Exit Dora: Freud's Patient Takes Leave

Why did “Dora” leave Sigmund Freud—why did she end her psychoanalytic treatment with him prematurely? This question haunts Freud's Dora study, his first extensive and perhaps most famous narrative of a psychoanalytic treatment. I pursue this question through a close reading of Freud's text. I focus not only on the interaction between Freud and Dora but also on the literary qualities of “Fragment of an Analysis of a Case of Hysteria” (1905)—qualities that place this work firmly in the tradition of Viennese fin de siècle drama and prose.     

Freud, Dora, and the maid: a study of countertransference

Early advances in psychoanalytic knowledge, profound though they were, were incomplete structures to be built upon, modified, and partially discarded. In addition to errors due to insufficient knowledge, Freud's difficulties with Dora stemmed from countertransference. Dora's transference included an identification with a governess/maid. Important oedipal role played by a nursemaid in Freud's life made him vulnerable to being left by Dora. The maid, Monika, "the prime originator" of Freud's neurosis, seduced him, chastised him, and taught him of hell. In his self-analysis she was associated with Freud's mother who left him when she gave birth to his sister. When he was two and a half years old, Monika was discharged and jailed for stealing. I suggest that Freud's attraction to Dora revealed itself in his libidinal imagery of the treatment and his premature sexual interpretations, the effects of which he misjudged. Defending against his attraction, he pushed her away from him, did not act to keep her in analysis or allow her to reenter analysis later. In addition, since Dora had left him as he must have felt his childhood nursemaid had, he reacted as if she were that maid. Hurt, saddened, and angered, he used reversal and deserted her, thus damping his feelings.     

Stray thoughts – seeking home: Henrik Ibsen's Peer Gynt read in light of Wilfred Bion's ideas

Peer Gynt, the main character in Ibsen's dramatic poem from 1867, has fascinated scholars since its publication. After a lifetime of escapades, Peer finds himself lonely, detached and with feelings of deadness. Gradually, the underlying structure of his personality confronts him. With the help of Wilfred Bion's ideas, it is possible to trace a distinct pattern, where unprocessed thoughts seem to play a decisive role in hindering Peer's self‐realization. The main female character, Solveig, spends her life waiting for Peer. Eventually she develops into a container, ready to welcome Peer's stray thoughts. This paper demonstrates how she evolves Bionian capacities like reverie, and eschewing of memory and desire. The interpretation that follows thus challenges a tradition where Solveig is seen as a romantic figure who, like Goethe's Gretchen, is designed to save the male protagonist by unconditional love. This paper argues that Solveig plays a more active role towards Peer in offering significant tools for personal development. The paper concludes that Ibsen and Bion have uncovered elements of basic human conditions that in some significant ways seem to coincide.     

中国学生ETPSP误用现象及其与英语学习水平的关系

基于概念整合理论和范畴化原型理论,以对真实语料的统计分析结果为4P-据,探讨了中国英语学习者在1：2语表达过程中的英语单数第三人称代词（ETPSP）误用现象及其原因,结果表明：（1）中国大学生存在普遍的ETPSP误用现象,主要表现为主语he／she、宾语him／her和定语his／her三类间的误用,特别是主语he／she间的误用人数比例高达75％;（2）英语学习水平对ETPSP误用具有重要影响,且主要表现为低水平组对“she”产出的高错误率,主要原因是其对“he（she）”产出错误的认知实时监控能力缺乏。     

The psychological science of Gustave Flaubert

Abstract

Flaubert claimed mastery in matters of style in the French language as well as in the psychological sciences. Mastery in both areas is on clear display in the writing of Madame Bovary. Our heroine presents as a new kind of personality, namely as someone who depends greatly on sensory experience in order to maintain her emotional equilibrium. So, when under stress, she can only find some kind of soothing comfort in her perfumes, silks, and cashmeres. This dynamic pattern leaves her at a disadvantage when tasked with higher level life requirements – such as the payment of bills, the very thing that, in the end, causes her ruin. Dynamically, failures of memory and the resulting fragmentation of experience leave her with a precarious sense of self. For our heroine, there is little ability to link present experience to the past and therefore no possibility of metaphoric or symbolic thinking; in other words, she is condemned to repeat. Flaubert felt that Madame Bovary would only have original value as the sum of his psychological understandings. Further, he hoped his psychological work, often hidden under the form, would be deeply felt by the reader, as it was by him.     

Let my people go! Sayyid Qutb and the vocation of Moses

Moses is a great figure of moral and social liberation. His role in the Muslim tradition has been as multifaceted as in Judaism and Christianity. This essay attempts to explore his importance in the ideology of radical Islam by exploring Sayyid Qutb's responses to a number of the Moses scenes of the Qur'an in his work Fi zilal al‐qur'an. Qutb's treatment reveals aspects of the ideological structure that informs his writing, his love of Egypt and his spirituality. It shows, also, how he had a vision of Islam that went far beyond the boundaries of a nation state and regarded Nasser as a betrayer of this vision. He saw the Egyptians suffering under him as they had suffered under Pharoah.     

On psychoanalytic figures as transference objects

One of the tasks that analysts and therapists face at a certain stage in their career is how to develop a way of psychoanalytic thinking and practising of their own. To do this involves modifying or overcoming the transferences established during their training or early career. These transferences are to one's teachers or training analyst, investing them with authority and infallibility, and to received theory, which is treated as though it were dogma. The need to free oneself from such transferences has been discussed in the literature. There is, however, another kind of transference that the developing therapist also needs to resolve, which has received little attention. This is the transference made on to a key figure in the psychoanalytic tradition. Such a psychoanalytic figure will be seen as the originator of or embodiment of those theoretical ideas to which one becomes attached, and/or as standing behind one's training analyst or seminal teachers who become a representative of that figure. The value of an investigation of one's relationship to a psychoanalytic figure is that it is an excellent medium for revealing one's transference, as the figure in question is not a real person but only exists through his/her writings. The body of the paper consists of an extended example of such an analysis, that of my own transference on to the figure of Winnicott. In this example I illustrate how my evaluation of Winnicott's ideas changed from seeing them as providing answers to all my clinical questions to no longer satisfying me in some areas of my work. This change in my relationship to Winnicott's theory went hand in hand with a modification in my transference on to the figure of Winnicott, from seeing him as endowed with authority and goodness to an appreciation of him as a still sustaining figure but now with limits and flaws. In the final part of the paper several questions arising out of my analysis are posed. Can the pull of writing such an account in terms of dramatic rupture rather than gradual and partial change be avoided? Should my account be regarded purely as a form of self‐analysis or does it have anything to say about Winnicott himself and his theory? And do some psychoanalytic figures attract more intense or sticky transferences than others?     

Theme Articles: A Man Caught Between Bad Anthropology and Good Theology? Martin Luther's View of Women Generally and of Mary Specifically

Abstract : Martin Luther's view of women is as complex as his authorship is vast, encompassing a diversity of genres and purposes. Luther seems ambivalent toward women like the tradition before and after him. In his reformation enterprise he appears torn between his good theology and the bad anthropology that obscures his purportedly universal principles. This article uncovers some of the ambiguities in Luther's approaches to women, theoretically teaching men's authority over women yet simultaneously teaching the mutuality and equality of women and men; and practicing such mutuality and equality in his everyday life, not least in his marriage to Katharina von Bora. His good theology also comes to the fore in his Mariology, especially in his commentary to the Magnificat, in which Mary is not just a ‘woman’ but the human being par excellence in her truly faithful relation to God.     

Amae as seen in diverse interpersonal interactions

The word amae is generally used in the Japanese language with a variety of emotions depending on different interpersonal interactions. (1) When an adult identifies with an infant or a child and directs appropriate emotional availability, the affect of dependence and attachment that the adult recognizes in the child is called amae (the prototype of the word). (2) When an adult has little empathy with the dependency or attachment shown by the child, the adult negatively perceives that the child is “amaeru-ing.” Experiencing such discommunications, the child begins to test adults to see if they have empathy with him or her. In other words, he or she begins to formulate certain psychological functions linked with amae such as reading other people's expressions—hitomishiri (stranger anxiety) or enryo (hesitation or reserve). (3) When the child is good at actively manipulating the emotions of adults and creates such a state of affect as to satisfy his or her dependence or attachment, he or she is said to be an amaeru-ing child. (4) When the child, although he or she is actually dependent on or loved by adults, denies the fact and behaves innocently or defiantly, the child is said to be in a state of amae. The usage of the word amae described above can be observed in exactly the same manner in interactions between adults.     

Tradition as Subversion

Abstract: This article examines two ways in which the theology of tradition might become subversive. First, tradition can become ideology when the hermeneutics of power within a community determines our understanding of tradition. Because of possible tensions between revelation, reason and the community of faith in the ‘official’ narrative of tradition, there can develop ‘hermeneutical distortions’. Second, tradition, can, as ‘generative subversion’, also resist an ideology, its totalizing discourses and its power claims. It then expresses a community's orientation towards transcendence and its historical consciousness without necessarily lapsing into a destructive historicism. This concept of tradition finds its centre in Christ and in the understanding, and at the same time not fully comprehending, memory of him.     

Anna Doyle Wheeler (17854848): Philosopher,Socialist, Feminist*

This essay examines the life and work of early socialist thinker Anna Doyle Wheeler, who, with the Owenite theorist William Thompson, was author of The Appeal of One Half the Human Race, Women, Against the Pretentions of the Other Half, Men … (1825). In analyzing her thought, I employ a typological model for the development of a feminist consciousness proposed by Michèle Riot-Sarcey and Eleni Varikas (1986). These authors posit three types of a feminist “pariah” consciousness: 1) exceptional woman feminism 2) subversive feminism, and 3) collective feminism. Within this framework Anna Wheeler falls between positions one and two; she was an exceptional or token woman who nevertheless advocated subversive feminist doctrines of radical change, including calls for collective female action (in which she nonetheless did not participate). The essay ends with a discussion of Wheeler's relationship to William Thompson as example of woman's traditional access to philosophy, that is, through a male mentor.     

A Text of Identity: Frances Brooke and the Rhetoric of the Aging Spinster

Frances Brooke, writing in 1755 in London, England, selected the figure of the aging spinster as her alter ego when she wrote and edited a thirty-seven issue periodical, The Old Maid. Analysis of the periodical and the cultural environment in which Brooke wrote explains her choice of persona in terms of the issues she faced as a woman producing writing to be read largely by male contemporaries. This analysis reveals some of the underlying stereotypes of aging and identity in the period as well as the way these stereotypes could be used by a clever writer.     

The encounter with God in myth and madness

Background

It is well known how often psychiatric patients report religious experiences. These are especially frequent in schizophrenic and epileptic patients as the subject of their delusions. The question we pose is: are there differences between this kind of religious experiences and those we find in religious texts or in the mythological tradition?

Results

An overview on famous mythological narratives, such as The Aeneid, allows us to establish that the divinities become recognizable to the human being at the moment of their departure. Thus, Aeneas does not recognise his mother, Venus, when she appears to him in the middle of the forest at the coast of Africa. A dialogue between the two takes place, and only at the end of the encounter, when she is going away and already with her back to Aeneas, she shows her son the signs of her divinity: the rose-flush emanating from her neck, her hair perfume and the majesty of her gait. Something analogous can be observed in the encounter of Moses with Yahweh on Mount Sinai. Moses asks God: "Show me your glory, I beg you". And God replies, among other things: "you shall see the back of me, but my face is not to be seen". In the same sense, the Emmaus disciples do not recognise Jesus till the moment of his disappearance ("but he had vanished from their sight"), and Saul of Tars falls off his horse just in the moment when he feels the divine presence. In short, the direct encounter with the divinity seems not to occur in the realm of myth or in religious tradition. The realm of madness is exactly the opposite. Our research on religious experiences in schizophrenic and epileptic patients leads us to conclude that God appears to them face to face, and the patient describes God the father, Jesus or the Virgin Mary in intimate detail, always in an everyday setting. So, the divinity is seen in the garden, or in the bedroom, or maybe above the wardrobe, without any of its majesty. The nearness to God also tends to be so extreme that even an identification of patient and God can occur. That light emanating from the world of the divine ceases to be perceived by them.

Conclusion

While in mythological narratives God appears to the human being at the moment of His departure or showing His back, psychiatric patients with religious delusions experience the divinity in a direct way, face to face. Given the deformation of the divine occurring on the edge of madness we can better understand the mysterious words from Yahweh to Moses in Exodus: "for man cannot see me and live".     

Difficulties in amae: A clinical perspective

The Japanese word amae refers initially to the infant's feelings and attachment behavior toward the mother. Doi has vividly described how amae is carried through into adulthood characterizing Japanese social and family relationships and Japanese psychology. Exploring implications of the amae concept for infant research will be helped by including other aspects of amae manifest in clinical work: (1) Amae takes place in the complex vicissitudes of motherhood in Japan in which the mother fulfills her social as well as emotional needs through her infant; (2) as the child grows older he or she learns that amae can only be fulfilled if he or she is able to meet the parent's and the social demand for achievement; (3) there is a long tradition of inhibition of amae among women which is passed on from generation to generation affecting the quality of mothering; (4) the intuitive aspect of good enough amae in the parent-in-fant relationship is being lost due to rapid ongoing social changes. Therapeutic endeavors to retrieve the intuitive aspect of amae prove effective for the increasing numbers of relationship disturbances in infancy.     

My Home Is Over Jordan

The great African American tenor Roland Hayes, as well known in his day as Paul Robeson and Marian Anderson, both of whom he mentored, introduced the beauty and joy of spirituals to concert audiences in Europe and America. Sadly, he's been forgotten.

This article remembers his story and his charisma. Roland Hayes touched the author's life when she was a very young child, when her parents were faculty at Black Mountain College and her father invited Hayes to sing there. In the mid 1940s, in North Carolina, an integrated audience heard this son of freed slaves sing both the European repertoire of Schubert and Bach and the African-American folk tradition of spirituals.

Spirituals offer a religious attitude that intertwines African, Jewish, and Christian roots with the practical function of conveying secret messages about the way to freedom—a peculiarly American blend of soul that has much in it to sustain us in difficult times.

Roland Hayes made a profound impression on the author. She invokes his spirit in this article and learns much about herself and about him.     

Hilda Oakeley on Idealism,History and the Real Past

In the early twentieth century, Hilda Diana Oakeley (1867–1950) set out a new kind of British idealism. Oakeley is an idealist in the sense that she holds mind to actively contribute to the features of experience, but she also accepts that there is a world independent of mind. One of her central contributions to the idealist tradition is her thesis that minds construct our experiences using memory. This paper explores the theses underlying her idealism, and shows how they are intricately connected to the wider debates of her period. I go on to explain how the parts of Oakeley's idealism are connected to further areas of her thought – specifically, her views on history and her growing block theory of time – to provide a sense of Oakeley's philosophy as a system. As there is no existing literature on Oakeley, this paper aims to open a path for further scholarship.     

Missionary Institutes in the wake of the Second Vatican Council: the case of the Missionaries of Africa

It is legitimate to imagine that the Church would have been different had it not been for the courage and insight of Pope John XXIII, who convened the Second Ecumenical Council, completed after him by Pope Paul VI. It initiated extensive reform in the Catholic Church, both in the way she understands herself and as she sees her presence and interaction with the (secular) world. This Ecumenical Council also invited Religious Congregations and Institutes of Consecrated Apostolic Life to engage in a process of renewal (aggiornamento) that would bring them also into line with the new theology of the Second Vatican Council. The Missionaries of Africa, under the leadership of Fr Léo Volker, undertook this thorough renewal before, during and after the 1967 General Chapter. This article explores how aggiornamento changed our Missionary Family and how it impacted on the local churches in Africa which we served.     

The Moses

In this essay, the author engages the Moses, a sculpture by Michelangelo, as a transformational object. He does so in light of psychoanalytic interpretations of the statue, including Sigmund Freud’s (who referred to his essay on the Moses as “a joke”), as well as three psychoanalytic interpretations after Freud. While drawing on and combining features of all of these psychoanalytic interpretations, the author makes particular use of Moshe Halevi Spero’s interpretation to affirm a reading of the Moses as representing a paternal figure who not only gives up his anger (and power to castrate) but also actively nourishes his children like a nursing mother. The author also understands Freud’s essay on the Moses to be a form of teasing, which, in part, is why it has been a transformational object for him.

     

Dancing Contact Improvisation with Luce Irigaray: Intra‐Action and Elemental Passions

This article takes as its point of departure Luce Irigaray's Elemental Passions, in which a woman‐speaker tries to make her lover and the discipline of philosophy understand that she is not how they have imagined her to be; that she is not at all but that she keeps becoming through perpetual movement. The article investigates Irigaray's investment in a form of materialist difference feminism that offers conceptual links to the posthumanist work of Karen Barad's agential realism, especially her theorization of intra‐action. The link between Irigaray and Barad is established via a diffractive reading that incorporates the dance/movement research practice of Contact Improvisation. Although expressed through written language, Elemental Passions creates the impression of the woman‐speaker dancing, of encountering herself, her environment, and her lover through moved and moving contact, searching for a practice of moving‐together, feeling‐with, and feeling‐between that can be experienced in an improvised dance duet. Exploring how touch and the sharing of weight in Contact Improvisation challenges boundaries and establishes ever‐changing configurations and entanglements between dancers, the article proposes that Irigaray's woman‐speaker envisions herself as a posthuman/ist woman and that improvised dancing offers a practice of intra‐action through which she can encounter the world in her becoming.