Sartre and Ricoeur on Productive Imagination

Commenting on Jean‐Paul Sartre's theory of imagination, Paul Ricoeur argues that Sartre fails to address the productive nature of imaginative acts. According to Ricoeur, Sartre's examples show that he thinks of imagination in mimetic terms, neglecting its innovative and creative dimensions. Imagination, Ricoeur continues, manifests itself most clearly in fiction, wherein new meaning is created. By using fiction as the paradigm of imaginative activity, Ricoeur is able to argue against Sartre that the essence of imagination lies not in its ability to reproduce absent objects, but rather in the ability to transform reality through creative acts. Motivated by the intuition that Sartre the writer could not have forgotten to address such crucial dimensions of imagination, I examine Sartre's philosophical and literary work, showing that not only does he develop a notion of productive imagination, he also puts this notion to work by articulating the relationship between imagination, narrative, and identity formation, well before Ricoeur advanced his narrative‐identity theory. I argue that Sartre, like Ricoeur and MacIntyre, another representative of narrative‐theory whose criticism of Sartre I address in this essay, views imagination and narrativity as necessary conditions for the formation of a coherent and meaningful sense of self.     

BELIEF AND PRETENSE: A REPLY TO GENDLER

Abstract: In cases of imaginative contagion, imagining something has doxastic or doxastic‐like consequences. In this reply to Tamar Szabó Gendler's article in this collection, I investigate what the philosophical consequences of these cases could be. I argue (i) that imaginative contagion has consequences for how we should understand the nature of imagination and (ii) that imaginative contagion has consequences for our understanding of what belief‐forming mechanisms there are. Along the way, I make some remarks about what the consequences of the contagion cases are for the relation between knowledge and imagination.     

Contemporaneity and communion: Kierkegaard on the personal presence of Christ

Søren Kierkegaard’s claim that having faith requires being contemporary with Christ is one of the most important, yet difficult to interpret claims across his entire authorship. How can one be contemporary with a figure who existed more than two millennia ago? A prominent answer to this question is that contemporaneity with Christ is achieved through a kind of imaginative co-presence made possible by reading Scripture. However, I argue, this ignores what Kierkegaard thinks about Christ as a living agent, and not a merely historical agent. By drawing on Kierkegaard’s discussion of Christ’s true presence in the sacrament of Communion, I argue that contemporaneity with Christ should be understood in the same way as any other intersubjective relation. That is, I argue, that just as relating to any living person as contemporary requires a kind of two-way attention-sharing, relating to Christ as contemporary, on Kierkegaard’s account, requires a kind of two-way attention-sharing with Christ.     

Clinical conversations between psychoanalysis and imaginative literature

A literary form created by an imaginative writer captures something of the way the author shapes emotional experience and psychologically engages with it. The manner in which experience is created and contained in an imaginative literary text has much in common with the way experience is generated and worked with in the psychoanalytic situation. The author describes a clinical experience in which there was a collapse of the analytic (imaginative) space. He then discusses how he made use of a "conversation" he created with a short story and his own analytic experience to restore his imaginative capacities and to resume psychological work with the patient.     

Illusions of Sense in the Tractatus: Wittgenstein and Imaginative Understanding

Certain expositors of the Tractatus have tried to make sense of Wittegnstein's curious revocation of its propositions by suggesting that although they lack content, they nonetheless express ("show," but do not say) some ineffable truths about reality. Such a view Cora Dimaond labels "chickening out." I attempt to diagnose the lingering attraction of the 'chicken' (in this case an attraction to an illusion of sense) by condsidering a (false) parallel with the case of perceptual illusion. To this end, I make a brief excursion into the work of Gareth Evans in order to draw out what the parallel would look like and more specifically how the chicken might be tempted to think that there is indeed such a parallel. In this way, I hope to better 'understand' the chicken and her seduction, and in the process make a plea for not "chickening out." I then turn to a positive consideration of how we should in fact read this work. In particular, I consider Diamond's idea that the Tractatus requires an "imaginative understanding" of its reader, an ability to 'think' oneself into certain philosophical illusions of sense in order to dismantle them from within. I explore exactly what such an imagination involves. In particular, I suggest that it presupposes a kind of 'metaphysical' thesis of its own about the nature of human beings and their innermost tendencies, a position, I argue, that Wittegnstein held.     

Psychopaths and blame: The argument from content

The recent debate over the moral responsibility of psychopaths has centered on whether, or in what sense, they understand moral requirements. In this paper, I argue that even if they do understand what morality requires, the content of their actions is not of the right kind to justify full-blown blame. I advance two independent justifications of this claim. First, I argue that if the psychopath comes to know what morality requires via a route that does not involve a proper appreciation of what it means to cause another harm or distress, the content of violations of rules against harm will be of a lower grade than the content of similar actions by normal individuals. Second, I argue that in order to intend a harm to a person—that is, to intend the distinctive kind of harm that can only befall a person—it is necessary to understand what personhood is and what makes it valuable. The psychopath's deficits with regard to mental time travel ensure that s/he cannot intend this kind of harm.     

VALUES,DESIRES, AND LOVE: REFLECTIONS ON WOLLHEIM'S MORAL PSYCHOLOGY

In The Thread of Life, Richard Wollheim argues that a person's sense of value is grounded in the power of love to generate certain favourable perceptions of an object. Following from his view is a psychoanalytic conception of valuing as constituted by the imaginative force of phantasy, rather than rational deliberation. In this paper, I shall defend this conception with a view to explaining the relation between values and desires. I suggest that valuing qua phantasy‐making can ‘tune up’ a person's desires to fit his perception of the good. Such power of phantasy is to be contrasted with various types of motivational failure in moral imagination. Finally, I argue that ‘effective valuing’, which makes us capable of desiring what we perceive to be good, requires an affective kind of imagination which assures us that we have the ability to love and to be loved.     

THE TECHNOLOGICAL IMAGINARY: BRINGING MYTH AND IMAGINATION INTO DIALOGUE WITH BRONISLAW SZERSZYNSKI'S NATURE,TECHNOLOGY AND THE SACRED

Bronislaw Szerszynski's Nature, Technology and the Sacred (2005) offers a fresh look into the historical, cultural, and political implications of technology use in our contemporary situation. By challenging the standard interpretation of the secularization thesis, the book opens the door to a new kind of postmodern ordering of the sacred, which includes our ever‐developing perception of the environment and our ongoing use of technology. In my discussion of the text, I suggest that Szerszynski's argument could have been furthered by exploring the role played by both imagination and myth in creating the postmodern sacred that he describes. I argue that by giving consideration to Friedrich Dessauer's Christian theology of technology and the mythical imagination of contemporary science fiction literature and film, a more explicitly religious dimension of technology can be allowed to emerge in the form of the technological imaginary.     

Michael Huemer’s A Priori Defense of Metaethical Internalism

Versions of internalism have played important roles in metaethics, for example, in defending irrealist options such as emotivism. However, internalism is itself as controversial as the views it is used to defend. Standard approaches to testing the view, such as thought experiments about amoralists, have failed to gain consensus. Michael Huemer offers a defense of internalism of a different kind which he calls the “argument from interpretation.” He presents the argument as one Humeans could embrace, but versions could be accepted by others, including Huemer himself. The argument begins from the assumption that a certain principle of charity is true and knowable a priori. But it can only be known a priori if internalism is true. Hence internalism is true. In this paper I argue that this important argument fails. My main objection makes use of recent work in empirical psychology. Huemer needs the principle of charity to be known a priori. I argue that rather than being an a priori issue, it is an empirical one and that the empirical evidence is strong enough to undermine his argument for internalism.     

MORAL APES, HUMAN UNIQUENESS, AND THE IMAGE OF GOD

Recent advances in evolutionary biology and ethology suggest that humans are not the only species capable of empathy and possibly morality. These findings are of no little consequence for theology, given that a nonhuman animal as a free moral agent would beg the question if human beings are indeed uniquely created in God's image. I argue that apes and some other mammals have moral agency and that a traditional interpretation of the imago Dei is incorrectly equating specialness with exclusivity. By framing the problem in terms of metaphor, following the work of Paul Ricoeur and Sallie McFague, I propose that the concept of the imago Dei could be extended to accommodate moral species other than our own.     

Recognizing Targets: Wittgenstein's Exploration of a New Kind of Foundationalism in On Certainty1

Bringing the views of Grayling, Moyal‐Sharrock and Stroll together, I argue that in On Certainty, Wittgenstein explores the possibility of a new kind of foundationalism. Distinguishing propositional language‐games from non‐propositional, actional certainty, Wittgenstein investigates a foundationalism sui generis. Although he does not forthrightly state, defend, or endorse what I am characterizing as a “new kind of foundationalism,” we must bear in mind that On Certainty was a collection of first draft notes written at the end of Wittgenstein's life. The work was unprogrammatic, sometimes cryptic. Yet, his exploration into areas of knowledge, certitude and doubt suggest an identifiable direction to his thoughts.     

Horror Films and the Argument from Reactive Attitudes

Are horror films immoral? Gianluca Di Muzio argues that horror films of a certain kind are immoral because they undermine the reactive attitudes that are responsible for human agents being disposed to respond compassionately to instances of victimization. I begin with this argument as one instance of what I call the Argument from Reactive Attitudes (ARA), and I argue that Di Muzio’s attempt to identify what is morally suspect about horror films must be revised to provide the most persuasive interpretation of the ARA. I then argue that the ARA provides a compelling standard for evaluating the moral permissibility of creating and viewing horror films, yet I note that it is an exceedingly difficult practical task evaluating the risk that these films create for our reactive attitudes. My conclusion is that the ARA provides a useful way or orienting ourselves to the complicated details of evaluating the moral status of horror films.     

Skookumchuck,Kiidk'yaas,Gibbard: normativity,meaning, and idealization (critical notice of Allan Gibbard Meaning and Normativity)

Gibbard argues that ‘meaning is normative’. He explains the claim with an account of the normative which bases it on the process of planning, taken in part as issuing instructions to oneself. It seems to entail that the right kind of plans make norms. One ought to continue adding with plus rather than quus in a Kripkenstein horror story. I focus on Gibbard's characterization of normativity: it is not what one might expect. The main purpose of this review article is to present the way of understanding normativity that makes most sense of what he says, and which makes some otherwise implausible assertions defensible and perhaps even true. I give reasons for thinking that Gibbard's understanding of normativity-through-plans cannot do the work he wants it to. I also argue that he is onto something right, and it opens interesting new questions.     

Closure and context

The aim of this paper is to explain why imaginativeness is valuable. Recent discussions of imaginativeness or creativity (which I regard as the same property) have paid relatively little attention to this important question. My discussion has three parts. First, I elucidate the concept of imaginativeness by providing three conditions a product or act must satisfy in order to be imaginative. This account enables us to explain, among other things, why imaginativeness is associated with inspiration, why it is associated with the faculty of imagination, and why it is relative to persons and to contexts. Second, in the light of this account, I say what the imaginativeness of persons is. Philosophical discussions of the imaginativeness of persons usually treat it as a capacity. In fact, it is a tendency or disposition of a certain kind. Third, I give reasons why the imaginativeness of persons has the value it does. I begin by saying what the basic facts about its value are. When a person's imaginativeness is valuable, it is either (i) a good thing about a person, (ii) good for the person, or (iii) good for others. I provide explanations of each of these facts. I conclude by addressing the difficult question of whether a person's imaginativeness is non-instrumentally good for her. On Romantic and Romantic-inspired views, imaginativeness is non-instrumentally good for a person because of its connection with self-realization. I reject this claim. However, I argue that, often, imaginativeness is indeed non-instrumentally good for the imaginative person.     

KIERKEGAARD, INDIRECT COMMUNICATION, AND AMBIGUITY

Notoriously, Kierkegaard claims his project to be one of indirect communication. This paper considers the idea that Kierkegaard's distinction between direct and indirect communication is to be accounted for in terms of ambiguity. I begin by outlining the different claims Kierkegaard makes about his method, before examining the textual evidence for attributing such a distinction to him. I then turn to the work of Edward Mooney, who claims that the distinction between direct and indirect communication is to be drawn in just this way. I argue that Mooney misinterprets the type of ambiguity Kierkegaard holds to be involved in indirect communication, and consequently ends up with an unsatisfactory account of Kierkegaard's method. Finally I seek to cast doubt on the very idea that ambiguity might do justice to the claims Kierkegaard makes about his project, and suggest that what is required to do so is a theological interpretation of his work.     

Monadic Interaction

Leibniz has almost universally been represented as denying that created substances, including human minds and the souls of animals, can causally interact either with one another or with bodies. Yet he frequently claims that such substances are capable of interacting in the special sense of what he calls ‘ideal’ interaction. In order to reconcile these claims with their favored interpretation, proponents of the traditional reading often suppose that ideal action is not in fact a genuine form of causation but instead a merely apparent influence which serves to ‘save the appearances.’ I argue that this traditional reading distorts Leibniz's thought and that he actually considers ideal action a genuine (though non-standard) form of causation.     

Meaning,Expression, and the Interpretation of Literature

I argue that when we interpret a literary work, we engage with at least two different kinds of meaning, each requiring a distinct mode of interpretation. These kinds of meaning are literary varieties of what Paul Grice called nonnatural and natural meaning. The long‐standing debate that began with Beardsley and Wimsatt's attack on the intentional fallacy is, I argue, really a debate about nonnatural meaning in literature. I contend that natural meaning has been largely neglected in our theorizing about literary interpretation and that this comes at a serious cost, resulting in an inadequate account of what interpretation involves. I argue, first, that by recognizing that literary meaning includes both nonnatural and natural meaning, we are better placed to understand the interpreter's relationship with the author, and, second, that recognition of the distinction between nonnatural and natural meaning advances the established debate about literary meaning, offering support for actual intentionalism. The more inclusive view of literary meaning helps resolve an apparent difficulty raised by Noël Carroll.     

Coalition – creation – church*

Taking the recent UN Report about extreme poverty in the UK as a point of departure, this article analyses and assesses William Cavanaugh’s political ecclesiology. Drawing on the interpretation of Martin Luther’s concept of creation in Scandinavian Creation Theology, I argue that creation destabilises the distinction Cavanaugh draws between what he considers to be church and what he considers not to be church. I account for creation as a web of vulnerability in which all creatures are vulnerable to both creature and creator. In contrast to Cavanaugh’s strong and stable church, I advocate for what I call “coalitional church”: a church that can enter into coalitions with Christians and non-Christians in order to call for conditions under which vulnerable life is liveable. The public and political task of churches is not necessarily to fight the state, but to hold the state accountable to its citizens, whether they are Christian or non-Christian.     

Moral Responsibility and Motivational Mechanisms

This paper provides a discussion and defense of a recent formulation of the idea that moral responsibility for actions depends on the capacity to respond to reasons. This formulation appears in several publications by John Martin Fischer and Mark Ravizza, where the authors argue that moral responsibility involves a kind of control over one’s actions which they call “guidance control.” This kind of control does not require an agent’s ability to do something different from what he actually does, but instead requires only that the actual process leading to the action be responsive in some suitable way to the reasons that the agent has for acting. After summarizing this view, I offer the following two innovations to the authors’ view: I argue that the level of control required for moral responsibility (which I call “regular reasons-responsiveness”) is much stronger than what the author’s view allows for; and 2) I give a common-sense account of the kinds of motivational mechanism relevant to moral responsibility. Given these innovations, I show that this kind of view allows us to easily answer some counterexamples that appear in the current literature on moral responsibility.