VDT屏面亮度和文件背景照度对视觉核读作业的影响

研究VDT屏面亮度和文件背景照度对视觉核读作业的影响效应。以核读速度、限肌调节辐合时间和主观舒适性为测评指标。结果上述三项指标均随VDT屏面亮度和文件背景照度的变化而发生变化。结论推荐VDT屏面亮度的合适范围为15～20cd／m^2,文件背景照度的合适范围为300～450lux。VDT屏而亮度与背景照度水平的匹配性也应加以考虑。     

The role of first- and second-order stimulus features for human overt attention

When processing complex visual input, human observers sequentially allocate their attention to different subsets of the stimulus. What are the mechanisms and strategies that guide this selection process? We investigated the influence of various stimulus features on human overt attention--that is, attention related to shifts of gaze with natural color images and modified versions thereof. Our experimental modifications, systematic changes of hue across the entire image, influenced only the global appearance of the stimuli, leaving the local features under investigation unaffected. We demonstrated that these modifications consistently reduce the subjective interpretation of a stimulus as "natural" across observers. By analyzing fixations, we found that first-order features, such as luminance contrast, saturation, and color contrast along either of the cardinal axes, correlated to overt attention in the modified images. In contrast, no such correlation was found in unmodified outdoor images. Second-order luminance contrast ("texture contrast") correlated to overt attention in all conditions. However, although none of the second-order color contrasts were correlated to overt attention in unmodified images, one of the second-order color contrasts did exhibit a significant correlation in the modified images. These findings imply, on the one hand, that higher-order bottom-up effects--namely, those of second-order luminance contrast--may partially account for human overt attention. On the other hand, these results also demonstrate that global image properties, which correlate to the subjective impression of a scene being "natural," affect the guidance of human overt attention.     

Predicting perceived image quality: a critique of Lin and Kuo (2011)

A recent study by Lin and Kuo reported on the image quality of a small mobile display under different ambient illumination levels. In this commentary, the present author discusses the limitations of their approach with respect to the rigorous quantification of image quality and the caveats associated with preference studies of new display technologies. Quantitatively predicting image quality using preference-based methods can be useful for initial decisions in early phases of product development, but provides limited value for the rigorous quantification of image quality of display devices.     

Lightness constancy through a veiling luminance

Observers were asked to select samples from a Munsell chart to match the lightness of seven identified surfaces in an outdoor scene they were shown. A separate group that was given the same task but viewed the same scene covered with a veiling luminance equal in intensity to the highest luminance in the scene selected almost the same matches. The same lightness constancy results were obtained using an abstract laboratory display to rule out memory color. These results challenge ratio and contrast theories because a veiling luminance, by adding a constant luminance to every poing in the image, dramatically alters luminance ratios. Lightness constancy was not obtained, however, when these three-dimensional real-world-type displays were replaced by a flat, Mondrian-type display consisting of surface grays from white to black, whether or not colored regions were present in the display; lightness matches were consistent with ratio predictions both with and without the veil.     

Transparency: relation to depth, subjective contours, luminance, and neon color spreading

The perception of transparency is highly dependent on luminance and perceived depth. An image region is seen as transparent if it is of intermediate luminance relative to adjacent image regions, and if it is perceived in front of another region and has a boundary which provides information that an object is visible through this region. Yet, transparency is not just the passive end-product of these required conditions. If perceived transparency is triggered, a number of seemingly more elemental perceptual primitives such as color, contour, and depth can be radically altered. Thus, with the perception of transparency, neon color spreading becomes apparent, depth changes, stereoscopic depth capture can be eliminated, and otherwise robust subjective contours can be abolished. In addition, we show that transparency is not coupled strongly to real-world chromatic constraints since combinations of luminance and color which would be unlikely to arise in real-world scenes still give rise to the perception of transparency. Rather than seeing transparency as a perceptual end-point, determined by seemingly more primitive processes, we interpret perceived transparency as much a 'cause', as an 'effect'. We speculate that the anatomical substrate for such mutual interaction may lie in cortical feed-forward connections which maintain modular segregation and cortical feedback connections which do not.     

照明环境与LCD显示界面背景饱和度的交互效应对视觉绩效的影响

摘 要 采用E-prime编排认知实验研究照明环境与TFT-LCD视觉显示终端界面背景饱和度的交互效应对视觉绩效的影响。依据字母视力表设计原理制作认知材料,以认知速度与准确率为视觉绩效评价指标。结果发现,照度与饱和度的交互效应对视觉绩效存在显著影响,色温与饱和度的交互效应仅对准确率存在显著影响,三因素交互作用对准确率存在显著影响。结果表明,不同照度、色温下,通过调节显示终端界面背景饱和度可改善视觉绩效。     

Evaluation of tablet computers for visual function assessment

Recent advances in technology and the increased use of tablet computers for mobile health applications such as vision testing necessitate an understanding of the behavior of the displays of such devices, to facilitate the reproduction of existing or the development of new vision assessment tests. The purpose of this study was to investigate the physical characteristics of one model of tablet computer (iPad mini Retina display) with regard to display consistency across a set of devices (15) and their potential application as clinical vision assessment tools. Once the tablet computer was switched on, it required about 13 min to reach luminance stability, while chromaticity remained constant. The luminance output of the device remained stable until a battery level of 5%. Luminance varied from center to peripheral locations of the display and with viewing angle, whereas the chromaticity did not vary. A minimal (1%) variation in luminance was observed due to temperature, and once again chromaticity remained constant. Also, these devices showed good temporal stability of luminance and chromaticity. All 15 tablet computers showed gamma functions approximating the standard gamma (2.20) and showed similar color gamut sizes, except for the blue primary, which displayed minimal variations. The physical characteristics across the 15 devices were similar and are known, thereby facilitating the use of this model of tablet computer as visual stimulus displays.     

不同环境照度下手机屏幕亮度最优参数研究－以三星某手机为例

已有研究表明环境照度、计算机显示器的屏幕亮度和对比度会影响用户的任务操作绩效。本研究采用视觉搜索任务,从行为绩效、主观评价以及眼睛疲劳度指标来考察环境照度、手机屏幕亮度对视觉搜索绩效的影响,并提出在不同的环境照度下手机屏幕亮度的最优值设置参数。结果表明：（1）当手机屏幕亮度保持不变时,不同环境亮度下的搜索绩效差异显著。（2）当环境照度为0lx时,手机屏幕亮度的最优值在11cd/m2左右;环境照度为100lx时,手机屏幕亮度的最优值是68cd/m2左右,环境照度为500lx时,手机屏幕亮度最优值是257cd/m2左右。     

不同照明条件下中国青年女性彩色图片的喜爱肤色

本研究采用类例判断法,在不同光源下对22张图片肤色样本逐一地进行主观评价。使用的照明光源为D65、CWF和A三种标准光源,色温分别为6500K、4150K和2856K。垂直照明,45°观察．肤色样本的视角为2°。实验结果表明：观察者在A光源下比D65光源更容易地评价肤色样本的质量,即在D65光源下的满意样本,在A光源下其喜爱程度趋于提高,而对不满意样本的喜爱程度趋于降低或基本相同;在三种照明条件下,被评为最佳肤色的样本与真实肤色有些偏离,色调略为偏黄,亮度较高,饱和度则非常接近;在肤色的波长范围内,亮度较高而饱和度偏低的肤色样本往往是优选样本。     

Luminance gradient can break background-independent lightness constancy

A display with a luminance gradient was shown to induce a strong lightness illusion (Logvinenko, 1999 Perception 28 803-816). However, a 3-D cardboard model of this display was found to produce a much weaker illusion (less than half that in the pictorial version) despite the fact that its retinal image is practically the same. This is in line with the hypothesis that simultaneous lightness contrast is solely a phenomenon of pictorial perception (Logvinenko et al, 2002 Perception 31 73-82). The residual lightness illusion in the 3-D model can be accounted for by the fact that this model is a hybrid display. Specifically, while it is a real object, a pictorial representation (of the illumination gradient) is superimposed on it. Thus, lightness in the 3-D display is a compromise between two opposite tendencies: the background-independent lightness constancy and the lightness illusory shift induced by the luminance gradient.     

Testing the coplanar ratio hypothesis of lightness perception

What determines an object's lightness remains unclear, but it is generally thought that the ratios of its luminance to the luminance of other objects in a scene play a crucial role because these ratios allow the relative reflectance of each object to be estimated, providing all the objects are under the same illumination. Because objects that lie in the same plane are typically illuminated equally, it has been suggested that it is the luminance ratios between coplanar objects that primarily determine lightness (Gilchrist, 1977 Science 195 185-187; Gilchrist et al, 1999 Psychological Review 106 795-834). An alternative hypothesis is that perceived illumination differences can affect lightness directly. As the studies that provided evidence for the coplanar ratio hypothesis always varied the illumination and the coplanar relationships simultaneously, it is unclear which hypothesis is correct. I measured the influence of each factor separately and found that the perceived illumination differences have a greater effect on lightness.     

Distinctness of perceived three-dimensional form induced by modulated illumination: Effects of certain display and modulation conditions

The present study concerns the distinctness of the 3-D shape-induced on flat displays by spacemodulated illumination (“shape from shading”). The displays that we used varied in structure, hue contrast, lightness contrast, and in the number of reflectance edges present. The modulations of the illumination were a square-wave grating, a gradual modulation (a blurred grating), and an “O’Brien modulation,” which combines an edge and a gradient. The displays were compared, using the paired comparison method, as to the distinctness of the perceived 3-D form. The results showed that the structure and chromatic color of the display were important factors facilitating the distinctness of the induced 3-D shape under all the modulation conditions. The results are discussed in relation to the “vector model” for color constancy, proposed in earlier papers.     

Lightness constancy: Ratio invariance and luminance profile

The term simultaneous lightness constancy describes the capacity of the visual system to perceive equal reflecting surfaces as having the same lightness despite lying in different illumination fields. In some cases, however, a lightness constancy failure occurs; that is, equal reflecting surfaces appear different in lightness when differently illuminated. An open question is whether the luminance profile of the illumination edges affects simultaneous lightness constancy even when the ratio invariance property of the illumination edges is preserved. To explore this issue, we ran two experiments by using bipartite illumination displays. Both the luminance profile of an illumination edge and the luminance ratio amplitude between the illumination fields were manipulated. Results revealed that the simultaneous lightness constancy increases when the luminance profile of the illumination edge is gradual (rather than sharp) and homogeneous (rather than inhomogeneous), whereas it decreases when the luminance ratio between the illumination fields is enlarged. The results are interpreted according to the layer decomposition schema, stating that the visual system splits the luminance into perceived lightness and apparent illumination components. We suggest that illumination edges having gradual and homogeneous luminance profiles facilitate the luminance decomposition process, whereas wide luminance ratios impede it.     

Articulation: brightness, apparent illumination, and contrast ratios

Luminance edges in the environment can be due to regions that differ in reflectance or in illumination. In three experiments, we varied the spatial organization of 10 achromatic (simulated) surfaces so that some arrangements were consistent with an ecologically valid and parsimonious interpretation of 5 surfaces under two different illuminants. A constant contrast-ratio along a luminance edge in the scene allows this interpretation. The brightness of patches in this condition was compared to their brightness with minimally different spatial arrangements that fail to maintain the constant contrast-ratio criterion. When the spatial arrangement of the 10 surfaces included a luminance edge satisfying the constant contrast-ratio criterion, brightness changed systematically, compared to arrangements without such a luminance edge. We account for the results by positing that a luminance edge with a constant contrast-ratio segments the scene into regions of lower and higher illumination, with the same effect as a difference in real physical illumination: all else equal, a given surface appears brighter under higher than under lower illumination.     

Perception of lightness and illumination in a world of one reflectance

Observers looked into a miniature room in which everything was painted matte white, or--in another room--matte black. They made both reflectance and illumination judgments for eight test spots. The test spots (which varied in luminance) were perceived as approximately equal in reflectance--not different, as conventional contrast theories would seem to require. The illumination matches made to the same points, however, closely paralleled the pattern of actual illumination levels, and this result is discussed as evidence that edges are classified as changes in either reflectance or illumination. The white room was correctly perceived as white, and the black room was perceived as middle gray; similar results were obtained even when the luminances in the black room were higher (owing to higher illumination) than the corresponding luminances in the white room. An explanation in terms of differences in gradient patterns is presented and supported with luminance profiles.     

A vision research apparatus for broad luminance range displays.

Lightness, the perceived gray shade of a surface, and the perception of self-luminous surfaces--that is, surfaces that appear to glow--have most often been studied with paper displays and computer-generated stimuli presented on CRT monitors. Although both methods are often effective, experiments that require a wide range of luminance values in the same display are often difficult to conduct with paper and computer displays alone. Also, color mode appearance is often an issue when surface color perception is the topic of research; CRT monitors are essentially light sources themselves and often appear in the luminous mode of color appearance. Here, we describe an apparatus in which the target is an undetected aperture whose luminance is adjustable. Whereas a typical CRT monitor offers a luminance range of about 100:1, much broader luminance ranges are possible with the described apparatus. Unlike a CRT monitor, the stimulus background will always appear in the surface mode of color perception, and the target(s) can appear as either surface colors or luminous colors. Apparatus modifications are possible, including the addition of a stereoscope or an embedded CRT for creating an adjustable region that is computer controlled.     

We infer light in space

In studies of lightness and color constancy, the terms lightness and brightness refer to the qualia corresponding to perceived surface reflectance and perceived luminance, respectively. However, what has rarely been considered is the fact that the volume of space containing surfaces appears neither empty, void, nor black, but filled with light. Helmholtz (1866/1962) came closest to describing this phenomenon when discussing inferred illumination, but previous theoretical treatments have fallen short by restricting their considerations to the surfaces of objects. The present work is among the first to explore how we infer the light present in empty space. It concludes with several research examples supporting the theory that humans can infer the differential levels and chromaticities of illumination in three-dimensional space.     

Internally augmented displays: contingent aftereffects as performance aids

Previous research on visual contingent aftereffects has been concerned with examining the effects of various parameters (e.g., spatial frequency and luminance) on the adaptation to, and decay of, contingent aftereffects. The current study tested the viability of using visual contingent aftereffects in a display context. Using established characteristics of contingent aftereffects, a program of contingent aftereffect adaptation was designed. Studies were conducted to determine if subjects who were adapted to see visual contingent aftereffects invoked by a visual display could achieve more rapid or certain identification of a display under low luminance conditions. The results confirmed (a) that contingent aftereffects can improve performance on a visual discrimination task requiring information from a display and (b) that contingent aftereffects are more enhanced at low levels of illumination.     

A vision research apparatus for broad luminance range displays

Lightness, the perceived gray shade of a surface, and the perception of self-luminous surfaces—that is, surfaces that appear to glow—have most often been studied with paper displays and computer-generated stimuli presented on CRT monitors. Although both methods are often effective, experiments that require a wide range of luminance values in the same display are often difficult to conduct with paper and computer displays alone. Also, color mode appearance is often an issue when surface color perception is the topic of research; CRT monitors are essentially light sources themselves and often appear in the luminous mode of color appearance. Here, we describe an apparatus in which the target is an undetected aperture whose luminance is adjustable. Whereas a typical CRT monitor offers a luminance range of about 100:1, much broader luminance ranges are possible with the described apparatus. Unlike a CRT monitor, the stimulus background will always appear in the surface mode of color perception, and the target(s) can appear as either surface colors or luminous colors. Apparatus modifications are possible, including the addition of a stereoscope or an embedded CRT for creating an adjustable region that is computer controlled.