Factors for radical creativity, incremental creativity, and routine, noncreative performance

This study extends theory and research by differentiating between routine, noncreative performance and 2 distinct types of creativity: radical and incremental. We also use a sensemaking perspective to examine the interplay of social and personal factors that may influence a person's engagement in a certain level of creative action versus routine, noncreative work. Results demonstrate that willingness to take risks, resources for creativity, and career commitment are associated primarily with radical creativity; that the presence of creative coworkers and organizational identification are associated with incremental creativity; and that conformity and organizational identification are linked with routine performance. Theoretical and managerial implications are discussed.     

Self-awareness, self-evaluation, and creativity

The present research examined when self-evaluation influences creativity. Based on objective self-awareness theory, the authors predicted that feeling able to improve would buffer against the detrimental effects of self-evaluation on creativity. Two experiments manipulated self-evaluation (varying self-awareness, Study 1; providing objective performance standards, Study 2) and perceived ability to improve potential failure on the creativity task. Self-evaluation reduced creativity (generating remote associates, finding unusual uses for a knife) in both experiments, but only when people did not expect to improve. When people felt able to improve, self-evaluation did not affect creativity. Connections between self-motives, creativity, and defensiveness are discussed.     

Freedom,boldness, and economic creativity

The improvement of mankind’s material well-being in a scarcity world is an unending struggle. It is no small, easy task but rather an arduous, difficult, continuous endeavor. Over time, the betterment of man’s condition requires, at a minimum, that economic growth outstrip population expansion. Although economic growth is so important, it is by no means automatic. Rapid economic growth is the outcome of a fine-tuned interaction between mankind and his environment. Maintaining sustained high levels of economic growth depends critically on the product of man’s genius and imagination — technological progress or economic creativity. It is therefore of the utmost importance to identify the determinants of technological improvement, the conditions under which it flourishes, and the characteristics of human beings that foster its development. This paper looks across countries to assess the effect of two potential factors, freedom and boldness, on economic creativity. He has a Ph.D. in economics from the University of Pittsburgh and has published articles on a wide variety of economics topics. His current research interests include the areas of economic growth, economic development, international trade, and global income distribution.     

Dual brain,creativity, and health

Abstract

The importance of the specialized functions of the right and left hemispheres is reviewed, with applications to education, treatment, creativity, and research duly noted. Experimental studies serve as indications of how alexithymia and creativity of the so‐called dual brain has been examined. Patients with com‐missurotomies, patients in psychotherapy, priests, creative subjects, and normal controls have been compared through a variety of experimental methods in terms of hemispheric specialization. The results indicate that creative and healthy subjects tend to have freer access to mutual interaction of both hemispheres without marked inhibitory or disinhibitory effects from either cerebral hemisphere.     

Family adaptability,cohesion, and creativity

With the awareness of the role stress plays in our lives, it is vital to gain a better insight into the family and assess its adaptability and cohesion. This study was conducted to examine the association between perceived family adaptability and cohesion levels and creativity. Eighty college students from interior design and hotel and restaurant administration classes received the How Do You Think Instrument and the Adaptability and Cohesion Evaluation Scales. Results indicated that the highest creativity scores characterized highly adaptable families. The lowest creativity scores were characteristic of rigid families (low adaptability). Adaptability within the family was a significant contributor in predicting creativity scores, but family cohesion was not.     

Intelligence,divergent thinking,and creativity

Guilford's Alternate Uses, Plot Titles, and Consequences tests were given to 94 university students along with the Concept Mastery Test, a traditional measure of verbal intelligence. These measures were correlated with an inventory of creative activities and accomplishments. A composite index of ideational fluency correlated with four creativity indices: Crafts, Performing Arts, Math-Science, and Total Creativity, while the Concept Mastery Test correlated with three indices: Art, Literature, and Total Creativity. With the exception that verbal intelligence was a better predictor of creativity in literature, no statistical difference between the predictive accuracies of ideational fluency and verbal intelligence were found. The need to re-examine the widely accepted association of divergent thinking with creativity was discussed.     

Power, stability of power, and creativity

Power hierarchies are an essential aspect of social organization, create stability and social order, and provide individuals with incentives to climb the hierarchical ladder. Extending previous work on power and creativity, we put forward that this relationship critically depends on both the stability of the power hierarchy and the relevance of creative efforts to power. Across three experiments, we show that when power positions are unstable, low power individuals are more flexible thinkers, are less avoidant and process information more globally. Consequently, they achieve more creative insights, especially when being creative is relevant to power. As such, when the power hierarchy is unstable, those lacking power hold the power to creativity.     

Psychoticism, creativity and dichotic shadowing

Thirty Ss were presented with pairs of words simultaneously under the instruction to shadow one ear while ignoring the other (the Focused Attention condition) or to shadow one ear while attempting to remember the other (the Divided Attention condition). Ss also completed the Eysenck Personality Questionnaire and two tests of creativity from the Wallach and Kogan battery. It was hypothesized that Ss high on EPQ Psychoticism and on creativity should make more shadowing errors of omission and intrusion. Creative Ss made significantly more errors of intrusion under the divided attention condition, but Ss scoring high on the Similarities subtest showed significantly fewer errors in the Focussed Attention condition. An ‘impulsivity’ interpretation of the data is tentatively advanced, and it is shown how this interpretation may explain a number of the anomalous findings in the psychoticism literature.     

Personality,creativity and latent inhibition

The current study set out to investigate the relationship between creativity, multi‐dimensional schizotypy and personality more generally. This was achieved by analysing scores on a range of personality scales and measures of creativity, where it was found that the creativity measures were more closely related to asocial‐schizotypy than positive‐schizotypy. The study also sought to test Eysenck's prediction ( 1993 , 1995 ) that, given the putative relationship between creativity and psychosis‐proneness, high psychosis‐prone scoring individuals and high creativity scoring individuals would demonstrate the same cognitive style of ‘overinclusiveness’ on latent inhibition. However, the results failed to demonstrate any evidence of a shared ‘widening of the associative horizon’ between high creativity and high psychosis‐prone scorers. The findings are discussed in relation to multi‐dimensional schizotypy. Copyright © 2006 John Wiley & Sons, Ltd.     

Stress, relaxation states, and creativity.

114 participants in four groups practiced 25 minutes of progressive muscle relaxation, yoga stretching, imagery, or a control task. Before and after training, participants took state versions of the Smith Quick Stress Test (which measures Somatic Stress, Negative Affect, and Worry) and the Smith R-State Inventory (which measures relaxation-related states Disengagement, Physical Relaxation, Mental Relaxation, Strength and Awareness, Joy, Love and Thankfulness, and Prayerfulness). After training, all took both the Verbal and Figural forms of the Torrance Tests of Creative Thinking. At posttest, groups' scores did not differ on Creativity; however, when compared with yoga stretching, imagery trainees had lower posttest scores on Negative Affect. Both yoga stretching and imagery trainees displayed higher scores on self-reported Physical Relaxation than did controls. Progressive muscle relaxation trainees had lower scores on Somatic Stress than controls. Paradoxically, for all relaxation trainees, Disengagement (feeling "distant, far away, indifferent") correlated positively with both Negative Affect and Physical Relaxation, suggesting that disengagement in relaxation may not lead to relaxation-induced anxiety but may help one cope with such anxiety.     

Taboo desires,creativity, and career choice

Two studies suggest that Protestants are more likely than Catholics or Jews to sublimate taboo desires into motives to pursue creative careers. The results are consistent with a synthesis of psychological and classic sociological theories. In Study 1, Protestants induced to have taboo sexual desires were likely to express a preference for creative careers (as opposed to prosocial ones). In Study 2, a national probability sample revealed that “conflicted” Protestants—who had taboo desires but tried to rule their sexual behavior according to their religious beliefs—worked in the most creative jobs. The effects in both studies did not hold for Catholics and Jews. Results suggest that intrapsychic conflict can partially motivate important real-world decisions, such as the choice to pursue a creative career.     

Perceptual symbols of creativity: Coldness elicits referential,warmth elicits relational creativity

Research in the cognitive and social psychological science has revealed the pervading relation between body and mind. Physical warmth leads people to perceive others as psychological closer to them and to be more generous towards others. More recently, physical warmth has also been implicated in the processing of information, specifically through perceiving relationships (via physical warmth) and contrasting from others (via coldness). In addition, social psychological work has linked social cues (such as mimicry and power cues) to creative performance. The present work integrates these two literatures, by providing an embodied model of creative performance through relational (warm = relational) and referential (cold = distant) processing. The authors predict and find that warm cues lead to greater creativity when 1) creating drawings, 2) categorizing objects, and 3) coming up with gifts for others. In contrast, cold cues lead to greater creativity, when 1) breaking set in a metaphor recognition task, 2) coming up with new pasta names, and 3) being abstract in coming up with gifts. Effects are found across different populations and age groups. The authors report implications for theory and discuss limitations of the present work.     

Henze on logic,creativity and art

Book Information The Indispensability of Mathematics. By Mark Colyvan. Oxford University Press. New York. 2001. Pp. 172. Hardback, £30.00.