Retinal mechanisms in the perception of subjective contours: the contribution of lateral inhibition.

One mechanism frequently proposed for the creation of subjective contours and their related brightness effects involves lateral neural interactions on the retina, such as the lateral inhibitory effects that underlie brightness contrast. Subjective contour stimuli were displayed under an intermittent light source, with rapid onset and slow offset as has been shown to increase lateral inhibitory interactions by allowing summation of neural onset transients. A sample of forty subjects, using magnitude estimates, reported increased subjective contour clarity and brightness effects under these exposure conditions. The effects were larger for relative brightness differences than for contour visibility. It appears that this technique may have applications in exploring retinal contributions to other aspects of the perception of subjective contours.     

The effects of illumination level and retinal size on the apparent strength of subjective contours

The apparent strength of subjective contours was investigated as a function of illumination level, figure size, and viewing distance. Magnitude estimation, with a real contour standard as the modulus, was used to measure the perceived strength of the illusory contours. It was found that illumination level and retinal size are both powerful determinants of the apparent strength of subjective contours, generating magnitude estimates varying from 20% to 96% of the strength of the real contour modulus. Particularly strong subjective contours were reported for figures of small retinal size (1.2 to 4.8 deg) under very dim illumination (.10 log lx).     

Subjective contours can facilitate performance in a reaction-time task

Subjective contours were compared with objective contours in their ability to facilitate performance in speeded tasks that required judging the position of a dot or the slope of a line segment relative to the contour. Subjective contours were found to reduce both reaction times and error rates for dot localization but not for the more difficult slope discrimination task. These results add to the growing body of evidence suggesting that subjective contours have functional properties similar to those of objective contours.     

Subjective contours independent of subjective brightness

Two theories of subjective contours are distinguished according to the interrelationship of subjective contours and subjective brightness effects. In one view, subjective contours are illusory brightness gradients generated from grouped local brightness effects. In another view, subjective contours are the edges of subjective forms created on the basis of gestalt factors; subjective brightness is a secondary consequence of form perception. Two experiments which use rating scales to separate judgments of subjective contour and subjective brightness are presented. The first shows that subjects may judge contour to be strong when there is no subjective brightness gradient. In the second, gestalt grouping factors are shown to be more important than factors which should influence brightness according to local effects theories. Both experiments support the view that subjective brightness occurs through interactions at the level of form perception.     

The illusion of transparency and chromatic subjective contours

Subjective contours can be produced that include an illusion of edge and an extension of color throughout the area of the illusion. The phenomenological appearance is of a transparent colored shape in front of the background. Two explanations of this illusion are proposed. The first is that there is an assimilation of color analogous to brightness assimilation. The second is a variant of the stratification of depth theory of subjective contours. In it, the pattern elements lead to the illusion of a surface in front of the pattern elements. We thus predicted that an illusion of transparency would enhance the subjective contour, Metelli’s model of transparency was used to quantify our prediction, and it was found that the possibility of transparency was a powerful predictor of the chromatic subjective contour.     

Perceptual organization and apparent brightness in subjective contour figures

According to a number of theories subjective contours arise from brightness contrast and/or assimilation. The apparent brightness gradients generated by these effects are assumed to give rise to the perception of contours delineating the gradients. A study is reported in which naive observers were shown a subjective contour display and asked to report what they saw. They were then asked to judge whether the center or the surround of the display appeared brighter. Subjects whose reports indicated that they had seen the subjective contour figure showed an overwhelming preference for the center of the display being brighter than the surround. However, subjects who did not see the subjective contour figure did not differ significantly in their selection of the center over the surround. This finding presents difficulties for any theory which derives subjective contours from the apparent brightness difference.     

The effects of illumination level and retinal size on the depth stratification of subjective contour figures

The apparent stratification in depth of subjective contour figures over their backgrounds was investigated as a function of illumination level, figure size, and viewing distance. Magnitude estimation, with a real contour figure serving as the modulus, was used to measure the stratification in depth of a subjective contour figure over its background. Illumination level and retinal size both had significant effects on the depth stratification of the subjective contour figures. The greatest apparent depth differences were obtained for figures of small retinal size under low levels of illumination. These results paralleled previous findings for judgments of subjective contour strength. Consequently, both contour clarity and depth stratification of subjective contour figures are affected in similar ways by illumination level, figure size, and viewing distance. The implications of this response coupling are discussed in terms of current theories of subjective contours.     

Subjective contours in stereoscopic space

Stereoscopic depth and subjective contour clarity were manipulated by varying the type of monocular configuration as well as magnitude and direction of disparity. The clarity of the subjective contours was influenced significantly by both magnitude and direction of disparity and by the type of monocular configuration. Subjective contours were always less clear when the objective monocular contour was discontinuous regardless of disparity. Stereoscopic depth estimates varied directly with magnitude and direction of disparity; however, depth magnitude reports were truncated when the disparity was carried by discontinuously defined patterns.     

Evidence relating subjective contours and interpretations involving interposition

Subjective contours, according to one theory, outline surfaces that are apparently interposed between the viewer and background (because of the disruption of background figures, sudden termination of lines, and other interposition 'cues') but are not explicitly outlined by intensity discontinuities. This theory predicts that if the cues are not interpreted as evidence of interposition, no intervening surface need be postulated, hence no subjective contours would be seen. This prediction, however, is difficult to test because observers normally interpret the cues as interposition evidence and normally see the subjective contours. Tests are reported on a patient with visual agnosia who is unable to make the usual interposition interpretations and unable to see subjective contours, but has normal ability to interpret standard visual illusions, stereograms, and in particular, stereogram versions of the standard subjective contour figures, which elicit to him strong subjective edges in depth (corresponding to the subjective contours viewed in the monocular versions of the figures.     

Privileged directions for subjective contours: horizontal and vertical versus tilted

Subjective contours and brightness enhancement in Ehrenstein-like situations are affected by pattern orientation. If a classic Ehrenstein pattern (with four inducing elements for every gap at intersection points) is observed, a number of anomalous illusory patches usually appear in these gaps, but if the same pattern is observed tilted by 45 degrees the patches disappear and it is possible to see an illusory grid of horizontal and vertical 'streets'. These two perceptual results are mutually exclusive. In a Koffka-cross variant of this pattern, the illusory patches, which are usually square, appear more rounded in the tilted pattern. All these results were confirmed in two experiments by means of a magnitude estimation procedure. It is suggested that the formation of a subjective contour is easier along horizontal and vertical directions and more difficult in an oblique direction, and that this phenomenon, as well as other visual acuity oblique effects, depends in part on the basic functioning of the visual system at the level of sensation.     

Points and endpoints: a size/spacing constraint for dot grouping

One-dimensional arrangements of dots immediately group into contours. It is reported that, when these contours participate in certain larger arrangements, there is an abrupt point at which the percept changes as a function of dot spacing (or density along the contour). Closely spaced arrangements give rise to subjective effects involving apparent brightness and depth, whereas sparsely spaced ones do not. The effects are most clear in configurations that involve endpoints and possible occlusions. For these configurations, densely dotted contours are perceptually equivalent to solid ones, but sparse ones are not. This change in percept occurs abruptly and consistently at a dot to space ratio of 1:5, when the dot density is normalized by dot size, and this point is called the size/spacing constraint. It holds only for dots of the order of 1 min visual angle in diameter when small to modest contrast values are used. The subjective effects are not present for dotted contours (or even for solid ones) that are smaller (less than 0.5 min), and differ for contours that are larger (greater than 10 min). To demonstrate the significance of size/spacing constraints for early vision, a framework for grouping consisting of processes at many different levels is outlined, and the requirements for the earliest one (orientation selection) are sketched in greater detail. The size/spacing constraint follows directly from one of these requirements--receptive field structure--and seems to indicate a switch from early orientation-selection processes to later ones.     

The perception of moving subjective contours by 4-month-old infants

We investigated whether 4-month-old infants are capable of perceiving illusory contours produced by the Kanizsa-square display, first introduced by Prazdny (1983, Perception & Psychophysics 34 403-404), which tests whether a viewer perceives the illusory contour in the absence of brightness contrast (illusory brightness). Because the illusory square appears to move across the computer screen and infants are attracted to motion, this display holds their interest. In experiment 1, 4-month-old infants were tested for their ability to distinguish between a continuously moving illusory square and a continuously moving control display in which the pacman elements were rotated so that the perception of subjective contours did not occur. Data analysis revealed a significant preference for the subjective contour display. In experiment 2, habituation-dishabituation was used with 4-month-old infants. They were tested for their ability to discriminate between the illusory Kanizsa square that continuously moved back and forth and an illusory square which changed positions randomly. Although the infants did not show differences in dishabituation as a function of the habituation display, they looked significantly longer at the continuously moving display.     

Effects of flicker-induced depth on chromatic subjective contours

Two experiments examined the dependence of illusory colors on boundary salience and depth stratification by using flicker-induced depth. The first used a subjective-contour stimulus that appeared as a translucent colored rectangle covering a set of inducing circles and a dark background. The circles were then flickered so as to be perceived as background, and the previously dark background moved forward and appeared as foreground. Simultaneously, the chromatic subjective contour was eliminated. In the second experiment, a subjective-contour (faces/vase-concentric squares) figure was tinted with the McCollough effect, which produced a strong subjective color edge. This edge was visible only with the faces/vase percept and not in the squares percept. Flickering the target locked it into the square configuration because in this case the flicker held the entire pattern in the same depth plane. This eliminated the subjective color edge. Depth stratification and subjective color blockage were maximal at a flicker rate of 6 Hz.     

Brightness exponent as a function of retinal eccentricity in the peripheral visual field: Effects of dark and light adaptation

Using a method of direct magnitude estimation, the exponent of the brightness power function was determined under dark and light adaptation at luminance levels well above threshold. The exponent was estimated for functions describing the brightness of stimuli presented at the fovea and the following peripheral retinal loci: 10, 20, 30, 40, and 50 deg nasally eccentric to the fovea along the horizontal meridian of the right eye. The exponent for a 1-sec flash was found to be approximately .33 at the fovea and increased slightly with increasing retinal eccentricity.The effect of adaptation on the brightness exponent was not so large when the target luminance was set well above threshold.     

Stereopsis and subjective contours

Ten Ss rated perceived depth and contour clarity of figures containing binocularly disparate subjective contours. There was no tendency for stereoscopic depth cues to enhance the perceived clarity of subjective contours. Disparity cues that were incompatible with monocular depth cues reduced the depth sensation but did not affect contour clarity. Although subjective contours can be perceived stereoscopically, they are seen in less depth than real contours with the same degree of horizontal disparity.     

Orientation sensitivity in the peripheral visual field

Orientation sensitivity in the peripheral visual field has been tested in two tasks: (a) setting horizontal the orientation of a grating at various retinal eccentricities, and (b) matching the orientation of a peripherally viewed grating as close as possible to an oblique reference viewed foveally. Both performances fall off with increasing retinal eccentricity. Magnification of the stimulus optimizes peripheral performance. Peripheral performance, optimized by magnification, varies with retinal eccentricity. It approaches, but does not reach, the foveal value (tested by the same method) at 10 deg of eccentricity, and is much lower at 20 and 30 deg of eccentricity.     

Amodal completion, depth stratification, and illusory figures: a test of Kanizsa's explanation.

Subjective contours have been explained by Kanizsa as being a consequence of amodal completion of incomplete figures. According to the theory of amodal completion, figural incompleteness triggers the emergence of an illusory object superimposed on the gaps in the inducers, which in turn hide parts of the pattern, thus suggesting that the plane of the illusory object must always be seen to be above the plane of the inducers. A figure was created in which subjective contours are seen despite the fact that the perceived depth relationships run counter to that required by the theory of amodal completion. In four experiments, this depth relationship is confirmed by using direct and indirect measures which assess both registered and apprehended depth. By emphasizing a logical inconsistency in the explanation based on amodal completion, the results show that amodal completion, at least in Kanizsa-like patterns, cannot be considered as a causal factor for subjective contour figures.     

Attention-capturing properties of high frequency luminance flicker: Implications for brake light conspicuity

In two experiments, the authors studied the effect of high frequency luminance flicker on reaction time in a simulated driving task. In Experiment 1, 24 research participants performing a primary simulated driving task were required to apply the brake pedal as quickly as possible following the activation of a red light somewhere in their field of vision. The red lights were displayed in one of two ways, (a) with 20 Hz luminance flicker and (b) continuous (no flicker), and presented at three eccentricities, 10°, 45° and 80°. Results showed that the light with 20 Hz flicker was more attention-capturing than the continuous light, but that the effect of 20 Hz flicker on reaction time was not influenced by eccentricity of presentation. The second experiment was identical to the first except that the primary simulated driving task was considerably more attention demanding. Under this higher workload, the light with 20 Hz flicker again proved to be more attention-capturing than the continuous light, and to a greater extent than in Experiment 1. In Experiment 2, there also appeared to be tendency for the light with 20 Hz flicker to be more effective at greater eccentricities. Implications for brake light conspicuity and rear-end collision avoidance are discussed.     

视网膜离心率影响空间注意梯度分布

采用同步判断(Simultaneous judgment, SJ)的研究范式探讨空间注意梯度是否受到视网膜离心率的影响。实验中给被试呈现两个目标刺激, 调节它们的呈现距离和间隔时间, 让被试进行不限时的同步判断, 计算出各种距离上的主观等同点(Point of Subjective Simultaneous, PSS)变化情况。实验中对比了注视点和注意点重合与分离的两种状态。其中注视点和注意点分离的状态是指使用反向掩蔽后的线索刺激将注意点内隐地引导到外周。通过控制似动等影响因素, 发现在注意点和注视点分离的状态下存在距离效应—— 也就是随着距离的增长主观等同点变化越大, 但是在重合的状态下则没有。结果表明分离状态下存在传统意义上的注意梯度效应, 而重合时, 注意易化梯度受到一个抑制梯度的影响。这说明, 注意梯度分布受到视网膜离心率的影响, 而影响方式符合注意点为中心的易化梯度场和注视点为中心的抑制梯度场的双梯度场理论。     

Gamma flicker elicits positive affect without awareness

High-frequency oscillations emerged as a neural code for both positive affect and fluent attentional processing from evolutionary simulations with artificial neural networks. Visual 50 Hz flicker, which entrains neural oscillations in the gamma band, has been shown to foster attentional switching, but can it also elicit positive affect? A three-faces display (2-female/1-male or 2-male/1-female) was preceded by a 50, 25, or 0 Hz flicker on the position of the odd-one-out (i.e., the target). Participants decided on the gender (Block 1) or on the subjective valence (Block 2) of this neutral target in an approach-avoidance task, which served as an implicit affective measure. Only the detection of 25 Hz flicker, but not of 50 Hz flicker, was above chance (Block 3). Faces primed by invisible 50 Hz flicker were explicitly evaluated more positively than with 25 Hz or 0 Hz. This gamma flicker also facilitated approach reactions, and inhibited avoidance reactions relative to 25 Hz and 0 Hz flicker in Blocks 1 and 2. Attentional switching was, moreover, enhanced by the 50 Hz flicker. According to the Affect–Gamma hypothesis, also in biological neural networks, high-frequency gamma oscillations may code for positive affect.