The Art of Living in Otto Rank’s Will Therapy

Otto Rank's approach to psychotherapy, developed after his separation from Freud, encourages living life fully in spite of death and limitation. In his emphasis on the here and now, new experience in the therapeutic relationship, and collaboration and creativity in the therapy process, Rank was ahead of his time. As a theorist of personality and of creativity, his work is well known, but his influence on the practices of humanistic, existential, and post-psychoanalytic relational therapists is largely unacknowledged. Rank's creative legacy is an approach to psychotherapy that calls forth artistry and collaboration between therapist and client.     

Otto Rank: Pioneering Ideas for Social Work Theory and Practice

This article examines Otto Rank's psychology and its profound implications for social work knowledge-building and practice. The paper begins with a brief biographical portrait, highlighting the significance of Rank's relationship and eventual break with Freud, and contextualizing the ideas that became the basis for the Functional Approach. We discuss Rank's conception of human functioning in the social environment, his influence on later theories, and a contemporary critique of Rank's ideas. The paper concludes with a discussion of Rank's contributions to the Functional Approach and to social work practice in general.     

Black holes: Some notes on time,symbolization, and perversion in the psychodynamics of addiction

Abstract

The existence of man is distinguished by its split state: man stands in the middle of life yet still has an awareness of his own death. He has to compensate whatever is missing in him naturally at the societal level, created as culture, and at the individual level through creativity. Rank investigated the human ‘creative drive’, the anthropological aspiration to express oneself in creative works, and to overcome the fear of death with its help. Freud admired poets and artists, whose achievements he could not psychoanalytically access, but he considered science superior to the harmless and naïve arts. There are two anthropological radicals: premature birth and the consciousness of death. Freud's massive fear of death made it difficult for him to acknowledge the problem of death appropriately. In Rank's concept, the development of human creativity contributes towards the fear of death being alleviated so that the knowledge of death can be integrated into life; creativity belongs to the fundamental opportunities of man that may enable him to find a way through neurosis. Failure is as much a part of life as is creativity: those who do not experience and accept life in its tragic dimension are denied creativity. Only a creative person who accepts his partial failure finds the strength to continue to be creative without his imperfect work leading to the ritual repetition of the same thing again and again, that is, getting stuck in recidivism.     

Philosophy,psychology and the moral crisis: Reflections on compassion “between tradition and another beginning”

Abstract

The author presents, and his thinking passes through, the work of Werner Marx who seeks a non‐metaphysical ethical mooring via compassion, grounded in emotional dimensions of existential‐phenomenology. Through Marx's re‐centered compassion the author inquires if reason and faith cannot be resurrected in intrinsic and holistic form. Marx's ethics is introduced as one of the directions humanistic thinking is taking, suggesting this latter's considerable prospective role as a human vision in the ethical debate in transition between failed modern and ethically vulnerable postmodern paradigms.     

Rankian Will

Otto Rank (1884–1939) served as Freud's closest partner in the psychoanalytic movement from 1906 to 1926. From 1923 on, Rank, initially with Ferenczi, focused on making analysis more therapeutic, emphasizing current experience in the session over historical exploration and interpretation. Rank settled on will as a missing factor, and wrote extensively about it after the break with Freud in 1926, when he moved to Paris. He emphasized the here-and-now, redefined “resistance” as a positive aspect of counter-will, and suggested a time limit for analysis. Ousted from analytic circles in 1930, he eventually moved to New York, continuing to treat patients and teach until his unexpected death at 55 in 1939. After decades of obscurity, Rank has gained readers and therapists whose orientation is interpersonal, client-centered, relational, humanistic, or existential. His influence on post-Freudian ego-psychology is finally being acknowledged as are his ideas about creativity, will, life-fear and death-fear, guilt, and ethics.     

An Exploration in the Will Psychology of Otto Rank: Human Intentionality and Individuality

The author explores the meaning and the importance of the will in Rank's relation-based self-creative, self-constructive psychology and argues for the consideration of the concept of the will in psychoanalysis. The paper shows that Rank's concept of the will explains what gives a human being the impetus to choose an action, positive or negative. When validated by the other, this will, the power of intention, enables a person to create his/her unique individuality. The paper reviews Rank's definition of will and traces the evolution of his ideas of intentionality in his writings. Further, the author discusses how Rank attempts to capture the subtle movements of the human mind as suffused with struggles and dynamic interplay between external and internal forces.     

Ferenczi's “Confusion of Tongues” Theory and the Analysis of the Incest Trauma

Abstract

The tender-mother transference of Ferenczi's humanistic analytic orientation was as important an advance in pioneering times as was Kohut's selfobject transference in contemporary psychoanalysis. Ferenczi's clinical theory and method began a focus on pre-oedipal experiences, which eventually became an alternate to the oedipal theory. Freud was critical of Ferenczi's formulation, leading a successful attempt to suppress his work and remove it from mainstream psychoanalysis because he believed it was “regressive.” In actuality, Ferenczi's “Confusion of Tongues” theory and “Relaxation Therapy” were prophetic and pioneering attempts to understand and treat the incest trauma (ironically the clinical data upon which Freud founded psychoanalysis 100 years ago). In the case of Miss T., Ferenczi's ideas are applied to the contemporary analysis of the incest trauma.     

The Rank–Ferenczi Relationship,as Seen from France

Seen from France, where Rank's “American” work is not well known, the Rank–Ferenczi relationship does not allow to state that the two learned colleagues were the best friends. Rank met Ferenczi in 1908, but their most valuable and fruitful working relationship is limited to the 1922–1924 time period. Their working relationship must be read in light of the unique transference links of each to Freud, and in light of the tormented history of the analytic movement, especially after the First World War. The sensible reader will not forget that after the fast extinction of their short collaboration they continued their own works in their own ways, Otto Rank in Paris and in America and Sándor Ferenczi in Budapest. No more friends, nor enemies, but both, in a different style, brave and creative analysts.     

Ferenczi and Groddeck: Simpatico

Sigmund Freud introduced Sandor Ferenczi to Georg Groddeck in 1917. The warm personal friendship that these two men shared for the rest of their lives was a breeding ground for many of their respective theoretical and clinical contributions. 1923 was a schismatic year in the history of psychoanalysis. Freud's appropriation of Groddeck's Das Es and its adaptation to Heinroth's tri-partite model (Freud, 1923; Poster, 1997) marked the beginning of Ego psychology. Almost simultaneously there appeared Groddeck's Book of the It (Groddeck, 1923), together with Rank and Ferenczi's The Development of Psychoanalysis (Rank and Ferenczi, 1924), and Ferenczi's Thalassa (Ferenczi, 1924). These three seminal publications set the stage for a paradigm shift (Hoffer, 2008; Rudnytsky, 2002). They were the forerunner of later developments in object relations, self-psychology, interpersonal and relational psychoanalysis. Taken together, the contributions of Groddeck and Ferenczi and Rank reinvigorated psychoanalysis, Freud's baby, with “the constructive aspect” that Groddeck told Freud had been lost in Freud's re-definition of Das Es (Groddeck, 1977, p. 13). Each of these pioneers stimulated the thinking of the others. Always an independent thinker, Groddeck was welcomed into the psychoanalytic circle by both Freud and Ferenczi. Suffering under the “crushing paternal(ism)” of Freud, Ferenczi was supported by Groddeck to carry out his own clinical experiments. Preoccupied with his own legacy and intolerant of dissent, Freud was able to maintain cordial contact with these two creative spirits and allow them to modify his own ideas.     

PSYCHOANALYSIS AND THE ARTS: THE SLIPPERY GROUND OF APPLIED ANALYSIS

The ways in which today's psychoanalysts approach art closely follow the avenues opened by Freud a hundred years ago. Drawing mainly on Freud's studies on Jensen's Gradiva (1907) and on Leonardo da Vinci (1910a), the author examines the main paradigms he used in discussing artistic activity, including his doubts and hesitations. Present‐day approaches to art are then examined via a discussion of the advantages and pitfalls of psychobiography, of the case study, and of textual approaches. The author makes a case for the type of interdisciplinary dialogue in which the goal is to establish a cross‐fertilization between psychoanalysis and other fields of knowledge while striving to avoid hypersaturation of a work of art in order to foster expansion of the mind.     

The Birth of Tragedy and The Trauma of Birth

This article examines the early writings of Friedrich Nietzsche and Otto Rank in terms of Harold Bloom's notion of an "anxiety of influence." Like the "strong poets" in Bloom's theory, each of these innovators needed to resolve his ambivalence toward precursors to create new theories and approaches. Nietzsche and Rank are seen as "premature births," thinkers before their time; both went beyond their own early works and attempted self-creation. Through an emphasis on affirmation of life despite death's inevitability, both were able to free themselves creatively. Rank drew from Nietzsche's philosophy and his example in developing an early existential psychotherapy.     

A Review of “The Relational Origins of Prejudice: A Convergence of Psychoanalytic and Social Cognitive Perspectives”

Abstract

Key concepts in social welfare and clinical social work - concepts such as person-in-environment, women's rights, prevention and outreach-had as precedents the pioneering theory and practice of Europe's free psychoanalytic clinics of the 1920s. Sex-Pol, a Viennese community-based clinical network created in 1927 by Wilhelm Reich, perhaps the most overtly political of the first psychoanalysts, was motivated by reformist social goals he shared with Sigmund Freud. This historical study of Sex-Pol draws on Reich's own words to explore his use of the term “social work” where clinical work is predicated on an activist ideology of human liberation.     

Reply to Reynolds

Abstract

How should we read Foucault's claims, in his late work, for the relevance of ‘aesthetic criteria’ to politics? What is Foucault's implicit understanding of the nature of aesthetics and the autonomy of the aesthetic sphere? Would an ethics which gave a place to the aesthetic legitimize a politics of manipulation, brutality and aggression ‐ in short, a ‘fascist’ politics ‐ as some of Foucault's critics argue? In this paper, I examine key accounts of the fascist ‘aestheticization of politics’ ‐ from Walter Benjamin's classic essay, ‘The Work of Art in the Age of Mechanical Reproduction’ (1936), to Philippe Lacoue‐Labarthe's work on the relation between Heidegger's philosophy and the fascist theme of politics as the plastic art of the state. Through a discussion of Foucault's late work, the paper demonstrates the connection between Foucault's turn to ancient Greek ethical practices and his call for a contemporary renewal of the idea of ethics as an art of living. The aim of the paper is to show in what ways the ethico‐political position which is presented in Foucault's late work, far from contributing to a fascist politics, in fact provides ways of thinking about the relationship between the aesthetic and the political which avoid both mindless radicalism and totalitarian narcissism. In doing so, the key question is, ‘What's aesthetic about Foucault's “aesthetics of existence"?’     

MICHAEL POLANYI ON ART AND RELIGION: SOME CRITICAL REFLECTIONS ON MEANING

This paper is a critique of the theory of meaning in art and religion that Michael Polanyi developed in his last work entitled Meaning. After giving a brief summary of Polanyi's theory of art, I raise two serious difficulties, not with the theory itself, but with the claims Polanyi makes about the relation of meaning in art to science and religion. Regarding the first difficulty, I argue that Polanyi betrays an earlier insight when in Meaning he attempts to dissociate meaning in art from meaning in science; instead I argue that both science and art are aesthetic enterprises. Regarding the second, I argue that Polanyi's account of religion is an aesthetic reduction, that meaning in religion, at least in the Western tradition, is not so much an aesthetic as it is an existential matter.     

The brunhilde fantasy freud's countertransference in the analysis of elma

Abstract

The authors start from the hypothesis that there existed a “blind-spot” in Freud's countertransference in his analysis of Elma, an ex-patient of Sandor Ferenczi. In their search for support for this idea, they review the correspondence between Freud and Ferenczi contemporary to Elma's treatment in addition to works by Freud on theory and technique. They believe to have found therein several facts which support the above idea: for instance, the diagnosis of “dementia praecox” that Freud formulated in his first interview with the patient; and some of the vicissitudes of the treatment, in particular, the circumstances which determined its termination. The Brunhilde fantasy, which Freud attributes to Elma in a letter to Ferenczi, enables them to penetrate further the possible relationship between this “blind-spot” and details of Freud's life and childhood as revealed in his self-analysis.     

Gender and Transference

Despite an early interest, Freud explicitly rejected philosophy, because of its “speculative” character. He struggled with balancing the intellectual appeal of philosophy with the certainty he hoped to find in positivist science. Putting aside the scientific status of Freud's work, the author re-examines Freud's attitude towards philosophy. Failing to recognize the assumptions of his investigations, Freud segregated psychoanalysis from philosophy on the charge that philosophers equated mind with consciousness, putatively propounded unfounded speculations, and assumed false conclusions about comprehensiveness. However, Freud never completely abandoned his initial philosophical proclivities. His own contributions to cultural history, social philosophy, notions of personal identity, and the humanistic thrust of psychoanalysis, demonstrate that he continued to address his earliest interests in philosophical questions. The author elucidates the philosophical complexity of psychoanalysis and concludes that a reconsideration of Freud's self-appraisal of his intellectual commitments is warranted.     

The Freud–Ferenczi controversy in light of Emma Eckstein's circumcisio

Abstract

Emma Eckstein's circumcision trauma has been powerfully suppressed, denied, and dissociated from the history of the origins of psychoanalysis. Even though Freud did not categorize it as a trauma, he was deeply impacted by it in the period when he provided psychoanalysis with his foundation. Despite Freud's intellectual erasure of the trauma that Emma experienced, her “cut” never ceased to unconsciously break through Freud's fantasies and discourse, haunting the psychoanalytic building as a veritable ghost. Sándor Ferenczi became the recipient of what Freud could not consider in his own mind, and his revision of the “Bausteine” (building blocks) of psychoanalysis featured an attempt to heal the split embedded in the foundation of psychoanalysis.     

Turn of Fortune in Psychoanalysis: The 1924 Rank Debates and the Origins of Hermeneutic Psychoanalysis

The history of psychoanalysis can be characterized by conflicts that besides their personal content meant a closure and an opening in the development of the theorecial and practical (self )understanding of the discipline. The 1923-24 conflict that resulted in the separation of Rank from the movement and showed the first signs of uneasiness against the mainstream of psychoanalysis in Ferenczi's approach is relatively less known. However, its theoretical, or more general: discoursive impact on psychoanalysis was enormous.The debate took place among the top leaders of the movement, Rank and Ferenczi on one side, Jones, Abraham, Sachs on the other. In the center of the discussion there were two books, The Trauma of Birth by Rank and the The Development of Psychoanalysis by Ferenczi and Rank. With the help of documents I try to show that Freud first supported his Vienna-Budapest friends, later changed over to the other camp. As a general effect, I suggest that this debate resulted in the withdrawal from the earlier more hermeneutic-dialogical, therapy centered psychoanalysis toward a medical, objective, systematic and metapsychology oriented discipline. Besides the general theoretical change the power centers of psychoanalysis shifted toward West, Vienna and Budapest was substituted first by Berlin, later by London and New York.