Eyeblinking during autokinetic movement observed by a subject living in the up-down inverted visual world

Eyeblinking during autokinetic movement observed by one subject living in the up-down inverted visual world, was investigated. The subject wore frame-spectacles (without prisms) for the first two days and then wore up-down inverting spectacles (with prisms) for the next four days, followed by the resumption of the former frame-spectacles for one day. Eyeblinks during autokinetic movement were measured by using vertical EOG. Analysis showed (1) the occurrence of eyeblinking during autokinetic movement was not influenced by living in the up-down inverted visual world; (2) the frequency of eyeblinking during autokinetic movement significantly decreased with successive days of observation.     

The origin of the autokinetic effect

The effects of unbalanced fatigue of the ocular and neck musculature on the auto- kinetic effect are described. It is shown that after deviation of the eyes to an extreme position, fixation of a small light source with the eye in the central position gives rise to an immediate and pronounced autokinetic effect. This apparent movement is typically in the same meridian as that of the ocular deviation and is often, at all events at first, in the opposite direction. Similar, though less clear-cut, results are obtained after induction of unbalanced fatigue in the neck musculature. It is argued that the autokinetic effect observed under these conditions warrants treatment as a primary illusion of movement and does not involve a “framework” or standard of reference. In an appendix, a speculative model of the ocular control system and some preliminary observations are presented. It is concluded that the autokinetic effect is principally due to spontaneous minor fluctuations in the neural system which monitors the outward signals controlling eye movement.     

Effect of alcohol on visual constancy values and possible relation to driving performance

The effects of the constancy phenomena in vision seem to be to provide information about the environment which is not solely dependent upon the characteristics of shape or size of the retinal image but which is modified by the brain to appear closer to the idealized characteristics of the real object. There is a regression away from the retinal image towards the actual object's characteristics. A plate viewed from an angle tends to look more like a disc than would be predicted from the geometry of perspective. This ability of the brain to impose conditions on perception is a high-level process which may be adversely affected by the depressive action of alcohol on the nervous system. In this case, objects such as road signs, etc. would tend to look smaller and so more distant than when sober if regression is inhibited. Drivers' reactions may be delayed if hazards are seen smaller and further away, thereby increasing the possibility of accident. This research indicates a reduction in phenomenal regression after ingestion of alcohol. There are implications for accident-rates in driving or in industry.     

A generalized visual latency explanation of the Pulfrich phenomenon

The classical visual latency explanation of the Pulfrich phenomenon is generalized to allow for the possibility that the visual system uses velocity information from motion detectors to compensate for spatial lag due to time lag, in identifying the instantaneous position of a moving object. The results of the reported experiment verify one consequence of the generalized version: the elliptical apparent path is skewed away from the filtered eye. The results suggest also that the extrapolation factor increases with visual latency and that there is a different extrapolation factor for each eye when the eyes are illuminated unequally.     

Comparing auditory vs visual stimuli in the tip-of-the-tongue phenomenon

An experiment is reported comparing the effectiveness of auditory and visual stimuli in eliciting the tip-of-the-tongue phenomenon. 30 participants were asked to name the titles of 27 television shows. Half of the participants were given segments of the theme song for each show (auditory cue), and half were shown the cast photographs for each show (visual cue). Participants were asked to report whenever they experienced the tip-of-the-tongue state. There were no significant differences between the auditory and visual stimuli in terms of the incidence rate for the tip-of-the-tongue state, the amount of partial information that participants provided in their responses, or the frequency of interlopers (alternative responses that persistently come to mind). These findings suggest that the characteristics of the tip-of-the-tongue state are determined more by the nature of the response set than by the type of stimuli used as cues. The results are inconsistent with inferential theories of the tip-of-the-tongue phenomenon, such as the cue familiarity hypothesis and, instead, tend to support direct-access hypotheses.