Judging the pleasantness of contour-rhythm-pitch-timbre musical combinations

The way people with various degrees of musical training integrate timbre, melodic contour, rhythm, and pitch information in an overall pleasantness judgment for musical excerpts was investigated. The theoretical and methodological framework of the study was the functional theory of cognition. In 2 experiments, participants were asked to attribute an overall pleasantness value to combinations of these factors. In Experiment 1, timbre, contour, rhythm, and overall pitch were manipulated. In Experiment 2, timbre and theme (a pattern of pitch and rhythm) were manipulated. Both experiments showed that in judging the pleasantness of musical combinations, participants apply a simple, additive rule in which the weight attributed to one element does not depend of the value of the other elements. Very few differences in regard to the combination rule were observed between participants with and without musical training. These results are discussed in reference to the controversy over pitch and rhythm interaction.     

A quantum theoretical explanation for probability judgment errors

A quantum probability model is introduced and used to explain human probability judgment errors including the conjunction and disjunction fallacies, averaging effects, unpacking effects, and order effects on inference. On the one hand, quantum theory is similar to other categorization and memory models of cognition in that it relies on vector spaces defined by features and similarities between vectors to determine probability judgments. On the other hand, quantum probability theory is a generalization of Bayesian probability theory because it is based on a set of (von Neumann) axioms that relax some of the classic (Kolmogorov) axioms. The quantum model is compared and contrasted with other competing explanations for these judgment errors, including the anchoring and adjustment model for probability judgments. In the quantum model, a new fundamental concept in cognition is advanced--the compatibility versus incompatibility of questions and the effect this can have on the sequential order of judgments. We conclude that quantum information-processing principles provide a viable and promising new way to understand human judgment and reasoning.     

Constraints on infants' musical rhythm perception: effects of interval ratio complexity and enculturation

Effects of culture-specific experience on musical rhythm perception are evident by 12 months of age, but the role of culture-general rhythm processing constraints during early infancy has not been explored. Using a habituation procedure with 5- and 7-month-old infants, we investigated effects of temporal interval ratio complexity on discrimination of standard from novel musical patterns containing 200-ms disruptions. Infants were tested in three ratio conditions: simple (2:1), which is typical in Western music, complex (3:2), which is typical in other musical cultures, and highly complex (7:4), which is relatively rare in music throughout the world. Unlike adults and older infants, whose accuracy was predicted by familiarity, younger infants were influenced by ratio complexity, as shown by their successful discrimination in the simple and complex conditions but not in the highly complex condition. The findings suggest that ratio complexity constrains rhythm perception even prior to the acquisition of culture-specific biases.     

A calibration explanation of serial position effects in evaluative judgments

Judges often evaluate stimulus series on dimensions for which no physical scale exists; for example, when judging academic ability in oral examinations. We propose that judges deal with this problem by calibrating an internal judgment scale that maps stimulus input onto available judgment categories. This calibration process implies serial position effects: Judges should initially avoid extreme categories, because using extreme categories reduces judgmental degrees of freedom, thereby increasing the possibility of internal consistency violations. In four experiments, we show that judgments become indeed more extreme later in a series of judgments. Judges evaluated the same good (poor) performances more positive (negative) at the end of a sequence compared to the beginning. Judges’ expertise did not prevent the effect, but allowing end-of-sequence judgments reduced serial position effects. We discuss the implications and possible remedies of these calibration effects on judgment extremity.     

Hearing what the body feels: auditory encoding of rhythmic movement

Phillips-Silver and Trainor (Phillips-Silver, J., Trainor, L.J., (2005). Feeling the beat: movement influences infants' rhythm perception. Science, 308, 1430) demonstrated an early cross-modal interaction between body movement and auditory encoding of musical rhythm in infants. Here we show that the way adults move their bodies to music influences their auditory perception of the rhythm structure. We trained adults, while listening to an ambiguous rhythm with no accented beats, to bounce by bending their knees to interpret the rhythm either as a march or as a waltz. At test, adults identified as similar an auditory version of the rhythm pattern with accented strong beats that matched their previous bouncing experience in comparison with a version whose accents did not match. In subsequent experiments we showed that this effect does not depend on visual information, but that movement of the body is critical. Parallel results from adults and infants suggest that the movement-sound interaction develops early and is fundamental to music processing throughout life.     

Training the absolute identification of pitch

Two methods for training the absolute judgment of pitch, reference training and series training, were studied. Reference training concentrated during training on the identification of three reference tones in a set of nine pure tones, while series training gave equal weight during training to the identification of all nine tones. Results of pre- and posttraining tests, scored for the number of correct judgments, showed that reference training was more effective than series training for listeners with musical experience. In addition, discriminability (d′) scaling of pre- and posttest performance indicated that reference training was particularly effective for training listeners with musical experience when the nine tones of a set were grouped into three pitch classes—high, medium, and low pitch. Listeners without musical experience benefited from both training methods, but their overall improvement was less than that for musical listeners.     

Cross-modal interactions in the perception of musical performance

We investigate the dynamics of sensory integration for perceiving musical performance, a complex natural behavior. Thirty musically trained participants saw, heard, or both saw and heard, performances by two clarinetists. All participants used a sliding potentiometer to make continuous judgments of tension (a measure correlated with emotional response) and continuous judgments of phrasing (a measure correlated with perceived musical structure) as performances were presented. The data analysis sought to reveal relations between the sensory modalities (vision and audition) and to quantify the effect of seeing the performances on participants' overall subjective experience of the music. In addition to traditional statistics, functional data analysis techniques were employed to analyze time-varying aspects of the data. The auditory and visual channels were found to convey similar experiences of phrasing but different experiences of tension through much of the performances. We found that visual information served both to augment and to reduce the experience of tension at different points in the musical piece (as revealed by functional linear modeling and functional significance testing). In addition, the musicians' movements served to extend the sense of phrasing, to cue the beginning of new phrases, to indicate musical interpretation, and to anticipate changes in emotional content. Evidence for an interaction effect suggests that there may exist an emergent quality when musical performances are both seen and heard. The investigation augments knowledge of human communicative processes spanning language and music, and involving multiple modalities of emotion and information transfer.     

Effects of escalated exposure to information on accuracy of personality judgment

In an investigation of the effects of increasing exposure to information on accuracy of personality trait judgments, judges rated a single target on three successive occasions, each of which involved the introduction of a novel piece of personal information. Varying the order in which types of information were presented allowed us to jointly examine the effects of information quality and quantity on accuracy in personality judgment. We found that (a) in general, more information led to higher accuracy, (b) some types of information led to greater gains in distinctive or normative accuracy, and (c) introduction of lower quality information did not negatively affect accuracy.     

An analysis of the determinants of the feeling of knowing

Research has demonstrated that feeling-of-knowing (FOK) judgments are affected by the amount of accessible information related to an inaccessible target. Further, studies have demonstrated that, in some situations, FOK judgment magnitude is not only related to the amount (quantity) of accessed features, but also the correctness of those features (Thomas, Bulevich, & Dubois, 2011). The present study examined the conditions under which the correctness of features would influence FOK judgment magnitude. We hypothesized that accuracy of retrieved features would influence FOK judgments, but only in situations where semantically meaningful information was accessible. In three experiments, we manipulated accessibility of semantic information. In all experiments, the quantity, or amount of retrieved partial information had a greater impact on FOK judgments than the accuracy of that information. However, in situations where semantic information was accessible, accuracy of retrieved semantic features also influenced FOK judgment magnitude, and later recognition.     

Infant music perception: domain-general or domain-specific mechanisms?

We review the literature on infants' perception of pitch and temporal patterns, relating it to comparable research with human adult and non-human listeners. Although there are parallels in relative pitch processing across age and species, there are notable differences. Infants accomplish such tasks with ease, but non-human listeners require extensive training to achieve very modest levels of performance. In general, human listeners process auditory sequences in a holistic manner, and non-human listeners focus on absolute aspects of individual tones. Temporal grouping processes and categorization on the basis of rhythm are evident in non-human listeners and in human infants and adults. Although synchronization to sound patterns is thought to be uniquely human, tapping to music, synchronous firefly flashing, and other cyclic behaviors can be described by similar mathematical principles. We conclude that infants' music perception skills are a product of general perceptual mechanisms that are neither music- nor species-specific. Along with general-purpose mechanisms for the perceptual foundations of music, we suggest unique motivational mechanisms that can account for the perpetuation of musical behavior in all human societies.     

To thy own self be true: finding the utility of cognitive information feedback

This study utilized Extended MSE Analysis to investigate the effects of two types of cognitive feedback on judgmental accuracy. Participants judged the income levels of respondents to the General Social Survey in both dilution and non‐dilution scenarios, received feedback, and then repeated those judgments. Task information feedback produced improvements in judgmental accuracy, and this improvement occurred primarily from a reduction in the standard deviation of participants' judgments and an increase in the consistency with which they applied their judgment policies. Cognitive information feedback produced little effect when presented alone, but produced accuracy gains superior to all other conditions when combined with task information. We conclude by discussing the specific conditions whereby each form of feedback is likely to be effective. Copyright © 2005 John Wiley & Sons, Ltd.     

基于视听双通道的音乐情绪冲突效应及优势通道研究

为探讨基于视听双通道的音乐情绪冲突效应、冲突情境下的优势加工通道和音乐经验对结果的影响,本研究采用音乐表演视频为材料,比较音乐组和非音乐组被试在一致型和不一致型视听双通道下的情绪评定速度、准确性及强度。结果发现:(1)一致型条件下的情绪评定更准确且更强烈;(2)不一致型条件下,被试更多以听觉通道的情绪线索为依据进行情绪类型评定;(3)非音乐组被试比音乐组被试更依赖视觉通道的情绪线索。结果表明:通道间情绪信息的不一致阻碍了音乐情绪加工; 听觉通道是音乐情绪冲突情境下的优势加工通道; 音乐经验降低了情绪冲突效应对音乐组被试的干扰。     

On the relative importance of linear model and human judge(s) in combined forecasting

When and to what extent should forecasts rely on linear model or human judgment? The judgmental forecasting literature suggests that aggregating model and judge using a simple 50:50 split tends to outperform the two inputs alone. However, current research disregards the important role that the structure of the task, judges’ level of expertise, and the number of individuals providing a forecasting judgment may play. Ninety-two music industry professionals and 88 postgraduate students were recruited in a field experiment to predict chart entry positions of pop music singles in the UK and Germany. The results of a lens model analysis show how task structure and domain-specific expertise moderate the relative importance of model and judge. The study also delineates an upper boundary to which aggregating multiple judgments in model-expert combinations adds predictive accuracy. It is suggested that ignoring the characteristics of task and/or judge may lead to suboptimal forecasting performance.     

ÉTUDE INTERCULTURELLE DES PRÉFÉRENCES MUSICALES

The question of socio-cultural relativism or universalism in aesthetic judgment is dealt with in a cross-cultural study of musical preferences. Four groups of subjects were compared: Japanese expert musicians, French professional musicians, French students in music and French non-musician students. Their task was to state their preference for one of the elements in ten pairs of excerpts of traditional Japanese music, representing three levels of complexity (Koto, Trio, Gagaku). In addition, the subjects were asked to give a general appreciation of the three styles. The analysis of the preferences was performed in three ways: intra-group and inter-groups variabilities were computed as well as the variability due to the musical style. The results can be summarized as follows: as far as a group judgment is possible in one or another culture (intra-group agreement), the preferences of two culturally different groups do not contrast as long as the judgment concerns rather simple objects; the degree of inter-cultural agreement, far from increasing with musical competence, decreases. On the other hand, the judgments of more complex pieces show an agreement only in groups with musical skill and, in this case, the preference of Japanese and French musicians are contrasting. Finally, it is pointed out that a minimal attractiveness of the material presented is necessary to obtain from the subjects valid comparisons instead of artificial.     

Improving Predictive Accuracy with a Combination of Human Intuition and Mechanical Decision Aids

This study examines the intuitive combination of human judgment and mechanical prediction under varied information conditions. As expected, mechanical prediction outperformed human intuition when based on the same information, but a combined approach was best when judges had access to relevant information not captured by the model (information asymmetry). The model was useful for differentiating between the event outcomes (improved slope), while eliminating the bias caused by base-rate neglect. Human intuition was useful for incorporating relevant information outside the scope of the model, resulting in improved slope and reduced judgment scatter. The addition of irrelevant information was detrimental to judgment accuracy, causing an increase in bias and a reduction in slope. These results provide insight intohowandwhencombining mechanical prediction and human intuition is likely to result in improved accuracy.     

Relatively certain! Comparative thinking reduces uncertainty

Comparison is one of the most ubiquitous and versatile mechanisms in human information processing. Previous research demonstrates that one consequence of comparative thinking is increased judgmental efficiency: comparison allows for quicker judgments without a loss in accuracy. We hypothesised that a second potential consequence of comparative thinking is reduced judgmental uncertainty. We examined this possibility in three experiments using three different domains of judgment and three different measures of uncertainty. Results consistently demonstrate that procedurally priming participants to rely more heavily on comparative thinking during judgment induces them to feel more certain about their judgment.     

Training in musical rhythm and field dependence of children.

The present experiment investigated the effects of musical rhythm training on field dependence in children. An experimental group of 12 Ss showed significant improvement on the Children's Embedded-figures Test and the Rod-and-frame Test after training, while a matched control group did not improve. Pretest scores on the children's Embedded-figures Test and the Rod-and-frame Test were not correlated.     

Audiotactile interactions in temporal perception

In the present review, we focus on how commonalities in the ontogenetic development of the auditory and tactile sensory systems may inform the interplay between these signals in the temporal domain. In particular, we describe the results of behavioral studies that have investigated temporal resolution (in temporal order, synchrony/asynchrony, and simultaneity judgment tasks), as well as temporal numerosity perception, and similarities in the perception of frequency across touch and hearing. The evidence reviewed here highlights features of audiotactile temporal perception that are distinctive from those seen for other pairings of sensory modalities. For instance, audiotactile interactions are characterized in certain tasks (e.g., temporal numerosity judgments) by a more balanced reciprocal influence than are other modality pairings. Moreover, relative spatial position plays a different role in the temporal order and temporal recalibration processes for audiotactile stimulus pairings than for other modality pairings. The effect exerted by both the spatial arrangement of stimuli and attention on temporal order judgments is described. Moreover, a number of audiotactile interactions occurring during sensory-motor synchronization are highlighted. We also look at the audiotactile perception of rhythm and how it may be affected by musical training. The differences emerging from this body of research highlight the need for more extensive investigation into audiotactile temporal interactions. We conclude with a brief overview of some of the key issues deserving of further research in this area.     

When experts are influential: Comparisons with respect to success and consistency in judgment tasks

The effects of experts' judgment behavior on the utilization of expert guidance were investigated in four experiments. In all experiments the subjects received written information about the judgments performed by two independent experts concerning a fictitious medical task. The experts' judgment behavior varied with respect to success (i.e. competency), complexity of judgment rule and consistency. The tasks varied with respect to task predictability and complexity of judgment rule. The results indicated that consistent judgment behavior on part of experts is an important premise for proper utilization of expert guidance. Inconsistency on part of experts may induce underestimation of the judgmental competence expressed by the judge, i.e. influence tended to be inappropriately low.