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1.
    
This paper traces some lines of influence between post-Kantianism and Critical Theory. In the first part of the paper, we discuss Fichte and Hegel; in the second, we discuss Horkheimer, Adorno, and Honneth.  相似文献   

2.
    
This article explores critical theory's relations to German idealism by clarifying how Adorno's thought relates to Hegel's. Adorno's apparently mixed responses to Hegel centre on the dialectic and actually form a coherent whole. In his Logic, Hegel outlines the dialectical process by which categories – fundamental forms of thought and reality – necessarily follow one another in three stages: abstraction, dialectic proper, and the speculative (famously simplified as ‘thesis, antithesis, synthesis’). Adorno's allegiance to Hegel's dialectic emerges when he traces the dialectical process whereby enlightenment reverts to myth and human domination over nature reverts into our domination by nature. However, Adorno criticizes Hegel's dialectic as the ultimate form of ‘identity thinking’, subsuming unique, material objects under universal concepts by using dialectical reason to expand those concepts to cover objects utterly. These two responses cohere because Adorno shares Hegel's view that dialectical contradictions require reconciliation, but differs from Hegel on the nature of reconciliation. For Hegel, reconciliation unites differences into a whole; for Adorno, reconciled differences co-exist as differences. Finally, against Habermas who holds that Adorno cannot consistently criticize the enlightenment practice of critique, I show that Adorno can do so consistently because of how he reshapes Hegelian dialectic.  相似文献   

3.
    
Several commentators have argued that Hegel's account of ‘self-consciousness’ in Chapter IV of the Phenomenology of Spirit can be read as an ‘immanent critique’ of Fichte's idealism. If this is correct, it raises the question of whether Hegel's account of ‘recognition’ in Chapter IV can be interpreted as a critique of Fichte's conception of recognition as expounded in the Foundations of Natural Right. A satisfactory answer to this question will have to provide a plausible interpretation of the ‘life and death struggle’ as an immanent critique of Fichte's account of recognition. This paper aims to provide such an interpretation. The first part of the paper provides a discussion of Fichte's account of recognition that emphasizes its ‘epistemic’ concerns. The second part argues that Hegel's account of the ‘life and death struggle’ can be read plausibly as an immanent critique of Fichte's account of recognition.  相似文献   

4.
    
In this paper, I set out (1) to consider the extent to which Horkheimer and Adorno's account of the transition from Kant's philosophy to key features of the novels of the Marquis de Sade in the Second Excursus of their Dialectic of Enlightenment can be viewed as a fragment of the ‘history of philosophy’ and (2) to explain this account in a way that allows us to ask whether it succeeds in establishing a necessary connection between Kant's philosophy and Sade's novels. In connection with (2), a particular problem emerges. This problem concerns the role played by a non-instrumental form of reason in Horkheimer and Adorno's attempt to establish an essential connection between Kant's theoretical philosophy and Sade's novels, in which the practical implications of the theoretical employment of reason allegedly become explicit. It will be shown that, despite appearances to the contrary, an employment of reason of the relevant type is not identified by Kant in the Critique of Pure Reason.  相似文献   

5.
This paper explores the relationship between Adorno and Schelling. It argues that Adorno resorted to Schellingian motifs (whether he acknowledged them or not, or acknowledged them only partially) to counteract the influence of Hegelian thought. In defending this thesis, I examine the various stages in the development of Adorno’s thought, beginning with two texts from the 1930s and concluding with Negative Dialectics and ‘Skoteinos’. This allows us to see that Adorno’s concern to discover a way of thinking that is capable of doing justice to the ‘non-identical’ was present throughout his philosophical career.  相似文献   

6.
    
The influence of the thought of the great German Idealist philosopher G.W.F Hegel on the thought of Theodor Adorno, the leading thinker of the first generation of the Frankfurt School, is unmistakeable, and has been the subject of much commentary. Much less discussed, however, is the influence of Hegel's prominent contemporary, F.W.J. Schelling. This article investigates the influence of Schelling on Adorno, and the sometimes striking parallels between fundamental motifs in the work of both thinkers. It argues that Adorno's critique of Hegelian (and indeed of his own, negative) dialectics, his conception of the relation between nature and spirit, and his philosophy of history (amongst other aspects of this thought) owe a considerable debt to Schelling. Furthermore, when adequately explicated, Schelling's position on a range of problems which confronted German Idealist philosophy often prove intrinsically preferable to those of Hegel.  相似文献   

7.
    
In this paper, I consider Adorno's claim that art is at, or is coming to, an ‘end’. I consider Adorno's account in relation to the work of Arthur Danto and G. W. F. Hegel. I employ Danto's account, together with two distinct interpretive glosses of Hegel's account, as heuristic devices in order to clarify both Adorno's own arguments, and the context within which they are being advanced. I argue that while Danto and Hegel see art as coming to an end autonomously, owing to art's successful realization of its governing principle, Adorno by contrast sees art as coming to an end heteronomously. Art's narrative is forcibly broken off, rather than completed. Adorno's account, indebted to Hegel, of art's commitment both to autonomy and the realization of ‘spiritual needs’ is explored in order to clarify how, on Adorno's view, this has happened to art; and why, precisely, he believes art is coming to an end.  相似文献   

8.
Abstract

It is the persistence of social suffering in a world in which it could be eliminated that for Adorno is the source of the need for critical reflection, for philosophy. Philosophy continues and gains its cultural place because an as yet unbridgeable abyss separates the social potential for the relief of unnecessary human suffering and its emphatic continuance. Philosophy now is the culturally bound repository for the systematic acknowledgement and articulation of the meaning of the expanse of human suffering within technologically advanced societies that are already committed to liberal ideals of freedom and equality.  相似文献   

9.
    
The Zhanguoce School emerged in 1940 and actively responded to the crisis caused by the Sino-Japanese War. The cultural morphology of Oswald Spengler (1880–1936) inspired most of the leading Zhanguoce scholars to reflect on the culture, history, and status quo of China. They believed that China was suffering from a total war with world superpowers and that it was in a new Warring States epoch; they thus advocated radical cultural reform as a necessary condition for victory and invoked Nietzschean philosophy to champion heroism and power. However, He Lin 賀麟 (1902–92), a philosopher in this school, looked to Georg Wilhelm Friedrich Hegel (1770–1831) and Johann Gottlieb Fichte (1762–1814) for different theories of cultural reform and history. This article examines He’s integration of the philosophies of Hegel and Fichte into his cultural and historical thought. Based on the Hegelian notion of Spirit, He rethought the nature of culture and the relationship between Chinese and Western cultures; he also interpreted history by comparing the historical theories of Hegel and Wang Fuzhi 王夫之 (1619–92). Furthermore, He investigated individual realization with reference to Fichte and repudiated radical heroism.  相似文献   

10.
The following paper argues that J.G. Fichte, despite his apparent philosophical neglect of art and aesthetics, does develop a strong, original, and coherent account of art, which not only allows the theorization of modern, non-representative art forms, but indeed anticipates Nietzsche and Heidegger in conceiving of truth in terms of art rather than scientific rationality. While the basis of Fichte’s philosophy of art is presented in the essay “On Spirit and Letter in Philosophy,” it is not developed systematically either in this text or anywhere else in his writings, but must be reconstructed through a broad consideration of all his works, including, above all, his political and economic writings. For Fichte, the art-work does not exist as an object possessing “aesthetic value” and which can, in turn, be possessed, consumed, and enjoyed through the subjective act of aesthetic experience. Rather, it involves a mode of praxis which, grounded in a radical and original power of imagination, creatively discloses possibilities for future forms of existence, experience, and political community that cannot be theoretically anticipated. While Fichte cannot himself theorize specific forms of art, since the art that concerns him belongs to the future, we can, however, retrospectively try to understand non-representational painting and non-mimetic dance as concrete realizations of Fichte’s art-work of the future. In this way, Fichte’s philosophy of art ultimately suggests an alternative to Heidegger’s understanding of the work of art as a projective institution of truth. Fichte suggests that the human body, rather than human language, is the fundamental medium of art.
Anthony Curtis AdlerEmail:
  相似文献   

11.
12.
徐文泽 《现代哲学》2007,(5):126-130
文章阐明了霍克海默的审美教育观及其当代价值,提出他的审美教育观是以主客体相互中介的"社会批判理论"为基础,以强调培育反思能力与自由个性的人为目标;他的这一审美教育观念不仅影响了现代德国美育教育学理论,也影响了美育教学和艺术创作,对于我国当代美育理论与教学实验及发展文化产业,都具有积极的借鉴及启示意义。  相似文献   

13.
ABSTRACT

Though the perennial problem of consciousness has outlasted the idealists, the reductivist turn in contemporary naturalistic philosophy of mind and the non-reductivist reactions to it provoke us to re-think post-Kantian idealism. Fichte's Wissenschaftslehre makes for a classical case of non-reductivist (and probably even non-naturalist) approach to mind and his critique of ‘dogmatism’ is all the more relevant in this context. This article contains four sections. The first section is an introduction that explains why post-Kantian idealism is relevant to contemporary philosophy of mind. The second section pinpoints the placement issue that confronts not only current philosophers but also partially motivated Fichte's own philosophy. The third section is a short but essential remark about the normative and practical valence of ‘knowledge’ and ‘science’ in Fichte's traditional understanding of them. In the fourth section, I provide a reconstructive analysis of Fichte's understanding and critique of physicalism. Fichte's argument can be analyzed into two horns with each targeting reductivism and epiphenomenalism respectively. The final section is a brief but positive exposition on a necessary feature, namely reflexivity, of mind and the first-person perspective. Fichte's appropriation of intellectual intuition exemplifies a non-representationalist picture that connects content transparency with the active nature of mind.  相似文献   

14.
Given its use of religious concepts and language, it is tempting to class Fichte’s rarely discussed Staatslehre as a political theology. I argue that the Staatslehre can be classed as a political theology because of the way in which it can be understood in terms of the concepts of immanence and transcendence. The concept of immanence applies to Fichte’s account of history in particular. Fichte himself allows for a moment of transcendence at the very beginning of history. I argue that the concept of transcendence is also implicit in the Staatslehre in relation to some problems faced by Fichte’s own account of the role of the Zwingherr in the historical development and actualization of right and moral freedom, despite his attempt to avoid introducing theologically based explanations of political concepts at this stage of his Staatslehre.  相似文献   

15.
ABSTRACT

Several factors, including but not limited to his investments in Naturphilosophie and Spinoza, make it hard to determine the extent to which Schelling remains on track with Kant’s transcendental project. My aim here is to isolate Schelling’s conception of transcendental method in the first decade of his philosophical development, a topic that has received little direct and extended discussion. Schelling’s 1800 System of Transcendental Idealism stands out as of particular importance, but no single text can be regarded as Schelling’s definitive statement of his views on the question of method in his early period, necessitating a diachronic approach. I argue that, though in important respects Schelling’s concerns diverge from those of Kant and Fichte, Schelling should not be regarded as abandoning the transcendental framework, and is best understood as attempting to work out what is involved at the original point of adoption of the transcendental standpoint. This entails, I argue, exchanging transcendental philosophy’s claim to a distinctive method for a substantive interpretation of the transcendental turn.  相似文献   

16.
ABSTRACT

While Kant’s claim that the moral law discloses our freedom to us has been extensively discussed in recent decades, the reactions to this claim among Kant’s immediate successors have gone largely overlooked by scholars. Reinhold, Creuzer, and Maimon were among three prominent thinkers of the era unwilling to follow Kant in making the moral law the condition for knowing our freedom. Maimon went so far as to reject Kant’s method of appealing to our everyday awareness of duty on the grounds that common human understanding is susceptible to error and illusion. In this paper I shall examine how these skeptical reactions to Kant’s position shaped the background for Fichte’s method of moral justification, leading up to his own deduction of the moral law in the System of Ethics (1798). By way of conclusion, I shall propose a new interpretation of how consciousness of the moral law serves as an entry-point to Fichte’s form of idealism.  相似文献   

17.
伦理与道德之辨正   总被引:3,自引:0,他引:3  
伦理与道德两个概念的内涵及其相互关系在许多研究者那里是比较模糊的。本文试图从词源学的角度并结合黑格尔在《法哲学原理》中的相应观点对二者的内涵加以区别界定并对二者的关系加以厘定:道德是个体对自身完满性的价值追求,具有主体性与私人性;而伦理则是基于社会成员之间的互动交往而形成的规范体系,具有“互主体性”与公共性。道德是伦理的基础,伦理是道德的提升。笔者认为,对伦理与道德加以区分和厘定将有助于伦理冲突的化解、伦理关系的协调以及伦理秩序的维护。  相似文献   

18.
This paper investigates the potential of the concept of sublimation for thinking subjectivity at the intersection of psychoanalysis and critical theory. I first rehearse a recent argument by Whitebook that Freud’s notion of sublimation presents a nonviolent integration and expansion of the ego, which can mediate the modern dichotomy between the rational subject and nonrational impulse and desire. On this view, sublimation turns subjectivity into a site of possibility in the context of modern, rationalized thought and society. I then argue that the concept of sublimation offered to critical theory in this form is insufficiently developed. Both Freud and Adorno analyze a deep-seated destructiveness of the modern subject, which turns up right at the heart of attempts to mediate the dichotomies of rationalized modernity. What is needed to counter this problem is a theory of love in which love is not separated from, but, rather, correlated with drive and desire, and can thereby get on a level with the unconscious or unacknowledged, impulsive nature of death-bearing subjectivity in enlightened modernity. A central conception in Kristeva’s development of Freudian psychoanalysis, the idea of transference love, delivers such a theory and thereby develops the concept of sublimation in the way that is needed at the intersection of psychoanalysis and critical theory.
Sara BeardsworthEmail:
  相似文献   

19.
    
This paper considers whether Hegel's master/slave dialectic in the Phenomenology of Spirit should be considered as a refutation of solipsism. It focuses on a recent and detailed attempt to argue for this sort of reading that has been proposed by Frederick Beiser – but it argues that this reading is unconvincing, both in the historical motivations given for it in the work of Jacobi and Fichte, and as an interpretation of the text itself. An alternative reading of the dialectic is proposed, where it is argued that the central problem Hegel is concerned with is not solipsism, but the sociality of freedom.  相似文献   

20.
Hegel's Legacy     
This paper deals with some aspects of the relationship between Hegel and Marx and with their influence on the development of Marxism. The story is largely, though not entirely, one of misunderstandings and misappropriations, lost opportunities, unnoticed slippages, wrong turnings and blind alleys. As a result the project which unites Hegel and Marx, and, indeed, is the driving force of their work, has fared less well than it might have done. This, to state it in the most general terms, is the project of a dialectical theory in the service of human freedom. Anyone interested in that project who wishes to gauge its current standing and prospects will need to understand its strange history. The history also contains elements of deep continuity and unity of thought, at least where Hegel and Marx themselves are concerned. Yet even these have been subject to distortion and forgetting by Marx's successors. The discussion will try to do justice to them too. This revised version was published online in June 2006 with corrections to the Cover Date.  相似文献   

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