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1.
This paper develops a new account of Beauvoir's “Hegelianism” and argues that the strand of contemporary interpretation of Beauvoir that seeks to represent her thought in isolation from that of Jean‐Paul Sartre constitutes a betrayal of the philosophy of recognition that she derives from Hegel. It underscores the extent to which Beauvoir influenced Sartre's Being and Nothingness and shows that Sartre and Beauvoir both adapted Hegel's ideas and agreed in rejecting his optimism.  相似文献   

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ABSTRACT

Although both Heidegger and Derrida criticize Hegel as the archetype and historical culmination of the metaphysics of presence, Hegel’s dialectics also serves as a model for their critical destruction or deconstruction of metaphysics. Through an analysis of the notions of ‘arrest’ and ‘halt’ in Derrida and Hegel, this paper will show how both Heidegger and Derrida take up elements of Hegel’s theory of the development of consciousness, which is characterized both by an ‘unhalting forward motion’ but also by delay, interruption and inertia. This paper will develop the strange parallel between Derrida’s notion of l’arrêt and the halting movement of spirit in Hegel. It will show that Hegel’s ‘rhythm of the concept’ is not so distant from the ‘arrhythmia’ Derrida finds in the notion of l’arrêt. It will thus show how time, history and spirit are linked in a self-deconstructive manner in this unstable point of the arrest/halt.  相似文献   

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Walter Biemel 《Man and World》1992,25(3-4):271-280
Ohne ZusammenfassungMit freundlicher Genehmigung von Dr. Hermann Heidegger konnte hierbei ein unveröffentlichtes Manuskript als Grundlage dienen. Die Seitenangaben beziehen sich auf die Abschrift dieses Textes, der sich im Heidegger-Archiv unter der Signature A 37 befindet.  相似文献   

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Buddhism relentlessly exposes the impermanent, painful, and insubstantial character of all phenomena, but it ends up reinstating the conventional samsaric world as the place where nirvanic emptiness can be encountered and where compassion can be skilfully exercised. In Hegel and Heidegger one also finds dialectical reversals that bring a positive result from the ordeal of the negative. In Heidegger, the encounter with nothingness in anxiety brings a discovery of the phenomenon of being. In Hegel, the dialectical self-dissolution of received metaphysical notions generates a positive method of grasping the real. Heidegger's meditative thinking has an affinity with Hegel's Concept, in that both free the mind from the painfully constricted forms of metaphysics. Heidegger is also near to Daoism when he grounds the clarity of logical thought in a more obscure, originary kind of thought, and when he characterises the movement of thinking, at this more originary level, as a ‘way.’ All four dialectical paths reveal their vitality, in reciprocal critique, when rooted in the human quest to bring the everyday into connection with ultimate meaning.  相似文献   

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ABSTRACT

One of Heidegger’s enduring concerns was to develop an original meditation on the meaning of (the presence of) the present. Integral to this attempt is his critique of the understanding of the being of beings in terms of the objectivity of the object. In this paper, I trace Heidegger’s analyses of objectivity, through which Heidegger consistently establishes objectivity as non-primordial and derivative. In order to do this, however, Heidegger had to identify a specific, narrow (spatio-temporalized) conception of objectivity (in terms of Gegenstehenlassen and Vorstellen) as the hallmark of modern philosophy. I show that it is unclear whether that conception is a justified result or rather an unjustified presupposition of his approach. I then suggest what meanings of objectivity might be lost after Heidegger, by pointing to several aspects of Hegel’s notion of objectivity that are incompatible with Heidegger’s account, to wit: the lack of ‘subject-object’-terminology in his definitions of objectivity; the special language of ‘forms of’ objectivity; Hegel’s critique of representation; his notion of Gegenstand as a content with a categorical form, and, finally, that Aristotle’s notion of hypokeimenon might provide a clue as to how Hegel’s notion of object can be understood.  相似文献   

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Levinas subverts the traditional “ontology-epistemology,” and creates a “realm of difference,” the realm of “value,” “ethic,” and “religion,” maintaining that ethics is real metaphysics. According to him, it is not that “being” contains the “other” but the other way round. In this way, the issues of ethics are promoted greatly in the realm of philosophy. Nonetheless, he does not intend to deny “ontology” completely, but reversed the relationship between “ontology (theory of truth)” and “ethics (axiology),” placing the former under the “constraint” of the latter. Different from general empirical science, philosophy focuses more on issues irrelevant to ordinary empirical objects; it does have “objects,” though. More often than not, the issues of philosophy cannot be conceptualized into “propositions”; nevertheless, it absolutely has its “theme.” As a discipline, philosophy continuously takes “being” as its “theme” and “object” of thinking. The point is that this “being” should not be understood as an “object” completely. Rather, it is still a “theme-subject.” In addition to an “object,” “being” also manifests itself in an “attribute” and a kind of “meaning” as well. In a word, it is the temporal, historical, and free “being” rather than “various beings” that is the “theme-subject” of philosophy. Translated by Zhang Lin from Wen Shi Zhe 文史哲 (Journal of Literature, History and Philosophy), 2007, (1): 61–70  相似文献   

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This article suggests that Simone de Beauvoir's The Second Sex offers an important contribution to a feminist phenomenology of temporality. In contrast to readings of The Second Sex that focus on the notion of “becoming” as the main claim about the relation between “woman” and time, this article suggests that Beauvoir's discussion of temporality in volume II of The Second Sex shows that Beauvoir understands the temporality of waiting, or a passive present, to be an underlying structure of women's existence and subordination. Accordingly, I argue that Beauvoir does not see “woman” as a mere becoming, as that which unfolds in time, but instead understands becoming a woman to be realized as lived time. As such, Beauvoir's account shows that gender and temporality are deeply entangled, and thus she challenges the classic phenomenological account of temporality as a general, given structure of human existence. More specifically, I argue that her account shows how a particular experience of time is an underlying structure of sexual objectification, a claim that expands on the feminist phenomenological claim that a particular relation to space becomes a way in which women take up and negotiate their own subordination and objectification.  相似文献   

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The essay recapitulates the decisive steps in Heidegger’s development of the problem of human freedom. The interpretation is set in the context of a general matrix for how freedom is treated in the tradition, as both a theoretical ontological problem, and as practical appeal. According to some readers, Heidegger’s thinking is a philosophy of freedom throughout; according to others his “turning” implies abandoning the idea of human freedom as a metaphysical remnant. The essay seeks an intermediate path, by following his explicit attempts to develop an ontology based on the concept of freedom in the earlier writings, showing how this is the central theme in his confrontation and also his final break with German idealism, with Kant and with Schelling in particular, and with the prospects for a system of freedom. However, this break does not terminate his preoccupation with the problem of freedom, which is then transformed into the idea of thinking as a practice of freedom, as a way of reaching into “the free”.
Hans RuinEmail:
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In 'Art as Festival', I put Heidegger and Gadamer into dialogue concerning their respective critiques of traditional aesthetics and their more positive views on the work of art. I use the festival theme to examine some of the philosophical issues in Heidegger's and Gadamer's approaches to the work of art. Specifically, I look at the way both figures conceive the work of art as an encounter which, like the festival, involves a transcendence of subjectivity in an encounter with an event - in this case, the artwork - which the individual does not direct, but rather in which they participate. Putting the theme of festival into play also provides a useful critical lever, especially in the way that it raises important issues of community. More specifically, reflecting on the festival celebration raises questions of the nature of this community, of the relation of the community created in the festival event to the community of the everyday, and thus also of the relation of the aesthetic and the political.  相似文献   

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Abstract: In this paper I argue that both Hegel's and Korsgaard's attempts to ground moral obligation in the inherent necessity of committing to being a self-determining agent fall short of accounting for the full strength of our considered sense of moral obligation. I examine the differences between their accounts in order to show that their efforts suffer from a common inadequacy, namely, overlooking that there are two distinct ways we can value things as self-determining agents. I maintain that accounting for the actual stringency of moral judgment depends on explaining the superiority of one of these ways of valuing over the other.  相似文献   

18.
Andrew Haas 《Man and World》1997,30(2):217-226
This text argues that Hegel's Concept, insofar as it has already deconstructed all opposed and fixed standpoints, supersedes deconstruction. Reducing the Logic and Phenomenology to the same kind of schematic formalism for which Hegel criticized his predecessors (Fichte and Schelling), Derrida misses the ways in which Absolute Spirit shows itself as the bacchanalian revel wherein no member is not drunk. Thus, this article defends Hegel against Derrida on Derrida's terms.  相似文献   

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Simone de Beauvoir's The Second Sex has been heralded as a canonical text of feminist theory. The book focuses on providing an account of the lived experience of woman that generates a condition of otherness. However, I contend that it falls short of being able to account for the multidimensionality of identity insofar as Beauvoir's argument rests upon the comparison between racial and gendered oppression that is understood through the black–white binary. The result of this framework is the imperceptibility of identities at the crossroads between categories of race and gender. Hence, the goal of this article is to explore the margins of Beauvoir's work in order to decenter the “other” of The Second Sex and make known what is made imperceptible by its architecture, using Latina identity as an interventional guide. I conclude that given the prominence of The Second Sex in feminist theory, this shortcoming must be addressed if feminist theorists are to use it responsibly.  相似文献   

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