up on the grid/screen, i.e. at the one that to a human observer was seen as being further away. Every tenth trial was a probe trial in which the animals were presented with either the circle overlapping the square or vice versa. The hens were never rewarded during the probe trials. As mentioned, the hens had learned to peck at the symbol that appeared to be further away during the nonprobe trials. During the probe trials the hens pecked at the symbol that was occluded, i.e. in the absence of any other cues they used occlusion to determine which of the two symbols was further away. The results suggest that not only can nonhuman animals use image height as a cue but that they can generalise this to situations in which occlusion is the only depth cue present. 相似文献
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This paper reviews habituation-dishabituation and preferential-looking studies on the emergence of sensitivity to pictorial depth cues in infancy. This research can be subdivided into two groups. While one group of studies has established responsiveness to pictorial depth cues at 3-5 months of age, the other has found that the ability to extract pictorial 3D information emerges at about 6 months. In the former, young infants were tested for their ability to distinguish between displays that differ in spatial information provided by pictorial depth cues. The results of these studies might demonstrate that 3-5-month-old infants perceive spatial layout from pictorial cues. It is possible, however, that the infants in these studies responded primarily to low-level, two-dimensional stimulus differences. In contrast, the second group of studies controlled for the potential influence of lower-level stimulus features on the infants' experimental performance and more unambiguously demonstrated sensitivity to pictorial depth information in infants 6 months of age and older. In sum, the divergent findings of studies in this area may be resolved by assuming substantial developmental progress in infant sensitivity to pictorial depth cues during the first months of life. 相似文献
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J B Deregowski 《Perception》1974,3(3):309-312
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Colin V. Newman Elizabeth A. Whinham A. W. MacRae 《Attention, perception & psychophysics》1973,14(2):280-284
Six surfaces from natural environments with different visual textures were photographed at angles of 60, 65, and 70 deg from perpendicular. Measurements were taken of 24 Ss’ judgments of the inferred angles of slant and inferred midpoints of the six textured surfaces represented in the photographs which were viewed in the frontoparallel plane. Judgments of both slant and relative distance within the photographs were influenced by represented angle of slant and by variations in surface texture. 相似文献
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《Infant behavior & development》2002,25(4):495-514
Three experiments were conducted to explore the emergence of sensitivity to the pictorial depth cues of texture gradient and linear perspective. In experiment 1, an initial longitudinal study explored the emergence of sensitivity to pictorial depth information between 5 and 7 months of age. In experiment 2, a cross-sectional study with 5–7-month-olds assessed revised methods designed to study development of pictorial depth sensitivity in individual infants. Experiment 3 applied these methods to a second sample of infants studied longitudinally. The results showed that: (a) a reliable method for assessing sensitivity in individual infants has been constructed; (b) there is variability in the age at which infants begin to use linear perspective and texture gradient for perceiving depth (22–28 weeks of age); and (c) sensitivity emerges across 2–8 weeks. 相似文献
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Daniel L. Schwartz 《Memory & cognition》1995,23(6):709-722
Research on picture perception and picture-based problem solving has generally considered the information that enables one to “see” and think about a picture’s subject matter. However, people often reason about a picture or representation as the referent itself. The question addressed here is whether pictorial features themselves help determine when one reasons about the referent of an image, as with an engrossing movie, and when one reasons about the image in its own right, as with abstract art. Two experiments tested the hypothesis that pictures with relatively high fidelity to their referents lead people to think about those referents, whereas pictures with relatively low fidelity lead people to think about the picture as a referent. Subjects determined whether marks on the bottom and top boards of an open hinge would meet if the hinge were closed. Accuracy and latency results indicated that subjects who saw realistic displays simulated the physical behavior of the hinge through analog imagery. In contrast, subjects who saw schematic displays tended to reason about static features of the display such as line lengths and angles. The results demonstrate that researchers must be cautious when generalizing from reasoning about diagrammatic materials to reasoning about the referents themselves. 相似文献