Perceptual fluency effects in judgments of creativity and beauty: creative objects are perceived fluently yet they are visually complex

ABSTRACT

Perceptual fluency typically has a positive influence on aesthetic evaluations of beauty, but few studies have examined its influence on creativity evaluations. Creativity has two facets, originality and quality. If creativity judgments involve estimating product originality, such judgments may be associated with perceptual disfluency, while product quality may be associated with perceptual fluency. We examined the relationship between perceptual fluency and judgments of creativity and beauty across seven experiments. Creativity judgments were affected by most perceptual fluencysources. We observed a highly-fluent-is-beautiful-and-creative relation when testing repeated exposure and figure-ground contrast. Prototypicality displayed a high-fluency–is-beautiful relation, with creativity judgments unaffected. Visual complexity displayed a consistent disfluent-is-creative effect, with mixed results for beauty. For creativity (but not beauty) evaluations, increased saliency of visual complexity led to discounting fluent-is-creative effects, supporting the hypothesis that there are at least two fluency pathways to creativity judgments that take both originality and quality into account.     

Li Zehou and Moritz Schlick on the Roots of Beauty

Beginning from the Enlightenment view that beauty or art is ＂useless,＂ the attempts to explain how aesthetic experience and judgment are possible presented by Moritz Schlick and Li Zehou are examined, compared and contrasted. The paper treats three main subjects, the anthropological origins of beauty, the origins of aesthetic judgments and the problem of the purpose or function of beauty or aesthetic experience. In the first--the historical-causal roots of beauty--the problem discussed is how to account for aesthetics in light of the practical needs and pursuits of human beings. For Schlick, the problem is couched in terms of how aesthetic experience can be made consistent with natural selection. The second main subject-the philosophical roots of beauty-is a discussion of the origin in the sense of justification of aesthetic judgments. And the third examines the problem of assigning some purpose to aesthetic feelings and attitudes. An apparent contrast is made, and perhaps resolved, between the respective views of Schlick and Li.     

Individual and group modelling of aesthetic judgment strategies

Individual differences in aesthetic judgments were investigated by comparing quantitative group and individual performance models of the judgment processes. Aesthetic judgments of beauty over novel, formal, graphic patterns were collected from 34 non‐artist college students using a two‐step ranking‐rating procedure. Their judgment processes were individually modelled using Judgment Analysis. The participants showed noted individual differences. Certain features of the stimulus material, which were considered to contribute to the picture's beauty by one participant, were used in an opposing fashion by another. A group model was derived based on the average ratings of the patterns' beauty. It was concluded that the group model was not an adequate representation of the present data, whereas the data revealed systematic judgment processes at the individual subject level.     

Facial attractiveness is appraised in a glance

Those who are physically attractive reap many benefits--from higher average wages to a wider variety of mate choices. Recent studies have investigated what constitutes beauty and how beauty affects explicit social judgments, but little is known about the perceptual or cognitive processing that is affected by aesthetic judgments of faces and why beauty affects our behavior. In this study, the authors show that beauty is perceived when information is minimized by masking or rapid presentation. Perceiving and processing beauty appear to require little attention and to bias subsequent cognitive processes. These facts may make beauty difficult to ignore, possibly leading to its importance in social evaluations.     

When we like what we know – A parametric fMRI analysis of beauty and familiarity

This paper presents a neuroscientific study of aesthetic judgments on written texts. In an fMRI experiment participants read a number of proverbs without explicitly evaluating them. In a post-scan rating they rated each item for familiarity and beauty. These individual ratings were correlated with the functional data to investigate the neural correlates of implicit aesthetic judgments. We identified clusters in which BOLD activity was correlated with individual post-scan beauty ratings. This indicates that some spontaneous aesthetic evaluation takes place during reading, even if not required by the task. Positive correlations were found in the ventral striatum and in medial prefrontal cortex, likely reflecting the rewarding nature of sentences that are aesthetically pleasing. On the contrary, negative correlations were observed in the classic left frontotemporal reading network. Midline structures and bilateral temporo-parietal regions correlated positively with familiarity, suggesting a shift from the task-network towards the default network with increasing familiarity.     

Beauty: Neglected,but alive and kicking

This article is a commentary on ‘Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode – developments and challenges in empirical aesthetics’ (Leder & Nadal, 2014, this issue). It focuses on the importance of beauty in aesthetic appreciation and aesthetic judgments. Beauty is considered as a formal inherent property of visual stimuli that has the potential to elicit visual pleasure by direct sensory stimulation. It is argued that any comprehensive model of aesthetic experience must account fully for cognitive aspects of aesthetics (cultural, conceptual, psychological, and individual factors) as well as intrinsic properties of beautiful visual stimuli and how they relate to basic mechanisms of visual perception, which are universal among humans.     

Kant on Informed Pure Judgments of Taste

Two dominant interpretations of Kant's notion of adherent beauty, the conjunctive view and the incorporation view, provide an account of how to form informed aesthetic assessments concerning artworks. According to both accounts, judgments of perfection play a crucial role in making informed, although impure, judgments of taste. These accounts only examine aesthetic responses to objects that meet or fail to meet the expectations we have regarding what they ought to be. I demonstrate that Kant's works of genius do not fall within either of these categories. The distinguishing features of these works, namely, originality and exemplarity, become unrecognizable on these interpretations because originality and exemplarity lie in the work's ability to exceed one's expectations concerning its form and content. They contribute to artistic beauty through alternative transformation methods distinct from that of abstraction, namely, concept expansion and repudiation. These additional accounts of transformation lead to a rather surprising outcome: works of genius turn out to be paradigm cases where one can and indeed ought to form informed pure judgments of taste.     

Beauty and the beast: Psychobiologic and evolutionary perspectives on body dysmorphic disorder

Body dysmorphic disorder (BDD) is characterized by preoccupation with a defect in appearance. Concepts of beauty play a particularly crucial role in humans' mental and social life, and may have specific psychobiologic and evolutionary underpinnings. In particular, there is a growing literature on the neurocircuitry underpinning the body schema, body image and facial expression processing, and aesthetic and symmetry judgments. Speculatively, disruptions in cognitive-affective processes relevant to judgements about physical beauty lead to BDD.     

Expressivist to the core: Metaaesthetic subjectivism is stable and robust

Two common observations about aesthetics are in tension: that people generally consider aesthetic judgments subjective, and that people generally behave like objectivists (arguing over judgments, making choices based on judgments of trusted critics, rejecting strong assertions of aesthetic equivalence). This tension would be resolved if the first observation turned out to be false—if people endorsed subjectivism weakly, flexibly, or rarely. We tested whether people can be pushed to endorse objectivism under certain circumstances. Across a large sample (N = 588), aesthetic subjectivism proved consistent and robust to experimental manipulations. Even judgments that reflected participants' own evaluations of artworks were considered just as subjective as judgments directly opposed to their personal evaluations. We conclude that the apparent tension can be explained by the philosophical position of expressivism and discuss expressivism's prospects as a framework for understanding aesthetic judgment.     

面孔审美加工的神经机制及个体差异

外显和内隐的面孔审美加工的脑成像研究表明,美的面孔比不美的面孔导致眶额皮层、伏隔核、杏仁核等奖赏脑区更大的激活。脑电研究则发现了与面孔审美加工有关的早期负波和晚期正成分。面孔审美加工有关的脑区活动也受到性别、生理周期等个体因素的调节。未来的研究需要比较美的面孔与其它奖赏刺激加工的神经机制,探讨面孔审美加工的不同阶段及时间进程,在面孔知觉的框架下形成合理的面孔审美加工的神经模型。     

Recommending beauty: semantics and pragmatics of aesthetic predicates

The paper offers a semantic and pragmatic analysis of statements of the form ‘x is beautiful’ as involving a double speech act: first, a report that x is beautiful relative to the speaker’s aesthetic standard, along the lines of naive contextualism; second, the speaker’s recommendation that her audience comes to share her appraisal of x as beautiful. We suggest that attributions of beauty tend to convey such a recommendation due to the role that aesthetic practices play in fostering and enhancing interpersonal coordination. Aesthetic practices are driven by a disposition towards the attunement of attitudes and aesthetic recommendations contribute to forwarding such attunement. Our view is motivated by an attempt to satisfy the following set of desiderata: to account for (i) the experiential nature of aesthetic judgments, (ii) disagreements in aesthetic debates, and (iii) the normative aspirations of aesthetic discourse, as well as to avoid appealing to (iv) error theory and (v) realist ontological commitments.     

Life-satisfaction is a momentary judgment and a stable personality characteristic: the use of chronically accessible and stable sources

Social cognition research indicates that life-satisfaction judgments are based on a selected set of relevant information that is accessible at the time of the life-satisfaction judgment. Personality research indicates that life-satisfaction judgments are quite stable over extended periods of time and predicted by personality traits. The present article integrates these two research traditions. We propose that people rely on the same sources to form repeated life-satisfaction judgments over time. Some of these sources (e.g., memories of emotional experiences, academic performance) provide stable information that explains the stability in life-satisfaction judgments. Second, we propose that the influence of personality traits on life satisfaction is mediated by the use of chronically accessible sources because traits produce stability of these sources. Most important, the influence of extraversion and neuroticism is mediated by use of memories of past emotional experiences. To test this model, participants repeatedly judged life-satisfaction over the course of a semester. After each assessment, participants reported sources that they used for these judgments. Changes in reported sources were related to changes in life-satisfaction judgments. A path model demonstrated that chronically accessible and stable sources are related to stable individual differences in life-satisfaction. Furthermore, the model supported the hypothesis that personality effects were mediated by chronically accessible and stable sources. In sum, the results are consistent with our theory that life-satisfaction judgments are based on chronically accessible sources.     

"气":一种古老的刚美意蕴

“刚美”是张玉能先生近几年提出的一个美学范畴。本文对中国古典美学范畴“气”的历史渊流、审美特质等进行了比较详细的探讨和总结,指出了自从“气”取得美学上的主体意义之始,就已经显示出一种标举阳刚之美的审美倾向,或者说,阳刚就成为“气”范畴的美学特征;从而证明了“气”范畴充满了刚美的特质,具有丰富的刚美意蕴,因此它属于刚美范畴。     

Birkhoff revisited: beauty as a function of effect and means

The beauty of visual patterns is quantified, starting from the assumption that beauty is maximal when a maximum of effect is attained with a minimum of means applied. Birkhoff has based his theory of beauty on this assumption, but his specification of means and effect differs from the one presented here. In our conception, effect is specified as the number of independent regularities (R) of a pattern not accounted for by the simplest interpretation of the pattern. This variable is closely allied to the concept of conjunctive ambiguity. The irregularities of a pattern that are not constrained by additional regularities (P) make up the means term of the means-effect analogy. An index of beauty (M) is defined, M = R - P. It is shown that there is substantial correlation between M and preference judgments for a set of Birkhoff's polygons. It is further demonstrated that M has relevance to describe properties of the relation of beauty to complexity, data of experiments on the aesthetic attractivity of combinations of patterns, and preferences for certain proportions of simple figures above others.     

THE BEAUTIFUL AND THE SUBLIME IN NATURAL SCIENCE

The various aesthetic phenomena found repeatedly in the scientific enterprise stem from the role of God as artist. If the Creator is an artist, how and why natural scientists study the divine art work can be understood using theological aesthetics and the philosophy of art. The aesthetic phenomena considered here are as follows. First, science reveals beauty and the sublime in natural phenomena. Second, science discovers beauty and the sublime in the theories that are developed to explain natural phenomena. Third, the search for beauty often guides scientists in their work. Fourth, where beauty is perceived, feelings of the sublime often also follow upon further contemplation. This linkage of beauty in science with truth and the sublime runs counter to most aesthetic theory since Kant. Scholarship in theological aesthetics has recently argued that the modern and postmodern elevation of the sublime over beauty is merely a preference that reveals a bias against transcendence—against God. If doing and understanding science can show this sundering of the sublime from the beautiful to be in error, science also gives evidence of transcendence.     

Beauty is as Beauty Does?: Makeup and Posture Effects on Physical Attractiveness Judgments1

Recent studies have examined human beauty as a biological, structural trait. This view of beauty is incomplete because it does not consider the amount of variability in beauty judgments attributable to self-presentation strategies. This study was designed to estimate the importance of self-presentation practices on beauty judgments. For women within plus or minus one standard deviation of average facial attractiveness, makeup effect size estimates were comparable to previously published estimates of the importance of structural factors in attractiveness judgments. Similarly, for average weight stimuli, posture was comparable to body build in influencing attractiveness judgments. Implications for personal appearance businesses, health psychology, and counseling practice are discussed.     

Aesthetic Judging and The Intentionality of Pleasure

I point out some unclarities in Allison's interpretation of Kant's aesthetic theory, specifically in his account of the free play of the faculties. I argue that there is a tension between Allison's commitment to the intentionality of the pleasure involved in a judgment of beauty, and his view that the pleasure is distinct from the judgment, and I claim that the tension should be resolved by rejecting the latter view. I conclude by addressing Allison's objection that my own view fails to accommodate judgments of non-beauty or ugliness.     

Aesthetics of streetscapes: influence of fundamental properties on aesthetic judgments of urban space

This experiment was designed to investigate the relationship between the fundamental visual, spatial properties of existing complex streetscapes and aesthetic judgments. Participants performed aesthetic judgments over 35 photographs of typical spatial situations taken along the Meissner Strasse in Radebeul, Germany. In a modified Q-Sort procedure, the participants assigned the pictures to five categories, including 1 (beautiful) and 5 (not beautiful). Vegetation, Stylistic Uniformity, Homogeneity of Scale, and Symmetry were identified as primary components of aesthetic judgment by using principal component analysis. Stimuli, photographically edited according to these factors, were then tested using the same Q-Sort procedure, which confirmed these determinants. These results are intended to help the development of the theoretical understanding of the link between the influence of selected spatial properties and the aesthetic judgment of the visual quality of urban spaces.     

美容医学:小心市场诱惑的陷阱--关于美容医学健康发展的几个问题

要辨析市场经济下爱美的不同动因,警惕对美的异化,科学地估量外在美的意义;正确看待自然美、健康美、内在美与人工美的关系;慎重对待一些美容手术的实际效果,特别是它的远期效果;美容医生应坚守医生的道德底线,拒绝金钱的诱惑,并十分谨慎地对待生活的医学化.     

Autonomy and the Asymmetry Problem for Moral Expertise

We seem less likely to endorse moral expertise than reasoning expertise or aesthetic expertise. This seems puzzling given that moral norms are intuitively taken to be at least more objective than aesthetic norms. One possible diagnosis of the asymmetry is that moral judgments require autonomy of judgement in away that other judgments do not. However, the author points out that aesthetic judgments that have been ‘borrowed’ by aesthetic experts generate the same autonomy worry as moral judgments which are borrowed by moral experts. The author then explores various approaches to accepting the testimony of moral experts and concludes that the asymmetry may best be explained by (1) the conditions for moral expertise being more difficult to satisfy than those of aesthetic expertise and (2) the intuitive greater seriousness of accepting the moral judgments of others, since moral norms are generally viewed as more binding than aesthetic norms.