康德的综合和分析概念

先天综合判断如何可能的问题是康德《纯粹理性批判》的基本问题。可能性问题是先验真理问题,而综合正是回答先天综合判断真理问题的关键。本文对康德综合概念的四重含义进行了考察,它们是逻辑学的综合概念、认识论的综合概念、方法论的综合概念、存在论的综合概念。本文对相关的分析概念进行了连带的考察,但是同时指出综合概念是整个批评的基石和线索之所在。     

The Art of Nature: Hegel and the Critique of Judgment

This essay examines the reasons for Hegel's frequently professed claim that Kant's Critique of Judgment simultaneously reveals the internal limits of critical philosophy and opens the door to his own system of speculative idealism. It evaluates Hegel's contention that the conceptions of aesthetic experience, organic purposiveness, and the intuitive intellect developed in the third Critique together conspire to undermine the epistemological and metaphysical foundations of the theories of nature and freedom advanced in the first and second Critiques . Finally it explains how Hegel understands his logic and real philosophy as a realist and quasi-naturalistic alternative to Kant's subjective idealism, one that purports to generate a system of categories adequate not only to dead matter but also to organic life and free self-conscious spirit.     

回到道德现象本身——康德道德形而上学的论证方法初探

在康德理性的道德形而上学的建构过程中,两种论证方法即分析法和综合法起到了重要的作用。他首先用分析法从普通人的相互混杂的道德认识中逐步分离出纯粹的道德现象和原则,力图给真正的道德哲学奠基。随后他又用综合法来论证道德律的实在性并使它在经验世界中能得到现实的应用,以说明纯粹的道德原则并非人的主观臆造。两种方法相互依赖,相辅相成,共同支撑起道德形而上学的大厦。     

Foucault and the Imperatives of Education: Critique and Self-Creation in a Non-Foundational World

This article outlines Foucault’s conception of critique in relation to his writings on Kant. In that Kant saw Enlightenment as a process of release from the status of immaturity in that we accept someone else’s authority to lead us in areas where the use of reason is called for, it is claimed in this article that Foucault’s notion of critique reveals his own conception of maturity. Whereas Kant sees maturity as the rule of self by self through reason, Foucault sees it as an attitude towards ourselves and the present through an historical analysis of the limits, and the possibility of transgression, of going beyond. Critique is thus a permanent interrogation of the limits, an escape from normalization, and a facing-up to the challenges of self-creation while seeking to effect changes in social structures on specific regional issues of concern. The article concludes by suggesting that the problem of historical and epistemological relativism, which a conception of total critique gives rise to, may not be as insurmountable as some critics of Foucault have claimed.     

Learning to like it: Aesthetic perception of bodies,movements and choreographic structure

Appreciating human movement can be a powerful aesthetic experience. We have used apparent biological motion to investigate the aesthetic effects of three levels of movement representation: body postures, movement transitions and choreographic structure. Symmetrical (ABCDCBA) and asymmetrical (ABCDBCA) sequences of apparent movement were created from static postures, and were presented in an artificial grammar learning paradigm. Additionally, “good” continuation of apparent movements was manipulated by changing the number of movement path reversals within a sequence. In an initial exposure phase, one group of participants saw only symmetrical sequences, while another group saw only asymmetrical sequences. In a subsequent test phase, both groups rated all sequences on an aesthetic evaluation scale. We found that posture, movement, and choreographic structure all influenced aesthetic ratings. Separate ratings for the static body postures presented individually showed that both groups preferred a posture that maximized spatial symmetry. Ratings for the experimental sequences showed that both groups gave higher ratings to symmetrical sequences with “good” continuation and lower ratings to sequences with many path reversals. Further, participants who had been initially familiarized with asymmetrical sequences showed increased liking for asymmetrical sequences, suggesting a structural mere exposure effect. Aesthetic preferences thus depend on body postures, apparent movement continuation and choreographic structure. We propose a hierarchical model of aesthetic perception of human movement with distinct processing levels for body postures, movements and choreographic structure.     

Postmodernism: Its Origins and its Threat to Psychoanalysis

Postmodernism originated in an overreaction to "modernist" sociocultural trends of the past few centuries. Flaws of postmodern writers include: ignorance and distortion of the history of science and philosophy; the erroneous assumption that such faults of some natural scientists as reductionism and narrowness are intrinsic to the entire enterprise, even to rationality; overgeneralizing such valid criticisms to the level of metaphysical relativism; and deliberately obscure and pretentious writing. Its vogue is a threat to science in general and to psychoanalysis in particular. Psychoanalysis was vulnerable to a postmodernist attack because of Freud's rejection of scientific standards for his creation, his na¨ L ve realism, and his authoritarian heritage plus certain weaknesses of theory, technique, and organization resulting from it. Analysts are urged to stay close to clinical observation and abstain from generalizing outside their realm of expertise.     

Kant and Wittgenstein: Common Sense,Therapy, and the Critical Philosophy

Kant’s reputation for making absolutist claims about universal and necessary conditions for the possibility of experience are put here in the broader context of his goals for the Critical philosophy. It is shown that within that context, Kant’s claims can be seen as considerably more innocuous than they are traditionally regarded, underscoring his deep respect for “common sense” and sharing surprisingly similar goals with Wittgenstein in terms of what philosophy can, and at least as importantly cannot, provide.

Phantom of consistency: Alain Badiou and Kantian transcendental idealism

Immanuel Kant is one of Alain Badiou’s principle philosophical enemies. Kant’s critical philosophy is anathema to Badiou not only because of the latter’s openly aired hatred of the motif of finitude so omnipresent in post-Kantian European intellectual traditions—Badiou blames Kant for inventing this motif—but also because of its idealism. For Badiou-the-materialist, as for any serious philosophical materialist writing in Kant’s wake, transcendental idealism must be dismantled and overcome. In his most recent works (especially 2006’s Logiques des mondes), Badiou attempts to invent a non-Kantian notion of the transcendental, a notion compatible with the basic tenets of materialism. However, from 1988’s Being and Event up through the present, Badiou’s oeuvre contains indications that he hasn’t managed fully to purge the traces of Kantian transcendental idealism that arguably continue to haunt his system—with these traces clustering around a concept Badiou christens “counting-for-one” (compter-pour-un). The result is that, in the end, Kant’s shadow still falls over Badiouian philosophy—this is despite Badiou’s admirable, sophisticated, and instructive attempts to step out from under it—thus calling into question this philosophy’s self-proclaimed status as materialist through and through.

Viewing artworks: Contributions of cognitive control and perceptual facilitation to aesthetic experience

When we view visual images in everyday life, our perception is oriented toward object identification. In contrast, when viewing visual images as artworks, we also tend to experience subjective reactions to their stylistic and structural properties. This experiment sought to determine how cognitive control and perceptual facilitation contribute to aesthetic perception along with the experience of emotion. Using functional MRI, we show that aesthetic perception activated bilateral insula which we attribute to the experience of emotion. Moreover, while adopting the aesthetic orientation activated the left lateral prefrontal cortex, paintings that facilitated visuospatial exploration activated the left superior parietal lobule. The results suggest that aesthetic experience is a function of the interaction between top-down orienting of attention and bottom-up perceptual facilitation.     

Nature, Interthing Intersubjectivity, and the Environment: A Comparative Analysis of Kant and Daoism

The Kantian philosophy, for many, largely represents the Modern West’s anthropocentric dominance of nature in its instrumental-rationalist orientation. Recently, some scholars have argued that Kant’s aesthetics offers significant resources for environmental ethics, while others believe that Kant’s flawed dualistic views in the second Critique severely undermine any environmental promise that aesthetic judgments may hold in Kant’s third Critique. This article first examines the meanings of nature in Kant’s three Critiques. It concludes that Kant’s aesthetic view toward sensible nature is indeed inconsistent. The article, however, also suggests that the “I” as “transcendental apperception” discussed in the paralogisms of the first Critique holds some promise of “interthing intersubjective” thinking. The second half of the article demonstrates that Daoism with a dialectic concern similar to Kant’s has something insightful to offer in its idea of interthingness based on a phenomenal account of nature. The article investigates important Daoist ideas of interthing analogical experience, qi, spiritual exercise, and wuwei in its dialect relation to zizan. By bringing Daoism and Kant into dialogue, the author hopes to bring forth a synthetic approach that is better suited to today’s environmental concerns.     

Foucault and Derrida: The Question of Empowering and Disempowering the Author

This article focuses on Michel Foucault’s concepts of authorship and power. Jacques Derrida has often been accused of being more of a literary author than a philosopher or political theorist. Richard Rorty complains that Derrida’s views on politics are not pragmatic enough; he sees Derrida’s later work, including his political work, more as a “private self-fashioning” than concrete political thinking aimed at devising short-term solutions to problems here and now. Employing Foucault’s work around authorship and the origins of power, I show that Derrida is indeed fashioning himself. This self-fashioning is not merely private or fanciful. Rather, I argue that Derrida can be read as employing what Foucault would call “technologies of the self” to not only show the play of possibility and impossibility at work in all politics and thought, but also to use his savoir to create two important and potentially constructive power structures. First, there is the power of deconstruction itself as a “militant critique” that calls for a forceful and irreducible justice. Second, there is the power of Derrida himself, understood as leaving behind a legacy of himself as the “originator” of deconstruction and as a public intellectual.

THE CREATIVE IMPERATIVE: Religious Ethics and the Formation of Life in Common

Challenging a long‐standing assumption of the separation of ethical from poetic activity, this essay develops the basis for a theory of moral life as inherently and radically creative. A range of contemporary post‐Kantian ethicists—including Ricoeur, Nussbaum, Kearney, and Gutiérrez—are employed to make the argument that moral practice requires a fundamental capability for creative transformation, imagination, and social renewal. In addition, this poetic moral capability can finally be understood only from the primordial religious point of view of the mystery of Creation as such. Humanity as an image of its Creator is called to the endless impossible possibility of the re‐creation of its own complex, plural, and fallen social world. Such a perspective is opposed to views of moral life as the application of law‐like principles or the recovery of past moral histories. Without a better understanding of moral life's radically creative imperative, we miss a vital element of social relations' distinctive humanity.     

Reason and revelation: Kant and the problem of authority

This paper explores the significance of authority for Kant’s understanding of the relationship between reason and revelation. Beginning with the separation of the faculties of Theology and Philosophy in Conflict, it will be shown that Kant sees a clear distinction between the authority of reason and that of revelation. However, when one turns to Religion, it is also clear that Kant sees an important, perhaps necessary, relationship between the two. Drawing on a variety of texts, in particular those concerning the public and private use of reason, this paper then explores the relationship between the authority of reason and that of revelation. From this discussion, several conclusions will be drawn regarding Kant’s understanding of the relationship between reason and revelation, namely that while distinct, the two are not necessarily in conflict and that, ultimately, the proper functioning of public reason must include some reference to revelation.     

Autonomy and morality: A Self-Determination Theory discussion of ethics

Kantian ethics is based on a metaphysical conception of autonomy that may seem difficult to reconcile with the empirically-based science of psychology. I argue that, although not formally developed, a Self-Determination Theory (SDT) perspective of ethics can broaden the field of Kantian-based moral psychology and specify what it means, motivationally, to have autonomy in the application of a moral norm. More specifically, I argue that this is possible when a moral norm is fully endorsed by the self through a process of internalization that is energized by intrinsic motivation and is facilitated by the fulfillment of the basic needs for autonomy, competence and relatedness. The conditions of the fulfillment of these needs may even implicitly reveal which norms will be integrated and treated as moral norms. I conclude that SDT offers a motivational approach that is useful in understanding the development of moral norms.     

The Otherness of Children as a Hint of an Outside: Michel Foucault,Richard Yates and Karl Barth on Suburban Life

Abstract

The essay shows how the ordinary life of children might save suburbia from itself. Disenchanted with contemporary existence, temptations of ideality tend to both vilify and verify suburban life as banal, yet to the extent that suburban life means life with children, profound possibilities subsist in that strange world. The argument unfolds in three parts. Beginning with Michel Foucault, the author shows how power courses through every form of life, colonizing depth such that desire reveals power's most fundamental expression. Secondly, Richard Yates's Revolutionary Road exemplifies power's machinations as Yates compassionately portrays the tragedy of belittling ordinary life. Finally, the author turns to Karl Barth in order to resituate Foucault's account of immanence within a larger horizon where children might be embraced as the aleatory play of difference of God's peace and patience.     

Voices of Silence: Foucault,Disability, and the Question of Self-determination

Studies in Philosophy and Education - In this paper I examine two controversialissues that occurred in two different centuriesbut that are inextricably linked with eachother – the 1835 murder...     

Rationalism and empiricism: A new perspective

Though classical and twentieth-century versions of empiricism and rationalism fail in their aims, as does the Kantian attempt at a compromise between those views, there are residues of those views that play important roles in the scientific enterprise. Those residue, and their scientific roles, are examined in this paper.     

Constructing an Aesthetic Weltanschauung: Freud,James, and Ricoeur

I will investigate in this paper what kind of Weltanschauung Freud suggests. Although Freud argues in the lecture XXXV, The Question of a Weltanschauung (1933), that psychoanalysis is incapable of creating a Weltanschauung of its own, I think that he has a certain Weltanschauung, i.e., the aesthetic worldview, which involves his scientific, psychoanalytic, and artistic principles. Furthermore, I will explicate that Freud's aesthetic worldview is ultimately related to the Weltanschauungen of William James and Paul Ricoeur. I will focus particularly on their terms, sympathetic and poetic, which are the crucial elements that constitute the aesthetic Weltanschauung. Finally, I will briefly present my intention in drawing this aesthetic Weltanschauung. I will conclude that throughout the aesthetic Weltanschauung we may accept that everything is precious, pertinent, and worthy to be viewed as a part and a whole, and as home (Heim).     

Rethinking our Maxims: Perceptual Salience and Practical Judgment in Kantian Ethics

Some contemporary Kantians have argued that one could not be virtuous without having internalized certain patterns of awareness that permit one to identify and respond reliably to moral reasons for action. I agree, but I argue that this insight requires unrecognized, farreaching, and thoroughly welcome changes in the traditional Kantian understanding of maxims and virtues. In particular, it implies that one's characteristic emotions and desires will partly determine one's maxims, and hence the praiseworthiness of one's actions. I try to show this by pointing out an instability in the Kantian understanding of maxims. On the one hand, maxims are thought of as consciously affirmed, subjective principles of action. On the other hand, Kantians claim that nothing counts as an action, nor as morally assessable, unless it has a maxim. One cannot take both thoughts seriously without implausibly constricting the range of behavior that counts as action, hence as morally assessable. This difficulty can be overcome, I suggest, by jettisoning the idea that maxims must be consciously affirmed, and by stressing the way in which maxims are grounded in the pruning and shaping of one's emotions and desires during socialization. This opens the door to a rich Kantian theory of virtue. It also raises questions about the scope and ground of our moral responsibility, which I address at the end of the paper.