Creative self-efficacy development and creative performance over time

Building from an established framework of self-efficacy development, this study provides a longitudinal examination of the development of creative self-efficacy in an ongoing work context. Results show that increases in employee creative role identity and perceived creative expectation from supervisors over a 6-month time period were associated with enhanced sense of employee capacity for creative work. Contrary to what was expected, employees who experienced increased requirements for creativity in their jobs actually reported a decreased sense of efficaciousness for creative work. Results show that increases in creative self-efficacy corresponded with increases in creative performance as well.     

Creative potential, creative achievement, and personal growth

We tested the idea that young people who have creative potential (are complex and unconventional) increase in intrapsychic awareness as they mature but often have difficulty with psychosocial growth, especially the development of a cohesive identity; and that for some women commitment to creative work solves the problem of psychosocial integration and leads to creative achievement. In a longitudinal sample of 109 women, these ideas were supported: Creative potential and creative achievement were both associated with intrapsychic growth but only creative achievement was associated with psychosocial growth. Regression analyses showed that the development of a cohesive identity from early to middle adulthood added to and interacted with creative potential in the prediction of creative achievement.     

Potential Space - The Place of Encounter between Inner and Outer Reality

This paper was one in a series of lectures called ''Space and identity'' that were given to a public audience during the spring of 1998. ''Space and identity'' was part of the program for Stockholm as the cultural capital of Europe in 1998 and was arranged by the Museum of Architecture and the two psychoanalytical societies in Stockholm. Building on the theories of especially Winnicott and Bion and with references to literature the paper gives a picture of the development of inner space and of potential space as the place for creativity and creative living.     

Expressions of Muslim identity in architecture and urbanism in Birmingham,UK

Muslims in the West, and in Britain in particular, have typically experienced cultural displacement, and thus seek creative cultural expressions and explicit practices as a form of self-identity. This paper explores the meaningful expressions of this identity from the perspective of architecture and urbanism. It discusses the development of culturally distinct neighbourhood landscapes in Birmingham, their morphological and architectural differentiation and the adaptations and transformations of space as a result of the interaction between the Muslim South Asian community and British built form.     

Predicting the Development of Analytical and Creative Abilities in Upper Elementary Grades

In some models, intelligence has been described as a multidimensional construct comprising both analytical and creative abilities. In addition, intelligence is considered to be dynamic rather than static. A structural equation model was used to examine the predictive role of cognitive (visual short-term memory, verbal short-term memory, selective attention) and socio-emotional (motivation, self-concept, well-being) child characteristics in the development of analytical and creative abilities in 116 Dutch children over the course of 5th and 6th grade. Results showed increasing levels of both analytical and creative abilities over the grades with the 2 types of abilities developing more or less independently. The development of analytical abilities was predicted by visual and verbal short-term memory and self-concept, the development of creative abilities by visual short-term memory and well-being. These results show that analytical and creative abilities have highly independent developmental trajectories, each with specific cognitive and socio-emotional predictors.     

Expertise as mental set: The effects of domain knowledge in creative problem solving

Experts generally solve problems in their fields more effectively than novices because their wellstructured, easily activated knowledge allows for efficient search of a solution space. But what happens when a problem requires a broad search for a solution? One concern is that subjects with a large amount of domain knowledge may actually be at a disadvantage, because their knowledge may confine them to an area of the search space in which the solution does not reside. In other words, domain knowledge may act as a mental set, promoting fixation in creative problem-solving attempts. A series of three experiments in which an adapted version of Mednick’s (1962) remote associates task was used demonstrates conditions under which domain knowledge may inhibit creative problem solving.     

Exposed: phallic protections,shame and damaged parental objects 1

Using ideas derived from Dana Birksted-Breen (‘Phallus, penis and mental space’, International Journal of Psycho-Analysis, 77: 649–57, 1996), this article explores the clinical experience with ‘Tommy’, a young boy who suffered multiple traumas and neglect. Birksted-Breen describes a phallic state of mind, which, amongst other things, serves to repudiate the potential for a creative link between internal parental objects and a capacity for thinking. In order to survive psychically, Tommy frequently turned to a phallic state of mind. The deficits in his internal and external objects meant that helpful parental qualities, linked with the development of psychic bisexuality, were not available for introjection and identification. The paper suggests a link between Tommy's employment of phallic (and at times perverse) ways of thinking, related to his intrusive attempts to expose and humiliate his psychotherapist, and to an experience of shame associated with inadequate internal objects. The serious compromise to the development of a creative psychic bisexuality in the patient is reflected in the countertransference strain on the psychotherapist's own internal couple.     

3~4岁幼儿创造性人格与气质的交叉滞后分析

以幼儿创造性人格倾向教师评定问卷、儿童气质教师评定问卷作为研究工具,对287名3岁和4岁组幼儿进行为期一年的追踪研究,考察幼儿气质与创造性人格的发展变化情况,以及幼儿气质与其创造性人格之间的关系。结果发现：随着时间的发展,幼儿气质对其创造性人格有显著影响。幼儿的情绪性、活动性、反应性及专注性均能够显著正向预测其创造性人格,而幼儿的社会抑制性则能够显著负向预测其创造性人格。     

Creating All in the Family: A Case Study in Creative Thinking

Research examining the development of creative works suggests that creative products often build on previous works and that, in such cases, the new work can be seen as an extension and synthesis of works known to the creator at that time (Weisberg, 2003a). In recent years, several investigators have applied quantitative methods to the analysis of the development of creative works (e.g., Martindale, 1990; Simonton, 1998; Weisberg, 2003b). The present study extended this quantitative orientation to the analysis of the development of the innovative 1970s television show All in the Family (AITF). The family structure, character portrayals, topical emphases, and goals of AITF were compared with those of its purported "parent," the British situation comedy Till Death Us Do Part (TDUDP), as well as with those of 4 "control" U.S. situation comedies. Statistical analyses demonstrated significant relationships between AITF and TDUDP, while showing significant differences between AITF and TDUDP and the other American shows. Many of the innovations in AITF can be seen as extensions of ideas present in TDUDP. The present study provides further evidence for the feasibility and usefulness of applying quantitative methods to the analysis of the development of creative products. On a substantive level, it appears that AITF represents another in a long line of creative products that built on and extended what was already available to create something new.     

Suicide and the Creative Class: A Cross-National Examination

Studies on suicide have illustrated the role society plays in the very individual act of suicide. Suicide research has examined the role of economic development within cities, states, and countries. Florida suggested that a new form of economic development, built around the creative class, is being implemented by the most prosperous cities and countries. Using a cross-national analysis of 59 countries the study finds that as the percent of the creative class increased, suicide increased. The findings indicate that there could be a negative consequence to areas pursuing economic development along the creative class model.     

The Myth of the Omnipotent Servant

The creative room refers to the area that arises when the third areas (intermediate spaces) of analyst and analysand overlap. This involves a partial union of the intermediate spaces of self and object. This overlapping space, the creative room, accommodates reflective observance as well as devoted association. A prerequisite for the creative room is the created room, the analytical framework. Other requirements concern properties of the analyst's and the patient's intermediate areas and their interrelationship. These circumstances are examined in the light of clinical examples. The primary concern, however is the absence of the third, when the creative room does not arise or rather, various positions of self and object around the point where the third either fails to arise or is eliminated. In a concluding section, there is an example of the creative room being extended in time for the continued creativity of the two parties (Bion and Beckett) for the rest of their lives.     

Celebrating 50 years of Reflective Practice: Versions of Creative Problem Solving

The original work of Alex Osborn making the creative process more explicit, and the following 50 years of research and development on creative problem solving, have made an important and wide‐spread contribution to those interested in the deliberate development of creative talent. This article provided a summary of the many versions of creative problem solving and the key scholarly issues underpinning their development for one main group of collaborators. Future research and development needs were also identified.     

In Search of the Creative Personality

Conceptual maps of occupational interests and environments, traits, and psychosocial motives were used in a search for general features of creative personality. Creative individuals seem to be concentrated in artistic and investigative occupations. In the samples surveyed, individuals in different arts and investigative fields differed considerably in personality traits, and the more creative did not differ from the less creative in the same ways across samples. The power motive generally may be important, but research to show this is lacking. Nevertheless, creative individuals were found to share strong symbolic interests, independence, and high aspirations. Viewing them as self-oriented rather than other-oriented is consistent with the above findings and with their love of work and difficulty in relationships; it points to transcendence of the self as a common moral problem. Implications for research on the creative personality include the importance of attention to the development of symbolic interests and to our projections of power on the creative individual.     

Artistic creation as stimulated by superimposed versus combined-composite visual images

The creative role of homospatial thinking in visual art was assessed in an experiment with 39 highly talented young artists. In order to compare the creative effects of visual elements occupying the same space with identical elements arrayed in a combined foreground and background organization, superimposed slide images were presented to a randomly selected portion of the subject group, and the other portion of the subject group viewed the same slide images constructed into a figure-ground composite. Both groups produced three drawings stimulated by the slide stimuli, and these drawings were independently judged by three art experts. Results were that drawings produced by the group exposed to the superimposed images were rated higher in creative potential than those stimulated by the figure-ground controls. These results extend previous experimental findings of a tendency toward homospatial thinking in creative individuals in literature and visual art.     

A Longitudinal Study of Creative Personality in Women

The Mills Longitudinal Study, covering 30 years in the lives of approximately 100 women from the senior year of college to their early 50s, was begun as an investigation of creativity in women. After a presentation of the design of the study and its measures of creative potential and productivity, findings in several areas are reviewed. A central finding is that varied measures of creative potential assessed openness and unconventionality, manifested in both positive and negative ways, whereas creative productivity was associated with these traits along with strong creative motivation and resilience. Creative potential was actualized in some women in self-discovery through relationships rather than in careers. Creative traits showed impressive consistency over time, but the creative vitality of individuals fluctuated considerably with major changes in life situation. Creative productivity showed more relation to psychosocial development than did measures of creative potential.     

It's a great big universe: Astrobiology and future trends for an astrotheology

Despite the awe and wonder that discoveries related to astrobiology inspire, the sheer volume and diversity of new discoveries related to space science can become overwhelming without meaningful frames of reference by which to organize our understanding of these phenomena. I suggest that a critical feature of the future of “astrotheology” relates to how it serves as an organizing correlate to astrobiology and space research. Considering that the prefix astro‐ has an amplicative and abductive effect on the fields of study to which it is applied, I contend that astrotheology implies a creative and constructive shift in how we conceptualize meaningful human being for theology that parallels how astrobiology effects a creative and constructive shift in how we conceptualize living systems.     

Creative Collaboration in Young Children’s Playful Group Drawing

Collaborations that lead to creative outputs occur within different group contexts and with diverse populations, including young children. Two cases of collaborative drawing are presented in this article to consider how young children engage in creative collaboration by negotiating meaning with others through open-ended group drawing. We conceptualize group drawing as a form of social play where children can advance personal creative abilities through interactions and shared understandings with others. The two cases derive from a study that examined young children's group play through drawing. A preschool class of 16 children (aged 4–5) was observed during free play over eight 1-hour sessions. Children were free to come and go as they pleased from an art station consisting of large drawing surfaces and a variety of drawing materials. Findings from the two selected cases suggest the development of shared meaning supports creative collaboration in group drawing situations, as children use a variety of verbal and non-verbal strategies to communicate their ideas. Implications are offered for early childhood educators and environments seeking to promote creative collaboration.     

青少年创造性发展及其脑机制研究进展

青少年时期是创造性发展的关键阶段,探明青少年创造性发展规律及其神经机制对于培养和激发个体的创新潜能具有重要意义。本文综述了青少年创造性发展及其脑机制的研究进展,分别对青少年创造性思维发展趋势、影响因素及其相应的脑机制展开综述,并在此基础上进行了展望。总体而言,青少年时期创造性思维发展呈现出两个波峰(11~13岁,15~16岁)的发展趋势;青少年创造性发展受外部原生家庭教养方式和学校教师激励以及内部情绪动机和自我管理能力的影响较大;前额叶对青少年创造性发展具有重要作用,这可能与该脑区涉及执行控制功能有关。针对青少年创造性发展的教育干预以及大脑可塑性可能成为该领域的研究热点;而大样本纵向跟踪多模态脑影像数据库的建立可为相关研究提供重要支持。     

The initial sketch and the growth of a creative network of enterprises in early adulthood: George Bernard shaw

Research in the evolving systems approach (see Gruber and Davis, 1988; Wallace and Gruber, 1989) shows that creative people at some time early in their careers construct an initial sketch that stimulates and guides further development of their ideas. This case study of Bernard Shaw (1856–1950) will describe this aspect of his early development: finding a sense of direction, or charting the creative life, by means of an initial sketch. It will also examine the role of a network of enterprises in the organization of a creative life. In Shaw's case, an initial sketch provides content for the creative process; a network of enterprises organizes the process. Incubation will be described as a period of inaction on one enterprise of the creative system while a different (sometimes similar) enterprise is being developed.     

Millennium as Opportunity: Chaos,Creativity, and Guilford's Structure of Intellect Model

In this new millennium, our prospects for creative change may be particularly fluid. Chaos theory is used metaphorically to address aspects of creative process we therefore might note well, linking these both with (a) the operations, products, and contents dimensions of J. P. Guilford's structure of intellect (SI) model and (b) healthier balances we can create between Guilford's divergent and convergent production, both within individuals and cultures. Divergent production, a key operation in Guilford's model, may be viewed both as the major departure it was half a century ago and via the dramatic emergences we see today using a nonlinear dynamic of creativity. The intersection of divergent production with Guilford's products dimension might be linked to multiple creative processes we can ponder metaphorically as strange attractors, and attractor complexes, in a dynamic phase space of mind. Such attractors might trap as well as free us, however, and potential examples are given involving abstraction, unconscious processes, and socially restrictive models of normalcy. Next, Guilford's diverse content areas remind us of aspects of our-indeed, dynamically connected-experience as human beings that may be artificially disconnected and underemphasized in traditional education. All divergent processing operates within a larger context, and its tension with convergent processes contains potential for creative leaps and bifurcations, discussed at both the social and individual levels. Preliminary data on aesthetic preference suggest creative people also may seek challenges and chaotic attractors of higher "dimensionality"; this may help drive the process. Finally, a societal shift toward greater creative openness and growth is recommended, based on advantages for physical and psychological health, and clues to paths that nature finds adaptive. Chaos theory gives us models and metaphors based on an ever more rapid, sensitive, and holistic nonlinear creative process; this can honor one's mental history and complex preconditions while responding instantly to information as subtle as a puff of air. Now, when global change is needed badly, we can use this potential malleability to evolve together toward a healthier future.