Test of the Korman hypothesis: performance, self-esteem, and job satisfaction among dentists

Contrary to the Korman hypothesis, this study of 416 dentists showed positive relationships between job satisfaction and productivity-based measures of performance for individuals of both low and high self-esteem.     

Ordinary Objects and Series‐Style Answers to the Special Composition Question

The special composition question asks, roughly, under what conditions composition occurs. The common sense view is that composition only occurs among some things and that all and only ‘ordinary objects’ exist. Peter van Inwagen has marshaled a devastating argument against this view. The common sense view appears to commit one to giving what van Inwagen calls a ‘series‐style answer’ to the special composition question, but van Inwagen argues that series‐style answers are impossible because they are inconsistent with the transitivity of parthood. In what follows I answer this objection in addition to other, less troubling objections raised by van Inwagen.     

Reply to Commentary by Daniel N. Stern

I respond to Stern's largely affirming discussion by fleshing out a few points, for example, improvisation is more than just being spontaneous, it is ensemble work that plays off and with patterns emergent in the personalities of both parties. These patterns illuminate something about the unconscious of each from which blossom things heretofore unimagined or unarticulated. Several principles are then emphasized: First, improvisational moments arise when the “characters” in the moment draw from something real within themselves along with who they are inducing one another to become. Second, the cultivation of play in improvisation lends itself to putting to rest the myth of the perfectly analyzed analyst as not only impossible but as being both unnecessary and undesirable—a seminal point to the entire relational canon. Third, improvisation is a means for putting live flesh on the sterile bones of a host of theories now informing the contemporary psychoanalytic perspective such as chaos and complexity theory, along with dynamic systems theory. I also note that improvisational moments exhibit an emerging sense of vitality and a deepened sense of connection between the partners. Their work obtains a greater sense of focus, though not a deliberate focus as that their relational unconsciouses are “directing” them. Improvisational work feels liberating, playful, as well as affirming and recognizing what what each is bringing to their coauthorship. By contrast, when the improvisation fails, it devolves into negative thirdness or one-upsmanship, the qualities of which reflect deadness, avoidance, confusion, constriction of play, and a misrecognition of one another that devolves into a mutual sense of defeat. Responding to Stern's question about posi-traums, I affirm there is a phenomenon in which an entrenched emotional conviction of a patient's can be dramatically altered. This happens when something positive occurs that cannot be assimilated within the patient's intransigently negative belief system such that she must accommodate a new organizing principle, that is, a new emotional conviction to make sense of it. I concede, however, that it may be too soon to tell how much such phenomena penetrate the more physiologically encoded elements of trauma.