Grace as Pardon and Power: Pictures of the Christian Life in Luther, Calvin, and Barth

Christians have long understood grace both as a declaration of acceptance and as a power that transforms. This article illumines two theses while investigating the relationship between these understandings of grace in Luther, Calvin, and Barth's development of the law/gospel dialectic and the doctrines of justification and sanctification. First, though each theologian makes use of both understandings of grace, each also tends to emphasize one over the other. The unity and tension within and between these perspectives help to show that while both pictures are of the greatest importance for each other and cannot be separated, they also exist in tension, as long as they are worked out in the lives of sinners. Second, the author claims that the positions of Luther and Barth are more alike than is generally recognized.     

Pictures in sentences: understanding without words

To understand a sentence, the meanings of the words in the sentence must be retrieved and combined. Are these meanings represented within the language system (the lexical hypothesis) or are they represented in a general conceptual system that is not restricted to language (the conceptual hypothesis)? To evaluate these hypotheses, sentences were presented in which a pictured object replaced a word (rebus sentences). Previous research has shown that isolated pictures and words are processed equally rapidly in conceptual tasks, but that pictures are markedly slower than words in tasks requiring lexical access. The lexical hypothesis would therefore lead one to expect that rebus sentences will be relatively difficult, whereas the conceptual hypothesis would predict that rebus sentences would be rather easy. Sentences were shown using rapid serial visual presentation (RSVP) at a rate of 10 or 12 words per second. With one set of materials (Experiments 1 and 2), readers took longer to judge the plausibility of rebus sentences than all-word sentences, although the accuracy of judgment and of recall were similar for the two formats. With two new sets of materials (Experiments 3 and 5), rebus and all-word sentences were virtually equivalent except in one circumstance: when a picture replaced the noun in a familiar phrase such as seedless grapes. In contrast, when the task required overt naming of the rebus picture in a sentence context, latency to name the picture was markedly longer than to name the corresponding word, and the appropriateness of the sentence context affected picture naming but not word naming (Experiment 4). The results fail to support theories that place word meanings in a specialized lexical entry. Instead, the results suggest that the lexical representation of a noun or familiar noun phrase provides a pointer to a nonlinguistic conceptual system, and it is in that system that the meaning of a sentence is constructed.     

The Magazine Picture Collage

The magazine picture collage, an occupational therapy evaluation technique, was chosen for use in a pre-placement teaching clinic with second year occupational therapy students. The collage technique was selected because it was suitable for administrating in a group setting; because it was especially congruent with the developmental and educational needs of the students at that precise stage; and because it was one of the few tools of psychosocial occupational therapy with an adequate body of introductory literature to support its further use and development. Subjective evaluation of the magazine picture collage teaching clinic seemed to indicate that the collage fulfilled the goals of the clinic. Goals included increased awareness of nonverbal communication and projection, understanding of manifestations of mental illness, understanding of students' personal values, understanding of real differences and similarities between students and clients, understanding of the therapist leadership role, and assessment of different frames of reference.     

垂直等值的应用及最新发展述评

由于实际的需求,垂直等值方法在近些年来迅速发展。但从垂直等值方法的整个过程来看,包括垂直等值的选用、双向细目编制、发展性量尺的构建、程序的选择和结果的报告,仍存在大量有待解决的问题。同时,随着其他测量方法的发展与进步,垂直等值与之相结合从而获得了进一步的完善。综观之,垂直等值方法的发展与完善,一方面依赖于各种模型和参数估计方法的改进与创新,另一方面还依赖于研究者对学业发展本质的不断深入认识。     

记忆系统中图形不同特征的提取

在长时记忆中,图形的颜色、形状和质地等三个特征可以分开表征。那么,图形的不同特征以何种方式提取?在提取过程中,图形的这些特征被激活的程度是否存在着差异?本研究通过对不同提取线索再认成绩的比较,试图对上述问题进行了探讨。结果表明,长时记忆中,图形的形状、颜色和质地的相对痕迹问无差异,而绝对痕迹不同,形状最强,颜色最弱,质地居中。当然,当图形特征数量增加时,它们之问的相互作用是不可避免的,所以,进一步的研究还应考虑到不同特征组合的提取特点,图形的其他特征(如大小、位置等)的提取特点。     

Picture Naming Deficits in Developmental Dyslexia: The Phonological Representations Hypothesis

The picture and word naming performance of developmental dyslexics was compared to the picture and word naming performance of non-dyslexic (“garden variety”) poor readers, reading age, and chronological age-matched controls. The stimulus list used for both tasks was systematically manipulated for word length and word frequency. In order to examine picture naming errors in more depth, an object name recognition test assessed each subject's vocabulary knowledge of those names which they were unable to spontaneously label in the picture naming task. Findings indicated that the dyslexic and the garden variety poor readers exhibited a picture naming deficit relative to both chronological and reading age-matched controls. Findings also indicated that both groups of impaired readers obtained superior scores in the word naming task than in the picture naming task, while both groups of controls showed no difference in performance across tasks. The dyslexics' picture naming errors, but not those of the garden variety poor readers, were particularly marked on polysyllabic and/or low frequency words, indicating a possible phonological basis to the picture naming deficit of the dyslexic children. These children also recognized significantly more unnamed target words than all comparison groups, suggesting a particular difficulty inretrievingthe phonological codes of known picture names rather than a vocabulary deficit. Results are discussed in terms of dyslexics' difficulty in encoding full segmental phonological representations of names in long-term memory and/or in processing these representations in order to generate required names on demand.     

Pictures in Wittgenstein's Later Philosophy

The word “picture” occurs pervasively in Wittgenstein's later philosophy. Not only does Wittgenstein often use literal pictures or the notion of mental pictures in his investigations, but he also frequently uses “picture” to speak about a way of conceiving of a matter (e.g. “A picture held us captive” at Philosophical Investigations§115). I argue that “picture” used in this conceptual sense is not a shorthand for an assumption or a set of propositions but is rather an expression of conceptual bedrock on the model of an organising myth. This reading builds primarily on work by Gordon Baker and Stanley Cavell.     

Picture superiority in free recall: The effects of organization and elaboration

A conception of semantic memory structure is presented in which elaboration is considered to vary both between and within items. Pictures and their verbal labels are suggested to activate common abstract memory representations, but these activations will differ in their degree of within-item elaboration. However, pictures and words should show comparable between-item elaboration properties, such as might be revealed by the category-recall relationship and clustering in free recall. Children were presented pictures and words in either a category-recall situation, where between-item elaboration was emphasized, or in a control situation where between-item elaboration was minimized. No differences between pictures and words in either recall or clustering were found in the category-recall task. However, when the same items were presented in the control situation the typical picture superiority effect in free recall was found. The results are interpreted as consistent with a two-factor theory of semantic elaboration, and indicate that these basic properties of memory encoding hold even for young children.     

Images and Pictures of God: The Development of Creative Seeing [1]

Recent German religious education (RE) developmental studies focus on children's drawings of God images. Reviewing them the article discusses the possibility of taking pictures to be not only a reproduction of inner concepts but also as phenomena indicating a formation process. It is argued that this process is based on the human capacity of creative seeing. Not only to perceive facts in reality but to see something with other eyes, is part of human freedom, the concept which human formation (Bildung) is aiming at.     

图形旋转的记忆效应

该文主要以图形为实验材料,操纵学习和测验阶段的不同旋转角度,以考察图形旋转对知觉性内隐记忆、再认、意识性和熟悉性的影响.结果发现:(1)整体上,知觉性内隐记忆、再认、意识性和熟悉性都不随图形角度的旋转而变化,表明图形旋转的记忆阈限差别不大;(2)再认击中率在0度和180度间的差异主要是由记得虚报造成的,这与知觉信息的错误捆绑有关.     

Pictures and anaphora: Evidence for independent processes

Pictures enhance our comprehension of written texts, but the perceptual and cognitive processes that underlie this effect have not been identified. Because integrating the information contained in a text places demands on working memory, the effect of a picture may be to expand the functional capacity of working memory and thereby to facilitate comprehension. Reasoning thus, we predicted that the availability of a diagram would interact with the difficulty of resolving anaphoric references in texts. The resolution of an anaphor distant from its antecedent (which should stress working memory) should benefit greatly from the presentation of a picture, whereas the resolution of an anaphor near to its antecedent should benefit less from the presentation of a picture. Picture availability and distance separating the anaphor from its antecedent were manipulated in experiments involving both cumulative and moving window presentations of texts. Although picture presence and ease of anaphor resolution significantly improved comprehension of the material, no evidence was found for an interaction of these factors. The results are interpreted as consistent both with dual code theory and with aspects of working memory management that do not involve anaphor resolution.     

Prohibited Pictures: Political Education and Platonic Elitism

This paper attempts to bring out the contemporary significance for the philosophy of education of Plato's strictures in the Republic against mimetic art forms. The argument follows a route which leads through an examination of Wittgenstein's picture theory of the proposition to the conclusion that this theory is itself a kind of picture which exercises over the intellect the selfsame erotic magnetism which Plato feared would corrupt the rulers of his ideal state.