Perception of lightness and illumination in a world of one reflectance

Observers looked into a miniature room in which everything was painted matte white, or--in another room--matte black. They made both reflectance and illumination judgments for eight test spots. The test spots (which varied in luminance) were perceived as approximately equal in reflectance--not different, as conventional contrast theories would seem to require. The illumination matches made to the same points, however, closely paralleled the pattern of actual illumination levels, and this result is discussed as evidence that edges are classified as changes in either reflectance or illumination. The white room was correctly perceived as white, and the black room was perceived as middle gray; similar results were obtained even when the luminances in the black room were higher (owing to higher illumination) than the corresponding luminances in the white room. An explanation in terms of differences in gradient patterns is presented and supported with luminance profiles.     

Form and movement in stereokinetic cycloids: motion lost and found

In exploring stereokinesis, we devised flat cycloidal display figures which, when rotated on a disc in the frontal plane, are perceived as illusory three-dimensional forms with movement in depth; the dominant percepts were of twisted loops with an internal writhing motion. These dominant forms could be convincingly represented by stereo pairs derived from the flat display; related forms, not seen in the illusion, could also be constructed, seeming to show a selectivity for preferred stereokinetic forms by the perceptual system. Models were made of the stereo forms; when rotated, they showed similar illusions and selectivity. We suggest that the illusions arise because some components of the real motion do not appear in the sensory field. The perceptual system accommodates for this by constructing percepts which are not necessarily veridical but do reconcile form and motion into a coherent unity. The results are discussed in relation to concepts of invariance and rigidity, and with regard to the creative response to sensory data by the perceptual system.     

Footsteps and inchworms: illusions show that contrast affects apparent speed

A horizontal grey bar that drifts horizontally across a surround of black and white vertical stripes appears to stop and start as it crosses each stripe. A dark bar appears to slow down on a black stripe, where its edges have low contrast, and to accelerate on a white stripe, where its edges have high contrast. A light-grey bar appears to slow down on a white stripe and to accelerate on a black stripe. If the background luminances at the leading and trailing edges of the moving bar are the same, the bar appears to change speed, and if they are different the bar appears to change in length. A plaid surround can induce 2-D illusions that modulate the apparent direction, not just the speed, of moving squares. Thus, the motion salience of a moving edge depends critically on its instantaneous contrast against the background.     

Salient features in 3-D haptic shape perception

Shape is an important cue for recognizing an object by touch. Several features, such as edges, curvature, surface area, and aspect ratio, are associated with 3-D shape. To investigate the saliency of 3-D shape features, we developed a haptic search task. The target and distractor items consisted of shapes (cube, sphere, tetrahedron, cylinder, and ellipsoid) that differed in several of these features. Exploratory movements were left as unconstrained as possible. Our results show that this type of haptic search task can be performed very efficiently (25 msec/item) and that edges and vertices are the most salient features. Furthermore, very salient local features, such as edges, can also be perceived through enclosure, an exploratory procedure usually associated with global shape. Since the subjects had to answer as quickly as possible, this suggests that speed may be a factor in selecting the appropriate exploratory procedure.     

Apparent reversals of a rotating mask: A new demonstration of cognition in perception

A mask of a face rotated about its vertical axis of symmetry can appear to oscillate rather than rotate. Do stimulus features (e.g., shape) or cognitive factors (e.g., differential familiarity with convex and concave views of faces) explain this new illusion? In Experiment 1, differential familiarity was varied across stimuli by using familiar and unfamiliar objects rotating at 4 rpm and within stimuli by showing the objects upright and inverted. True motion was seen more with unfamiliar objects than with familiar objects and more with an inverted mask than with an upright mask. The results of Experiment 2, which was done with static views, suggest that the upright and inverted masks present similar structure to the visual system. In Experiment 3, the objects were shown rotating at 8 rpm; the results are similar to those of Experiment 1. These experiments favor a differential familiarity account of this illusory motion. Cognitive constraints on perceived motion and perceived rigidity are discussed.     

Apparent reversals of a rotating mask: a new demonstration of cognition in perception.

A mask of a face rotated about its vertical axis of symmetry can appear to oscillate rather than rotate. Do stimulus features (e.g., shape) or cognitive factors (e.g., differential familiarity with convex and concave views of faces) explain this new illusion? In Experiment 1, differential familiarity was varied across stimuli by using familiar and unfamiliar objects rotating at 4 rpm and within stimuli by showing the objects upright and inverted. True motion was seen more with unfamiliar objects than with familiar objects and more with an inverted mask than with an upright mask. The results of Experiment 2, which was done with static views, suggest that the upright and inverted masks present similar structure to the visual system. In Experiment 3, the objects were shown rotating at 8 rpm; the results are similar to those of Experiment 1. These experiments favor a differential familiarity account of this illusory motion. Cognitive constraints on perceived motion and perceived rigidity are discussed.     

Graph coloring, minimum-diameter partitioning, and the analysis of confusion matrices

It is well known that minimum-diameter partitioning of symmetric dissimilarity matrices can be framed within the context of coloring the vertices of a graph. Although confusion data are typically represented in the form of asymmetric similarity matrices, they are also amenable to a graph-coloring perspective. In this paper, we propose the integration of the minimum-diameter partitioning method with a neighborhood-based coloring approach for analyzing digraphs corresponding to confusion data. This procedure is capable of producing minimum-diameter partitions with the added desirable property that vertices with the same color have similar in-neighborhoods (i.e., directed edges entering the vertex) and out-neighborhoods (i.e., directed edges exiting the vertex) for the digraph corresponding to the minimum partition diameter.     

Measuring the depth induced by an opposite-luminance (but not anticorrelated) stereogram

The same-sign hypothesis suggests that only those edges in the two retinal images whose luminance gradients have the same sign, known as same-sign edges, can be stereoscopically fused to generate a perception of depth. If true, one would expect that the magnitude of the depth induced by an opposite-luminance stereogram (eg one where the figure in one stereo half-image is black and the figure in the other is white) should be determined by the disparity of the same-sign edges. Despite the considerable work on the same-sign hypothesis this prediction has yet to be verified. Here we confirm this prediction for a particular opposite-luminance stereogram and discuss possible reasons why it is not true for opposite-luminance stereograms that are presented briefly or where each stereo half-image contains many elements.     

Depth from dichoptic edges depends on vergence tuning

Small but reproducible fixation disparities occur in normal subjects when they view certain types of dichoptic stimuli. During dichoptic as well as stereoptic stimulation the motor fusion process determines first the average vergence state of the eyes. The subsequent fine tuning of vergence is shown to depend on the spatial distribution of contrast edges both of the same contrast sign ('stereoptic edges') and of opposite contrast sign ('dichoptic edges'). Stereoptic edges tend to induce superposition attempts of the vergence control system and dichoptic edges tend to antagonise this process. If a single low-contrast dichoptic edge is presented with zero disparity and within a stereoptic reference frame, a fixation disparity of several minutes of arc results. This influences depth vision since dichoptic edges are perceived (as monocular edges) at the actual rather than at the intended fixation distance. The findings explain previous paradoxical results of eg Kaufman and Pitblado who reported seeing depth in opposite-contrast stereograms. Their results seemed to contradict the well-established 'same-sign rule' (SSR) which states that the stereoptic system only detects disparities of edges with the same contrast sign. It is concluded that (i) the SSR holds; (ii) dichoptic (and monocular) edges are seen at the horopter; (iii) the vergence fine tuning prevents superposition of dichoptic edges even if this causes a fixation disparity.     

Is there an interaction between perceived direction and perceived aspect ratio in stereoscopic vision?

In monocular vision, the horizontal/vertical aspect ratio (shape) of a frontoparallel rectangle can be based on the comparison of the perceived directions of the rectangle's edges. In binocular vision of a typical three-dimensional scene (when occlusions are present), this is not the case: Frontoparallel rectangles would be perceived in a distorted fashion if an observer were to base perceived aspect ratio on the perceived directions of the rectangle's edges. We psychophysically investigated stereoscopically perceived aspect ratios of frontoparallel occluding and occluded rectangles for various distances and fixation depths. We found that observers did not perceive the distortions that would be predicted on the basis of the above-mentioned comparison of the perceived visual directions of the edges of the rectangle. Our results strongly suggest that the mechanism that determines perceived aspect ratio is dissociated from the mechanism that determines perceived direction. The consequences of the findings for the Kanizsa, Poggendorff, and horizontal/vertical illusions are discussed.     

Foreshortening and the perception of parallel projections

Does picture perception follow polar projective geometry? Parallel projection drawings, which are not produced by using rules of polar projection, are widely regarded as visually acceptable representations of three-dimensional (3-D) objects in free viewing. One explanation is that they are perceived by means of a system in which there is no foreshortening. If so, edges of a 3-D block in 1∶1 proportions should be denoted by lines in 1∶1 proportions on the picture surface. However, three experiments suggest that the perception of parallel projections of a block involves foreshortening. In Experiment 1, 90 subjects were shown a set of parallel projections of a cube, in which each drawing depicted three sides of the cube, drawn as a square with obliques—a frontal square with receding edges shown by parallel obliques of various lengths. The subjects preferred a drawing with a receding side length that was considerably foreshortened in relation to the front side. In Experiments 2 and 3, subjects viewed drawings of three blocks that differed in the ratios of the lengths of their receding edges to their frontal edges (1∶1, 1∶2, and 1∶0.65). In Experiment 2, the subjects were shown square-with-obliques drawings of the three blocks with receding edges shown by parallel obliques of various lengths. Again, the subjects preferred drawings with a receding side that was foreshortened. In Experiment 3, the drawings showed two sides of a block. The receding dimension was drawn with parallel or converging lines. The preferred foreshortening was not a fixed ratio of the dimensions of the 3-D blocks. We suggest that square-with-obliques parallel projections showing cubes are taken by vision to be approximations to projections using foreshortening. We suggest also that as the line showing the receding edge elongates, foreshortening becomes less of a factor.     

反应选项对时序知觉重复启动效应的影响

先前研究采用两项反应任务发现了时序知觉重复启动效应, 这可能是反应选项导致的虚假效应, 本研究采用三项反应任务对此进行了检验。实验1运用三项判断任务以消除缺乏中间选项所致的反应偏向, 结果发现重复启动显著影响“哪个图形先出现”和“两个图形同时出现”的时序判断; 实验2在实验1的基础上对“同时出现”反应选项进行两种指导语操作, 实验结果不仅与实验1一致, 而且“有把握时判断为同时出现”和“有无把握都判断为同时出现”之间没有显著差异, 说明被试能够识别时序加以判断, 不支持反应偏向的前提条件。因此, 时序知觉重复启动效应不是反应选项产生的反应偏向引发的虚假效应, 重复启动对“系列性”和“同时性”时序知觉都存在显著影响。     

The perceived structural shape of thin (wire-like) objects is different from that of silhouettes

Observers are faster at judging the position of convex vertices compared to concave vertices. This is believed to be due to an explicit representation of position for visual parts. The best evidence comes from comparing the same contours perceived as either figures or holes, because this is a pure figure ground reversal (Bertamini and Croucher, 2003 Cognition 87 33 - 54; Bertamini and Mosca, 2004 Perception 33 35-48). Specifically, an interaction is present between type of object (object or hole) and shape. One assumption is that the contour of a silhouette is perceived as the rim of a solid object. It follows that a different pattern should be found for thin (wire-like) objects compared to silhouettes. We confirm this difference in three experiments. We argue that this is due to the perceived parts when contours can be interpreted as self-occlusion rims.     

Central visual persistences: II. Effects of hand and head rotations

In an earlier paper, kinesthetic effects on central visual persistences (CPs) were reported, including the ability to move these images by hand following eye closure. While all CPs could be translated anywhere within the frontal field, the present report documents a more selective influence of manual rotations on CPs in the same subjects. When common objects or figures drawn on cards were rotated (while holding one end of the object or one corner of a card between thumb and forefinger), it was found that CPs of larger objects rotated with the hand. By contrast, CPs of smaller objects, parts of objects, and textures remained stable in space as the hand rotated. It is proposed that CPs of smaller stimuli and textures are represented mainly by the ventral stream (temporal cortex) while larger CPs, which rotate, are represented mainly by the dorsal stream (parietal cortex). A second discovery was that CPs of small objects (but not of line segments or textures) could be rotated when the thumb and fingers surrounded the edges of the object. It is proposed that neuronal convergence of visual and tactile information about shape increases parietal responses to small objects, so that their CPs will rotate. Experiments with CPs offer new tools to infer visual coding differences between ventral and dorsal streams in man.     

Stereopsis from reversible and irreversible patterns

Eight subjects reported stereoscopic depth as a function of the magnitude and direction of disparity carried by a reversible grid or an irreversible solid surface. The former alternated between a diamond seen against a grating or a uniform rectangular grid pattern with stereoscopic depth reported only when the diamond was perceived. Depth was attenuated for the grid compared to the solid surface patterns. Disparity can be defined by perceptually extracted forms with depth present only when those forms are bounded by visible contours.     

The influence of perceived rotary motion on the recognition of rotated objects

Subjects either named rotated objects or decided whether the objects would face left or right if they were upright. Response time in the left-right task was influenced by a rotation aftereffect or by the physical rotation of the object, which is consistent with the view that the objects were mentally rotated to the upright and that, depending on its direction, the perceived rotary motion of the object either speeded or slowed mental rotation. Perceived rotary motion did not influence naming time, which suggests that the identification of rotated objects does not involve mental rotation.     

Southern Appalachia: Analytical models,social services,and native support systems

Conclusions The model of ethnicity has been applied in this paper to Appalachian natives. The problems suffered by Appalachians in terms of high dropout rates, institutional discrimination, prejudice, and stereotyping are familiar to other ethnic minority groups. Yet because the majority of the population in Appalachia are racially indistinct from mainstream Americans, there is resistance to the notion of ethnic difference. This has significant repercussions. Ironically, service providers and others in the region often recognize the distinctive nature of native Appalachians while, at the same time, reaffirming that they are white Americans like anywhere else. This is often said with good intentions. The result, however, justifies a lack of action taken to improve services for native Appalachians. If they are perceived as no different, inequalities go unrecognized and unredressed. If, on the other hand, differences are perceived only on the basis of socioeconomic class and/or rural residence, social services may miss the cultural dimension that may be all-important in identifying problems and potential means of improvement. It is hoped that application of the notion of ethnicity to mountain people will be helpful in the structuring of human services in the region.I am indebted to Mae Reck and Gregory Reck who have greatly contributed to my thinking on Appalachian ethnicity. I also thank two graduate students, Mildred Dunevant and Stephanie Perrin, who read and commented on this paper.     

Apparent contraction of edge angles.

The corner effect, the Münsterberg illusion, and the Café Wall illusion are explained by a model postulating that the corner effect is an orientation illusion specific to corner edges and that the perceived orientations of these edges are shifted toward angle contraction. It is also assumed that the effect is greatest when the corner edges show the same or similar edge contrast at the corner. This model yields three new types of illusions: the 'checkered illusion', the 'illusion of shifted gradations', and the 'illusion of striped cords'. Each of them gives many variations making a three-dimensional impression.     

The influence of contrast and spatial factors in the perceived shape of boundaries

When an edge can be perceived to continue either with a collinear edge of the opposite contrast polarity or with a noncollinear edge of the same contrast polarity, observers perceive an alignment between the edges of the same contrast polarity, even though they are noncollinear. Using several stimulus configurations and both free and tachistoscopic viewing, we studied the luminance and spatial factors affecting the perceived distortion and binding. The results showed that the two noncollinear edges tended to align when they had the same contrast polarity (Experiment 1A) and to misalign when they had opposite contrast polarity (Experiment 2), providing that (1) they were separated by a distance larger than 1 arcmin and smaller than 3-4 arcmin (for all configurations) and (2) they laterally overlapped for about 7 arcmin (Experiment 1B). The results also showed that the direction of apparent distortion depended on the direction of overlapping. The results of Experiment 3 ruled out the local attraction/repulsion explanation but, instead, supported the suggestion that the interaction concerned the global edges, or part of them, and produced an inward tilt, which made the edges of the same contrast polarity perceptually to align, or an outward tilt, so that the edges of opposite contrast polarity were perceived to be more misaligned. From the overlap and distance limits found, it can be inferred that for two noncollinear contours to join perceptually, the tilt must not exceed 18 degrees, a limit compatible with the orientation bandwidth of contrast-sensitive early cortical mechanisms.     

Motion and edge sensitivity in perception of object unity

Although much evidence indicates that young infants perceive unitary objects by analyzing patterns of motion, infants' abilities to perceive object unity by analyzing Gestalt properties and by integrating distinct views of an object over time are in dispute. To address these controversies, four experiments investigated adults' and infants' perception of the unity of a center-occluded, moving rod with misaligned visible edges. Both alignment information and depth information affected adults' and infants' perception of object unity in similar ways, and infants perceived object unity by integrating information about object features over time. However, infants perceived a moving, misaligned, three-dimensional object as indeterminate in its connectedness, whereas adults perceived it as connected behind the occluder. These findings indicate that the effectiveness of common motion in specifying unified surfaces across an occluder is reduced by misalignment of edges. Alignment information enhances perception of object unity either by serving directly as information for unity or by optimizing the detectability of motion-carried information for unity. In addition, young infants are able to retain information about edge orientation over short intervals in determining connectedness via a process of spatiotemporal integration.