TURNING REPRESENTATION INSIDE OUT: AN ADVERBIAL APPROACH TO THE METAPHYSICS OF LANGUAGE AND MIND

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METAPHYSICS MATTERS: METAPHYSICS AND SOTERIOLOGY IN JEROME STONE'S AND DONALD CROSBY'S VARIETIES OF RELIGIOUS NATURALISM

Religious naturalism is distinct from supernatural religion largely because of metaphysical minimalism. Certain varieties of religious naturalism are more minimalist than others, however, and some even eschew metaphysics altogether. But is anything lost in that process? To determine metaphysics’ degree of relevance to religious function, I compare the soteriology of the “ontologically reticent” Minimalist Vision of Jerome Stone to that of the ontologically rich Religion of Nature of Donald Crosby. I demonstrate that for these varieties of religious naturalism: (1) metaphysics influences soteriology; (2) metaphysical minimalism limits soteriological potential; and (3) metaphysics enhances soteriological potential. These conclusions lead me to assert the relevance of metaphysics to religious function, specifically for these varieties of religious naturalism, as well as to urge investigation into religious experience and quality as they may relate to metaphysics.     

RELIGION IN AN AGE OF SCIENCE; METAPHYSICS IN AN ERA OF HISTORY

Abstract. Ian Barbour's Religion in an Age of Science is a welcome systematic, theoretical overview of the relations between science and religion, culminating his long career with a balanced and insightful appraisal. The hallmarks of his synthesis are critical realism, holism, and process thought. Barbour makes even more investment in process philosophy and theology than in his previous works. This invites further inquiry about the adequacy of a highly general process metaphysics in dealing with our particular, deeply historical world; also further inquiry about the adequacy of its panexperientialism and incrementalism.     

HEIDEGGER AND THE APPROPRIATION OF METAPHYSICS

Heidegger's deconstruction of the history of Western metaphysics has been a major influence behind poststructural critiques of modernity as well as more apologetic attempts to maintain a dialogue with historical sources, such as Gadamer's philosophical hermeneutics. This bifurcation has intensified the ambiguity of Heidegger's project: was it an attempt to relinquish philosophical ties to the past or a call for a fundamental reinterpretation of them? In this article I argue the latter, focusing my analysis on Heidegger's notions of appropriation and historicity. On the one hand, appropriation is the hermeneutical event by which ontology is reinfused into a reading of historical sources. On the other hand, historicity is the self‐reflexive historical involvement by which we become aware of what contemporary, philosophical conditions necessitate this reengagement. In the end, Heidegger's critique of metaphysics arises from this self‐reflexivity. It deconstructs the prevailing misunderstandings of philosophical sources in order to allow for reinterpretation at a revivified ontological level constantly in view of the question of being.     

AN AMERICAN NATURALIST ACCOUNT OF CULTURE

The basic tenets of “classical” naturalism (exemplified in the work of Mead, Buchler, and Randall, among others) are delineated and distinguished from other versions of naturalism. Classical naturalism is also distinguished from reductive materialism and idealism. Nature is asserted to be indefinitely plural and not amenable to monistic or dualistic categorial schemes; that is, the principle of “ontological parity” is maintained. The method of inquiry of naturalism is outlined, along with the notion of truth as perspectivally objective. The metaphysical hypotheses are then used to examine culture. Culture is found to be the specific environment of human being, arising out of, but irreducible to, other natural processes. Culture is described as the cumulative gestures of the human social organism as it discovers and creates itself in mutual constitution with other natural processes and products.     

HOLOMOVEMENT METAPHYSICS AND THEOLOGY

Abstract. The holomovement metaphysics of David Bohm emphasizes connections and continuous change. Two general movements through space-time extend Bohm's ideas. One is that the universe was nonlocal when it started but increases in locality. (With nonlocality, two simultaneous but distant events affect each other.) The other is the opposite movement or evolution toward increasingly complex systems exhibiting internal connections and a type of nonlocality. This metaphysics produces a theology when the holomovement is a model for God. Several topics follow, including global nonlocality, God as creator, God's transcendence and immanence, and God as personal. This theology shows promise but needs further development.     

METAPHYSICS AND THE REDEMPTION OF SACRIFICE: ON RENÉ GIRARD AND CHARLES WILLIAMS

René Girard is something of a Janus for philosophers and theologians interested in the question of sacrifice. On the one hand, few thinkers in any century have made such a compelling case for the importance and centrality of sacrifice within all human culture. On the other hand, Girard has steadfastly insisted that sacrifice be understood in exclusively anthropological terms thus foreclosing the metaphysical and theological questions that prima facie seem to attend any robust consideration of sacrifice. In this essay, I seek to move beyond this Girardian impasse by supplementing Girard's late-thought with a more robust metaphysics of sacrifice as found in the work of the novelist, literary critic, and theologian, Charles Williams (one of the Oxford 'Inklings' and a close companion of C.S. Lewis). To begin with, I first explain Girard's understanding of the mimetic mechanism and the sacrificial origins of human culture. I then consider a number of the criticisms with which he has been charged, especially the accusation of methodological reductionism. I explore the way that Girard's late work has responded to a number of these criticisms but argue that Girard's responses fail to diffuse the charges. By way of conclusion, I suggest that Girard's insights can be saved when supplemented with the kind of relational metaphysics found in Williams' most perfectly realized novel, Descent into Hell . Rather than dispensing with ontology in favour of praxis, Williams transforms the profoundly Girardian themes of mediated desire, the doppelganger, mimetic rivalry, ritual, and the function of sacrifice by placing them in the context of what he calls the metaphysics of 'co-inherence.' This allows Williams to provide a far more positive account of both mimesis and sacrifice (even in its substitutionary mode) than Girard, not just non-retaliation but the actual bearing of one another's deepest burdens in communion, prayer, and love.