Can a Neural System Geared to Bring About Rapid,Predictive, and Efficient Function Explain Creativity?

Abstract

Vandervert, Schimpf, and Liu (this issue) have presented a cerebellar model of creativity in the featured article by relating their ideas to processes of working memory in relation to the cerebellum as well as by generalizing the motor control role of the cerebellum to extend to non-motor facets of cognition. In the present article, I discuss the weaknesses of their approach at different levels, ranging from the inadequate definition of the construct under study and the lack of specificity in their claims, to the counterintuitive underlying rationale of their approach, and the inadequate evidence provided to cement their ideas. I end by briefly outlining what would be necessary to propound an account of creativity that is uniquely attributable to cerebellum function.     

Créativité verbale et valence émotionnelle : « Je deviens plus créatif quand je vois un mot positif ! »

IntroductionThe modulating effect of emotion on creativity is one of the most current topics in cognitive research. Emotion, and particularly positive emotion, is supposed to be conducive of creativity and to enhance the processes of creative thinking.ObjectiveThis work aimed to study the modulating effect of emotional valence of the task material (words-stimuli) as well as the emotional valence of the task instructions on verbal creativity performance.MethodAn experiment was conducted on a set of 27 stimuli-words and six instructions-phrases selected on the basis of pretest valence ratings. The valence of the stimuli-words (negative, neutral and positive) was crossed with the valence of the instructions-phrases (negative, neutral and positive) in a 3 × 3 factorial design. However, only five experimental conditions were considered relevant and used in the Experiment. Three components of verbal creativity identified in the literature were measured: fluidity, flexibility and originality.ResultsResults showed that positive instructions and words increased verbal creativity, especially the originality of the responses, which is considered as a basic component of creativity. Conversely, negative valence had an inhibitory and obstructive effect on verbal creativity.ConclusionThis study supports previous research showing the existence of a significant influence of emotional valence of words on cognitive functioning, and adds to the very little (or absent) research on the modulating effect of the valence of instructions and on the relationship between verbal creativity and emotional valence, a relationship that can be fostered in education.     

General,Artistic and Scientific Creativity Attributes of Engineering and Music Students

ABSTRACT

The purpose of this research was to investigate similarities and differences in general, artistic, and scientific creativity between engineering versus music students, as 2 groups respectively representing scientific and artistic domains. One hundred music and 105 engineering students from a large, Northeastern university completed measures of general creativity, music creativity, engineering creativity, and a demographic questionnaire. Results indicated that musicians scored higher in general and artistic creativity, with no significant differences in scientific creativity. Participants had higher levels of creativity, compared with normative data from previous studies. Gender, age, and specialization within major yielded no significant differences. Implications for creativity measures are discussed, including cognitive risk tolerance.     

The Big Sleep

ABSTRACT

This paper illustrates the link between creativity and psychotherapy as an art. Clinical examples are given first, followed by significant events that affected this therapist's creative activities. Then personal views of creativity arc described with the conclusion showing different aspects of creativity as applicable to psychotherapy.     

Recent advances in the psychology of creativity / Avances recientes en psicología de la creatividad

Abstract

This introduction to Studies in Psychology presents a collection of theoretical and empirical works covering various areas of research into the psychology of creativity. This issue contains five articles that present theories or review evidence regarding various approaches to creativity and three articles that are empirical reports. The articles cover a broad range of topics related to the psychology of creativity. Thus, this collection of articles highlights the fact that research into creativity expands our basic understanding of the functioning of the mind, has an impact on other related areas of psychological research and has an increasing number of applications.     

Synesthesia and creativity in fine arts students: An Empirical Look

Abstract:

A survey of 358 fine arts students at three large universities indicated that 23% (84) experienced synesthesia in a spontaneous and consistent manner, and 49% (175) reported no such experience. From this subject pool, 61 synesthetes and 61 controls, equated on gender, major, year in school, and verbal intelligence, received a battery of four creativity measures. The synesthetes scored significantly higher than controls on all four creativity measures; and their self‐rated frequency and vividness of synesthesia though significantly intercorrelated, correlated marginally with the measures of creativity. The results are consistent with anecdotal reports that synesthetes are often involved in musical and artistic fields, and possessive of a high degree of creativity.     

Perceptual fluency effects in judgments of creativity and beauty: creative objects are perceived fluently yet they are visually complex

ABSTRACT

Perceptual fluency typically has a positive influence on aesthetic evaluations of beauty, but few studies have examined its influence on creativity evaluations. Creativity has two facets, originality and quality. If creativity judgments involve estimating product originality, such judgments may be associated with perceptual disfluency, while product quality may be associated with perceptual fluency. We examined the relationship between perceptual fluency and judgments of creativity and beauty across seven experiments. Creativity judgments were affected by most perceptual fluencysources. We observed a highly-fluent-is-beautiful-and-creative relation when testing repeated exposure and figure-ground contrast. Prototypicality displayed a high-fluency–is-beautiful relation, with creativity judgments unaffected. Visual complexity displayed a consistent disfluent-is-creative effect, with mixed results for beauty. For creativity (but not beauty) evaluations, increased saliency of visual complexity led to discounting fluent-is-creative effects, supporting the hypothesis that there are at least two fluency pathways to creativity judgments that take both originality and quality into account.     

Is Person–Organization Fit Beneficial for Employee Creativity? Moderating Roles of Leader–Member and Team–Member Exchange Quality

ABSTRACT

This study investigates the effect of person–organization (PO) fit on employee creativity. We draw on social exchange theory and identify leader–member exchange (LMX) and team–member exchange (TMX) as moderating contingencies. Our empirical analysis based on 167 employee–supervisor dyads confirms that LMX activates the significance of PO fit toward creativity. In addition, under high LMX, PO fit effect on creativity is positive when TMX is high. Subsequent analyses show that employees with high PO fit exhibit the highest level of creativity when LMX and TMX are high. Findings on the three-way interaction among PO fit, LMX, and TMX toward creativity offer new insights into a phenomenon that is mostly neglected in the literature.     

Understanding the Effects of Cognition in Creative Decision Making: A Creativity Model for Enhancing the Design Studio Process

ABSTRACT

The essential components of creativity—persons, processes and products—were investigated inside a creative environment by deeply focusing on the cognitive stages of the creative decision making process. Mental imagery and external representation were considered as the implicit parts of creativity for enhancing design studio process. An experiment was conducted with 15 subjects who designed the public area of a train as the task in design studio. Observation, protocol analysis, and rating scales were used as assessment tools. Considering the components of creativity, it was found that the highest correlation was between process and overall creativity. Person and product followed process, respectively. However, no significant relationship was observed between imagery and creativity in design process. Three-dimensional representations were found to lead to more creativity compared to 2-dimensional depictions.     

Effects of Diversity on Knowledge Sharing and Creativity of Work Teams: Status Differential Among Members as a Facilitator

ABSTRACT

We investigated a plausible intermediate process and a boundary condition that elaborates the diversity–team creativity relationship to address mixed findings on the relationship between diversity and creativity. Our analysis using multi-source data collected from 128 work groups showed that age diversity and functional background diversity had negative and positive effects, respectively, on knowledge sharing and subsequent team creativity. Moreover, the effects of the four diversity attributes (age, gender, functional background, and tenure) on knowledge sharing were all negative in groups with low status differential, whereas the same effects became significantly positive in groups with high status differential. This study demonstrates a mechanism through which group diversity facilitates team creativity based on the information processing view of diversity and the functional approach to social status.     

When paying attention pays off: the mindfulness skill act with awareness promotes creative idea generation in groups

ABSTRACT

Past work has linked mindfulness to improved individual-level creativity, but remained silent about group-level creativity. Of all mindfulness skills, the ability to observe and attend to various stimuli (Observation) is the most powerful predictor of individual-level creativity. Studies examining effects of specific mindfulness skills on factors pertinent to group creativity suggest that for group-level creativity, the ability to focus attention with full awareness (Act with awareness), may be equally, or even more, important. We tested the relation between mindfulness and group-level creative idea generation using two brainstorming studies: one exploratory and one confirmatory. Mindfulness skills were either measured (Study 1; N = 88 groups) or the Act with awareness skill was targeted with a short, incidental guided meditation session (Study 2; N = 68 groups). Results from both studies showed differential relations between mindfulness and group creative idea generation: Only Act with awareness positively predicted the originality of ideas (Study 1 and 2) and the number of creative ideas in groups (Study 2). How mindfulness skills relate to creativity thus depends on the particular mindfulness skill involved and whether creativity happens at the individual or group level.     

Mood Swings and Creativity

ABSTRACT:

This article evaluates recent evidence for an association between creativity and bipolar mood disorders. Eminent creativity and everyday creativity are distinguished, with high rates of major mood disorders‐particularly bipolar disorders— appearing among eminent creators in the arts. However, among everyday persons, including the 4–5% of the population that may develop a bipolar “spectrum”; disorder and their relatives, it is those with relatively milder mood disorders and normalcy who may show the greatest creative advantage. These seemingly conflicting results are reconciled through comparison of research designs and the creativity and diagnostic variables studied. Evidence regarding mood states that enhance creativity is also considered, both for eminent and everyday creators, and some preliminary results from a study of patients are presented. Here, milder mood elevations were tied most closely to the experience of creativity, although other patterns can exist. Three patterns are examined in terms of 23 mood, cognitive, and behavioral features that Jamison (1989) studied in eminent creators.     

Student essay competition prize winner creativity and inhibition: A comparison of freud and klein

Abstract

This essay reviews Freud's and Klein's approaches to the question of the nature of creativity. It attempts to show that a fuller understanding of creativity involves some linking between these two apparently divergent approaches. The work of Marion Milner and the Winnicottian School is suggested as a possible way forward in our understanding.     

A continuum of adaptive creative behaviors

Abstract:

The most common definitions of creativity—the production of something new or rare or that of divergent thinking—do not bridge the gap between childhood and adulthood. A developmental continuum is proposed to span the creativity of childhood to the creativity found in adults. The range of adaptive behaviors along this continuum are related by the common element of discontinuity, but differ in adaptation, purpose, novelty, value, speed, and structure. Seven levels are proposed: Learning something new; universal novelty; making connections that are rare compared to peers; developing talents; developing heuristics; producing information; creating by extending a field; and creating by revolutionizing a field. The last two levels are characteristic of mature creators. How educators currently deal with creativity, different developmental trajectories that relate to child‐rearing and schooling practices, a call for supporting creativity as a goal for education, and a brief discussion of the issues of linearity, order, and creativity in females related to the continuum conclude the paper.     

Cognitive pathways of team climate for creativity: Implications for member creativity and job performance

ABSTRACT

The present study examines the contextual effects of team climate for creativity on creative behavior and job performance of employees. Drawing on the team-knowledge management perspective, we identify team-learning orientation and collective problem solving as main intermediate cognitive processes. The results, based on 856 employees across 102 work units of a high-tech company, demonstrate that these 2 team-level cognitive processes mediate the cross-level effects of team climate for creativity on creative behavior and job performance. This study reveals the cognitive ramifications of team climate for creativity as a favorable social context for employee creativity. By highlighting the cognitive process activated by team climate for creativity, this work complements existing studies focusing mostly on the affective and motivational mechanisms that underlie the team context–creativity relationship.     

The influence of attentional focus on the development of skill representation in a complex action

ObjectivesRecent research has indicated that performers' mental representation of a motor skill changes over the course of learning. In the present study, we sought to ascertain whether the type of instructions (instructions that emphasize either an internal or external focus of attention) influences the development of skill representation during motor learning.DesignParticipants without golf experience were recruited to practice a golf putting task over the course of three training days. Participants were randomly assigned to either an internal focus (focus on the swing of the arms; n = 10) or external focus (focus on the speed of the ball roll; n = 10) learning group. Changes in putting performance and mental representation structure were assessed over the course of learning, as well as during a follow-up retention test two days after practice.MethodsMental representation structure was measured employing the structural dimensional analysis of mental representations (SDA-M), which provided psychometric data on the structure of the mental representation in long-term memory. Additionally, the change in putting accuracy and consistency was recorded over the course of learning.ResultsFindings indicated that the external focus group performed with greater accuracy and consistency during training, and revealed a larger degree of development in their mental representation of the putting task.ConclusionsOverall, our findings suggest that facilitating the link between an action and its effect by means of an external focus is crucial for motor performance as well as the development of skill representation.     

Teachers’ creativity,playfulness, and style of interaction with children

Abstract:

This investigation examined the relationships among a teacher's creative thinking, playfulness, and degree of sensitivity in their interactions with preschool children during play. These variables were operationally defined as scores on measures of ideational fluency, playful disposition, and quality of self‐reported play interaction. The Multidimensional Stimulus Fluency Measure, the Adult Behavior Inventory, and the Play Interaction Scale were administered to 46 students and 37 teachers of three‐ and four‐year old children. The Play Interaction Scale, developed for this study, was based on environmental components identified in earlier research as facilitative of play. Subjects indicated the frequency with which they might respond in a structured, elaborative, or unstructured manner to 20 vignettes describing the play of children. Results indicated that the expected positive relationships among creativity, playfulness, and an elaborative teaching style were found only for the students. The predicted negative relationships between creativity and a structured interaction style were found only for the experienced teachers.     

Political pathology and societal creativity

Abstract

Complementing the hypothesized intimate relation between creativity and psycho‐pathology at the individual level are conjectures concerning the relation between creativity and pathology at the sociocultural level. This article reviews the empirical literature on the subject, with special focus on how societal creativity is affected by international war, external threat, political instability, and civil disturbances. Such events and circumstances are shown to affect both the quantity of creative activity and the form that any creativity takes. Although some of these effects are short‐term and transient, other influences operate after some delay and tend to be more lasting. There follows a discussion of what these results imply about how creativity at the individual level is shaped by the social context in which creative development and thought take place.     

Stability of M-ABC-2-measured motor functioning in early childhood: Evidence from a large prospective cohort

AimSome studies have reported that children with poor motor functioning tend to improve over time. However, much existing research does not account for regression towards the mean (RTM). Here, we examine measurement stability among 589 children aged 4–5 years.MethodWe administered the Movement Assessment Battery for Children 2nd Edition annually to 269 children initially scoring above and 252 at or below the 16th percentile. We measured agreement between year 1 and year 2 standard scores using Pearson correlation and derived expected regression towards the mean (RTM). We then regressed follow-up on baseline scores, controlling for relative age, sex, and exact interval between assessments. Finally, we performed a small illustrative simulation.Outcomes and resultsThe mean score in the poor-coordination group rose from 5.6 (SD = 1.5) to 7.2 (SD = 2.8). Year 1 and year 2 scores were correlated at r = 0.66, corresponding to predicted RTM in the MI group of 1.56, close to the observed change of 1.57. Degree of change was not associated with time between assessments.InterpretationObserved improvements in motor functioning were consistent with measurement error. The stability of motor functioning may be greater than it appears from past research, and reported functional improvements in some studies may be illusory.What this paper adds?

• -Impaired motor coordination is common and can meaningfully affect functioning.
• -Our analysis suggests that coordination is generally stable.
• -Apparent improvement in research may often be produced by measurement error.

     

Creativity and mental health in everyday life

Abstract

The connection between mental health and creativity has traditionally been studied in terms of outstanding aesthetic‐professional creativity and mental illness. More interesting however, is the possible connection between “everyday “ creativity and mental health. Everyday creativity involves attacking day to day activities in a divergent way: It derives from a complex of cognitive, affective, personal, motivational, and social factors, and is characterized by openness, flexibility, autonomy, playfulness, humor willingness to take risks, and perseverance. These characteristics are also consistently emphasized in models of “normal”; personality growth, so that the possibility of promoting mental health arises by fostering creativity in day to day life. Several small studies described in this article give examples of how this might be done and the kinds of benefits which can result.