Perceiving speech rhythm in music: Listeners classify instrumental songs according to language of origin

Recent evidence suggests that the musical rhythm of a particular culture may parallel the speech rhythm of that culture’s language (Patel, A. D., & Daniele, J. R. (2003). An empirical comparison of rhythm in language and music. Cognition, 87, B35-B45). The present experiments aimed to determine whether listeners actually perceive such rhythmic differences in a purely musical context (i.e., in instrumental music without words). In Experiment 1a, listeners successfully classified instrumental renditions of French and English songs having highly contrastive rhythmic differences. Experiment 1b replicated this result with the same songs containing rhythmic information only. In Experiments 2a and 2b, listeners successfully classified original and rhythm-only stimuli when language-specific rhythmic differences were less contrastive but more representative of differences found in actual music and speech. These findings indicate that listeners can use rhythmic similarities and differences to classify songs originally composed in two languages having contrasting rhythmic prosody.     

Multitimescale dynamical interactions between speech rhythm and gesture

Temporal patterns in human movement, and in speech in particular, occur on multiple timescales. Regularities in such patterns have been observed between speech gestures, which are relatively quick movements of articulators (e.g., tongue fronting and lip protrusion), and also between rhythmic units (e.g., syllables and metrical feet), which occur more slowly. Previous work has shown that patterns in both domains can be usefully modeled with oscillatory dynamical systems. To investigate how rhythmic and gestural domains interact, an experiment was conducted in which speakers performed a phrase repetition task, and gestural kinematics were recorded using electromagnetic articulometry. Variance in relative timing of gestural movements was correlated with variance in rhythmic timing, indicating that gestural and rhythmic systems interact in the process of planning and producing speech. A model of rhythmic and gestural planning oscillators with multifrequency coupling is presented, which can simulate the observed covariability between rhythmic and gestural timing.     

Towards an auditory account of speech rhythm: application of a model of the auditory 'primal sketch' to two multi-language corpora

The world's languages display important differences in their rhythmic organization; most particularly, different languages seem to privilege different phonological units (mora, syllable, or stress foot) as their basic rhythmic unit. There is now considerable evidence that such differences have important consequences for crucial aspects of language acquisition and processing. Several questions remain, however, as to what exactly characterizes the rhythmic differences, how they are manifested at an auditory/acoustic level and how listeners, whether adult native speakers or young infants, process rhythmic information. In this paper it is proposed that the crucial determinant of rhythmic organization is the variability in the auditory prominence of phonetic events. In order to test this auditory prominence hypothesis, an auditory model is run on two multi-language data-sets, the first consisting of matched pairs of English and French sentences, and the second consisting of French, Italian, English and Dutch sentences. The model is based on a theory of the auditory primal sketch, and generates a primitive representation of an acoustic signal (the rhythmogram) which yields a crude segmentation of the speech signal and assigns prominence values to the obtained sequence of events. Its performance is compared with that of several recently proposed phonetic measures of vocalic and consonantal variability.     

Musical structure modulates semantic priming in vocal music

It has been shown that harmonic structure may influence the processing of phonemes whatever the extent of participants' musical expertise [Bigand, E., Tillmann, B., Poulin, B., D'Adamo, D. A., & Madurell, F. (2001). The effect of harmonic context on phoneme monitoring in vocal music. Cognition, 81, B11-B20]. The present study goes a step further by investigating how musical harmony may potentially interfere with the processing of words in vocal music. Eight-chord sung sentences were presented, their last word being either semantically related (La girafe a un tres grand cou, The giraffe has a very long neck) or unrelated to the previous linguistic context (La girafe a un tres grand pied, The giraffe has a very long foot). The target word was sung on a chord that acted either as a referential tonic chord or as a congruent but less referential subdominant chord. Participants performed a lexical decision task on the target word. A significant interaction was observed between semantic and harmonic relatedness suggesting that music modulates semantic priming in vocal music. Following Jones' dynamic attention theory, we argue that music can modulate semantic priming in vocal music, by modifying the allocation of attentional resource necessary for linguistic computation.     

Generative theories in language and music descriptions

The style of a set of Swedish nursery tunes is described in terms of a generative rule system. A generative rule system producing melodically similar versions of an old Swedish folk song is also presented. Examples of melodies generated by these two rule systems are given.Both these rule systems are similar in several respects. Thus, the marking of the hierarchical constituent structure seems to be one of the important principles in composing simple melodies.The rule systems also show a number of similarities with the Chomsky & Halle (1968) generative phonology of English. For instance, the procedures used for deriving a stress contour from a tree diagram are almost identical. Moreover, in sentences as in melodies this stress, or prominence contour is of decisive importance to the generation of the surface structure, such as meter, harmony, and sequences of pitches. It is believed that such parallels between language and music reflect characteristics of man's perceptual and cognitive capacities.     

The effects of music on time perception and performance of a driving game

Cassidy, G.G. & MacDonald, R.A.R. (2010). The effects of music on time perception and performance of a driving game. Scandinavian Journal of Psychology 51, 455–464. There is an established and growing body of evidence highlighting that music can influence behavior across a range of diverse domains ( Miell, MacDonald, & Hargreaves 2005 ). One area of interest is the monitoring of “internal timing mechanisms”, with features such as tempo, liking, perceived affective nature and everyday listening contexts implicated as important ( North & Hargreaves, 2008 ). The current study addresses these issues by comparing the effects of self‐selected and experimenter‐selected music (fast and slow) on actual and perceived performance of a driving game activity. Seventy participants completed three laps of a driving game in seven sound conditions: (1) silence; (2) car sounds; (3) car sounds with self‐selected music, and car sounds with experimenter‐selected music; (4) high‐arousal (70 bpm); (5) high‐arousal (130 bpm); (6) low‐arousal (70 bpm); and (7) low‐arousal (130 bpm) music. Six performance measures (time, accuracy, speed, and retrospective perception of these), and four experience measures (perceived distraction, liking, appropriateness and enjoyment) were taken. Exposure to self‐selected music resulted in overestimation of elapsed time and inaccuracy, while benefiting accuracy and experience. In contrast, exposure to experimenter‐selected music resulted in poorest performance and experience. Increasing the tempo of experimenter‐selected music resulted in faster performance and increased inaccuracy for high‐arousal music, but did not impact experience. It is suggested that personal meaning and subjective associations connected to self‐selected music promoted increased engagement with the activity, overriding detrimental effects attributed to unfamiliar, less liked and less appropriate experimenter‐selected music.     

运动区Beta节律的活动特点及功能意义

人类大脑运动皮质的Beta(15~30 Hz)和Mu节律(8~14 Hz)有共同的活动特征,研究指出二者可能是联合的脑电成分。然而越来越多研究表明运动区Beta节律可能独立于Mu节律,且具有特殊的功能意义。线索诱发的Beta节律降低、运动前Beta节律降低和运动后Beta节律回复增强都是Beta与Mu节律不同的活动形式,表明运动区Beta节律有其独特的心理意义。本文主要对运动区Beta节律不同于Mu节律的活动特征及已有的理论解释进行了梳理和分析,并结合儿童研究的数据,从发展的角度对运动后Beta节律的理论假说进行了评述,最后在此基础上为进一步探索运动区Beta节律的功能意义提出了研究的展望。     

An empirical comparison of Maslow's and Murray's needs systems

Summary: The Work Motivation Inventory (WMI), a measure of Maslow's hierarchy of needs, and the Edwards Personal Preference Schedule (EPPS), a measure of Murray's manifest needs, were administered to 372 undergraduates. The two instruments were compared using canonical analysis. The analysis revealed three significant relationships between components of the two instruments. The first relationship supported Maslow's need hierarchy in general and its measurement by the WMI. The second suggested a fluctuating relationship between giving and receiving help and the levels of Maslow's hierarchy. The third relationship sumested that need for Achievement is associated with the intermediate levels of Maslow's hierarchy.     

An empirical comparison of methods of communality estimation

This paper shows the formulation of nine methods of estimating the unknown communalities. Each of these methods has been used on experimental data and the results tabulated for comparison. The results show that the most accurate approximations are obtained from the Centroid No. 1 and theGraphical methods.The author wishes to express his appreciation to Professor L. L. Thurstone for his advice and for providing the facilities of the Psychometric Laboratory for this investigation.     

The nature of music from a biological perspective

Music, as language, is a universal human trait. Throughout human history and across all cultures, people have produced and enjoyed music. Despite its ubiquity, the musical capacity is rarely studied as a biological function. Music is typically viewed as a cultural invention. In this paper, the evidence bearing on the biological perspective of the musical capacity is reviewed. Related issues, such as domain-specificity, innateness, and brain localization, are addressed in an attempt to offer a unified conceptual basis for the study of music processing. This scheme should facilitate the study of the biological foundations of music by bringing together the fields of genetics, developmental and comparative research, neurosciences, and musicology.     

Similar patterns of age-related differences in emotion recognition from speech and music

Young and old adults’ ability to recognize emotions from vocal expressions and music performances was compared. The stimuli consisted of (a) acted speech (anger, disgust, fear, happiness, and sadness; each posed with both weak and strong emotion intensity), (b) synthesized speech (anger, fear, happiness, and sadness), and (c) short melodies played on the electric guitar (anger, fear, happiness, and sadness; each played with both weak and strong emotion intensity). The listeners’ recognition of discrete emotions and emotion intensity was assessed and the recognition rates were controlled for various response biases. Results showed emotion-specific age-related differences in recognition accuracy. Old adults consistently received significantly lower recognition rates for negative, but not for positive, emotions for both speech and music stimuli. Some age-related differences were also evident in the listeners’ ratings of emotion intensity. The results show the importance of considering individual emotions in studies on age-related differences in emotion recognition.     

An empirical comparison of natural-father and stepfather family systems.

This study examined the family system differences between 40 volunteer natural-father and stepfather families. Family triads consisting of the husband, the wife, and a child whose age ranged from 12 to 15 years were studied. Four instruments were used: (a) the Family Concept Q-Sort; (b) a Semantic Differential; (c) a demographic questionnaire; and (d) an interaction-reaction questionnaire. Analyses of variance on the data obtained from the Q-sorts and the Semantic Differentials indicated that stepfather family systems are different from natural-father family systems along several salient dimensions including psychological adjustment, satisfaction with family, reciprocal understanding, and perceived goodness and potency. It was concluded that the differences between the family systems in terms of their interpersonal relations and perceptions affect the entire stepparent family system and its ability to function adequately.     

An empirical comparison of restricted and general latent distance analysis

Latent distance analysis provides a probability model for the non-perfect Guttman scale; the restricted latent distance structure is simpler to compute than the general structure. Since no sampling theory for latent structure analysis is available, the advantages of the general structure cannot be expressed formally. The two structures are compared in terms of their fit to fifteen sets of empirical data. The computation schemes used are summarized.     

Symbolic play and language development

Symbolic play and language are known to be highly interrelated, but the developmental process involved in this relationship is not clear. Three hypothetical paths were postulated to explore how play and language drive each other: (1) direct paths, whereby initiation of basic forms in symbolic action or babbling, will be directly related to all later emerging language and motor outputs; (2) an indirect interactive path, whereby basic forms in symbolic action will be associated with more complex forms in symbolic play, as well as with babbling, and babbling mediates the relationship between symbolic play and speech; and (3) a dual path, whereby basic forms in symbolic play will be associated with basic forms of language, and complex forms of symbolic play will be associated with complex forms of language. We micro-coded 288 symbolic vignettes gathered during a yearlong prospective bi-weekly examination (N = 14; from 6 to 18 months of age). Results showed that the age of initiation of single-object symbolic play correlates strongly with the age of initiation of later-emerging symbolic and vocal outputs; its frequency at initiation is correlated with frequency at initiation of babbling, later-emerging speech, and multi-object play in initiation. Results support the notion that a single-object play relates to the development of other symbolic forms via a direct relationship and an indirect relationship, rather than a dual-path hypothesis.     

Distinct effects of positive and negative music on older adults' auditory target identification performances

Older adults, compared to younger adults, are more likely to attend to pleasant situations and avoid unpleasant ones. Yet, it is unclear whether such a phenomenon may be generalized to musical emotions. In this study, we investigated whether there is an age-related difference in how musical emotions are experienced and how positive and negative music influences attention performances in a target identification task. Thirty-one young and twenty-eight older adults were presented with 40 musical excerpts conveying happiness, peacefulness, sadness, and threat. While listening to music, participants were asked to rate their feelings and monitor each excerpt for the occurrence of an auditory target. Compared to younger adults, older adults reported experiencing weaker emotional activation when listening to threatening music and showed higher level of liking for happy music. Correct reaction times (RTs) for target identification were longer for threatening than for happy music in older adults but not in younger adults. This suggests that older adults benefit from a positive musical context and can regulate emotion elicited by negative music by decreasing attention towards it (and therefore towards the auditory target).     

The use of prosodic cues in language discrimination tasks by rats

Recent research with cotton-top tamarin monkeys has revealed language discrimination abilities similar to those found in human infants, demonstrating that these perceptual abilities are not unique to humans but are also present in non-human primates. Specifically, tamarins could discriminate forward but not backward sentences of Dutch from Japanese, using both natural and synthesized utterances. The present study was designed as a conceptual replication of the work on tamarins. Results show that rats trained in a discrimination learning task readily discriminate forward, but not backward sentences of Dutch from Japanese; the results are particularly robust for synthetic utterances, a pattern that shows greater parallels with newborns than with tamarins. Our results extend the claims made in the research with tamarins that the capacity to discriminate languages from different rhythmic classes depends on general perceptual abilities that evolved at least as far back as the rodents. Electronic Publication     

The production and verification tasks in mental addition: An empirical comparison

We respond to A. Baroody's comment (1984, Developmental Review, 4, 148–156) with an empirical comparison of the production and verification tasks. With the exception of performance at the first grade level, the two tasks yield essentially identical conclusions. The results of an adjunct task, in which the rate of mental counting was assessed, suggest that children as young as second grade are relying on memory retrieval to a significant degree. In contrast to Baroody's speculation, there appear to be no widespread difficulties associated with results from the verification task. Furthermore, the task permits a more analytic examination of performance and underlying mental process than is afforded by the production task. We conclude by reiterating the empirical support for a model of fact retrieval, and suggesting that accessibility of the arithmetic facts is the basic factor which underlies both fact retrieval and procedural knowledge performance.     

An empirical comparison between some models for multidimensional scaling

Abstract.— The results of three methods for multidimensional scaling—Torgerson's metric analysis, a non-metric method (TORSCA), and a method dealing with individual differences in multidimensional scaling (INDSCAL)—were compared in experiments on rhythm experience and on perception of sound quality. The INDSCAL analysis seemed to be the most adequate method for treating the data in these experiments.