Modal Fictionalism Generalized and Defended

In this paper, I will defend modalfictionalism. The paper has two parts. In thefirst part, I will suggest a revised version ofmodal fictionalism which can avoid certaintechnical problems. In the second part, I willpropose a nominalized version of modalfictionalism and a general scheme offictionalism for the nominalist.     

Fictionalism and Incompleteness

The modal fictionalist faces a problem due to the fact that her chosen story seems to be incomplete—certain things are neither fictionally true nor fictionally false. The significance of this problem is not localized to modal fictionalism, however, since many fictionalists will face it too. By examining how the fictionalist should analyze the notion of truth according to her story, and, in particular, the role that conditionals play for the fictionalist, I develop a novel and elegant solution to the incompleteness problem.     

Reactionary Fictionalism

Fictionalism is the view that the claims of a target discourse are best seen as being fictional in some way, as being expressed in some pretense manner, or as not being about the traditional posits of the discourse. The contemporary taxonomy of fictionalist views is quite elaborate. Yet, there is a version of fictionalism that has failed to develop and which corresponds to the earliest form of the view found in the history of philosophy, East and West. I call this view “reactionary fictionalism.” I argue that traces of reactionary fictionalism can be found in Classical Daoism, Madhyamaka Buddhism, and Pyrrhonian Skepticism. Reactionary fictionalism is a kind of fictionalism that differs from both the hermeneutic and revolutionary kinds discussed today. Hermeneutic fictionalism says we already treat the claims of a target discourse in a fictional manner. Revolutionary fictionalism recommends we all start treating the claims of a target discourse in a fictional manner for reasons mostly of social utility. Reactionary fictionalism recommends, by contrast, that only those concerned with obtaining maximal therapeutic release from the pathology of literally asserting genuine beliefs in the claims of a target discourse should react in a pretense manner to inescapable contexts demanding the use of the claims of that discourse. I aim to show that reactionary fictionalism was a technique utilized in premodern skeptical traditions as a means for enduring one's condemnation to near-permanent sociality. I recommend slotting reactionary fictionalism into our present taxonomy once we note that employing fictionalism can have a primarily therapeutic motivation and not merely a semantic, epistemic, or metaphysical one.     

Buddhist Fictionalism

Questions regarding what exists are central to various forms of Buddhist philosophy, as they are to many traditions of philosophy. Interestingly, there is perhaps a clearer consensus in Buddhist thought regarding what does not exist than there may be regarding precisely what does exist, at least insofar as the doctrine of anātman (no self, absence of self) is taken to be a fundamental Buddhist doctrine. It may be noted that many forms of Mahāyāna Buddhist philosophy in particular are considered to offer a quite austere ontology—a rather ‘empty’ account of what exists. Continuing in this vein of ontological austerity, here I will attempt to lay out a relatively novel approach to Buddhist ontology, viz. Buddhist fictionalism.     

Fictionalism and the attitudes

This paper distinguishes revolutionary fictionalism from other forms of fictionalism and also from other philosophical views. The paper takes fictionalism about mathematical objects and fictionalism about scientific unobservables as illustrations. The paper evaluates arguments that purport to show that this form of fictionalism is incoherent on the grounds that there is no tenable distinction between believing a sentence and taking the fictionalist's distinctive attitude to that sentence. The argument that fictionalism about mathematics is ‘comically immodest’ is also evaluated. In place of those arguments, an argument against fictionalism about abstract objects of any kind is presented in the last section. This argument takes the form of a trilemma against the fictionalist.

形而上学中的虚构主义

虚构主义是在过去20年间涌现出来的一种很有竞争力的反实在论理论。这种理论认为,某些领域(如数学、伦理)中的理论言谈所涉及的对象在本体论上是不存在的,因此这些理论言谈实际上都不是真的;然而我们可以把它们作为像虚构作品中的言谈一样继续使用下去。本文介绍和讨论了虚构主义的历史和理念,特别强调了这种理论在语言哲学、模态理论、数学哲学、道德哲学、真理理论等领域中的应用和发展。     

Deflating Compositionality

My approach to the compositionality of meaning is deflationary in two respects. In the first place it shows that there is no need for a Tarski-style truth-theoretic account of it, and thereby avoids the difficult methodological and technical problems that would have to be solved on such an account. And in the second place it shows that compositionality imposes no constraint whatsoever on theories of lexical meaning. On the first of these points I am opposing Davidson and the tradition in semantics that he instigated. On the second point I am opposing Fodor and Lepore who have denounced various accounts of lexical meaning (including the one I favour – the use theory) for not squaring with compositionality. My plan for this paper is to outline the deflationary approach, to sketch its advantages, and to defend it against objections that have been made by Davidson, Fodor and Lepore.     

Faith,Belief and Fictionalism

Is propositional religious faith constituted by belief? Recent debate has focussed on whether faith may be constituted by a positive non‐doxastic cognitive state, which can stand in place of belief. This article sets out and defends the doxastic theory. We consider and reject three arguments commonly used in favour of non‐doxastic theories of faith: (1) the argument from religious doubt; (2) the use of ‘faith’ in linguistic utterances; and (3) the possibility of pragmatic faith. We argue that belief is required to maintain a distinction between genuine faith, pretend faith, and fictionalist faith.     

Communication and Strong Compositionality

Ordinary semantic compositionality (meaning of whole determined from meanings of parts plus composition) can serve to explain how a hearer manages to assign an appropriate meaning to a new sentence. But it does not serve to explain how the speaker manages to find an appropriate sentence for expressing a new thought. For this we would need a principle of inverse compositionality, by which the expression of a complex content is determined by the expressions of it parts and the mode of composition. But this presupposes that contents have constituent structure, and this cannot be taken for granted. However, it can be proved that if a certain principle of substitutivity is valid for a particular language, then the meanings expressed by its sentences can justifiably be treated as structured. In its simplest form, this principle says that if in a complex expression a constituent is replaced by another constituent with a different meaning, the new complexhas a meaning different from the original. This principle is again inversely related to the normal compositional principle of substitutivity. The combination of ordinary and inverse compositionality is here called strong compositionality. The proof is carried out in the algebraic framework developed by Wilfrid Hodges and Dag Westerståhl.     

Fictionalism about musical works

The debate concerning the ontological status of musical works is perhaps the most animated debate in contemporary analytic philosophy of music. In my view, progress requires a piecemeal approach. So in this article I hone in on one particular musical work concept – that of the classical Western art musical work; that is, the work concept that regulates classical art-musical practice. I defend a fictionalist analysis – a strategy recently suggested by Andrew Kania as potentially fruitful – and I develop a version of such an analysis in line with a broad commitment to philosophical naturalism.     

Fictionalism and the informativeness of identity

Identity claims often look nonsensical because they apparently declaredistinct things to be identical. I argue that this appearance is notjust an artefact of grammar. We should be fictionalists about such claims,seeing them against the background of speakers' pretense that their wordssecure reference to a plurality of objects that are then declared to beidentical from within the pretense. I argue that it is the resultinginterpretative tension – arising from the fact that two things cannever be identical – that allows us to understand the real point ofsuch statements. This view also offers a new solution to Fege's puzzleof the informativeness of identity statements.     

Compositionality and sandbag semantics

It is a common view that radical contextualism about linguistic meaning is incompatible with a compositional explanation of linguistic comprehension. Recently, some philosophers of language have proposed theories of ‘pragmatic’ compositionality challenging this assumption. This paper takes a close look at a prominent proposal of this kind due to François Recanati. The objective is to give a plausible formulation of the view. The major results are threefold. First, a basic distinction that contextualists make between mandatory and optional pragmatic processes needs to be revised. Second, the pragmatic theory can with stand a Davidsonian objection only by rejecting the importance of a distinction between primitive and non-primitive semantic items. Thirdly, however, the theory is now open to a worry about how it should be understood: either the theory consists in a very broad functionalist generalization about communication, which makes it explanatorily inert, or it boils down to a highly particularist view about linguistic meaning. Finally, I argue that Recanati’s notion of ‘occasion meaning’ is problematic and suggest replacing it with the notion of speaker meaning, which is explanatorily more basic.     

Compositionality and the Manifestation Challenge

I address the question whether Dummetts manifestation challenge to semantic realism can be disarmed by reflection on the compositionality of meaning. Building on work of Dummett and Wright, I develop in §§12 what I argue to be the most formidable version of the manifestation challenge. Along the way I review attempts by previous authors to deploy considerations about compositionality in realisms favour, and argue that they are unsuccessful. The formulation of the challenge I develop renders explicit something which I argue to be implicit in Dummetts and Wrights presentations: that the challenge depends on a contention about the constitution of speakers states of declarative sentence understanding: i.e., that many such states incorporate abilities to recognize whether the associated sentences truth conditions are satisfied. In §3 I argue that reflection on the compositionality of meaning reveals, first, that this contention must be rejected by the realist, and second, that it is unmotivated. This result does not settle the debate over the manifestation challenge, but it implies that the onus of argument does not currently rest with the realist.     

The Compositionality Papers

Book Information The Compositionality Papers. The Compositionality Papers Jerry A. Fodor and Ernest Lepore, Oxford: Clarendon Press, 2002, viii + 212, US$65.00 (cloth), US$19.95 (paper) By Jerry A. Fodor. and Ernest Lepore. Oxford: Clarendon Press. Pp. viii + 212. US$65.00 (cloth:), US$19.95 (paper:),