Lateralization of narrow-band noise by blind and sighted listeners

The effects of varying interaural time delay (ITD) and interaural intensity difference (IID) were measured in normal-hearing sighted and congenitally blind subjects as a function of eleven frequencies and at sound pressure levels of 70 and 90 dB, and at a sensation level of 25 dB (sensation level refers to the pressure level of the sound above its threshold for the individual subject). Using an 'acoustic' pointing paradigm, the subject varied the IID of a 500 Hz narrow-band (100 Hz) noise (the 'pointer') to coincide with the apparent lateral position of a 'target' ITD stimulus. ITDs of 0, +/-200, and +/-400 micros were obtained through total waveform delays of narrow-band noise, including envelope and fine structure. For both groups, the results of this experiment confirm the traditional view of binaural hearing for like stimuli: non-zero ITDs produce little perceived lateral displacement away from 0 IID at frequencies above 1250 Hz. To the extent that greater magnitude of lateralization for a given ITD, presentation level, and center frequency can be equated with superior localization abilities, blind listeners appear at least comparable and even somewhat better than sighted subjects, especially when attending to signals in the periphery. The present findings suggest that blind listeners are fully able to utilize the cues for spatial hearing, and that vision is not a mandatory prerequisite for the calibration of human spatial hearing.     

The effect of exogenous spatial attention on auditory information processing

This study investigated the effect of exogenous spatial attention on auditory information processing. In Experiments 1, 2 and 3, temporal order judgment tasks were performed to examine the effect. In Experiment 1 and 2, a cue tone was presented to either the left or right ear, followed by sequential presentation of two target tones. The subjects judged the order of presentation of the target tones. The results showed that subjects heard both tones simultaneously when the target tone, which was presented on the same side as the cue tone, was presented after the target tone on the opposite side. This indicates that spatial exogenous attention was aroused by the cue tone, and facilitated subsequent auditory information processing. Experiment 3 examined whether both cue position and frequency influence the resulting information processing. The same effect of spatial attention was observed, but the effect of attention to a certain frequency was only partially observed. In Experiment 4, a tone fusion judgment task was performed to examine whether the effect of spatial attention occurred in the initial stages of hearing. The result suggests that the effect occurred in the later stages of hearing.     

Temporal course of perceived auditory duration

A series of experiments explored the temporal course of the perceived duration of an auditory stimulus. A backward recognition masking paradigm was utilized, in which the subject was to determine which of two target durations was presented on a given trial. The target tone was followed, after a variable silent intertone interval, by a masking tone which could assume one of three possible durations. Identification of the long target was found to improve consistently with increases in the intertone interval. In contrast, identification of the short target was as accurate at the short as at the long intertone intervals. Blocking the intertone interval across experimental sessions eliminated these differences between the two target tones. Performance on both the long and the short target tones improved monotonically with increases in the intertone interval. When masking tone duration was randomized within an experimental session, identification of the long (short) target was most accurate with the longer (shorter) masking tone. Blocking the duration of the masking tone across experimental sessions eliminated the effect of the duration of the mask, but did not alter any of the other results. A model, proposed to account for the results, assumes that the percept of target duration grows over time, and can be terminated by the onset of the masking tone. The masking tone also acts to lengthen the perceived duration of the target tone, and this lengthening is a direct function of the duration of the masking tone.     

Cross-octave masking of single tones and musical sequences: The effects of structure on auditory recognition

A series of experiments explored the role of structural information in the auditory recognition process, within the context of a backward recognition masking paradigm. A masking tone presented after a test tone has been found to interfere with the perceptual processing of the test tone, the degree of interference decreasing with increased durations of the silent intertone interval between the test and masking tones. In the current studies, the task was modified to utilize three-tone sequences as the test stimuli. Six test sequences were employed (LMH, LHM, MLH, MHL, HLM, HML), where L, M, and H represent the lowest, middle, and highest frequencies in the melody. The observers identified these six possible sequences when the three tones of the test sequence were interleaved with three presentations of a single masking tone. All three tones of the test sequence were drawn from the same octave, while the masking tones could be drawn from any of three octaves, symmetrical around the octave containing the test tones. Under these conditions, interference occurred primarily from masking tones drawn from the same octave as the test tones. Masking tones drawn from other octaves were found to produce little, if any, interference with perception of the test tones. This effect was found to occur only for the identification of tonal sequences. Substantial masking of single-tone targets occurred with masking tones drawn from octaves other than that containing the targets. The results make apparent the use of structural information during auditory recognition. A theoretical interpretation was advanced which suggests that, while single tones are perceived on the basis of absolute pitch, the presence of auditory structure may allow relational information, such as exact pitch intervals or melodic contour, to facilitate perception of the tonal sequence.     

Informational masking and auditory attention

Informational masking is broadly defined as a degradation of auditory detection or discrimination of a signal embedded ina context of other similar sounds; it is not related to energetic masking caused by physical interactions between signal and masker. In this paper, we report a systematic release from informational masking of a target tone in anine-tone rapid auditory sequence as the target is increasingly isolated in frequency or intensity from the remaieining sequence components. Improved target-tone frequency difference limens as isolation increases are interpreted as a reflection of increasingly focused auditory attention. The change from diffuse to highly focused attention is gradual over the frequency and intensity ranges examined, with each 1-dB increment in target intensity relative to the remaining components producing performance improvements equivalent to those produced by a 2% increase in frequency isolation. The results are modeled as bands of attention in the frequency and intensity domains. For attention directed by frequency isolation, there is a strong correspondence with auditory filters predicted by the power spectrum model of masking. These data also support the existence of an attention band of intensity, with a bandwidth of about 5–7 dB at the moderate levels used in this experiment.     

Auditory objects of attention: the role of interaural time differences.

The role of interaural time difference (ITD) in perceptual grouping and selective attention was explored in 3 experiments. Experiment 1 showed that listeners can use small differences in ITD between 2 sentences to say which of 2 short, constant target words was part of the attended sentence, in the absence of talker or fundamental frequency differences. Experiments 2 and 3 showed that listeners do not explicitly track components that share a common ITD. Their inability to segregate a harmonic from a target vowel by a difference in ITD was not substantially changed by the vowel being placed in a sentence context, where the sentence shared the same ITD as the rest of the vowel. The results indicate that in following a particular auditory sound source over time, listeners attend to perceived auditory objects at particular azimuthal positions rather than attend explicitly to those frequency components that share a common ITD.     

Informational masking and auditory attention.

Informational masking is broadly defined as a degradation of auditory detection or discrimination of a signal embedded in a context of other similar sounds; it is not related to energetic masking caused by physical interactions between signal and masker. In this paper, we report a systematic release from informational masking of a target tone in a nine-tone rapid auditory sequence as the target is increasingly isolated in frequency or intensity from the remaining sequence components. Improved target-tone frequency difference limens as isolation increases are interpreted as a reflection of increasingly focused auditory attention. The change from diffuse to highly focused attention is gradual over the frequency and intensity ranges examined, with each 1-dB increment in target intensity relative to the remaining components producing performance improvements equivalent to those produced by a 2% increase in frequency isolation. The results are modeled as bands of attention in the frequency and intensity domains. For attention directed by frequency isolation, there is a strong correspondence with auditory filters predicted by the power spectrum model of masking. These data also support the existence of an attention band of intensity, with a bandwidth of about 5-7 dB at the moderate levels used in this experiment.     

Vibrotactile--auditory interactions are post-perceptual

Vibrotactile stimuli can elicit compelling auditory sensations, even when sound energy levels are minimal and undetectable. It has previously been shown that subjects judge auditory tones embedded in white noise to be louder when they are accompanied by a vibrotactile stimulus of the same frequency. A first experiment replicated this result at four different levels of auditory stimulation (no tone, tone at detection threshold, tone at 5 dB above threshold, and tone at 10 dB above threshold). The presence of a vibrotactile stimulus induced an increase in the perceived loudness of auditory tones at three of the four values in this range. In two further experiments, a 2-interval forced-choice procedure was used to assess the nature of this cross-modal interaction. Subjects were biased when vibrotaction was applied in one interval, but applying vibrotaction in both intervals produced performance comparable to conditions without vibrotactile stimuli. This demonstrates that vibrotaction is sometimes ignored when judging the presence of an auditory tone. Hence the interaction between vibrotaction and audition does not appear to occur at an early perceptual level.     

Location and frequency cues in auditory selective attention

The roles of frequency and location cues in auditory selective attention were investigated in a series of experiments in which target tones were distinguished from distractors by frequency, location, or the conjunction of frequency and location features. When frequency separations in high-rate tone sequences were greater than 1 octave, participants were fastest at identifying targets defined by frequency and were sometimes faster at identifying conjunction than location targets. Frequency salience diminished as filtering demands were reduced: At long interstimulus intervals (> 2.0 s), performance was superior in location conditions. The results suggest that frequency may play a role in auditory selective attention tasks analogous to the role of spatial position in visual attention.     

言语的情绪韵律和情绪语义对听觉去信息掩蔽的作用

言语的情绪信息(情绪性韵律和情绪性语义)具有去听觉掩蔽的作用, 但其去掩蔽的具体机制还不清楚。本研究通过2个实验, 采用主观空间分离范式, 通过操纵掩蔽声类型的方式, 分别探究言语的情绪韵律和情绪语义去信息掩蔽的机制。结果发现, 情绪韵律在知觉信息掩蔽或者在知觉、认知双重信息掩蔽下, 均具有去掩蔽的作用。情绪语义在知觉信息掩蔽下不具有去掩蔽的作用, 但在知觉、认知双重信息掩蔽下具有去掩蔽的作用。这些结果表明, 言语的情绪韵律和情绪语义有着不同的去掩蔽机制。情绪韵律能够优先吸引听者更多的注意, 可以克服掩蔽声音在知觉上造成的干扰, 但对掩蔽声音在内容上的干扰作用很小。言语的情绪语义能够优先获取听者更多的认知加工资源, 具有去认知信息掩蔽的作用, 但不具有去知觉信息掩蔽的作用。     

Feature processing during high-rate auditory selective attention

Auditory event-related brain potentials (ERPs) and reaction times were, analyzed in a selective attention task in which subjects attended to tone pips presented at high rates-Xinterstimulua intervals [ISIs] of 40-200 msec). Subjects responded to infrequent target tones of a specified frequency (250 or 4000 Hz) and location (left or right ear) that were louder than otherwise identical tones presented randomly to the left and right ears. Negative difference (Nd) waves were isolated by subtracting ERPs to tones with no target features from ERPs to the same tones when they shared target location, frequency, or both frequency and location cues. Nd waves began 60-70 msec after tone onset and lasted until 252–350 msec after tone onset, even for tones with single attended cues. The duration of Nd waves exceeded the ISIs between successive tones, implying that several stimuli underwent concurrent analysis. Nd waves associated with frequency processing had scalp distributions different from those associated with location processing, implying that the features were analyzed in distinct cortical areas. Nd waves specific to auditory feature conjunction were isolated. These began at latencies of 110–120 msec, some 30-40 msec after the Nds to single features. The relative timing of the different Nd waves suggests that auditory feaure conjunction begins after a brief parallel analysis of individual features but before feature analysis is complete.     

Auditory spatial attention using interaural time differences

Previous probe-signal studies of auditory spatial attention have shown faster responses to sounds at an expected versus an unexpected location, making no distinction between the use of interaural time difference (ITD) cues and interaural-level difference cues. In 5 experiments, performance on a same-different spatial discrimination task was used in place of the reaction time metric, and sounds, presented over headphones, were lateralized only by an ITD. In all experiments, performance was better for signals lateralized on the expected side of the head, supporting the conclusion that ITDs can be used as a basis for covert orienting. The performance advantage generalized to all sounds within the spatial focus and was not dissipated by a trial-by-trial rove in frequency or by a rove in spectral profile. Successful use by the listeners of a cross-modal, centrally positioned visual cue provided evidence for top-down attentional control.     

Aptitude-related differences in auditory recognition masking

An auditory backward recognition masking task (Massaro, 1970) was administered to undergraduates selected for extreme scores on the Scholastic Aptitude Test and the Cattell Culture Fair Intelligence Test. In two experiments, significant group differences were found in threshold interstimulus intervals (ISIs) required for 75% correct tone recognition. High-aptitude subjects required less time for correct identification of target tones as “high” or “low”. They were more able to overcome the constraints imposed on time-dependent information processing by a masking tone. These group differences were interpreted as indicating better information processing efficiency (h (higher signal-to-noise ratio) in the high-aptitude subjects.     

Temporal binding of auditory spatial information across dynamic binaural events

Simultaneity judgments were used to measure temporal binding windows (TBW) for brief binaural events (changes in interaural time and/or level differences [ITD and ILD]) and test the hypothesis that ITD and ILD contribute to perception via separate sensory dimensions subject to binding via slow (100+ ms)—presumably cortical—mechanisms as in multisensory TBW. Stimuli were continuous low-frequency noises that included two brief shifts of either type (ITD or ILD), both of which are heard as lateral position changes. TBW for judgments within a single cue dimension were narrower for ITD (mean = 444 ms) than ILD (807 ms). TBW for judgments across cue dimensions (i.e., one ITD shift and one ILD shift) were similar to within-cue ILD (778 ms). The results contradict the original hypothesis, in that cross-cue comparisons were no slower than within-cue ILD comparisons. Rather, the wide TBW values—consistent with previous estimates of multisensory TBW—suggest slow integrative processing for both types of judgments. Narrower TBW for ITD than ILD judgments suggests important cue-specific differences in the neural mechanisms or the perceptual correlates of integration across binaural-cue dimensions.     

Feature assignment in perception of auditory figure

Because the environment often includes multiple sounds that overlap in time, listeners must segregate a sound of interest (the auditory figure) from other co-occurring sounds (the unattended auditory ground). We conducted a series of experiments to clarify the principles governing the extraction of auditory figures. We distinguish between auditory "objects" (relatively punctate events, such as a dog's bark) and auditory "streams" (sounds involving a pattern over time, such as a galloping rhythm). In Experiments 1 and 2, on each trial 2 sounds-an object (a vowel) and a stream (a series of tones)-were presented with 1 target feature that could be perceptually grouped with either source. In each block of these experiments, listeners were required to attend to 1 of the 2 sounds, and report its perceived category. Across several experimental manipulations, listeners were more likely to allocate the feature to an impoverished object if the result of the grouping was a good, identifiable object. Perception of objects was quite sensitive to feature variation (noise masking), whereas perception of streams was more robust to feature variation. In Experiment 3, the number of sound sources competing for the feature was increased to 3. This produced a shift toward relying more on spatial cues than on the potential contribution of the feature to an object's perceptual quality. The results support a distinction between auditory objects and streams, and provide new information about the way that the auditory world is parsed.     

Intelligence and information processing during an auditory discrimination task with backward masking: an event-related potential analysis

The relation between mental ability and auditory discrimination ability was examined by recording event-related potentials from 60 women during an auditory oddball task with backward masking. Across conditions that varied in intensity and in the interval between the target and masking stimuli, the higher ability (HA) group exhibited greater response accuracy, shorter response times, larger P3 amplitude, and shorter P3 latency to target stimuli than the lower ability (LA) group. When instructed to ignore the stimuli, the HA group exhibited shorter mismatch negativity latency to deviant tones than the LA group. The greater speed and accuracy of auditory discrimination for the HA group, observed here with multiple measures, is not a consequence of response strategy, test-taking ability, or attention deployment.     

Auditory grouping

Although our subjective experience of the world is one of discrete sound sources, the individual frequency components that make up these separate sources are spread across the frequency spectrum. Listeners. use various simple cues, including common onset time and harmonicity, to help them achieve this perceptual separation. Our ability to use harmonicity to segregate two simultaneous sound sources is constrained by the frequency resolution of the auditory system, and is much more effective for low-numbered, resolved harmonics than for higher-numbered, unresolved ones. Our ability to use interaural time-differences (ITDs) in perceptual segregation poses a paradox. Although ITDs are the dominant cue for the localization of complex sounds, listeners cannot use ITDs alone to segregate the speech of a single talker from similar simultaneous sounds. Listeners are, however, very good at using ITD to track a particular sound source across time. This difference might reflect two different levels of auditory processing, indicating that listeners attend to grouped auditory objects rather than to those frequencies that share a common ITD.     

汉语听觉词汇加工中声调信息对语义激活的制约作用

进行了三个跨通道启动词汇判断实验,探讨汉语听觉词汇加工中声调信息对语义激活的制约作用。实验一和二使用具有相同音段信息、但不同声调信息的双音节合成词（如“条约”和“跳跃”）作为听觉启动词,与其中一个词有语义关系的双字词作为视觉探测词。语义启动词与其配对的声调不匹配词在第一音节的声调、第二音节的声调、或两个声调上有所不同。实验三改变语义启动词的第一或第二音节的声调,以产生声调不匹配的假词启动项;实验三还同时变化了原来的声调与产生的声调之间的相似性。实验结果表明,声调不匹配的启动项目是否产生显著的启动效应取决于词汇竞争的环境、声调输入与深层声调表征之间匹配的程度,以及不匹配的声调所在的位置。文章从语音输入中的声调信息如何激活词汇表征、声调信息如何存储在心理词典中、声调对语义激活的制约作用如何受竞争环境的影响这三个方面讨论了研究的发现。     

The effect of tempo and tone duration on rhythm discrimination

Rhythm constancy was investigated in two experiments. In Experiment 1, the first rhythm was presented at one tempo, the second rhythm was presented at a different tempo, and subjects judged whether the relative timing structures were identical (i.e., was the first rhythm merely sped up or slowed down to generate the second rhythm?). For the nonmetric rhythms used here, subjects perceived the rhythm in terms of the figural grouping of the tones, and rhythm constancy broke down between slower and faster tempos. In Experiment 2, the first rhythm was presented in tones of one duration; the second rhythm was presented in tones of a different duration; and subjects judged whether the timing structures of the tone onsets were identical (the two rhythms were presented at the same tempo). These results indicated a high degree of constancy; subjects found it easy to discriminate the timing structures. These results confirm that the onset timing is critical to rhythm perception and suggest that rhythm perception at slower rates (2 elements/sec) differs from rhythm perception at faster rates (3–4 elements/sec).