Auditory apparent motion in the free field: The effects of stimulus duration and separation

The effects of stimulus duration and spatial separation on the illusion of apparent motion in the auditory modality were examined. Two narrow-band noise sources (40 dB, A-weighted) were presented through speakers separated in space by 2.5°, 5°, or 100, centered about the subject’s midline. The duration of each stimulus was 5, 10, or 50 msec. On each trial, the sound pair was temporally separated by 1 of 10 interstimulus onset intervals (ISOIs): 0, 2, 4, 6, 8, 10, 15, 20, 50, or 70 msec. Five subjects were tested in nine trial blocks; each block represented a particular spatial-separation-duration combination. Within a trial block, each ISOI was presented 30 times each, in random order. Subjects were instructed to listen to the stimulus sequence and classify their perception of the sound into one of five categories: single sound, simultaneous sounds, continuous motion, broken motion, or successive sounds. Each subject was also required to identify the location of the first-occurring stimulus (left or right). The percentage of continuous-motion responses was significantly affected by the ISOI [F(9,36) = 5.67,p < .001], the duration × ISOI interaction [F(18,72) = 3.54,p < .0001], and the separation × duration × ISOI interaction [F(36,144) = 1.51,p < .05]. The results indicate that a minimum duration is required for the perception of auditory apparent motion. Little or no motion was reported at durations of 10 msec or less. At a duration of 50 msec, motion was reported most often for ISOIs of 20–50 msec. The effect of separation appeared to be limited to durations and-ISOIs during which little motion was perceived.     

A comparison of the effects of spatial separation on apparent motion in the auditory and visual modalities

In the present investigation, the effects of spatial separation on the interstimulus onset intervals (ISOIs) that produce auditory and visual apparent motion were compared. In Experiment 1, subjects were tested on auditory apparent motion. They listened to 50-msec broadband noise pulses that were presented through two speakers separated by one of six different values between 0 degrees and 160 degrees. On each trial, the sounds were temporally separated by 1 of 12 ISOIs from 0 to 500 msec. The subjects were instructed to categorize their perception of the sounds as "single," "simultaneous," "continuous motion," "broken motion," or "succession." They also indicated the proper temporal sequence of each sound pair. In Experiments 2 and 3, subjects were tested on visual apparent motion. Experiment 2 included a range of spatial separations from 6 degrees to 80 degrees; Experiment 3 included separations from .5 degrees to 10 degrees. The same ISOIs were used as in Experiment 1. When the separations were equal, the ISOIs at which auditory apparent motion was perceived were smaller than the values that produced the same experience in vision. Spatial separation affected only visual apparent motion. For separations less than 2 degrees, the ISOIs that produced visual continuous motion were nearly equal to those which produced auditory continuous motion. For larger separations, the ISOIs that produced visual apparent motion increased.     

Auditory apparent motion under binaural and monaural listening conditions

This investigation examined the ability of listeners to perceive apparent motion under binaural and monaural listening conditions. Fifty-millisecond broadband noise sources were presented through two speakers separated in space by either 10 degrees, 40 degrees, or 160 degrees, centered about the subject's midline. On each trial, the sources were temporally separated by 1 of 12 interstimulus onset intervals (ISOIs). Six listeners were asked to place their experience of these sounds into one of five categories (single sound, simultaneous sounds, continuous motion, broken motion, or successive sounds), and to indicate either the proper temporal sequence of presentation or the direction of motion, depending on whether or not motion was perceived. Each listener was tested at all spatial separations under binaural and monaural listening conditions. Motion was perceived in the binaural listening condition at all spatial separations tested for ISOIs between 20 and 130 msec. In the monaural listening condition, motion was reliably heard by all subjects at 10 degrees and 40 degrees for the same range of ISOIs. At 160 degrees, only 3 of the 6 subjects consistently reported motion. However, when motion was perceived in the monaural condition, the direction of motion could not be determined.     

Identification of temporal order within auditory sequences

Unpracticed Ss reported the order of sounds in sequences consisting of either three or four successive items repeated over and over without pause. With unrelated sounds each lasting 200 msec, correct reports of order were at chance level for oral responses and for card-ordering responses (each card bearing the name of one sound). The sequences with four unrelated items were studied in greater detail, and the threshold for identification was found to be 670 msec with oral responses and 300 msec with card-ordering responses. When two related sounds (tones) were used in four-item sequences, correct card-ordering was possible at 200 msec per item when the tones were temporally contiguous, but was not possible at this duration when the tones were separated by nonrelated sounds. Some special rules governing auditory sequence identification were suggested, and implications for theories of auditory perception discussed.     

Visual motion influences the contingent auditory motion aftereffect

In this study, we show that the contingent auditory motion aftereffect is strongly influenced by visual motion information. During an induction phase, participants listened to rightward-moving sounds with falling pitch alternated with leftward-moving sounds with rising pitch (or vice versa). Auditory aftereffects (i.e., a shift in the psychometric function for unimodal auditory motion perception) were bigger when a visual stimulus moved in the same direction as the sound than when no visual stimulus was presented. When the visual stimulus moved in the opposite direction, aftereffects were reversed and thus became contingent upon visual motion. When visual motion was combined with a stationary sound, no aftereffect was observed. These findings indicate that there are strong perceptual links between the visual and auditory motion-processing systems.     

Evocation and characterization of percepts of apparent motion on the face

The percepts evoked by sequential stimulation of sites in close spatial proximity (<2.5 cm) on the face were studied. Both method-of-limits and magnitude-estimation procedures were used to identify and characterize alterations in the percepts produced by systematic changes in the temporal and spatial parameters of the sequence. Each site was stimulated by a vertically oriented row of miniature vibrating probes. Apparent motion was consistently perceived when the delay between the onsets of sequentially activated rows (interstimulus onset interval, or ISOI) fell within a relatively narrow range of values, the lower limit of which approximated 5 msec. Both the upper limit and the perceived smoothness and continuity of the motion percepts (goodness of motion) increased with the duration for which each row stimulated the skin over the range evaluated, 15–185 msec. For the successive activation of only two rows, goodness of motion was not influenced by changes in their separation from 0.4 to 2.5 cm. The ISOI values at which magnitude estimates of goodness of motion were highest increased with the duration for which each row stimulated the skin. As such, maximum goodness of motion decreased with increases in the apparent velocity of motion. When the number of sequentially activated rows was increased from two to four or more, the quality of the motion percepts improved. For the successive activation of multiple closely spaced rows, values of ISOI at which numerical estimates of goodness of motion were highest approximated integral fractions of the duration for which each row stimulated the skin. In this situation, the probes rose and fell in a regular, step-locked rhythm to simulate an edge-like or rectangular object moving across the skin. The goodness of motion so attained was relatively independent of the apparent velocity of motion.     

Auditory delayed matching in the bottlenose dolphin

A bottlenose dolphin, already highly proficient in two-choice auditory discriminations, was trained over a nine-day period on auditory delayed matching-to-sample and then tested on 346 unique matching problems, as a function of the delay between the sample and test sounds. Each problem used new sounds and was from five to 10 trials long, with the same sound used as the sample for all trials of a problem. At each trial, the sample was projected underwater for 2.5 sec, followed by a delay and then by a sequence of two 2.5-sec duration test sounds. One of the test sounds matched the sample and was randomly first or second in the sequence, and randomly appeared at either a left or right speaker. Responses to the locus of the matching test sound were reinforced. Over nine, varying-sized blocks of problems, the longest delay of a set of delays in a block was progressively increased from 15 sec initially to a final value of 120 sec. There was a progressive increase across the early blocks in the percentage of correct Trial 1 responses. A ceiling-level of 100% correct responses was then attained over the final six blocks, during which there were 169 successive Trial 1 responses bracketed by two Trial 1 errors (at 24- and 120-sec delays). Performance on trials beyond the first followed a similar trend. Finally, when the sample duration was decreased to 0.2 sec or less, matching performance on Trial 1 of new problems dropped to chance levels.     

Adaptation to auditory motion in the horizontal plane: effect of prior exposure to motion on motion detectability.

Thresholds for auditory motion detectability were measured in a darkened anechoic chamber while subjects were adapted to horizontally moving sound sources of various velocities. All stimuli were 500-Hz lowpass noises presented at a level of 55 dBA. The threshold measure employed was the minimum audible movement angle (MAMA)--that is, the minimum angle a horizontally moving sound must traverse to be just discriminable from a stationary sound. In an adaptive, two-interval forced-choice procedure, trials occurred every 2-5 sec (Experiment 1) or every 10-12 sec (Experiment 2). Intertrial time was "filled" with exposure to the adaptor--a stimulus that repeatedly traversed the subject's front hemifield at ear level (distance: 1.7 m) at a constant velocity (-150 degrees/sec to +150 degrees/sec) during a run. Average MAMAs in the control condition, in which the adaptor was stationary (0 degrees/sec,) were 2.4 degrees (Experiment 1) and 3.0 degrees (Experiment 2). Three out of 4 subjects in each experiment showed significantly elevated MAMAs (by up to 60%), with some adaptors relative to the control condition. However, there were large intersubject differences in the shape of the MAMA versus adaptor velocity functions. This loss of sensitivity to motion that most subjects show after exposure to moving signals is probably one component underlying the auditory motion aftereffect (Grantham, 1989), in which judgments of the direction of moving sounds are biased in the direction opposite to that of a previously presented adaptor.     

Audiovisual influences on the perception of visual apparent motion: exploring the effect of a single sound

Previous research has shown that irrelevant sounds can facilitate the perception of visual apparent motion. Here the effectiveness of a single sound to facilitate motion perception was investigated in three experiments. Observers were presented with two discrete lights temporally separated by stimulus onset asynchronies from 0 to 350 ms. After each trial, observers classified their impression of the stimuli using a categorisation system. A short sound presented temporally (and spatially) midway between the lights facilitated the impression of motion relative to baseline (lights without sound), whereas a sound presented either before the first or after the second light or simultaneously with the lights did not affect motion impression. The facilitation effect also occurred with sound presented far from the visual display, as well as with continuous-sound that was started with the first light and terminated with the second light. No facilitation of visual motion perception occurred if the sound was part of a tone sequence that allowed for intramodal perceptual grouping of the auditory stimuli prior to the critical audiovisual stimuli. Taken together, the findings are consistent with a low-level audiovisual integration approach in which the perceptual system merges temporally proximate sound and light stimuli, thereby provoking the impression of a single multimodal moving object.     

The effect of timing and spatial separation on the velocity of auditory apparent motion

Previously, it was shown that the minimum conditions for the illusion of auditory apparent motion (AAM) depend on stimulus timing but not spatial separation. In the present experiment, the effects of stimulus timing and source separation on the perceived velocity of AAM were examined. Eight listeners estimated the velocity, duration, and distance traveled of AAM, using a no-modulus, magnitude estimation procedure. Four burst durations (25, 50, 100, and 300 msec), 10 stimulus onset asynchronies (SOAs; 30, 40, 50, 60, 70, 80, 90, 100, 110, and 120 msec) and two separations (10° and 40°) were tested. Perceived velocity estimates were related to the total duration (burst duration + SOA) of the stimulus sequence. The effect of separation on velocity was extremely small but statistically significant. These results are similar to those obtained previously on the minimum conditions for AAM. Duration estimates were related only to total duration, but separation estimates were related to both separation and total duration. These results suggest that velocity is possibly a primary dimension of AAM that is independent of source separation.     

Motion aftereffects with horizontally moving sound sources in the free field

A horizontally moving sound was presented to an observer seated in the center of an anechoic chamber. The sound, either a 500-Hz low-pass noise or a 6300-Hz high-pass noise, repeatedly traversed a semicircular arc in the observer's front hemifield at ear level (distance: 1.5 m). At 10-sec intervals this adaptor was interrupted, and a 750-msec moving probe (a 500-Hz low-pass noise) was presented from a horizontal arc 1.6 m in front of the observer. During a run, the adaptor was presented at a constant velocity (-200 degrees to +200 degrees/sec), while probes with velocities varying from -10 degrees to +10 degrees/sec were presented in a random order. Observers judged the direction of motion (left or right) of each probe. As in the case of stimuli presented over headphones (Grantham & Wightman, 1979), an auditory motion aftereffect (MAE) occurred: subjects responded "left" to probes more often when the adaptor moved right than when it moved left. When the adaptor and probe were spectrally the same, the MAE was greater than when they were from different spectral regions; the magnitude of this difference depended on adaptor speed and was subject-dependent. It is proposed that there are two components underlying the auditory MAE: (1) a generalized bias to respond that probes move in the direction opposite to that of the adaptor, independent of their spectra; and (2) a loss of sensitivity to the velocity of moving sounds after prolonged exposure to moving sounds having the same spectral content.     

The slow formation of a pitch percept beyond the ending time of a short tone burst

The discriminability of short tone bursts differing in frequency was measured in terms of the sensitivity index d' as a function of interstimulus interval (ISI). The two stimuli presented on each trial consisted of either 6 or 30 sinusoidal cycles. When the frequency of the first stimulus varied randomly and widely from trial to trial (Experiment 1), discriminability was maximal for an ISI of about 400 msec in the 6-cycles condition and for a significantly longer ISI (of about 1 sec) in the 30-cycles condition. However, when the first stimulus had only two possible frequencies and the second stimulus was fixed (Experiment 2), the optimal ISI appeared to be about 400 msec in both conditions. A final experiment confirmed that, for tone bursts of 30 cycles, the optimal ISI was dependent on the perceptual uncertainty of the first stimulus. These results support the idea that the duration required to perceive the pitch of a sound as accurately as possible may far exceed the duration of the stimulus itself. More importantly, they indicate that the required duration is not a constant.     

THE INFLUENCE OF AUDITORY STIMULUS INTENSITY ON APPARENT DURATION

B erglund , B., B erglund , U., E kman , G. & F rankenhaeuser , M. The influence of auditory stimulus intensity on apparent duration. Scand J. Psychol ., 1969, 10 21–26.— apparent duration of an auditory signal of 1000 C/S was measured by the method of magnitude estimation. Ten different stimulus intensities ranging from 57 to 104 dB were used in combination with three different durations: 50, 250, and 500 msec. The results showed that the apparent duration of the signal grew as a logarithmic function of stimulus intensity. These results are consistent with the hypothesis relating apparent duration to activation level as well as with results of similar experiments involving electrical and vibrotactile stimulation.     

Precategorical acoustic storage for vowels of short and long duration

Ss gave immediate ordered recall for series of seven isolated vowel sounds from a vocabulary of three-/a, u, i/. In a 2 by 2 design, the stimulus vowels were either 50 or 300 msec in duration (though always presented at a 2/sec rate), and the seven-item series was followed by either a nonverbal recall cue or a verbal recall cue that is a stimulus suffix. There was an interaction such that the recall impairment caused by the verbal suffix was larger when the stimulus items were vowels of long duration than when they were vowels of short duration. Since short vowels tend to be more categorically perceived than long vowels, this result reinforces the view that vowels and stop consonants are differently represented in auditory short-term memory for reasons that have to do with the way m winch they are perceived or vice versa.     

Dichotic backward masking of complex sounds

In the first experiment subjects identified a consonant-vowel syllable presented dichotically with a known contralateral masking sound at a stimulus onset asynchrony of ± 60 msec. When the mask followed the target syllable, perception of place of articulation of the consonant was impaired more when the mask was a different consonant-vowel syllable than when it was either a steady-state vowel or a non-speech timbre. Perception was disturbed less when the mask preceded the target, and the amount of disruption was independent of which mask was used. Greater backward than forward masking was also found in the second experiment for the identification of complex sounds which differed in an initial change in pitch. These experiments suggest that the extraction of complex auditory features from a target can be disrupted by the subsequent contralateral presentation of a sound sharing certain features with the target.     

Feature assignment in perception of auditory figure

Because the environment often includes multiple sounds that overlap in time, listeners must segregate a sound of interest (the auditory figure) from other co-occurring sounds (the unattended auditory ground). We conducted a series of experiments to clarify the principles governing the extraction of auditory figures. We distinguish between auditory "objects" (relatively punctate events, such as a dog's bark) and auditory "streams" (sounds involving a pattern over time, such as a galloping rhythm). In Experiments 1 and 2, on each trial 2 sounds-an object (a vowel) and a stream (a series of tones)-were presented with 1 target feature that could be perceptually grouped with either source. In each block of these experiments, listeners were required to attend to 1 of the 2 sounds, and report its perceived category. Across several experimental manipulations, listeners were more likely to allocate the feature to an impoverished object if the result of the grouping was a good, identifiable object. Perception of objects was quite sensitive to feature variation (noise masking), whereas perception of streams was more robust to feature variation. In Experiment 3, the number of sound sources competing for the feature was increased to 3. This produced a shift toward relying more on spatial cues than on the potential contribution of the feature to an object's perceptual quality. The results support a distinction between auditory objects and streams, and provide new information about the way that the auditory world is parsed.     

The effect of vowel similarity and syllable length on acoustic memory

Darwin and Baddeley (1974) argue that the presence of recency, suffix, and modality effects are not attributable to the acoustic properties of the stimuli but, rather, to the acoustic distance between the items comprising the test series. The present study is designed to determine whether stimulus duration is a significant variable in acoustic memory. Eight different blocks of synthetic stimuli were prepared; one block each of 60 msec similar and dissimilar syllables and 190 msec similar and dissimilar syllables. The other four blocks consisted of these same vocabularies, but each list in the block had an eighth syllable suffix of the same duration as the syllables in the block. Significant recency and suffix effects are seen for dissimilar syllables of both durations. No effects are demonstrated for 60-msec similar syllables, but both of the effects are seen for 190-msec similar syllables. These results indicate that whether or not a speech sound is preserved in precategorical acoustic storage (PAS) depends upon not only the acoustic distance between the stimuli, but also on other characteristics intrinsic to the stimuli, e.g., stimulus duration.     

The auditory motion aftereffect: its tuning and specificity in the spatial and frequency domains

In this paper, the auditory motion aftereffect (aMAE) was studied, using real moving sound as both the adapting and the test stimulus. The sound was generated by a loudspeaker mounted on a robot arm that was able to move quietly in three-dimensional space. A total of 7 subjects with normal hearing were tested in three experiments. The results from Experiment 1 showed a robust and reliable negative aMAE in all the subjects. After listening to a sound source moving repeatedly to the right, a stationary sound source was perceived to move to the left. The magnitude of the aMAE tended to increase with adapting velocity up to the highest velocity tested (20 degrees/sec). The aftereffect was largest when the adapting and the test stimuli had similar spatial location and frequency content. Offsetting the locations of the adapting and the test stimuli by 20 degrees reduced the size of the effect by about 50%. A similar decline occurred when the frequency of the adapting and the test stimuli differed by one octave. Our results suggest that the human auditory system possesses specialized mechanisms for detecting auditory motion in the spatial domain.     

Auditory pattern recognition by untrained listeners

Earlier work with unpracticed Ss has indicated that identification (naming) of the temporal order of components within repeated sequences consisting of three or four unrelated sounds cannot be accomplished when the item durations are 200 msec or less. In the present experiment, separate groups of 30 unpracticed Ss were required to teil whether alternated sequences, each consisting of reiterated presentations of the same three or four successive items, were in identical or permuted order. Naming of the order within the sequences was not required. Accuracy of same/different judgments was significantly better than chance when all items lasted 200 msec. Changing the duration of each item in one of the two sequences above or below 200 msec made the task more difficult. These results, together with other evidence, suggest that: (1) identification of order and recognition of auditory temporal patterns may represent fundamentally different processes, and (2) recognition may involve matching of “temporal templates.”     

On the relation between time and space in the visual discrimination of velocity.

Is the perception of velocity determined by the prior discrimination of spatial and temporal distances? Two experiments sought to answer this question by comparing the discriminabilities of moving stimuli varied in spatial extent, temporal duration, or in redundant combinations of both variables. The subject's task was to identify which of two alternative stimuli was presented on each trial. A set of four stimuli was constructed from two values of spatial extent and two values of temporal duration. Separate conditions required discrimination of each of the six possible pairs of these stimuli. Experiment 1 examined continuous motion and Experiment 2 examined apparent motion for stimuli with short (50 versus 65 msec) and with long (500 versus 650 msec) interstimulus intervals. With continuous motion and with good apparent motion (short intervals), the discrimination between the different-velocity bivariate pairs was too accurate to be attributed only to discriminations of the spatial and temporal extents of the motion. This did not occur with poor apparent motion. Evidently, time and space are perceptually related.