JEWISH NATIONALISM AND THE ENCYCLOPAEDIC IMAGINATION

This article examines Ahad Ha'am's attempt to create a Hebrew compendium of Jewish knowledge, Otsar hayahadut belashon'ivrit (A Treasury of Judaism in the Hebrew Language), at the end of the nineteenth century. Although his proposal was never realized, it represents an important moment in the history of Jewish nationalism, both because of the influence it exerted on Hebrew writers and scholars active in the Zionist movement and, eventually, on the political culture of the yishuv. Ahad Ha'am's effort to publish a Hebrew encyclopedia reveals his faith in the power of books to spark a national revival; he believed that the entire Jewish heritage could be contained within one authoritative book or set of books, and that such a project had the power to rehabilitate and preserve a weak, divided and scattered people, and to provide it with a unified, homogenous national identity. His vision was later modified and transformed by the Hebrew poet Hayim Nahman Bialik and survived in altered form as the primary impulse behind Bialik's ambitious attempt to gather, translate and edit the classical works of Judaism into modern anthologies, and after Bialik's death in 1934 as one of the organizing principals of the Zionist movement during the period of the British Mandate.     

DIASPORIC SECURITY AND JEWISH IDENTITY

This paper explores the relationship between identity and security through an investigation into Jewish diasporic identity. The paper argues that the convention of treating identity as an objective referent of security is problematic, as the Jewish diaspora experience demonstrates. The paper presents a new way of conceptualizing identity and security by introducing the concept of diasporic security. Diasporic security reflects the geographical experience of being a member of a trans-state community, of having a fluid identity that is shaped by sometimes contradictory discourses emanating from a community that resides both at home and abroad. In introducing the concept of diasporic security, the paper makes use of literature in Diaspora Studies, Security Studies, recent works in contemporary political theory and sociology, and Woody Allen's film, Deconstructing Harry (1997).     

ANOTHER HISTORY: FAMILY,NATION AND THE REMEMBRANCE OF THE EGYPTIAN JEWISH PAST IN CONTEMPORARY ISRAELI LITERATURE

In this article I will focus on how Egyptian Jews who migrated to Israel after 1948 and their descendants remember Egypt and how they situate themselves vis-à-vis Israeli society and culture. I will base my analysis on three semi-autobiographical novels published between 2003 and 2011 by Israeli writers of Egyptian descent belonging to three subsequent generations: Baderekh la'itztadion by Yitzhak Gormezano Goren, Kol tze‘adenu by Ronit Matalon, and Yolanda by Moshe Sakal. By analysing specific passages from these books, I will argue that even after the decline of the Jewish presence in Egypt in the 1950s, the cultural and social worlds to which their families belonged did not vanish completely but, rather, struggled for survival at a very intimate level. This ultimately produced a multifaceted archive in which the written narrative of the family's past became an alternative homeland where historical memories and fictional details are inextricably blended.     

THE FOUR JAZZ SINGERS: MAPPING THE JEWISH ASSIMILATION NARRATIVE

The 1927 movie The Jazz Singer, starring Al Jolson—famously ad-libbing synch dialogue, infamously appearing in blackface—has spawned three remakes: a 1952 and a 1980 movie starring Danny Thomas and Neil Diamond, respectively; and a 1959 television drama starring Jerry Lewis.1 The 1927 Jazz Singer was directed by Alan Crosland, the 1952 version by Michael Curtiz, the 1959 version by Ralph Nelson, and the 1980 version by Richard Fleischer. View all notes While none of the remakes can possibly match the singular importance of the original, arguably the cinematic ur-text of the Jewish assimilation narrative (not to mention of the American sound film), taken together the four films function as a compelling “metaphor for Jewish modernization.”2 Hoberman, “Deracinatin' Rhythm,” 1, 3–31. My “ur-text” designation for the 1927 Jazz Singer is based on its unrivaled sociocultural impact rather than on its chronological priority. Several other popular works dealing with Jewish assimilation preceded the Jolson-starring film. British playwright Israel Zangwill's The Melting Pot (1908) “first articulated the ideology upon which America's grand assimilation narrative of assimilation was built” (Brook, Something Ain't Kosher Here, 22). Noted novels on the subject include Mary Antin's The Promised Land (1912), Abraham Cahan's The Rise of David Levinsky (1917), Fanny Hurst's Humoresque (1919), and Anzia Yezierska's Hungry Hearts (1920). The latter two of these were adapted for the screen in the early 1920s, as, in the late 1920s, was Ann Nichol's 1924 play Abie's Irish Rose. Samuel Raphaelson's short story Day of Atonement, (1925) and his stage play The Jazz Singer (1926) provided the source material for the 1927 film version. View all notes Beyond the ethnically specific insights the films provide, their variations on the theme of an aspiring Jewish pop singer's conflict with his sternly religious father have much to say, individually and collectively, about continuity and change in American culture and society during the four films' six-decade span. Through social-historical and textual analysis, this essay further examines how identity issues raised by the four Jazz Singers continue to resonate among a Jewish people beset, perhaps more than ever, by the double bind of difference.     

SELF‐SACRIFICE TO SAVE THE LIFE OF ANOTHER IN JEWISH AND CHRISTIAN TRADITIONS1

Although both the Jewish and Christian traditions permit and even valorize self‐sacrificial death for the sake of God (martyrdom), and for other people, they diverge on the issue of self‐sacrificial death for the sake of a single individual. The Jewish tradition prohibits such self‐sacrifice on the basis of the principles that (1) God owns the body and that (2) one cannot exchange one's life for another's. Christian ethics, in contrast, permits sacrificing one's life to save a single person based on the model of Christ's self‐sacrificial love. This ethical disagreement exposes a fundamental theological disagreement between the two traditions concerning what constitutes the imago Dei.     

SELMA THE JEWISH SEER: FEMALE PROPHECY AND BOURGEOIS RELIGION IN NINETEENTH-CENTURY GERMANY

This article discusses the importance of spiritualism and mysticism for nineteenth-century German Jews though the lens of a book about a Jewish female clairvoyant in 1830s Berlin. In 1838, Morris Wiener published Selma, die jüdische Seherin, a widely read story about his sister's miraculous healing and prophetic visions after being treated by a physician specializing in Mesmerism. This article proposes that we consider Selma's unusual story as an expression of nineteenth-century German Jews' experiences of bourgeois religion. In their attempt to prove that their religion was compatible with modern life, many German Jews sought to show not only how rational their religion was, as scholars have long emphasized, they also sought to demonstrate how spiritual Jews could be and to suggest that Judaism, like Protestantism and Catholicism, could engender multiple forms of mystical religiosity.     

A JEWISH CONCEPTION OF HUMAN DIGNITY

This paper depicts the meanings of human dignity as they unfold and evolve in the Bible and the Halakhah. I posit that three distinct features of a Jewish conception of human dignity can be identified in contrast to core characteristics of a liberal conception of human dignity. First, the original source of human dignity is not intrinsic to the human being but extrinsic, namely in God. Second, it is argued that the “dignity of the people” has precedence over personal autonomy and liberty, which are core liberal pillars. The third characteristic pertains to the potential conflict between personal autonomy and liberty, and God's commandments. The theoretical analysis of human dignity is then examined in light of several Supreme Court decisions in Israel during the 1990s. I illustrate that Jewish religious and secular‐liberal conceptions pull in different directions in the rulings of liberal and religious Justices in Israel.     

GAY MARTYRS,JEWISH SAINTS AND INFATUATED YESHIVA BOYS IN THE NEW ISRAELI RELIGIOUS QUEER CINEMA

Popular mainstream cinema often sensationalizes, stigmatizes, and even ridicules religions, faiths, congregations, and the religiously observant. The (mis)representation of religious communities is sometimes even more negative in films that centre on religious gay men, lesbians, bisexuals and transgender people, and their presumably homophobic congregations. This article offers an initial exploration of a new kind of Israeli film at the beginning of the third millennium, defined here as the New Israeli Religious Queer Cinema. These films, mostly created by religious filmmakers who are members of sexual minorities, are intended to promote tolerance and greater acceptance of homosexuality by the Jewish Orthodox communities in Israel. This research, particularly focused on Chaim Elbaum's acclaimed short film And Thou Shalt Love (2008) [Ve'ahavta], examines the cinematic attempts to reduce hostility towards sexual minorities among religious believers, and problematizes the portrayal of the young protagonist's angst and this new cinema's politics of martyrdom and victimhood. The article also analyses the creation of a sort of Jewish version of Saint Sebastian, the ancient Christian martyr who is often perceived as a gay icon, and this new cinema's genuine attempts to explore homoerotic subtleties in Jewish tradition.     

THE BLANK PAGE (FROM LAST TALES)

This essay explores the representation of the modern Jewish city in Palestine, envisioned in two fin-de-siècle futuristic tales: Theodor Herzl's Altneuland (1902) and Violet Guttenberg's A Modern Exodus (1904). Focusing on the northern port city of Haifa, transformed by the Jews from a poor Oriental town into a thriving Europeanized metropolis, both novelists employ the city's spatial, cultural, and human features to present radically different views concerning the national Jewish rejuvenation: for Herzl, it becomes a utopian triumph; for Guttenberg, a deplorable failure. Notwithstanding their different assessments of the Zionist vision, both authors share certain anti-Semitic assumptions about the nature of “the Jew” (greedy, intolerant, vulgar), which are inscribed into the urban space. Herzl's ideal Haifa is designed precisely to reform the diaspora Jew by introducing such modern urban measures that would render these detestable Jewish traits obsolete. Guttenberg's disordered city, in comparison, reflects an inability to alter the Jewish character: no wonder that London, not Haifa, becomes the final destination of her “Modern Exodus.”     

REVIVING GERMAN-JEWISH COMEDY: DANI LEVY'S FAMILY FARCE GO FOR ZUCKER!

Dani Levy's film Go for Zucker! (2004) won a myriad of prizes in 2005 and was touted as the first Jewish comedy to be produced in Germany since the rise of National Socialism. Critics and scholars who have analysed Levy's popular film tend to focus on its presentation of Jewish characters as something other than victims of the Shoah and on its comic engagement with persistent social and cultural divisions between East and West Germans in post-reunification Germany. What these otherwise valid approaches ignore, however, is an additional historical and cultural layer of interpretation, one that more aptly fulfils Levy's goal of paying homage to pre-Shoah forms of self-deprecating German-Jewish humour. Such examples of the Jewish comedic tradition reach even further back in time than the early twentieth-century films of Ernst Lubitsch and the Hollywood films of Billy Wilder to include turn-of-the-century Jargon theatre and the metropolitan revue show, forms of popular entertainment that thrived in Imperial Berlin and delighted mixed audiences of Jews and Gentiles. By reviving a comic past, in which Jewishness could be staged in a variety of ways without derision, Levy's film provides hope that contemporary Germany might once again become a place where Jewish and non-Jewish Germans can laugh together.     

MYTH,HISTORY AND REALPOLITIK: MOROCCO AND ITS JEWISH COMMUNITY

This article is an analytical overview of the history of Moroccan Jewry, from pre‐Islamic times to the present day, exploring the themes of myth, memory and political interests in the multi‐faceted, continuous interactions between the community and Moroccan society as a whole. In referring to seminal developments in Moroccan political history, it analyses the different ways in which the Jews of Morocco experienced them as an integral part of the larger societal mosaic. This survey of the 2,000‐year Jewish presence in Morocco employs a variety of classical and modern sources in order to locate the place of Moroccan Jews within the ebbs and flows of Moroccan dynastic history, particularly following the establishment of the first Islamic dynasty in the eighth century, C.E. It also engages with current historiographical debates on the subject matter. Overall, it provides clarity and order to the subject of Jewish–Muslim inter‐communal relations in Morocco over the longue durée, a matter too often shrouded in myths and half‐truths.     

Impact of Summer Trip to Israel on the Self-Esteem of Jewish Adolescents

Psychological research has identified many positive effects of adolescents being aware of their religious and cultural backgrounds (Fiese, 1992). Religious rituals and community support facilitate developmental transitions. They also instill a stronger sense of identity. Mainstream North American society's emphasis on autonomy and individuality has meant that people are less reliant on religious and cultural rituals as a source of community strength. The lack of defined traditions and spiritual goals has left many of today's American adolescents confused. Jewish American adolescents, in particular, may not achieve a full sense of their religious and cultural background due to the preponderance of Christian symbols and ideology as well as to a de-emphasis of religion due to America's scientific/secular world view. A trip to Israel, the Jewish homeland, gives Jewish adolescents the chance to meet other Jewish people and to spend time in an environment which promotes Jewish ideology, history, and culture. Although past research on Jewish adolescents has found that a trip to Israel enhances a sense of Jewish identity, personality, and leadership skills (Kafka, London, Bandler, & Frank, 1990), no recorded empirical research has looked at possible changes in self-esteem. The goal of this research project was to determine if learning about and experiencing Israeli religious practices and culture foster greater Jewish self-esteem, Jewish identity, and/or self-concept for Jewish adolescents. The compiled data reveal that Jewish identity and Jewish self-esteem have a direct and positive bearing on each other. Jewish adolescents with a strong sense of Jewish identity are more likely to develop a higher level of Jewish self-esteem. Likewise, enhanced Jewish self-esteem is connected to a greater sense of Jewish identity. Although scores on the Jewish Identity and Jewish Self-Esteem Scales did not significantly correlate with self-concept scores on the Piers-Harris Children’ Self Concept Scale (1984), and the Piers-Harris scores did not significantly change over time, these results may be due to the above average pre-test self-concept scores of the participants. Adolescents from both the Camp and Israel groups scored in the above average range on the Piers-Harris Self-Concept Scale prior to and following the summer excursion. Directed at parents, scholars, and communities, this study calls attention to the importance of religiosity and culture to adolescent development. This research project also confirms this study's hypothesis that sending all Jewish adolescents to Israel between Middle and Late Adolescence lessens developmental ambiguity and strengthens self-esteem. By gaining an understanding of roots, identity, and self-esteem, adolescents and adults may become more accepting of themselves, thus enhancing their ability to be open and accepting of others—much needed qualities.     

FINDING ROTHKOWITZ: THE JEWISH ROTHKO

While Mark Rothko's canvases are renowned for their rich, monumental expanses of colour, he has insisted that his paintings should be appreciated on more than an aesthetic level. “The people who weep before my pictures,” he commented in 1956, “are having the same religious experience I had when I painted them.” While various critics and scholars have recognized the importance of this remark, just what Rothko meant by “religious experience” has been highly contested. In this article I will argue that Rothko's Jewish identity—informed by his experiences in Russia and New York—influenced his understanding of “religious experience” in subtle but powerful ways. I will not attempt to spot a raft of Jewish symbols and references in Rothko's work, an endeavour that has yielded spurious results in previous studies. Instead, I will examine Rothko's sense of “religious experience” as an evolving concept in his thought and painting; a process which finds its culmination in the Rothko Chapel, a space informed but not defined by the artist's Jewishness.     

BEYOND THE PALE: Jewish identity,radical politics and feminist art in the United States

Historians have not yet recognized how the cultural legacy of East European Jews helped change the status of women artists in the United States. Immigrant Jewish women in general reacted to institutionalized patriarchy with a desire for social change and the will to act to that end. Jewish women who were artists had professional reasons to embrace feminism, given women's virtual exclusion from professional notice. This article focuses on two pioneering feminist artists — Judy Chicago and Miriam Schapiro — and demonstrates the importance of their Jewish heritage, showing how and why they set in motion important changes in the tumultuous 1970s that continue to resonate in the art world today. An unusually large number of American feminist artists of the 1970s were Jewish. Their heritage resembles that of the Jewish feminist activist Betty Friedan, whose father emigrated from Eastern Europe. Once we examine the linked roles played by Jewish identity and leftist politics in the formation of the feminist art movement in the United States, it becomes evident that activism in the community of Jewish immigrants from Eastern Europe and the values that they passed on to the next generations made a significant contribution to the success of this movement.     

“A new and modern golden age of Jewish culture”: shaping the cultural politics of transnational Jewish antifascism

The Holocaust and a worldwide Jewish enthusiasm and support for the Red Army’s defeat of the German Army on the Eastern Front led to a greater sense of international Jewish consciousness and solidarity often tied to an antifascist politics. Utilizing a transnational lens, I explore how Jewish antifascists of the immediate post-war period proffered a novel cultural politics as a means of addressing ongoing international issues of post-Holocaust Jewish survival in a dangerous and politically uncertain modernity. I examine three Jewish left magazines of the late 1940s that were involved in a loose international antifascist progressive Jewish network and ideological framework. These magazines Jewish Life (USA), New Life (UK) and Unity (Australia) represented similar antifascist politics and cultural outlooks in the USA, Britain and Australia, respectively. They have received little sustained scholarly attention previously. I analyse their vision of diverse multilingual Jewish cultures which were to be promoted and developed in any country where Jews lived and in whatever language they spoke. Their cultural vision represented antifascist values against bourgeois or nationalist Jewish culture and broadly reflected a pro-Soviet, progressive and Jewish internationalist, Popular Front politics and worldview.     

Investigating Inter-Christian and Intercultural Couples Associated with the Greek Orthodox Archdiocese of America: A Qualitative Research Project

This qualitative research project described individual, marital, and family challenges from the perspective of 376 intermarried respondents associated with the Greek Orthodox Archdiocese of America. Participants' observations generally suggested that their religious and cultural differences enriched their own and their family's well-being. However, some participants described pervasive and lingering unresolved couple disagreements linked to their religious and cultural differences. These differences seemed to have a decidedly negative impact on individual, couple, and family well-being. Clinical implications suggest that intermarried couples' different religious and cultural backgrounds may be interconnected to the presenting problem(s) of couples.     

THE ABSENT JEWISH CHILD: PHOTOGRAPHY AND HOLOCAUST REPRESENTATION IN POLAND

This article considers the representations of Holocaust in Poland by discussing the ways in which photographs of Jewish children are used in literature, film and public commemoration. It shows how a “postmemorial reading” of these images by, predominantly gentile, writers, directors and social actors might be viewed as an attempt to rhetorically fill the void left after the destruction of Poland's Jewish community and to project an image of a tolerant civic society. The article examines famous images, like the photo of the Warsaw Ghetto boy, with which this discussion begins, and lesser known pictures, such as the family photographs of Henio ?ytomirski from Lublin, which are examined towards the end of this article. While looking at these images, I reflect on the interaction between the visual representations of Jewish children, the memory of the Shoah in Poland and the fashioning of Polish national identity in the wake of the accession to European Union.     

REMEMBERING AND REBUILDING: THE WORLD JEWISH CONGRESS,IN THE SHADOW OF THE HOLOCAUST

In this essay I expand on the role of the World Jewish Congress (WJC) in the 1940s and 1950s. Its mode of operation during the two decades that followed World War II was markedly different from those that characterized other sections of American Jewry. What set the WJC apart from other Jewish organizations was that its leaders sought not merely to institutionalize the relationship between Israel and American Jewry, but involved themselves in the Jewish world as a whole and in Europe in particular, where they vigorously worked to rehabilitate the post-Holocaust Jewish diaspora and to assist those survivors who wished to do so to reintegrate themselves into Europe.     

MESSIANIC JEWS AND JEWISH IDENTITY

In recent years Messianic Judaism has grown considerably worldwide and has caused much concern within the contemporary Jewish community. Messianic Jews claim they are completely Jewish, but they are considered by the majority of the Jewish community to be Christian apostates. This paper considers the practices and beliefs of the Messianic community, explores the issue of their identity and reflects on this in relation to Jewish identity throughout the universal Jewish community. It explores the question of placing Messianic Jews outside the Jewish fold, given that the various branches of contemporary Judaism are deeply divided over central tenets of faith and practice. It considers the Messianic belief in Jesus as the Messiah in the light of normative Jewish approaches to aspects of Halakhic teaching.