EINSTEIN AND MYSTICISM

Albert Einstein deliberately and repeatedly expressed his general religious views. But what were his views of mysticism? His statements on the subject were few, relatively obscure, and often misunderstood. A coherent answer requires setting those statements in historical, cultural, and theological context, as well as examining Einstein's philosophical and religious views. Though the Einstein that emerges clearly rejected supernatural mysticism, his views of “essential” mysticism were—though largely implicit—more nuanced, more subtle, and ultimately more sympathetic than “mere appearance” suggests.     

ENTHEOGENS,MYSTICISM, AND NEUROSCIENCE

Entheogens or psychedelic drugs such as lysergic acid diethylamide (LSD) and psilocybin are associated with mystical states of experience. Drug laws currently limit research, but important new work is under way at major biomedical research facilities showing that entheogens reliably occasion mystical experiences and thereby allow research into brain states during these experiences. Are drug‐occasioned mystical experiences neurologically the same as more traditional mystical states? Are there phenomenological and theological differences? As this research goes forward and the public becomes more widely aware of its achievements, religious scholars and experts in science and religion will be called upon to interpret the philosophical and theological presuppositions that underpin this research and the significance of the findings that flow from it.     

EDUCATION,SOCIAL CREATIVITY,AND THE EVOLUTION OF SOCIETY

The evolution of society, the transcendence of existing social structures, and how society creates itself rests in a function of education. In this article the author examines education's work as that of social creativity. The need for pedagogies of “educate hope” and “imaginative possibilities” is explored. Social epistemology and social imaginary are discussed as dimensions of social creativity within the postmodern society. The aesthetic imperative in education is argued as important to developing the capacities and capabilities in youth to imagine alternative future possibilities of democratic society. The author concludes by examining the role of education in the evolution of society.     

对大学生审美意识的调查分析

本研究采用自拟问卷,调查分析了731名不同背景条件的中国大学生审美意识发展的水平和特点。结果表明:1)中国大学生能较准确地把握各种形式的美的实质,审美认知具有特殊性、多样性、丰富性、主导性及发展性等特点;2)中国大学生审美情趣的发展总体上是积极健康的,表现出层次性、倾向性、深刻性、多样性及差异性等特点。     

TOWARD A SOUND PERSPECTIVE ON MODERN PHYSICS: CAPRA'S POPULARIZATION OF MYSTICISM AND THEOLOGICAL APPROACHES REEXAMINED

Abstract. Fritjof Capra's The Tao of Physics , one of several popularizations paralleling Eastern mysticism and modern physics, is critiqued, demonstrating that Capra gives little attention to the differing philosophies of physics he employs, utilizing whatever interpretation suits his purposes, without prior justification. The same critique is applied and similar conclusions drawn, about some recent attempts at relating theology and physics. In contrast, we propose the possibility of maintaining a cogent relationship between these disciplines by employing theological hypotheses to account for aspects of physics that are free from interpretive difficulties, such as the ability to create mathematical structures with extraordinary predictive success.     

我国中小学生创造力与智力和人格相关研究

创造力与智力和人格之间关系历来众说纷坛,据我们对中国中小学生的相关研究后发现,创造力与智商有很高的相关,也就是说高创造力有赖于高智商．但两者间又不是完全同步,高智商者并不一定有高创造力．它显然还受到其它因素的影响,如兴趣,勤奋,知识的学习和运用等等．创,造力与人格的关系被称为创造人格。据我们的研究,中小学生具有高智慧性,高乐观性,高敢为性和低忧虑性等创造性人格特征。     

创造性与初级思维过程

创造性是当今心理学研究的热点问题,从精神分析学的角度来探讨创造性的内部发生机制将是一个有益的尝试。随着脑科学的发展,越来越多的研究表明初级思维过程与创造性有着极为密切的关系。本文通过对该领域相关研究的简单回顾,提出了有关创造性源事件激活能力的假说,并对未来的研究做出了展望,以期能最终揭示出创造性的内部机制。     

MATRIX THINKING: AN ADAPTATION AT THE FOUNDATION OF HUMAN SCIENCE,RELIGION, AND ART

Intrigued by Robinson and Southgate's 2010 work on “entering a semiotic matrix,” we expand their model to include the juxtaposition of all signs, symbols, and mental categories, and to explore the underpinnings of creativity in science, religion, and art. We rely on an interdisciplinary review of human sentience in archaeology, evolutionary biology, the cognitive science of religion, and literature, and speculate on the development of sentience in response to strong selection pressure on the hominin evolutionary line, leaving us the “lone survivors” of complex, multiple lines of physical and cultural evolution. What we call Matrix Thinking—the creative driver of human sentience—has important cognitive and intellectual features, but also equally important characteristics traced to our intense sociability and use of emotionality in vetting rational models. Scientist, theologian, and artist create new cultural knowledge within a social context even if alone. They are rewarded by emotional validation from group members, and guided by the ever present question, “Does it feel right?”     

AN EXAMINATION OF LEADERSHIP AND EMPLOYEE CREATIVITY: THE RELEVANCE OF TRAITS AND RELATIONSHIPS

Creativity is becoming a topic of ever-increasing interest to organizational managers. Thus, there is a need for a greater understanding of the dynamics between the personal and contextual factors responsible for creative performance in work settings. In particular, there is a need to identify the role of leadership for creativity. Until now, creativity studies have examined leadership and employee characteristics from a single-domain perspective. Data from 191 R&D employees of a large chemical company were used to test a multidomain, interactionist creativity model of employee characteristics, leader characteristics, and Leader-Member Exchange (LMX). Results suggest that employee intrinsic motivation and cognitive style, LMX, the interactions between employee intrinsic motivation and leader intrinsic motivation, and between LMX and employee cognitive style relate to employee creative performance as measured by supervisor ratings, invention disclosure forms, or research reports. Implications for practicing managers and research on leadership and creativity are discussed.     

BEING AND DOING: AN INQUIRY INTO THE COLONIZATION,DECOLONIZATION AND RECONSTRUCTION OF AMERICAN SOCIETY AND ITS STATE,Marcus Raskin

The emerging planetary culture is viewed from an autobiographical perspective. The author discusses the importance of complex thought (Morin) and the notions of gylany and partnership (Eisler) to address the need to develop a heterogeneous, diverse context which supports creativity and mutually beneficial relations. Systems‐theoretical and feminist approaches are brought to bear on the need to develop an ecology of creativity, which focuses not simply on individual genius but on the potential for creative collaboration. Ecological concerns are viewed in the context of our understanding of gender, creativity and progress.     

PROCEDURES TO INCREASE SOME ASPECTS OF CREATIVITY

Instructions, reinforcement (team points), and practice were applied to four behaviorally defined creative behaviors of eight fourth- and fifth-grade students. All four aspects (number of different responses, fluency; number of verb forms, flexibility; number of words per response, elaboration; and statistical infrequency of response forms, originality) were demonstrated to be under experimental control. The procedures also raised students' scores on Torrance's tests of creativity. Application of the experimental procedures may well be practical for classroom teachers.     

TOWARD A GENERAL THEORY OF HUMAN CREATIVITY

Abstract. The presence of a basic and general form of creativity in people is investigated through experiments with music. The results indicate that "generative" creativity—-the ability to spontaneously generate a music by varying a basic set of musical elements—is a basic human endowment, unlike "constructive" creativity—-the type of creativity exhibited by composers and other artists—-which is the result of training and the spehal development of faculties. Generative creativity's coming to the fore in contemporary people would contribute to the development of the personality and help bring about more fulfilled, better balanced people and societies.     

AN ANALYSIS OF THE RELATIONSHIP BETWEEN INFORMATION SOURCES AND CREATIVITY IN SCIENTISTS AND ENGINEERS

The literature is replete with analyses of creativity as related to personality traits and organizational constraints. Based on Mednick's (1962) associationist position, it was felt that information use patterns play a key role in an individual's process of creativity. In order to test this idea, 29 academic and 36 industrial physical scientists and engineers were categorized as either creative and productive; productive, but not creative; or noncreative and nonproductive on the basis of peer evaluation. Their information seeking and receiving behavior and attitudes were then measured and related to the criterion group membership. Two significant results emerged; First, consistent with the associationist position, variety of exposure to information content, in terms of scientific disciplines from which the information was received, was significantly different for the three groups, with the creative group having the greatest variety. Second, group membership can, with a fairly high probability, be predicted based on information seeking behavior and attitudes.     

中学生科技创造力和课外科技活动关系的测查研究

运用创造性能力测验与中学生课外科技活动调查表,对初中预备班,初二及高二年级学生共２７５名作测查,结果表明：中学生的科技创造力和课外科技活动存在很显著的相关;中学生的科技创造力水平受学校、年级、性别的影响：重点中学优于非重点中学,高二优于初中预备班及初二,男优于女。     

APPLIED MYSTICISM: A DRUG‐ENABLED VISIONARY EXPERIENCE AGAINST MORAL BLINDNESS

Intellectuals such as William James and Aldous Huxley have thought it possible to develop a technique to apply to this world the mystical‐type insights gained during drug‐enabled experiences. Particularly, Huxley claimed that the visionary experience triggered by psychedelics could help us rethink our relationship with technology and promote a much‐needed cultural change. In this article, we explore this hypothesis. To do so, we build a philosophical framework based on Günther Anders's philosophy of technique, presenting human beings as morally blind when facing technological development. Mystical experiences are then proposed as a means to improve our moral faculties—and psychedelic drugs as tools to enable them. We finally explore the empirical feasibility of such a hypothesis by thoroughly reviewing the recent scientific literature on the nature of the psychedelic experience, concluding that the long‐term effects in the personality domain openness and in nature relatedness point to the emergence of a morally improved agent, thus providing substance to an application of mysticism.     

The Neuropsychology of Aesthetic, Spiritual, and Mystical States

An analysis of the underlying neurophysiology of aesthetics and religiousexperience allows for the development of an Aesthetic-Religious Continuum. This continuumpertains to the variety of creative and spiritual experiences available to human beings. This mayalso lead to an understanding of the neurophysiological mechanism underlying both"positive" and "negative" aesthetics. An analysis of this continuumallows for the ability to understand the neurophenomenological aspects of a variety of humanexperiences ranging from relatively simple aesthetic experiences to profound spiritual and unitarystates such as those obtained during meditation. However, it may be possible through aneuropsychological analysis to determine the similarities that exist across such experiences.Thus, certain parts of the brain may be functioning in similar ways during different experiences.It may be the case that the specific neuropsychological components of a given experience maydepend on the strength of the affectual response of the person and the ability to mark suchexperiences as significant. Further, even though similar structures may be functioning duringdifferent experiences, their inhibitory and excitatory interactions may be different. Finally, byconsidering the Aesthetic-Religious Continuum, we may eventually arrive at a betterunderstanding of how we experience and define reality.