TURNING REPRESENTATION INSIDE OUT: AN ADVERBIAL APPROACH TO THE METAPHYSICS OF LANGUAGE AND MIND

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METAPHYSICS MATTERS: METAPHYSICS AND SOTERIOLOGY IN JEROME STONE'S AND DONALD CROSBY'S VARIETIES OF RELIGIOUS NATURALISM

Religious naturalism is distinct from supernatural religion largely because of metaphysical minimalism. Certain varieties of religious naturalism are more minimalist than others, however, and some even eschew metaphysics altogether. But is anything lost in that process? To determine metaphysics’ degree of relevance to religious function, I compare the soteriology of the “ontologically reticent” Minimalist Vision of Jerome Stone to that of the ontologically rich Religion of Nature of Donald Crosby. I demonstrate that for these varieties of religious naturalism: (1) metaphysics influences soteriology; (2) metaphysical minimalism limits soteriological potential; and (3) metaphysics enhances soteriological potential. These conclusions lead me to assert the relevance of metaphysics to religious function, specifically for these varieties of religious naturalism, as well as to urge investigation into religious experience and quality as they may relate to metaphysics.     

RELIGION IN AN AGE OF SCIENCE; METAPHYSICS IN AN ERA OF HISTORY

Abstract. Ian Barbour's Religion in an Age of Science is a welcome systematic, theoretical overview of the relations between science and religion, culminating his long career with a balanced and insightful appraisal. The hallmarks of his synthesis are critical realism, holism, and process thought. Barbour makes even more investment in process philosophy and theology than in his previous works. This invites further inquiry about the adequacy of a highly general process metaphysics in dealing with our particular, deeply historical world; also further inquiry about the adequacy of its panexperientialism and incrementalism.     

HEIDEGGER AND THE APPROPRIATION OF METAPHYSICS

Heidegger's deconstruction of the history of Western metaphysics has been a major influence behind poststructural critiques of modernity as well as more apologetic attempts to maintain a dialogue with historical sources, such as Gadamer's philosophical hermeneutics. This bifurcation has intensified the ambiguity of Heidegger's project: was it an attempt to relinquish philosophical ties to the past or a call for a fundamental reinterpretation of them? In this article I argue the latter, focusing my analysis on Heidegger's notions of appropriation and historicity. On the one hand, appropriation is the hermeneutical event by which ontology is reinfused into a reading of historical sources. On the other hand, historicity is the self‐reflexive historical involvement by which we become aware of what contemporary, philosophical conditions necessitate this reengagement. In the end, Heidegger's critique of metaphysics arises from this self‐reflexivity. It deconstructs the prevailing misunderstandings of philosophical sources in order to allow for reinterpretation at a revivified ontological level constantly in view of the question of being.     

MUSIC AND METAPHYSICS

Abstract: In this article, I assume that musical works are abstract types, and I raise and address a new question concerning musical ontology that may take the types view at least a step further: When do musical works cease to exist? I then propound my view about musical works as types, which is somewhat like the Aristotelian Realist position concerning universals. Next, I address some objections to that view. Finally, I provide some grounds for rejecting alternative views that see Western classical musical works before 1950 (the sorts of musical works the discussion here is restricted to) either as classes or else as kinds.     

AN AMERICAN NATURALIST ACCOUNT OF CULTURE

The basic tenets of “classical” naturalism (exemplified in the work of Mead, Buchler, and Randall, among others) are delineated and distinguished from other versions of naturalism. Classical naturalism is also distinguished from reductive materialism and idealism. Nature is asserted to be indefinitely plural and not amenable to monistic or dualistic categorial schemes; that is, the principle of “ontological parity” is maintained. The method of inquiry of naturalism is outlined, along with the notion of truth as perspectivally objective. The metaphysical hypotheses are then used to examine culture. Culture is found to be the specific environment of human being, arising out of, but irreducible to, other natural processes. Culture is described as the cumulative gestures of the human social organism as it discovers and creates itself in mutual constitution with other natural processes and products.     

HOLOMOVEMENT METAPHYSICS AND THEOLOGY

Abstract. The holomovement metaphysics of David Bohm emphasizes connections and continuous change. Two general movements through space-time extend Bohm's ideas. One is that the universe was nonlocal when it started but increases in locality. (With nonlocality, two simultaneous but distant events affect each other.) The other is the opposite movement or evolution toward increasingly complex systems exhibiting internal connections and a type of nonlocality. This metaphysics produces a theology when the holomovement is a model for God. Several topics follow, including global nonlocality, God as creator, God's transcendence and immanence, and God as personal. This theology shows promise but needs further development.     

SCIENTIFIC REALISM AND METAPHYSICS

The tendency to take scientific realism to be a richer metaphysical view than it ought to be stems from the fact that there are two ways in which we can conceive of reality. The first is to conceive of reality as comprising all facts and the other is to conceive of it as comprising all and only fundamental facts. I argue that scientific realism should be committed to the factualist view of reality and not, in the first instance, to the fundamentalist. An anti‐fundamentalist conception of reality acts as a constraint on scientific realism, but it is a further and (conceptually) separate issue whether or not a scientific realist should come to adopt a fundamentalist view of reality. I argue that scientific realism is independent of physicalism and non‐Humeanism and that the concept of truth is required for a sensible understanding of the metaphysical commitments of scientific realism.