On the development of a benign superego- thoughts arising from psychoanalytical work with children and grownups

ABSTRACT

The human psyche unfolds through the internalization of the presence of the object; little by little the child makes the functions and characteristics of the object her own. Part of the internalization of the primary objects result in the superego formation. When the internalized object is reliably present, protecting and need fulfilling the superego will be formed into a benign inner structure, which has self-observing, self-regulatory and ideal forming functions. A good internal object lays the basis for a well- functioning and protective superego, whereas an object experienced as too distant and not there when needed results in internalizations which build a harsh and persecuting superego. The focus in this article is on the development of a benign superego.     

Mourning,Melancholia and Religious Studies: Is the “Lost Object” Really Lost?

This reflection on the book /Mourning and Religion/ (2008) offers a reading of Freud’s foundational text /Mourning and Melancholia/ in which the relationship between mourning and melancholia is theorized slightly differently from that in /Mourning and Religion./ Mourning and melancholia are here seen as clinically distinct responses to object loss: melancholia resulting from a more unconsciously ambivalent and complex relationship to the lost object. And drawing on the work of Hans Loewald, mourning is understood as more dialectical and less linear. Some implications of these models of mourning and melancholia for a psychoanalysis of the origin of the field of religious studies are mentioned.     

Opening the mind to reality

The author shows, through the use of clinical material, how an early failure in love can give rise to a severely crippling superego. The experience of a hateful relation with the mother is not simply internalized as a persecuting internal object, but is grafted onto the very roots of superego formation. As a result, the development of other parts of the psyche are affected – specifically the relation between the ego and self and the development of sexuality. The alienation between ego and self impairs thinking and the perception of external reality, which is modified and denied in the service of maintaining a pathological superego. By allowing the patient's hateful feelings to come out in the transference, without making him feel guilty, he is then able to risk expressing his loving feelings without the fear of rejection or abandonment. Through this process, the pathological superego can be dismantled and a more benign superego constructed.     

The Influence of Joseph Sandler's Work on Contemporary Psychoanalysis

This overview stresses Joseph Sandler's integration of classical ego psychology with contemporary object relations theory. As part of this integration, Sandler clarified the origins and internal structure of the superego as a consequence and development of the representational world. The representational world, in turn, derives from the internalization of significant self- and object representations in the context of affect activation as fundamental motivational factors. Sandler described the transformation of internalized object relations into an unconscious template, expressed in repetitive behavior patterns, and the reactivation of its constituent object relations in the transference. In differentiating the present and past unconscious in the transference, Sandler described the role responsiveness of the analyst in the psychoanalytic situation as a specific countertransference reaction that facilitates the analysis of the object relationships activated in the transference. Sandler also explored the relationship between affects and drives and the neuropsychological capacities represented by affective and cognitive developments that jointly determine the structural characteristics of the mental apparatus.     

Seduction,date rape,and aborted surrender

Abstract

This paper clarifies the dual-layered nature of the “demon lover complex,” with its background of both pre-Oedipal trauma and Oedipal-level desire. It draws on an object relations understanding of the unconscious and dissociated addiction to an internal demon object that has derivations in the personalities of the actual parents, and in the internalization of these parents. The dramatic case of early trauma compounded by adult date rape trauma serves to illustrate how a “developmental mourning process” in treatment can resolve such trauma. It also illustrates how reparation with the mother that partially heals pre-Oedipal trauma cannot immunize anyone against Oedipal-level attractions to a “demon lover” father, as represented in a displacement, resulting in victimized behavior, and in an aborted surrender to heterosexual desire. However, this victimization can be resolved, as seen in the clinical illustration, when the psychoanalyst has an understanding of the mourning process in developmental terms, working with a natural interaction between mourning and transference evolutions in treatment. The case also demonstrates the transitional object role of the psychoanalyst who is involved with the healing of pre-Oedipal trauma through mourning.     

Suicide,Loss, and Mourning

ABSTRACT: The intensive treatment of six suicidal patients has been used to explore the relationships among object loss, the mourning process, and suicide. These relationships may be condensed in two propositions: (a) suicidal behavior stems from an arrested grief reaction in which the subject is unable to complete the process of mourning for a lost object; and (b) the suicide's pathological loss reaction is brought about by developmental defects, primarily deficiencies in self-love and individuation. The suicidal subject's mournïng reaction is arrested in one or more of the first three stages of grief: shock, protest, or detachment from the lost object.     

Superego distortions and self-attack

Some people demand an unachievable level of self-perfection, and experience extremely harsh self-criticism when they inevitably fall short of this impossibly high standard. As a result of early trauma or neglect, patients who have internalized part-objects that are particularly responsive to aggression also appear to lack supportive introjects which could normally serve to counterbalance innate aggressivity. The resultant superego malformations are overly harsh and charged with self-destructive intent. Self-attack may range from guilt-ridden self-loathing to physical assault on the body. Suicide is viewed as restorative and survivable. Treatment interventions include superego analysis as a way to identify internalized self-attack, disentangle organized self-destructive elements and support counter-balancing forces for affect tolerance.     

Mourning beyond melancholia: Freud's psychoanalysis of loss

Freud's mourning theory has been criticized for assuming a model of subjectivity based on a strongly bounded form of individuation. This model informs "Mourning and Melancholia" (1917), in which Freud argued that mourning comes to a decisive end when the subject severs its emotional attachment to the lost one and reinvests the free libido in a new object. Yet Freud revised his mourning theory in writings concerned with the Great War and in The Ego and the Id (1923), where he redefined the identification process previously associated with melancholia as an integral component of mourning. By viewing the character of the ego as an elegiac formation, that is, as "a precipitate of abandoned object-cathexes," Freud's later work registers the endlessness of normal grieving; however, it also imports into mourning the violent characteristics of melancholia, the internal acts of moralized aggression waged in an effort to dissolve the internal trace of the other and establish an autonomous identity. Because it is not immediately clear how Freud's text offers a theory of mourning beyond melancholy violence, his account of the elegiac ego is shown here to ultimately undermine the wish for an identity unencumbered by the claims of the lost other and the past, and to suggest the affirmative and ethical aspects of mourning.     

THE SEDUCTIVE SUPEREGO: THE TRAUMA OF SELF-BETRAYAL

The author describes a pathological manifestation of the approving superego that functions as a perversely seductive superego. In this process, the seductive superego rationalises and makes ego-syntonic a gratification of forbidden wishes that will result in unconscious punishment. The author argues that the seductive superego torments the self by teasing it with the presence of a tantalising but forbidden object of desire and then by inflicting shame on the self for its timidity, which prevents it from pursuing the object in spite of the dangers. He suggests that the seductive superego inflicts a betrayal trauma upon the self by unconsciously actualising a sado-masochistic fantasy of seduction, surrender and betrayal, along with a humiliating punishment for surrendering.     

The superego, narcissism and Great Expectations

The author notes that the concepts of the superego and narcissism were linked at conception and that superego pathology may be seen as a determining factor in the formation of a narcissistic disorder; thus an examination of the superego can function as a 'biopsy', indicating the condition of the personality as a whole. Charles Dickens's novel Great Expectations is presented as a penetrating exploration of these themes and it is argued that in Pip, the central character, Dickens provides a perceptive study of the history of a narcissistic condition. Other key figures in the book are understood as superego representations and, as such, integral to the vicissitudes of Pip's development. In particular, the lawyer Jaggers is considered as an illustration of Bion's notion of the 'ego-destructive superego'. In the course of the paper, the author suggests that Great Expectations affirms the psychoanalytic understanding that emotional growth and some recovery from narcissistic difficulties necessarily take place alongside modification of the superego, allowing for responsible knowledge of the state of the object and the possibility of realistic reparation.     

Between the imaginary and the real: photographic portraits of mourning and of melancholia in Argentina

During Argentina's 'Dirty War' (1976-83), the military regime attempted to erase an entire population; today the photographs of the dead/missing stand in defiance, contradicting that attempted erasure of the desaparecidos. In this essay, I explain the connection between photography and loss, and how photography fits within Lacan's understanding of the Imaginary, the Symbolic, the Real, and the 'gaze'. I discuss complicated mourning (circumstances which inhibit/delay mourning) and the difficulties created by political disappearances: as long as the family members maintain the belief that their loved one(s) might still be alive, they cannot begin the process of mourning the permanently lost object. Beginning with the Madres de Plaza de Mayo and, using the web-based art exhibits of Marcelo Brodsky and Inés Ulanovsky, I analyze the role of the photograph in Argentina, how it serves as a linking object, how it is used to symbolize the dead/missing, and how it can function to facilitate mourning, or to serve as proof of pathological melancholia. I argue that such artistic representations of loss function to reinscribe healthy mourning rituals within the Argentine society.     

Life’s frailty – on fundamentalistic bonds in Haneke’s film Amour

My essay is centred upon Michael Haneke’s film Amour (2012), which revolves around the experiences of an 80-year-old musician couple, George and Anne. The relationship is severely tested as a result of Anne suffering a stroke. The director stakes out questions that explore the potential boundaries for our dignity and love. Using vignettes from the film, I will shed light on the manner in which life becomes restricted, as the object of our love vanishes. A central theme of the film is the collapsing of the mourning process that seeks a resolution in the choice between life and death. In the article, I will attempt to explain it in terms of an incorporation of the lost object of love that has as its purpose to preserve this bond, an incorporation that assumes a physical, concrete form characterised by disorientation, as a defence against catastrophic change. The article furthermore touches upon the concept of the third in the sense that Britton uses it, as something that may reconcile and provide meaning, but which in this case has ceased to function as a symbolic glue. An expression of failure in the process of mourning emerges in a form of a distorted neoreality, with confusion and disorientation as ingredients, to avoid the pain of reality.     

Manifestations of a punitive superego

The superego retaliatory actions can be understood as unresolved conflicts at the oedipal and oral levels of development. At the oedipal level, the law of talion rules the superego organization. At the oral stage, matricidal wishes stimulate a punitive mother introject which requires compensation. In both cases, however, the superego is the internalized maternal imago whose severity is as harsh as the mother's introjected mother.     

Elegiac Poetry: A Pastoral Resource with Complicated Grief

This essay argues that elegiac poetry, the poetry of mourning, may be a resource for pastoral care with complicated grief. It builds on Freuds distinction between mourning (normal grief) and melancholia (complicated grief), particularly as appropriated by French literary critic and psychoanalyst Julia Kristeva. It makes the case for elegy as a locus for externalizing a lost object which, in complicated grief, has been internalized as part of the bereaved persons self and which is not only grieved but also treated ambivalently if it is not hated. Drawing on the suffering God motif in Christian theologies of the cross, theological reflections supplement psychological arguments.     

Narcissism and superego development

To elucidate the role of the superego in th maintenance of narcissistic equilibrium, we reviewed Freud's ideas about narcissism and the superego as well as the relevant theories of Kohut, Kernberg, and certain ego psychologists. These latter authors offer an alternative mode of understanding narcissism more consistent with Freud's structural theory, one in which signal affects and superego functioning play a central role in normal development and in the pathogenesis of narcissistic disturbances. Early steps in superego formation were then examined schematically to elucidate the interaction of environmental influences and emerging psychic structure. We suggested that the first step in a developmental line toward superego formation is based on the affective qualities experienced in the course of self-object differentiation. Subsequent steps examined were introject and ego-ideal formation; compliance with th object; compliance with the introject; identification with the introject and the ego ideal; and finally, with oedipal resolution, the integration of superego nuclei into a progressively structuralized autonomous superego system. This system achieves growing independence from the drives and from pressures from early introjects during the course of latency, and functions to maintain the demands of the conscience and the standards of the ego ideal; rewards or punishments result when these demands and standards are or are not met. The final stage briefly considered here was the revision, modification, and elaboration of moral codes and the ego ideal as part of the adolescent process. Narcissistic vulnerabilities at various stages were pointed out in an attempt to stress that a particular clinical picture in later phases of development or adulthood may derive from any of several development points of origin and from one or more etiological factors.     

DIFFERENT ARCHITECTURES OF CREATIVITY: LOUIS AND NATHANIEL KAHN

The author analyzes Nathaniel Kahn's documentary film My Architect: A Son's Journey, a tribute to the writer‐director's father Louis, the famous architect, who died suddenly when Nathaniel was eleven years old. The film's poetic, evocative images form a testimony to the silent working through that Nathaniel did in searching for his lost father and to the complex intertwining of mourning and creativity. Creativity is seen as both the cause and the effect of working through, as it gives life to a new meaning and allows replacement of the lost object by an object found again. Bereavement, symbolization, and the birth of representation appear to be connected with one another, both when the most elementary representations are involved and when the more complex and artistic ones are. Where and when it is possible to recover a representation that can survive the absence of the lost object, there is a potentially creative psychic space that can be made fertile again.     

Object Relations,Affects, and Drives: Toward a New Synthesis

This paper summarizes my efforts to develop a contemporary psychoanalytic theory of drives, integrating this theory with contemporary affect theory and with psychoanalytic object relations theory. It proposes, in essence, that affects are the primary motivations of behavior, that they include a fundamental communicative function in the infant/caregiver relationship, and that it is the integration of, respectively, positive and negative affects that will crystallize libido and aggression as supraordinate motivational systems or drives. At the same time, insofar as peak affect states organize the internalization of the relationship between self and objects in the form of affect-invested self and object representations, affects are also contributing fundamentally to the organization of an internalized world of object relations, eventually consolidated in the tripartite structure of the mind.

This proposed interrelationship of affects, self- and object representations, and drives rejects the assumption of incompatibility of drive theory and object relations theory and provides potential bridging functions with the neurobiology of affects.     

A Rorschach analysis: parallel disturbance in thought and in self/object representation

The relationship between thought process disturbance and the structure of internal object relations was investigated by comparing Rorschach Special Scorings and content variables that reflected developmental levels of object relations. Selected Special Scorings from the Comprehensive System (Exner, 1990) and composite (WSum6) scores were correlated with Urist's (1977) Mutuality of Autonomy Scale (MOA) on the Rorschach protocols of 35 borderlines, 15 schizophrenics, and 19 narcissists. Correlations between composite scores of severe thought process disturbance and severe imbalance in internalized object representations were highly significant, p < .0001. The hypothesis that there is a significant relationship between disturbance in internalized self/object differentiation and thought process disturbance was supported. Implications of this study are discussed as they relate to empirical validation of theoretical constructs concerning ego function deficit and self/object disturbance.     

Links between grievance, complaint and different forms of entitlement

The author argues that different kinds of object relationships underlie the phenomena of grievance and complaint. Grievance is addressed to an object held responsible for a failure of idealisation, and the object is scolded or punished for this failure. Nursing grievance can restore the ideal object in phantasy and block mourning the ideal. With pathological grievance the self is seen as ideal and awareness of dependence on the libidinal other is denied, as are the passage of time and the transience of experience. An attitude of narcissistic entitlement to be special and exempt from ordinary reality is seen as intrinsic to the more persistent and pathological forms of grievance, and this narcissistic entitlement fuels grievance. Turning to complaint, the author argues that complaint is addressed to an object that is less idealised; there is more open acknowledgement of the need for and dependence on the other to realise liveliness. Complaint is the voice of the authentic lively self and intrinsic to complaint is a sense of lively entitlement. The author presents clinical material to illustrate these themes, and to show movement between complaint and grievance. Some technical difficulties in working with grievance are discussed.