Suicide among eminent artists

To evaluate suicide risk by profession among eminent artists data from Garzanti's Encyclopedia, a broad biographical repertory, were used. Six categories in the visual and literary arts were compared: architects, painters, sculptors, writers, poets, and playwrights. Only people whose deaths occurred in the 1800s or 1900s were included since it is likely that underestimation of suicide has been lower in the more recent centuries. A total of 59 suicides were observed in a sample of 3,093 people: this corresponds to a ratio of 1.90%. Suicides were 51 among men (ratio 1.75%) and 8 among women (ratio 4.30%). The comparison by profession indicates that poets and writers exceed the mean suicide ratio of the sample. Painters and architects, conversely, have a clearly lower risk than the mean. Mean age of suicides was 44 yr. (SD = 12), with writers being slightly older (48 yr., SD = 12) than other artists. Artists who died of causes other than suicide reach a mean of 65 yr. (SD = 10). Suicide among artists seems to have a peculiar pattern, clearly different from the pattern of the general population, wherein suicide risk is higher among men and older people. Adverse financial circumstances and the stress attributed to rejection of personal products may contribute to the specific risk of suicide among artists. The link between mental disorders, such as manic-depression, which imply a higher risk of suicide, and creativeness is discussed as a contributing factor.     

Sawyer's review of artists all

This study explored the extent to which ideational behavior (IB; Runco, Plucker, &; Lim, 2000–2001), an indicator of creativity, is related to established individual differences in personality traits (Five Factor Model or FFM; Costa &; McCrae, 1992 Costa , P. T. , &; McCrae , R. R. ( 1992 ). Revised NEO Personality Inventory and NEO Five-Factor Inventory Professional Manual . Odessa , FL : Psychological Assessment Resources . [Google Scholar]), fluid (gf) and intelligence (IQ). A total of 158 (112 female) college students from British and American universities took part in this study. Bivariate correlations showed that IB was significantly associated with Openness to Experience, Conscientiousness (negatively), and gf. Hierarchical regression analysis showed personality to be a better predictor of IB than was intelligence. Cognitive ability measures only accounted for 4% of the variance in IB, whereas the Big Five superfactors explained an additional 22% of the variance (with gender explaining a further 3%). Furthermore, selected personality facets of Openness to Experience, Agreeableness, and Conscientiousness, explained the largest amount of variance in IB, namely 35%. Results are discussed with regard to the theoretical implications of the taxonomic place of IB in the wider realm of individual differences constructs.     

Raffel's critique of artists all

The role of technology in the creative process is changing drastically, given the technological advancements of recent years. Although the role of technology is acknowledged in the systems approach to creativity, the model needs modifications to account for the increased importance of technology in the creative process. This article outlines the effects of technology on the individual, society, and the domain, and argues that the original model be revised to include a new component called the technology component. The proposed changes to the system are illustrated and the implications of a modified systems approach to the creative process are discussed.     

Exploring University Counselors' Perceptions of Distinctions Between Gifted Black and Gifted White Students

This study examined the perceptions of a sample of university counselors relative to social, cultural, and psychological barriers to achievement among gifted Black and gifted White students. Ninety-three counselors at institutions of higher education throughout the nation participated in the study by responding to a mailed survey questionnaire. Comparisons were made relative to counselors' demographic variables (ethnicity, gender, multicultural training, and geographic locale). The results indicate that the university counselors sampled disagreed with or were undecided about the special dilemmas confronting gifted learners. Moreover, most counselors perceived that gifted Black and gifted White students experience social, cultural, and psychological problems in the same way. The study concludes with recommendations for university counselors working with gifted students in general and gifted Black students in particular     

Academic Careers of Gifted Women

As part of a larger study concerning academically gifted college women, gifted freshman women who graduated (723) were compared with those who did not graduate (526) on certain academic variables. Graduates took an average of 12.6 quarters to complete their degrees. Average length of attendance before departure for Nongraduates was 5.8 quarters. Graduation with honors was achieved by 51.9 per cent of the Graduates. Graduates and Nongraduates differed significantly in GPA (3.06 to 2.50), contact with the Counseling Bureau (43.6 to 30.9 per cent), and in major fields of study. More Graduates had Liberal Arts (CLA) “social science,” CLA “interdepartmental and double,” Education, and Home Economics majors. More Nongraduates had CLA “English, linguistics, and languages,” CLA “natural science and mathematics,” and Business Administration majors. These results are discussed in relation to findings of the larger study concerning personality characteristics and vocational interests of gifted women, and a follow-up study of the Nongraduates.     

Identifying Gifted and Talented Students

ABSTRACT

This article offers a set of recommended best practices in the identification of students who are gifted and talented. The article recommends that school psychologists gain familiarity with gifted children and their families, recognize the multiple manifestations of giftedness and the developmental nature of talent development, link identification to intervention, employ multiple assessment measures, include the assessment of motivation, consider social and emotional needs, and monitor the recommended interventions. The article also reviews recurring issues that adversely impact upon the provision of gifted services in the public schools. These issues include society not viewing the gifted as a high-priority special needs group, definitions of giftedness that vary across states, differing expert opinions on what giftedness represents, uncertainty about prevalence rates, under-representation of certain groups of gifted students, the role of creativity, and whether gifted education should be a part of special education.     

Tracing Leadership in Gifted Children

The aim of this study was to determine whether characteristics of leadership identified among adults also exist among young gifted children. The study was conducted in Israel among 63 gifted children aged 10 to 14 who completed the Leadership Questionnaire, constructed especially for this study. The characteristics found to distinguish between high and low scorers on leadership were responsibility, desire to dominate, consistency, physical energy, achievement orientation, expressive and persuasive powers, cooperation, adaptability, daring, self-confidence, and emotional equilibrium. The results confirmed our hypothesis that the characteristics of leadership identified in adults do exist among gifted children.     

Vulnerabilities of Academically Gifted Students

Abstract

It is often assumed that gifted students enjoy relatively good social and emotional adjustment, vibrant mental health, and overall well being. Unfortunately, this is not always the case, and a significant number of gifted students experience painful, troubling and often debilitating psychological problems. Gifted children and youth possess a set of personality characteristics that make them uniquely vulnerable. School personnel and parents need to be cognizant of these risk factors so that they can provide coordinated and comprehensive educational and social opportunities to foster resilience and, when needed, provide preventive and therapeutic mental health interventions for those gifted students with actual psychological problems.     

Schizotypy and creativity in visual artists

‘Every work of art is an uncommitted crime ’ Adorno (1951) . Cited in Julius (2002) . Given the putative relationship between creativity and schizotypy/psychoticism, the current study set out to investigate differences in scores on a range of personality and creativity measures between visual artists and non‐artists. Results found that the visual artists group scored higher on measures of positive‐schizotypy, disorganized‐schizotypy, asocial‐schizotypy, neuroticism, openness and divergent thinking (uniqueness) than did the non‐artist group and lower on agreeableness. These findings lend support to other studies reporting higher schizotypy scores in artistic and creative cohorts, although provide some of the first evidence of higher unusual experiences and impulsive nonconformity scores on the Oxford‐Liverpool Inventory of Feelings and Experiences (O‐LIFE) in visual artists. The relationship between creativity and schizotypy is discussed in terms of unusual ideas and a propensity to endorse socially undesirable responses.     

如何对艺术家进行心理传记分析

如何对艺术家进行心理传记分析,是心理传记学研究的一个关键问题。Schultz在总结前人研究的基础上,提出了几种研究的基本范式,这对当前对艺术家的心理传记研究,具有重要的实践意义。