An Adaptive-landscape Model For Joyce's Ulysses

In this paper, I examine a birth ritual practised by a community of low‐status entertainers from the Indian state of Rajasthan known as Bhats. On the birth of sons, but not daughters, Bhats offer gifts to the Hindu god Bhaironji, a pan‐Indian boss of the underworld. Specifically, they sacrifice a goat, extract its stomach, slice it open so that it forms a gaping slit, and pass their wailing newborn through the dripping opening seven times. This ritual, which I interpret as a symbolic child sacrifice, would seem to exemplify ‘Sanskritisation’—the low caste copying of elite life‐styles—in the way Bhats imitate dominant Hindu ideals implicit to a kingly tradition of blood sacrifice. However, I contend that this feast is unique in the way that Bhats simultaneously mimic and appropriate, subvert and contest, as well as rework and combine ritual traditions associated with both kings and priests.     

FEMALE VOICES IN GURBĀNĪ SANGĪT AND THE ROLE OF THE MEDIA IN PROMOTING FEMALE KĪRTANĪE

This paper discusses the performance of Gurbānī kīrtan rendered by female singers, an activity that is an integral part of the Sikh spiritual practice, yet at a professional level has always been considered a male domain.

The study is framed within the wider context of Indian traditional culture, analyzing the social norms that for centuries prevented women from public exposure in the fields of religious and classical music. In relation to the Sikh tradition, the author explores the variety of musical forms (classical and folk) adopted by female kīrtanīe for performing Gurbānī hymns, raising important issues about music education.

Based on ethnographic research among the community of contemporary kīrtanīe, the article explores the key role of media in promoting female performers during the last three decades, through dedicated TV and radio shows, social networks and web sites. In the author's analysis, each decade has brought about radical shifts in the strategies of production and perception of Gurbānī kīrtan, opening up new opportunities for performance by female kīrtanīe.     

Being Tamil,being Hindu: Tamil migrants’ negotiations of the absence of Tamil Hindu spaces in the West Midlands and South West of England

This paper considers the religious practices of Tamil Hindus who have settled in the West Midlands and South West of England in order to explore how devotees of a specific ethno-regional Hindu tradition with a well-established UK infrastructure in the site of its adherents’ population density adapt their religious practices in settlement areas which lack this infrastructure. Unlike the majority of the UK Tamil population who live in the London area, the participants in this study did not have ready access to an ethno-religious infrastructure of Tamil-orientated temples¹¹For simplicity, the English term ‘temple' is used in preference to the Tamil Kōvil or the Sanskrit Mandir. My use of other Tamil terms follows the transliteration suggested by the University of Madras’ Tamil Lexicon.View all notes and public rituals. The paper examines two means by which this absence was addressed as well as the intersections and negotiations of religion and ethnicity these entailed: firstly, Tamil Hindus’ attendance of temples in their local area which are orientated towards a broadly imagined Hindu constituency or which cater to a non-Tamil ethno-linguistic or sectarian community; and, secondly, through the ‘DIY’ performance of ethnicised Hindu ritual in non-institutional settings.     

Neither East nor West: Some Aspects of Religion and Ritual in the Indian Army of the Raj

This article examines the conversion of the Royal Pavilion estate, Brighton, Sussex, into a military hospital for Indian casualties of the Great War (1914 –1918) in order to suggest how the religious beliefs and practices of Hindu, Sikh and Muslim soldiers were provided for in the Indian Army of the Raj. The military hospital not only made arrangements for worship but also for the observance of caste rules and the performance of funeral rites. These arrangements are discussed with reference to the series ofHandbooks for the Indian Armyand to other contemporary sources. Furthermore, this article locates the Indian Army in the context of imperial ideology both in terms of the concept of the ‘martial classes ’ and the brotherhood of all soldiers of the Empire.     

The Śrī Maṅkala Vināyakar Satsaṅg Group: Religious Practice and Middle-Class Status in Tamil Nadu,South India

This article presents an organized group of middle-class, multicaste Hindu housewives living in the suburbs of Madurai, Tamil Nadu—the ?rī Ma?kala Vināyakar Satsa?g (SMVS) Group. Hindu satsa?g groups are common throughout India and revolve primarily around devotional singing, although the word satsa?g also denotes a grouping/community specifically organized around a guru and their students. Using my experiences participating in and observing this specific satsa?g group and its practices, I demonstrate how caste, class, and Hindu religious practice intersect in contemporary urban Tamil Nadu. Through an examination of how religious knowledge is shared and learned in the SMVS Group, I show that what are viewed as high-caste Hindu performances of piety (for example, Sanskrit recitation) are formative in many Hindu women’s perceptions and constructions of their middle-class identities. Further, I highlight the study of multicaste women’s social networks, both urban and rural, as a nuanced and valuable lens through which to study middle-class identity in India.

     

Tales of Women's Suffering: Draupadi and other Amman Goddesses as Role Models for Women

Although Hinduism offers the greatest living resource for the veneration of the Goddess, there is an obvious discrepancy between the respect paid to these divine images and the daily realities of the lives of Hindu women. However, I believe that the ancient, indigenous south Indian Amman religion, dominated by female deities and brought to KwaZulu-Natal by the original Hindu immigrants, offers a unique and valuable form of Goddess veneration. It presents myths and rituals of women, both divine and human, violated, betrayed and exploited by men, but whose courage and purity brought them victory against males threatening to disrupt the social order. These powerful female figures, especially Draupadi, Mother Goddess and patron of firewalking, offer women empowering role models, encouraging them to challenge patriarchal structures and injustice perpetrated against women. Recovering knowledge of some of the Amman Goddess mythology could provide women (and men) with a potent feminist theodicy and a post-patriarchal spirituality with the possibility to bring about social transformation.     

“Cow Is a Mother,Mothers Can Do Anything for Their Children!” Gaushalas as Landscapes of Anthropatriarchy and Hindu Patriarchy

This article argues that gaushalas, or cow shelters, in India are mobilized as sites of Hindutva or Hindu ultranationalism, where it is a “vulnerable” Hindu Indian nation—or the “Hindu mother cow” as Mother India—who needs “sanctuary” from predatory Muslim males. Gaushalas are rendered spaces of (re)production of cows as political, religious, and economic capital, and sustained by the combined and compatible narratives of “anthropatriarchy” and Hindu patriarchy. Anthropatriarchy is framed as the human enactment of gendered oppressions upon animal bodies, and is crucial to sustaining all animal agriculture. Hindu patriarchy refers to the instrumentalization of female and feminized bodies (women, cows, “Mother India”) as “mothers” and cultural guardians of a “pure” Hindu civilization. Both patriarchies commodify bovine motherhood and breastmilk. which this article frames as a feminist issue. Through empirical research, this article demonstrates that gaushalas generally function as spaces of exploitation, incarceration, and gendered violence for the animals. The article broadens posthumanist feminist theory to illustrate how bovine bodies, akin to women's bodies, are mobilized as productive, reproductive, and symbolic capital to advance Hindu extremism and ultranationalism. It subjectifies animal bodies as landscapes of nation‐making using ecofeminism and its subfield of vegan feminism.     

Consciousness and Science: an Advaita-Vedantic Perspective on the Theology – Science Dialogue

In modern science, the synthesis of “nature/mind” in observation, experiment, and explanation, especially in physics and biology increasingly reveal a “non-linear” totality in which subject, object, and situation have become inseparable. This raises the interesting ontological question of the true nature of reality. Western science as seen in its evolution from Socratic Greece has tried to understand the world by “objectifying” it, resulting in dualistic dilemmas. Indian “Science,” as seen in its evolution from the Vedic times (1500—500 BCE) has tried to understand the world by “subjectifying” our consciousness of reality. Within the Hindu tradition, the Advaita-Vedanta school of philosophy offers possibilities for resolving not only the Cartesian dilemma but also a solution to the nature of difference in a non-dualistic totality. We also present the Advaita-Vedanta principle of superimposition as a useful approach to modern physical and social science, which have been increasingly forced to reject the absolute reductionism and dualism of classical differences between subject and object.     

Mary Astell’s theory of spiritual friendship

Mary Astell’s theory of friendship has been interpreted either as a version of Aristotelian virtue friendship, or as aligned with a Christian and Platonist tradition. In this paper, I argue that Astell’s theory of friendship is determinedly anti-Aristotelian; it is a theory of spiritual friendship offered as an alternative to Aristotelian virtue friendship. By grounding her conception of friendship in a Christian–Platonist metaphysics, I show that Astell rejects the Aristotelian criteria of reciprocity and partiality as essential features of the friendship bond and that she develops a theory of friendship that is neither reciprocal nor partial. Further, I argue that Astell’s theory of friendship advances her feminist aims by providing a justification for female–female spiritual bonds in contradistinction to female–male marriage bonds. Astell argues that the female–female bond of spiritual friendship is sanctioned by God, and is, therefore, a divinely authorized alternative to the male–female bond of marriage. Through her theory of spiritual friendship, Astell marks out a central place for female–female bonds and provides women with a justification for resisting marriage.     

Tasting the divine: the aesthetics of religious emotion in Indian Christianity

The category of rasa (emotional ‘tastes’) in Indian Christian theology and art offers a useful theoretical lens for the academic study of religious emotion. In this article, two Bharata Nā?yam dance ministries provide a case study in the practical applicability of a rasa theology that is emerging within contemporary Indian Christianity. The Christian choreographers have significantly altered the emotions of love and peace in comparison with classical rasa theory and its traditional use in Hindu devotion. Indian Christian artists and theologians have also begun to explore and invent additional aesthetic emotions, giving unique shape to their ‘emotional community.’ Important challenges attend the dance ministries as they are currently configured, yet rasa is a capacious analytical category that can shed new light on Indian Christianity and the study of emotion in religion.     

Conquering the quarters: Religion and politics in Hinduism

Conclusion Our understanding of South Asian society and history is sometimes muddled by the rigid distinctions we make between ‘religion’ and ‘politics.’ The resurgent appeal of Hindu nationalism, the involvement of Hindu renouncers in contemporary Indian politics, and the continuing relevance of religious issues to political discourse throughout South Asia, show that such a distinction is of limited utility. In this essay, I have examined the notion of digvijaya in some detail, in an attempt to show that this ‘most important Indian concept with regard to sovereignty’ was always both a ‘religious’ and a ‘political’ phenomenon. When it was performed by Hindu kings in the classical period, the ‘political’ dimension of digvijaya was foregrounded, while in the medieval and modern periods, when it was associated primarily with Hindu renouncers, its ‘religious’ aspects were paramount. But neither ‘political’ nor ‘religious’ aspects were ever absent from any of the digvijayas discussed here because religion and politics were mutually entailed in the digvijaya at all times, just as kings and renouncers were—and still are—alter-egos of each other. I am tempted to conclude that the digvijaya melded religious and political domains. Yet perhaps even to speak of ‘melding’ religion and politics is a peculiarly modern kind of discourse. Perhaps we need to rethink our categories and recognize that politics always has a religious element, while religion is always a political force.     

Erotic Motherhood and the Ideal Son: Mythology as Psychotherapy in the Krishna-Bhakti Tradition

Through the lenses of D.W. Winnicott’s theory of development and Sudhir Kakar’s theory that the flux between fusion with and separation from Krishna in the Krishna-bhakti tradition is a reflection of the early childhood relational dynamics of mother and son, I will argue that the mythology of Krishna found in the Bhagavata Purana Book X implements the traditional Hindu notion of moksha but reshapes it in a uniquely psychologically adaptive way. In an attempt to meet the psychological needs of sons and mothers, the mythology of this text maintains a theme of fluctuation between fusion and separation between the gopis who function as mother figures and Krishna, the ideal son. Through the thematic focus on the flux between the gopis’ fusion with and separation from Krishna, the text embodies the Hindu soteriological concept of moksha as well as plays out the cultural relationship between mother and son.     

Gender differences in depressive response: The role of social support

The present study investigated the possibility that women's ruminative response style to stressful events is due in part to differential advice that women and men receive from their social support networks. Undergraduates (60 men, 136 women) of various ethnic backgrounds (e.g., 21.4% English, 16.8% West Indian, 12.8% Chinese, 10.7% Italian) indicated the extent to which they would endorse various statements of advice for a stimulus person described as experiencing a negative life event. As predicted, subjects endorsed more ruminative advice for female stimulus persons than for male stimulus persons (p< .02). These findings imply that, since females in stressful situations seem more likely to receive ruminative advice than do their male counterparts, women's greater vulnerability to depressive symptoms may be partly the result of the concomitant dangers of stressful events and potentially harmful advice.     

REPRESENTATION OF SIKHS IN BOLLYWOOD CINEMA

Like other ethnic minorities, Sikhs have been conventionally represented in popular Hindi cinema either as brave warriors or as uncouth rustics. In the nationalist text in which the imagined subject was an urban North Indian, Hindu male, Sikh characters were displaced and made to provide comic relief. Since the mid-1990s, Hindi filmmakers have genuflected to the rising economic and political power of the Sikh diaspora through token inclusions of Sikhs. Although 1990s films like Kuch Kuch Hota Hai (1998) included attractive images of Sikhs, Hindi cinema could introduce a Sikh protagonist only in the new millennium in Ghadar: Ek Prem Katha (2001) and featured a turbaned Sikh as a protagonist only two decades later in the film Singh is Kinng (2009). Ever since the film became a superhit, top Bollywood stars such as Akshay Kumar, Saif Ali Khan, Ranbir Kapoor and even Rani Mukherjee have played Sikh characters in films like Love Aaj Kal (2009), Rocket Singh: Salesman of the Year (2009) and Dil Bole Hadippa (2009). Even though Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Hindi cinema as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. This paper examines images of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the film industry to capitalize on the increasing power of the Sikh diaspora or if it is an indulgence in diasporic techno-nostalgia that converges on the Sikh body as the site for non-technologized rusticity. It argues that despite the exoticization of Sikhs in the new Bollywood film, the Sikh subject continues to be displaced in the Indian nation.     

Examining Hindu Ethics: The Three Yogas in Bhāgavata Purāṇa Commentaries

The object of this article is pre-colonial Hindu ways of distinguishing “the path of devotion” (bhakti-yoga) from “the path of knowledge” (jñāna-yoga) and “the path of work” (karma-yoga). It highlights how a developing religious group in early modern India explained and justified its path—its ethics, its ritual, its theology—while in conversation with the larger Brahminical tradition out of which it was emerging. I argue that early authors in the Chaitanya Vaishnava tradition such as Sanātana (c.1475–1554), Rūpa (c.1480–1554), Jīva (c.1510–1606), and Viśvanātha (fl. c.1650–1712) used the authority of the Bhāgavata-Purāṇa to elevate devotion to an ethical imperative by including and excluding the behaviors and the motives of the older and well-established paths like knowledge, works, and Patañjali’s yoga. Their ethics is connected to an ontology of god’s being in which the path of devotion is uniquely effective in revealing god’s being and uniquely salvific the among paths. I argue this discourse on the three paths is a type of Hindu ethics, but it is unclear how it might be reconstructed in rational terms to deal with contemporary issues and that its primary innovation for the time was the uncoupling of ethics from the caste system.     

Jivanmukti in Neo‐Hinduism: The case of Ramana Maharsi

Jivanmukti or ‘living liberation’ has been identified as a distinguishing feature of Indian thought; or, upon drawing a narrower circle, of Hindu thought; and upon drawing an even narrower cocentric circle of Vedānta—of Advaita Vedānta. In some recent studies the cogency of its formulation within Advaita Vedānta has been questioned—but without reference to the testimony of its major modem exemplar, Ramana Maharsi (1879–1950). This paper examines the significance of the life and statements of Ramana Maharsi for the current debate in the context of neo‐Hinduism     

Sex differences and the own-gender bias in face recognition: A meta-analytic review

We review the literature on sex differences and the own-gender bias in face recognition. By means of a meta-analysis, we found that girls and women remember more faces than boys and men do (g=0.36), and more female faces (g=0.55), but not more male faces (g=0.08); however, when only male faces are presented, girls and women outperform boys and men (g=0.22). In addition, there is female own-gender bias (g=0.57), but not a male own-gender bias (g= ? 0.03), showing that girls and women remember more female than male faces. It is argued that girls and women have an advantage in face processing and episodic memory, resulting in sex differences for faces, and that the female own-gender bias may stem from an early perceptual expertise for female faces, which may be strengthened by reciprocal interactions and psychological processes directing girls' and women's interest to other females.