Failure of familiar size to determine a metric for visually perceived distance

The use of knowledge of the familiar sizes of objects in determining the apparent distances of those objects is known as the familiar size cue to distance. If effective, this cue might be one of the factors responsible for supplying the metric (scalar) characteristics of perceptions of spatial extent within a visual display in which other information concerning scalar extents has been reduced to a minimum. Two groups of observers were presented with realistic objects of the same angular, but different assumed, sizes presented in such a cue-restricted display. Perceptions of size and distance within the display did not differ significantly as a function of the type of object initially presented. This result was consistent with the notion that scalar perceptions under these conditions probably are determined by a factor known as the specific distance tendency, rather than by the experiential factor of familiar size.     

Tool use influences perceived shape and perceived parallelism, which serve as indirect measures of perceived distance

Targets presented just beyond arm's reach look closer when observers intend to touch them with a reach-extending tool rather than without the tool. This finding is one of several that suggest that a person's ability to act influences perceived distance to objects. However, some critics have argued that apparent action effects were actually due to effects on the judgments rather than on the perception. In other words, the target does not actually look closer, but participants report that it is. To help counter this argument, the current experiments used an indirect measure of perceived distance: Participants reported perceived shape or perceived parallelism. The results revealed that triangles looked shorter and lines looked more horizontal to participants who reached with a tool, and therefore could reach the targets, than they did to participants who reached without the tool. These results demonstrate convergence across multiple types of judgments, a finding that undermines alternative, judgment-based accounts and suggests that the ability to reach an object changes the perceived distance to the object.     

Discrimination of visually perceived intervals of time

The discrimination of short intervals of time, demarcated by a foveally presented spatially distinct double pulse of light, was studied under several conditions of pulse intensity, angular diameter, and duration. We defined temporal acuity as a measure of discrimination capacity in terms of d′ values. It is shown that the acuity mechanism uses largely integrated information—in the spatial and temporal domain, up to at least 56′ and 32 msec, respectively. Acuity increases slightly with increasing integrated pulse energy, but seems quite independent of the presence of an adapting field of appreciable brightness. Studies on the effect of the foveal site aimed at by the pulses of light have shown that temporal projections lead to significantly poorer acuity values than nasal projections. Monoptic and dichoptic stimulation, however, are fully equivalent.     

Change in visually perceived eye level without change in perceived pitch

Both the physical elevation that appears to correspond to eye level and the visually perceived pitch of a visual field are linear functions of the physical pitch of a normally illuminated, complexly structured visual field. One of the possible bases for the large effect of physical pitch on the elevation of visually perceived eye level (VPEL) is that the visual field generates a mental representation which specifies spatial coordinates and these determine the VPEL elevation ('implicit-surface model'; ISM). The influence on the elevation of VPEL is nearly as large when the visual field contains either one or two long pitched-from-vertical or rolled-from-vertical lines in otherwise total darkness as when it consists of a well-illuminated and complexly structured pitched room (L Matin and W Li, 1994 Vision Research 34 311-330), and, in order to examine the ISM, we employed a rolled-from-vertical, two-line configuration within a frontoparallel plane viewed in otherwise total darkness. Measurements of visually perceived pitch were made by a manual matching procedure and VPEL measurements were made by the psychophysical setting of the elevation of a small visual target to appear at eye level while each of three subjects viewed the two-line configuration at each of three horizontal eccentricities with the configuration at each of seven roll orientations. In direct contradiction to the ISM, the perceived pitch of the two-line configuration did not deviate significantly from the erect orientation ('vertical') for any roll at any eccentricity, but the elevation of VPEL changed systematically with the roll of the configuration both at left and at right eccentricities, and did not change at all with the two-line configuration centered on the median plane. Consistent with our previous work and with our previous interpretation regarding the basis for VPEL (L Matin and W Li, 1994 Vision Research 34 2577-2598), the variation of VPEL for the two-line visual field equals the average of the VPEL variations produced by viewing each of the single lines separately.     

The effect of perceived distance on perceived movement

Equations were developed to predict the apparent motion of a physically stationary object resulting from head movement as a function of errors in the perceived distances of the object or of its parts. These equations, which specify the apparent motion in terms of relative and common components, were applied to the results of two experiments. In the experiments, the perceived slant of an object was varied with respect to its physical slant by means of perspective cues. In Experiment I, O reported the apparent motion and apparent distance of each end of the object independently. The results are consistent with the equations in terms of apparent relative motion, but not in terms of apparent common motion. The latter results are attributed to the tendency for apparent relative motion to dominate apparent common motion when both are present simultaneously. In Experiment II, a direct report of apparent relative motion (in this case, apparent rotation) was obtained for illusory slants of a physically frontoparallel object. It was found that apparent rotations in the predicted direction occurred as a result of head motion, even though under these conditions no rotary motion was present on the retina.     

Properties of changing patterns evoking visually perceived oscillation

The aim of this study was to identify some properties of changing proximal stimulus patterns which favor perceived oscillation. By using artificially generated stimulus patterns, it was found that the amount of changes associated with a certain direction of rotation should be small and the rate of these changes low if perceived oscillation was to appear. Great or swift changes were utilized by the visual system to determine perceived direction of rotation, and oscillation was not then reported. It was further found that patterns lacking straight edges perpendicular to the axis of rotation, or with this axis displaced from the middle of the pattern, and patterns with a gradient of texture density were perceived to oscillate more than similar patterns without these properties. Perceived oscillation of ellipses was discussed, and it was concluded that perceived oscillation was a consequence of perceived orientation, which is determined by stimulus properties.     

High-intensity sound increases the size of visually perceived objects

The effect of audiovisual interactions on size perception has yet to be examined, despite its fundamental importance in daily life. Previous studies have reported that object length can be estimated solely on the basis of the sounds produced when an object is dropped. Moreover, it has been shown that people typically and easily perceive the correspondence between object sizes and sound intensities. It is therefore possible that auditory stimuli may act as cues for object size, thereby altering the visual perception of size. Thus, in the present study we examined the effects of auditory stimuli on the visual perception of size. Specifically, we investigated the effects of the sound intensity of auditory stimuli, the temporal window of audiovisual interactions, and the effects of the retinal eccentricity of visual stimuli. The results indicated that high-intensity auditory stimuli increased visually perceived object size, and that this effect was especially strong in the peripheral visual field. Additional consideration indicated that this effect on the visual perception of size is induced when the cue reliability is relatively higher for the auditory than for the visual stimuli. In addition, we further suggest that the cue reliabilities of visual and auditory stimuli relate to retinal eccentricity and sound intensity, respectively.     

Imposed vibration influences perceived tactile smoothness

According to the duplex theory of tactile texture perception, detection of cutaneous vibrations produced when the exploring finger moves across a surface contributes importantly to the perception of fine textures. If this is true, a vibrating surface should feel different from a stationary one. To test this prediction, experiments were conducted in which subjects examined two identical surfaces, one of which was surreptitiously made to vibrate, and judged which of the two was smoother. In experiment 1, the vibrating surface was less and less often judged smoother as the amplitude of (150 Hz) vibration increased. The effect was comparable in subjects who realized the surface was vibrating and those who did not. Experiment 2 showed that different frequencies (150-400 Hz) were equally effective in eliciting the effect when equated in sensation level (dB SL). The results suggest that vibrotaction contributes to texture perception, and that, at least within the Pacinian channel, it does so by means of an intensity code.     

Auditory feedback influences perceived driving speeds

Reducing the level of internal noise is seen as a goal when designing modern cars. One danger of such a philosophy is that one is systematically attempting to alter one of the cues that can be used by drivers to estimate speed and this could bias speed judgments and driving behaviour. Seven participants were presented with pairs of video-based driving scenes and asked to judge whether the second scene appeared faster or slower than the first (2-alternative forced-choice task using the method of constant stimuli). They either heard in-car noise at the level it occurred in the real world or reduced in volume by 5 dB. The reduction in noise led to participants judging speeds to be significantly slower and this effect was evident for all participants. This finding indicates that, when in-car noise is attenuated, drivers are likely to underestimate their speed, potentially encouraging them to drive faster and placing them at greater risk of crashing.     

Surface lightness influences perceived room height

Surprisingly little scientific research has been conducted on the effects of colour and lightness on the perception of spaciousness. Practitioners and architects typically suggest that a room's ceiling appears higher when it is painted lighter than the walls, while darker ceilings appear lower. Employing a virtual reality setting, we studied the effects of the lightness of different room surfaces on perceived height in two psychophysical experiments. Observers judged the height of rooms varying in physical height as well as in the lightness of ceiling, floor, and walls. Experiment 1 showed the expected increase of perceived height with increases in ceiling lightness. Unexpectedly, the perceived height additionally increased with wall lightness, and the effects of wall lightness and ceiling lightness were roughly additive, incompatible with a simple effect of the lightness contrast between the ceiling and the walls. Experiment 2 demonstrated that the floor lightness has no significant effect on perceived height, and that the total brightness of the room is not the critical factor influencing the perceived height. Neither can the results be explained by previously reported effects of brightness on apparent depth or perceived distance.     

A critical evaluation of visually moderated phonetic context effects

Fowler, Brown, and Mann (2000) have reported a visually moderated phonetic context effect in which a video disambiguates an acoustically ambiguous precursor syllable, which, in turn, influences perception of a subsequent syllable. In the present experiments, we explored this finding and the claims that stem from it. Experiment 1 failed to replicate Fowler et al. with novel materials modeled after the original study, but Experiment 2 successfully replicated the effect, using Fowler et al.'s stimulus materials. This discrepancy was investigated in Experiments 3 and 4, which demonstrate that variation in visual information concurrent with the test syllable is sufficient to account for the original results. Fowler et al.'s visually moderated phonetic context effect appears to have been a demonstration of audiovisual interaction between concurrent stimuli, and not an effect whereby preceding visual information elicits changes in the perception of subsequent speech sounds.     

Mirror vision: perceived size and perceived distance of virtual images

We investigated spatial perception of virtual images that were produced by convex and plane mirrors. In Experiment 1, 36 subjects reproduced both the perceived size and the perceived distance of virtual images for five targets that had been placed at a real distance of 10 or 20 m. In Experiment 2, 30 subjects verbally judged both the perceived size and the perceived distance of virtual images for five targets that were placed at each of five real distances of 2.5-45 m. In both experiments, the subjects received objective-size and objective-distance instructions. The results were that (1) size constancy was attained for a distance of up to 45 m, (2) distance was readily discriminated within this distance range, although virtual images produced by the mirror of strong curvature were judged to be farther away than those produced by the mirrors of less curvature, and (3) the ratio of perceived size to perceived distance was described as a power function of visual angle, and the ratio for the convex mirror was larger than that for the plane mirror. We compared the taking-into-account model and the direct perception model on the basis of a correlation analysis for proximal, virtual, and real levels of the stimuli. The taking-into-account model, which assumes that visual angle is transformed into perceived size by taking perceived distance into account, was supported by an analysis for the proximal level of stimuli. The direct perception model, which assumes that there is no inferential process between perceived size and perceived distance, was partially supported by an analysis for the distal level of the stimuli.     

Psychophysical functions for perceived and remembered distance

Two separate groups of subjects made magnitude estimations of the distances to fifteen objects (from 20 ft to 14.28 miles away) situated in a landscape. On day 1 of the experiment both groups learned the names and locations of the objects while viewing them from the top of a small mountain. On day 2 the perception group (N = 19) judged the distances to the objects while viewing them from the top of the mountain, whereas the memory group (N = 18) judged the distances while visualizing the landscape from memory. The data for both groups were well fit by power functions; the exponent was reliably smaller for the memory group (0.596) than for the perception group (0.811). Both groups drew maps of the landscape (reproduction task) from memory and the exponents were 0.483 and 0.514 for the memory and perception groups, respectively. The results are discussed in light of possible transformations performed on the original stimulus inputs by the sensory/perceptual and the memorial systems.     

Talking about visually perceived events: Communication effects on eyewitness memory

Communicators' tuning of a message about a social target to their audience's evaluation can shape their representation of the target. This audience‐tuning effect has been demonstrated with ambiguous text passages as input material. We examined whether the effect also occurs when communicators learn about the target's behaviours from visual (nonverbal) input material. In Experiment 1, participants watched a soundless video depicting ambiguous behaviours of a target, described the video to an audience who liked (vs. disliked) the target, and subsequently recalled the video. Both message and recall were biased towards the audience's judgement. In Experiment 2, the video depicted a forensically relevant event, specifically ambiguous behaviours of two persons involved in a bar brawl. Participants tuned their event retellings to their audience's responsibility judgement and remembered the event accordingly. In both experiments, the effect of the audience's judgement on recall was statistically mediated by the extent to which the message was tuned to the audience. The more participants experienced a shared reality with their audience the stronger was the message‐recall correlation (Experiment 2). We conclude that the audience‐tuning effect for visually perceived information depends on the communicators' creation of a shared reality with their audience. Copyright © 2011 John Wiley & Sons, Ltd.