Integrating Spiritual Modeling Into Education: A College Course for Stress Management and Spiritual Growth

The article explores the relationship between mysticism and creativity from a psychoanalytic perspective. First, it first surveys prominent psychoanalytic perspectives on mysticism and creativity, situating British psychoanalyst Marion Milner among them. Milner suggests that the same psychological processes are involved in both creative expression and mystical experiences. A state of paradox, affirming both I and not-I, self and no-self, is at the core of mysticism. Similarly, for Milner the paradox of creativity is to break down the barrier of space between self and other while maintaining it. Second, the idea that mystics and artists share a common basic experience is investigated. In both mystical and creative states one finds elements of joy, union, ecstasy, absorption, loss of self-consciousness, and loss of sense of time. Milner's discussion in turn revolves around the I-not-I distinction. She posits that mysticism is one dimension of the creative process-in contrast to the pure oceanic feeling of the mystic, the creative process is constituted by the oceanic state in cyclic oscillation with the surface mind, actively used with the intent to produce something. Third, the relevance of mysticism and creativity for mental health is explored. For Milner, both creativity and mystical experiences are psychologically beneficial in that they undo the overfixed separation self and other caused by the tyranny of the conscious mind. Yet neither mysticism nor creative expression alone, in her view, can heal an underlying lack of sense of self.     

Timelessness as a positive and negative experience

We create a sense of time, our understanding of time and subjective time in our minds by experiencing memories, images and chains of events in life as consecutive sequences. We also create timelessness within ourselves. If a person powerfully experiences the present moment, linking this feeling of integration to the self the feeling of timelessness and illusion of eternity is reinforced, making both the past and the future seem less significant than the present moment. A negative experience of timelessness is linked both to the fear that life will end as well as to the fear of disintegration, shattering, the loss of the self and corporeality. By contrast, a positive experience of timelessness enriches and integrates the personality, linking experiences together in a highly personal and authentic way with a great feeling of freedom which is not tied to a specific point in time. The author argues that a creative experience is always based on an inner, timeless dialogue, even when it is manifested in the transference of psychoanalysis. Through his attitude, an analyst can influence both the analysand's creativity and his experience of timelessness by reinforcing the role of the analysand's true self in his experiences of the self as a whole. Further, a mystical experience could be an act of sublimation taking place during psychoanalytic transference, while communing with nature, or while being creative. Deeply experiencing something truly representing a personal truth as a timeless experience, in a mystical experience or a dream, is probably linked to the ability to fully experience a moment in and of itself, without external stimuli, and with the ability to objectify the self. During such moments, a person can look into himself truly and openly, without any other immediate aspirations.     

Transliminality: Its Relation to Dream Life,Religiosity, and Mystical Experience

In a previous article (Thalbourne & Delin, 1994), evidence was presented that there exists a common thread underlying creative personality, mystical experience, psychopathology (both schizotypal and manic-depressive), and belief in the paranor- mal. This common factor was named rransliminality and was tentatively defined as a largely involuntary susceptibility to, and awareness of, large volumes of inwardly generated psychological phenomena of an ideational and affective kind (p. 25). This second article details the results of a follow-up study of this general psychological factor, in which 116 participants from the first study completed further question- naires. Transliminality was found to be related to measures of dream recall and dream interpretation, to Haraldsson's 8-Item Religiosity Scale and several other measures of religiosity, and to 2 additional measures of mystical experience.     

Seeking the Pathos of God in a Secular Age: Theological Reflections on Mystical Experience in the Twentieth Century

Our current context is a “moving” and unstable one. We are facing not only a time of change, but what Pope Benedict XVI terms “an epochal change.” The impact of this transformation upon religion is unmistakable. In this article I reflect on one aspect of this impact: the one that affects and transforms the experience of God, also called mystical experience. I explore the concept of experience, trying to give a more precise idea of what we understand by mystical experience. I then reflect on the importance of mystical biographies and narratives to theology, including the particular characteristics that emerge when this narrative is about the mystical experiences of twentieth‐century people of faith. I present the specific “case” of Dorothy Day as an exemplification of mystical experience. I conclude with several reflections about how human beings find the way towards God in our secular.     

Creative self‐efficacy as mediator between creative mindsets and creative problem‐solving

An emerging area of research is how one's mindset regarding the fixedness and malleability of creative ability relates to creative performance. Malleable creative mindsets tend to be positively related to creativity while fixed mindsets often show a negative association. Similarly, creative self‐efficacy, or one's beliefs that they have the capacity to be creative, is also related to creative performance and creative mindsets. While previous studies tested the direct relationship between mindsets and creativity, this study tested creative self‐efficacy in this relationship. A total of 152 students from a Midwestern university participated in the study. They were provided with measures of creative self‐efficacy, creative mindsets, and creative problem‐solving. Solutions were assessed in terms of quality and originality. Results indicated that both malleable creative mindsets and creative self‐efficacy were positively related to solution quality and originality while fixed creative mindsets were negatively related. Mediation analysis using Preacher and Hayes' (2004) bootstrapping macro showed that creative self‐efficacy mediated the relationship between malleable mindsets and quality and originality as well as the relationship between fixed mindsets and quality and originality. This research advances the study of creativity by demonstrating that creative self‐efficacy is an important mechanism through which creative mindsets relate to creative performance.     

Absorption and spiritual experience: A review of evidence and potential mechanisms

Some people seem to have a ‘talent’ for spiritual experience: they readily sense the presence of supernatural beings, receive special messages from God, and report intense feelings of self-transcendence, awe and wonder. Here we review converging strands of evidence to argue that the trait of 'absorption' captures a general proclivity for having spiritual experiences. Participants scoring highly on the Tellegen Absorption Scale report vivid experiences of hearing God's voice during prayer, intense mystical experiences in response to psychedelics or placebo brain-stimulation, and strong feelings of presence and transcendence when confronted with natural beauty, virtual reality, or music. Several mechanisms may help to explain the relationship between absorption and spiritual experience. We suggest that absorption captures an experiential mindset that intensifies inner and outer sensory experience in ways that reflect both prior expectation and novel sensory engagement. It seems to enable that which must be imagined to feel more real.     

Opening up Openness to Experience: A Four‐Factor Model and Relations to Creative Achievement in the Arts and Sciences

Openness to experience is the broadest personality domain of the Big Five, including a mix of traits relating to intellectual curiosity, intellectual interests, perceived intelligence, imagination, creativity, artistic and aesthetic interests, emotional and fantasy richness, and unconventionality. Likewise, creative achievement is a broad construct, comprising creativity across the arts and sciences. The aim of this study was to clarify the relationship between openness to experience and creative achievement. Toward this aim, I factor analyzed a battery of tests of cognitive ability, working memory, Intellect, Openness, affect, and intuition among a sample of English Sixth Form students (N = 146). Four factors were revealed: explicit cognitive ability, intellectual engagement, affective engagement, and aesthetic engagement. In line with dual‐process theory, each of these four factors showed differential relations with personality, impulsivity, and creative achievement. Affective engagement and aesthetic engagement were associated with creative achievement in the arts, whereas explicit cognitive ability and intellectual engagement were associated with creative achievement in the sciences. The results suggest that the Intellectual and Openness aspects of the broader openness to experience personality domain are related to different modes of information processing and predict different forms of creative achievement.     

Negotiating the Nature of Mystical Experience,Guided by James and Tillich

The nature of mystical experience has been hotly debated. Essentialists divide into two camps: 1) immediate identity beyond any subject-object structure 2) the mystical object maintaining some distinctness at the point of contact. Paul Tillich’s mystical a priori has some affinities with the former, while William James’ model of religious experience coheres only with the latter. Opposing the essentialists are constructivists. After noting some ironies of the constructivist position, this article elaborates difficulties with 1) the traditional model of pure identity with the divine by certain mystics, 2) the Tillichian universal mystical awareness, and 3) the Jamesian direct perceptual model. Finally, it proposes that the human body and brain mediate mystical experience, which consists of a distinctive sense of bodily harmony conjoined with openness to the potentialities of an integrated environment, involving distinctive neurological processes.     

神经美学视角的审美愉悦加工机制

审美对象特有的刺激属性会唤起观赏者特定的情绪或情感反应。个体在欣赏自然、艺术品和其他人类作品时会产生审美愉悦体验。审美愉悦-兴趣模型(PIA)认为, 审美愉悦体验包含审美过程中自动化加工阶段的审美愉悦和控制加工阶段的审美兴趣。近年来, 神经美学研究表明, 负责愉悦和奖赏的眶额叶皮层在审美过程中广泛激活, 是自动化加工阶段初级审美愉悦奖赏的神经基础, 而审美过程中纹状体亚回路中不同的连接和功能作用与两个阶段中审美愉悦的产生都有关联; 上述结果支持了审美愉悦-兴趣模型。但审美高峰体验时默认模式网络(DMN)相关脑区的激活和负责控制与理性思维的外侧前额叶皮层等脑区的失活, 提示在PIA模型强调的自动化加工阶段审美愉悦和控制加工阶段审美兴趣之上, 还有整合升华阶段的审美沉浸愉悦, PIA模型需得到进一步的扩展。未来研究应进一步检验审美愉悦认知加工模型及神经机制, 探索审美对创造力的影响机制和神经基础, 探讨不同审美经验愉悦机制的异同。     

Beauty: Neglected,but alive and kicking

This article is a commentary on ‘Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode – developments and challenges in empirical aesthetics’ (Leder & Nadal, 2014, this issue). It focuses on the importance of beauty in aesthetic appreciation and aesthetic judgments. Beauty is considered as a formal inherent property of visual stimuli that has the potential to elicit visual pleasure by direct sensory stimulation. It is argued that any comprehensive model of aesthetic experience must account fully for cognitive aspects of aesthetics (cultural, conceptual, psychological, and individual factors) as well as intrinsic properties of beautiful visual stimuli and how they relate to basic mechanisms of visual perception, which are universal among humans.     

Tensions in naturalistic,evolutionary explanations of aesthetic reception and production

Aesthetic universals may plausibly reflect biases in aesthetic reception that arose through evolutionary pressure. However, the role universals play in high-level aesthetic creativity is not well understood. After reviewing evolutionary aspects of aesthetics, some specific proposed aesthetic universals, and the nature of creativity in aesthetic domains, I examine a creative dynamic in which long-term pressure for novelty leads to inexorable tensions with canalized aesthetic biases. Examining the role of aesthetic universals in individuals’ creative processes, as well as more thorough trans-historical assessments of the development of universals, are proposed as methodological strategies for gaining traction on this issue. Such investigations have the potential to inform the role of the audience in shaping the evolution of artist styles, how universals play out in high versus low art, the possibility of identifying new aesthetic universals (perhaps particularly with conceptual art), and the relative value of novelty versus adaptive value in aesthetic creativity.     

Philosophy,writing, and liberation

In responding to the three creative interpretive discussions in the symposium on my book Philosophy and the Art of Writing, this paper explores the different styles of philosophical discourse and their role in the practice of philosophy as a way of life that extends beyond the discursive and that combines self-cultivation with care for others in the ethical-aesthetic pursuit of living beauty. In advocating this aesthetic model of philosophical life over a purely therapeutic model, I suggest how the former can incorporate the latter's concerns for spiritual health and liberation. In developing my response to the symposiasts while elaborating on the themes of my book, I consider issues of ineffability, creative performance, embodiment, truth, heroism, vulnerability, possession, art, spirituality, love, and liberation.     

Psychoanalysis as a creative shaping process2

The author first explains the concepts of creativity, play and aesthetic experience. He then outlines the psychoanalytic process as a creative one that shapes reality. Making a link between psychoanalysis and the humanities, he demonstrates that creative play is a fundamental aspect of the human experience of reality. Aesthetic experiences during the psychoanalytic process are comparable to the play by which children structure their world and artists' activity in following their urge to shape. Furthermore it is shown that creative actualisation testifies to a quasi‐biological need for coherence and structure. Through modern hermeneutics, the truth claims of aesthetic shaping can be established in epistemological terms. The basic principles of hermeneutics‐historicity, linguisticity and communicative experience‐find their psychoanalytic counterparts in memory, representational shaping and transference‐countertransference. Psychoanalysis is demonstrated to be simultaneously a science and an art. On the basis of a case history, aesthetic experience is shown to constitute a specific and unique form of access to psychic reality. Aesthetic experience and creativity do not only aid recovery from ‘bad psychological states’, they are also indispensable for the entire understanding of internal and external reality. It is possible to develop this understanding through a creative psychoanalytic attitude.     

ENTHEOGENS,MYSTICISM, AND NEUROSCIENCE

Entheogens or psychedelic drugs such as lysergic acid diethylamide (LSD) and psilocybin are associated with mystical states of experience. Drug laws currently limit research, but important new work is under way at major biomedical research facilities showing that entheogens reliably occasion mystical experiences and thereby allow research into brain states during these experiences. Are drug‐occasioned mystical experiences neurologically the same as more traditional mystical states? Are there phenomenological and theological differences? As this research goes forward and the public becomes more widely aware of its achievements, religious scholars and experts in science and religion will be called upon to interpret the philosophical and theological presuppositions that underpin this research and the significance of the findings that flow from it.     

Improving the future by considering the past: The impact of upward counterfactual reflection and implicit beliefs on negotiation performance

Reflecting on previous experiences and considering how things could have been better (upward counterfactual reflection) is central to learning. While researchers have identified a number of situational antecedents to upward counterfactual generation, less is known about individual differences in counterfactual reflection. We address this gap by considering how implicit beliefs regarding the fixedness or malleability of basic characteristics influence counterfactual generation. In a negotiation context, we show that individuals who believe that negotiation ability is changeable are more likely to consider how things could have been better following a negotiation experience compared to individuals who believe that negotiation ability is fixed. We further demonstrate the impact of upward counterfactual reflection on learning and performance: Negotiators who hold malleable beliefs are better able to discover creative agreements that benefit both parties in a negotiation, and these performance differences are mediated by upward counterfactual generation.     

Meditation has stronger relationships with mindfulness,kundalini, and mystical experiences than yoga or prayer

Contemplative practices can have profound effects on mindfulness and on physical and sensory and mystical experiences. Individuals who self-reported meditation, yoga, contemplative prayer, or a combination of practices and their patterns of practice were compared for mindfulness, kundalini effects, and mystical experiences. The results suggest that the amount of practice but not the pattern and social conditions of practice influences mindfulness and possibly mystical experiences. Meditation, yoga, contemplative prayer, or a combination of practices all were found to be associated with enhancements of mindfulness, kundalini effects, and mystical experiences, but meditation had particularly strong associations and may be the basis of the associations of yoga and prayer with these outcomes. The results further suggest that the primary association of contemplative practices is with the real time awareness and appreciation of sensory and perceptual experiences which may be the intermediary between disparate practices and mindfulness, kundalini effects, and mystical experiences.     

Segregation of the Ego and Intra-Psychic Projection as a Defence against Super-Ego Anxiety

The process of psychoanalysis always involves two persons. The desire to be understood by the other is shared by analysand and analyst. In this article, this theme is discussed from several points of view. The precursors of shared creative experience, the importance of fiction, the listening to what is said between the lines, the mystical element and the playing in psychoanalysis are discussed.     

The effects of mental illness on families within faith communities

Associations between mysticism and madness have been made since earliest recorded history, and the striking resemblance between self-reports of both mystical and psychotic experience suggests that similar psychological processes may be involved in their occurrence. By exploring the similarities, and proposing a common element to mystical and psychotic experience (referred to here as the experience of “oneness”), this paper aims to place mysticism and madness onto the same experiential continuum. However, in contrast to much of the previous literature, the intention is not to pathologize mystical experience, but rather to normalize psychotic experience. The paper argues not only that the experience of oneness is entirely genuine and available to all humans, but also that it has an important psychological (and evolutionary) function. Using cognitive terminology, it then attempts to explain the processes determining whether an individual enjoys a fulfilling mystical experience, or suffers a debilitating psychotic breakdown (i.e., how “oneness” is experienced). Finally, this paper turns to look at some of the important implications such an approach might have for clinical practice and for the mental health of people in general.     

Near-death experience as mystical experience

Near-death experience exhibits many attributes of mystical awareness. Assessing the mystical quality of psychedelic experience, Walter Pahnke identified a nine-category typology of mystical experience. It is used here to illustrate the mystical nature of near-death experience. The typology also describes the self-transformation which follows the mystical state of consciousness. Self-transformation results from near-death experience. Pahnke's mystical typology characterizes the near-death experience and allows for a definition of near-death experience as a mystical state.